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29.5 Post-Impressionism ,[object Object],[object Object],[object Object]

Emotion and the Impressionists ,[object Object]

Figure 29-34 VINCENT VAN GOGH, The Night Café, 1888. Oil on canvas, approx. 2’ 4 1/2” x 3’. Yale University Art Gallery, New Haven (bequest of Stephen Carlton Clark, B.A., 1903).

Figure 29-35 VINCENT VAN GOGH, Starry Night, 1889. Oil on canvas, approx. 2’ 5” x 3’ 1/4”. Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest).

Figure 29-36 PAUL GAUGUIN, The Vision after the Sermon or Jacob Wrestling with the Angel, 1888. Oil on canvas, 2’ 4 3/4” x 3’ 1/2”. National Gallery of Scotland, Edinburgh.

Post-Impressionist Experimentation ,[object Object]

Figure 29-37 PAUL GAUGUIN, Where Do We Come From? What Are We? Where Are We Going?, 1897. Oil on canvas, 4’ 6 13/ 16” x 12’ 3”. Museum of Fine Arts, Boston (Tompkins Collection).

Figure 29-38 GEORGES SEURAT, detail of A Sunday on La Grande Jatte, 1884–1886.

Figure 29-39 GEORGES SEURAT, A Sunday on La Grande Jatte, 1884–1886. Oil on canvas, approx. 6’ 9” ´ 10’. The Art Institute of Chicago, Chicago (Helen Birch Bartlett Memorial Collection, 1926).

Post-Impressionist Form ,[object Object]

Figure 29-40 PAUL CÉZANNE, Mont Sainte-Victoire, 1902–1904. Oil on canvas, 2’ 3 1/2” x 2’ 11 1/4”. Philadelphia Museum of Art, Philadelphia (The George W. Elkins Collection).

Figure 29-41 PAUL CÉZANNE, The Basket of Apples, ca. 1895. Oil on canvas, 2’ 3/8” x 2’ 7”. The Art Institute of Chicago, Chicago (Helen Birch Bartlett Memorial Collection, 1926).

Figure 29-42 PIERRE PUVIS DE CHAVANNES, The Sacred Grove, 1884. Oil on canvas, 2’ 11 1/2” x 6’ 10”. The Art Institute of Chicago, Chicago (Potter Palmer Collection).

Figure 29-43 GUSTAVE MOREAU, Jupiter and Semele, ca. 1875. Oil on canvas, approx. 7’ x 3’ 4”. Musée Gustave Moreau, Paris.

Figure 29-44 ODILON REDON, The Cyclops, 1898. Oil on canvas, 2’ 1” x 1’ 8”. Kröller-Müller Museum, Otterlo, The Netherlands.

29.6 Symbolism ,[object Object],[object Object]

Figure 29-45 HENRI ROUSSEAU, The Sleeping Gypsy, 1897. Oil on canvas, 4’ 3” x 6’ 7”. Museum of Modern Art, New York (gift of Mrs. Simon Guggenheim).

Figure 29-46 EDVARD MUNCH, The Cry, 1893. Oil, pastel, and casein on cardboard, 2’ 11 3/4” x 2’ 5”. National Gallery, Oslo.

29.7 Sculpture in the Later 19 th Century ,[object Object],[object Object],[object Object]

Sculpture: Realist and Expressive ,[object Object]

Figure 29-47 JEAN-BAPTISTE CARPEAUX, Ugolino and His Children, 1865–1867. Marble, 6’ 5” high. Metropolitan Museum of Art, New York (Josephine Bay Paul and C. Michael Paul Foundation, Inc. and the Charles Ulrich and Josephine Bay Foundation, Inc., gifts, 1967).

Figure 29-48 AUGUSTUS SAINT-GAUDENS, Adams Memorial, Rock Creek Cemetery, Washington, 1891. Bronze, 5’ 10” high.

Figure 29-49 AUGUSTE RODIN, Walking Man, 1905, cast 1962. Bronze, 6’ 11 3/4” high. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington (gift of Joseph H. Hirshhorn, 1966).

Figure 29-50 AUGUSTE RODIN, Burghers of Calais, 1884–1889, cast ca. 1953–1959. Bronze, 6’ 10 1/2” high, 7’ 11” long, 6’ 6” deep. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington (gift of Joseph H. Hirshhorn, 1966).

29.8 The Arts and Crafts Movement ,[object Object],[object Object],[object Object],[object Object]

Objects and Décor of the Arts & Crafts ,[object Object]

Figure 29-51 WILLIAM MORRIS, Green Dining Room, 1867. Victoria & Albert Museum, London.

Figure 29-52 CHARLES RENNIE MACKINTOSH, reconstruction (1992–1995) of Ladies’ Luncheon Room, Ingram Street Tea Room, Glasgow, Scotland, 1900–1912. Glasgow Museum, Glasgow.

Figure 29-53 VICTOR HORTA, staircase in the Van Eetvelde House, Brussels, 1895.

Figure 29-54 AUBREY BEARDSLEY, The Peacock Skirt, 1894. Pen-and-ink illustration for Oscar Wilde’s Salomé.

Nature in Art Nouveau Architecture ,[object Object]

Figure 29-55 ANTONIO GAUDI, Casa Milá, Barcelona, 1907.

Figure 29-56 GUSTAV KLIMT, The Kiss, 1907–1908. Oil on canvas, 5’ 10 3/4” x 5’ 10 3/4”. Austrian Gallery, Vienna.

29.7 Architecture in the Later 19 th Century ,[object Object],[object Object],[object Object],[object Object]

New Technology and Materials ,[object Object]

Figure 29-57 ALEXANDRE-GUSTAVE EIFFEL, Eiffel Tower, Paris, 1889 (photo: 1889–1890). Wrought iron, 984’ high.

Figure 29-58 HENRY HOBSON RICHARDSON, Marshall Field wholesale store (demolished), Chicago, 1885–1887.

The Architecture of Louis Sullivan ,[object Object]

Figure 29-59 LOUIS SULLIVAN, Guaranty (Prudential) Building, Buffalo, 1894–1896.

Figure 29-60 LOUIS SULLIVAN, Carson, Pirie, Scott Building, Chicago, 1899–1904.

Figure 29-61 RICHARD MORRIS HUNT, The Breakers, Newport, Rhode Island, 1892.

Figure 29-62 LOUIS COMFORT TIFFANY, Lotus table lamp, ca. 1905. Leaded Favrile glass, mosaic, and bronze, 2’ 10 1/2” high. Private collection.

Discussion Questions ,[object Object],[object Object],[object Object],[object Object]

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