1. Let’s Get Beyond Movie ! Understanding the Concepts of Intercultural Communication within Film
2. o v e r v i e w MY NAME IS KHAN a movie about fascinating love story, has an angle of religion and a world-shaking incident as a backdrop FROM THE INTERCULTURAL PERSPECTIVE show us the dynamic of intercultural interaction in multidimension of culture: religions, nations, and ethnic tell us about cultural clash that happened due to stereotype towards certain religion
3. the concept Sociocultural Identity (Martin & Nakayama) History in Intercultural Communication (Martin & Nakayama) Psychocultural Influence : Stereotype and Prejudice (Gudykunst) Mindfulness Perspective (Ting Too-Mey)
5. historical context History influences our understanding of who we are – as individuals, family members, cultural groups, and citizens of nation (Martin & Nakayama) Political, Intellectual, and Social Histories Family Histories National Histories Cultural Group Histories Recent, vivid events
6. psycho-cultural influence Stereotype : cognitive representation to other group that influence our feeling towards that group (Gudykunst) Prejudice : pre-judgement; negative attitudes toward a cultural group based on LITTLE or NO experience (Martin & Nakayama) Stereotype : tells us what a group is like Prejudice : how are we likely to feel about the group
7. mindful intercultural comm Mindful : readiness to shift one’s frame of reference; the motivation to use new categories to understand cultural or ethnic differences Mindless : the heavy reliance on familiar frame of reference, old routinized designs or categories, and customary ways of doing things. Mindfulness : shapes cultural harmony Mindlessness: potential bears cultural clash
8. step forward : high-low context classification Tidak terdapat afiliasi langsung dengan negara yang berkebudayaan high context atau low context. High context dan low context yang dimaksudkan adalah budaya yang terdapat dalam film yang bersangkutan, bukan negaranya. Berpijak pada kecenderungan, tidak dapat digeneralisasikan tiap budaya pada tiap-tiap film. Tidak berlaku mutlak, karena terdapat pergeseran orientasi budaya akibat adanya budaya global dan budaya populer.
23. Hubungan percintaan kolektivis, melibatkan pihak-pihak yang terkait dengan pasangan yang bersangkutan (konflik antar keluarga)identify the films : DRAMA