Kolhapur doc CHAPPAL

INTEGRATED DESIGN AND DEVELOPMENT PROGRAMME
Name of Craft : Kolhapuri Chappal (leather craft)
Name of CLUISTER : KOLHAPURI
SANCTION ORDER NO. : J12012/58/2017-18/DS/WR/SC/
1665
DURATION : 15th May to 14th August 2018
VENUE : Chaundeshwari Hall,Bajarwada,
Near Sangural High School,
Sangural, Karveer,KOLHAPURI-
416204

ACKNOWLEDGEMENT
I have taken efforts in this Integrated design & technical product
development project. However, it would not have been possible without
the kind support and help of many individuals and organizations. I would
like to extend my sincere thanks to all of them.
I am very thankful to DC (handicraft) for giving us this
opportunity to work for the product development project at
Sangural Kolhapur.
I would also like to thank COHANDS for organising this
workshop. And the Ngo Adhar Samajik Sanstha for facilitating
the workshop.
I would like to express my gratitude towards my parents &
member of DC (Handicraft) for their kind co-operation and
encouragement which help me in completion of this project.
I would like to express my special gratitude and thanks to
Artisans for giving me such attention and time.
My gratitude and appreciations also goes to Master Craft Person
in developing the product and people who have willingly helped
me out with their abilities.

PREFACE
This a whole project report of design and technical
development workshop of 3 months containing market survey
,material study, cluster survey, artisans skill development. The
whole workshop involves the complete study & survey of
market of the cluster. Integrated Design & Technical
Development Project on Kolhapuri Chappal was another
initiative through Indian govt handicrafts to uplift our authentic
traditional craft of the zone or Indian state. Organized by
Council of Handicrafts Development Corporations, and
sponsored by the O/o the Development Commissioner
(Handicrafts),Ministry of Textiles, Govt. of India is one step in
this direction Detailed survey of the area established the fact
that the artisans made the prototypes.

• OBJECTIVE
•INTRODUCTION
•ABOUT THE ORGANISATION
•AIMS AND OBJECTIVES
•ABOUT KOLHAPURI
•HISTORY
•DEMOGRAPHY
•GEOGRAPHY/CLIMATE
•MAP
•INTRODUCTION TO KOLHAPURI CHAPPALS
•TOOLS FOR KOLHAPURI CHAPPALS
•MATERIAL FOR KOLHAPURI CHAPPAL
•PROCEDURE FOR MAKING KOLHAPURI CHAPPAL
•INAUGUREATION INSIGHTS
•WORKSHOP INSIGHTS
•SKETCH AND PROTOTYPE
•PRODUCT LIST AND COST
•GROUP WORKSHOP
•KARIGARS AT WORK
•BIODATA OF THE ARTSAN
•LIST OF ARTISANS
•ARTISANS AT WORK
•DESIGNERS PROFILE
•SUCCESS STORY
•HIGHLIGHTS OF THE WORSHOP
•SOLUTION FOR RAW MATERIAL
•TRADITIONAL KOLHAPURII SOLE BASED
•NEW LEATHER DESIGNS
•DISPLAY OF PROTOTYPES
•EXHIBITION
•DESIGNERS VIEW
•SUGGESTIONS
•PERFORMANCE CUM ACHIEVEMENT REPORT
• CLOSING CEREMONY
CONTENT

OBJECTIVES
The basic objectives of the activity for implementation of this
activity for Design and Technology Development under the
Design and Technology Up gradation scheme provides design
and technical development for product development for
exports .The basic objectives are briefly narrated as follows:
To launches design and technology up gradation programme for
the handicraft and to promote export on long term basis to help
the master craft person /artisans/ entrepreneurs creation of
international network of design and product development
expertise.
To Conserve and encourage the survival and sustain of arts and
crafts. Adoption of new product designs in line with more
marketable styles and colors while drawing on women's existing
skills and knowledge of traditional styles.
Design is thus an important element of product development.
On the other hand, the design greatly depends on the
designer's abilities, and so-called standardization is insufficient,
It is therefore necessary to clarify what the requirements are at
the design stage in order to development a product strategically
and efficiently. The methodology for strategic product
development is a systematic activity from planning to
conceptualization stages Of product development that analyzes
the nature of the project, identifies effective design tools and
activities and guides the development of these tools in the
subsequent development stages.

The government is making continued effort to provide
equitable growth opportunities for Artisans, promotion of
income generation activities and credit self help groups
(SHG’s) for Artisans. To keep up with the competitions and to
abreast them with the latest of designs, trends, Technology
and marketing skills, the patrons organize Design & Technical
Development Workshops/Integrated Design & Technology
Development Projects under the capable professional
guidance of experts. which are organized by the Govt. along
with the Corporations , throughout the country besides the
other commercial links.
The 3 month program Design & Technical Development
Program on Kolhapuri Chappal, Sanction order No. :
J12012/58/2017-18/DS/WR/SC/1665 dated 15th May
sponsored by the DC Handicrafts, Ministry of Textiles, Govt. of
India, is one such step in this direction. The program was
organized by Council of Handicraft Development Programme is
working for the promotion of the art & culture of the society
and the overall upliftment of the underprivileged.
In this modern arena, life style has been changed completely
and accordingly, there has been a change in color , design and
even Technique/Process. From this point of view and to get a
good export order and marketable product, it was necessary
to have a series of product, which will suit to the
contemporary styles of living. This necessitates designer’s
intervention for finding a new solution to the traditional craft
skills in terms of design, product modification and aesthetics
for which, the program was proposed.
INTRODUCTION

ABOUT THE ORGANISATION
Council of Handicrafts Development Corporations (COHANDS)
was established in the year 1983-84 under the aegis of Govt .of
India, Ministry of Textiles, Office of Development Commissioner
(Handicrafts). COHANDS is an apex body of 29 State /Central
Govt. Handicrafts Development Corporations with its well-knit
members throughout the country. COHANDS assists grass-root
level organizations, NGOs, Self. Help Groups and small
entrepreneurs engaged in handicrafts for promotion of
handicrafts.
COHANDS vision is to :
Enhance and adapt skill through design interventions.
Enhance productivity and income through technical
upgradation. Assist sustainable development and responsible
working conditions assist in marketing through domestic and
international channels.

MISSION
Ensure the sustainable growth and development process
through collective
decision making and facilitation to bring about of
transformation in the Handicrafts
Sector. To uplift socially and economically, the grass root - level
artisans of Handicrafts
sector. To tail-off the middle man- ship by direct participation
of the people involved in the
Handicrafts Sector. Assist marginalized craftsmen (especially
women craftsperson’s) of rural areas to
become self-supporting and economically sound.
Provide assistance and guidance for achieving better social
environment.
Provide help and assistance in developing sound
environmental regime /
management. Preserves and protects the intellectual rights of
regions / communities.
Provides a forum for organizations and businesses, both
national and international to interact leading to a better
environment for development of crafts. COHANDS , as a
facilitator, provides necessary impetus, thrust and direction to
trade but does not engage itself in trade directly .It makes
concerted efforts to
maintain high quality and cultural heritage and it works as a
catalytic agent for
promotion of handicrafts in the domestic and global markets.
It preserves and
protects the intellectual rights of marginalized
region/communities.

AIMS & OBJECTIVES
To provide and arrange facilities for diffusion of knowledge,
exchange of ideas views and information on subjects of
common interest to Handicrafts
To promote, protect and develop common interests of the
various Handicrafts Development Corporation ,member
organisations and handicrafts sector in general
To maintain a technical library and /or reading room
To co- operate with various institutions and organisations in
India and abroad in the collection and exchange of
information pertaining to Handicrafts. To undertake
professional technical management, marketing and such
other consultancy services for the benefit of Handicrafts
To organise common service facilities, courses, seminars,
meetings, tours. To co- operate with other similar bodies,
institutions and associations in India with the
intention of furthering the objectives of the Council and with
his end in view to affiliate groups and bodies and also to get
itself affiliated to any other national or international
body, organisation or association, if considered necessary.

To organise, conduct and/ or participate in national and
international exhibitions and regional exhibitions. To seek
representation for the Council on the various Committees,
bodies, delegations,
teams etc. set up by the Central or any State Government in
connection with the development of Handicrafts.
To organise common service facilities, courses, seminars,
meetings, tours. To co- operate with other similar bodies,
institutions and associations in India with the
intention of furthering the objectives of the Council and with
his end in view to affiliate groups and bodies and also to get
itself affiliated to any other national or international
body, organisation or association, if considered necessary.
To seek representation for the Council on the various
Committees, bodies, delegations,
teams etc. set up by the Central or any State Government in
connection with the development of Handicrafts.

To establish Import -Export Consortia , organise sub-
contracting exchanges, common or joint marketing agencies
without any commission or profit , sponsor or run personal
training institute for the efficient conduct of the affairs of the
Handicrafts Development Corporations, member
organisations and other organisations in handicrafts sector.
Ancillary Objectives
With a view to promoting the foregoing objects the Council
shall have following ancillary and incidental objectives:
To acquire by way of lease ,sub-lease ,gift ,purchase,
exchange , hire or in any other manner , any movable or
immovable properties and any rights or privileges necessary
or convenient for the purpose of the Society and to construct
, erect, alter, improve and
maintain any building and to manage , develop , sell, let
dispose of , mortgage, or otherwise deal with all or any part
of the assets and rights of the Society with a view to
achieve its objects provided that prior approval of the Central
Government shall be obtained for the acquisition and sale of
immovable property anywhere in India or abroad. Funding
Agencies or from any other source and to conform to the
conditions on which such grants, other payments and
assistance may be received, provided that no benefaction
shall be accepted by the Society, which in its opinion involves
conditions or obligations contrary to its objects.
To establish, equip and maintain data bank, libraries, museum
for housing collection of handloom products, film slides,
photographs, prototypes, workshops, institutes,
organisations and such other facilities as are necessary for
carrying out the subjects of the Council.

To establish, maintain, control and manage Branches or Zone
or Regional Chapter of
the Council.
To levy fees or other charges for any services/facilities
provided by the Society to the
Subscribers of various schemes or general public at such
nominal or other rates as
specified by the Executive Committee.
To Prepare, print, publish issue, acquire and circularise
books, papers, periodicals,
bulletins, exhibits, films, slides, video tapes, gazetteers,
circulars and engage in such
other literary undertakings dealing with or having a bearing
on the objects of the
Society.
To create partnership, affiliation and other classes of
Professional or honorary or
technical membership of the Council and carrying such rights
and obligations as may
be decided by the Executive Committee.
To establish, equip and maintain data bank, libraries,
museum for housing collection of
handloom products, film slides, photographs, prototypes,
workshops, institutes, organisations and such other facilities
as are necessary for carrying out the subjects of
the Council. To establish, maintain, control and manage
Branches or Zone or Regional Chapter of
the Council. To levy fees or other charges for any
services/facilities provided by the Society to the
Subscribers of various schemes or general public at such
nominal or other rates as specified by the Executive
Committee.

ABOUT KOLHAPUR
Kolhapur district is the southernmost district of Maharashtra. Its
headquarter is Kolhapur City which is an ancient city. The city is
situated on the banks of river Panchganga and is known as
'Dakshin Kashi'. Kolhapur is seat of Goddess Mahalaxmi and is one
of the Shaktipeeths mentioned in Indian mythology. Kolhapur was
ruled by Silaharas, Yadavas, Rashtrakutas and Chalukyas in the
Medieval times.
The growth of district in modern times is fascinating. Chhatrapati
Shahu Maharaja is an architect and founder of modern Kolhapur.
The district is abundant in natural resources- water, soil, natural
vegetation, animal wealth and minerals. As a result, Kolhapur is
one of the most agriculturally advanced districts of not only
Maharashtra but also India. It is fast becoming an industrialised
district as well and already a front runner in agro-based
industries. Kolhapur District is one of the shining examples in the
Co-operative Movement of India. No doubt, the district has the
highest per capita income in the Maharashtra State and one of
the highest in the country.
KOLHAPURI has a distinct culture developed as a result of rich
history and its quality of people who have been front-runners in
various fields. Kolhapuri is famous in the country for production
of Jaggery, Kolhapuri Chappals, silver jewelry, and Indian
Wrestling.

HISTORY
• Kolhapur district is the southernmost district of
Maharashtra. Its headquarter is KOLHAPURI City which is an
ancient city. The city is situated on the banks of river
Panchganga and is known as ‘Dakshin Kashi’. KOLHAPURI is
seat of Goddess Mahalakshmi and is one of the Shaktipeeths
mentioned in Indian mythology. KOLHAPURI was ruled by
Silaharas, Yadavas, Rashtrakutas and Chalukyas in the
Medieval times.
• The growth of district in modern times is fascinating.
Chhatrapati Shahu Maharaj is an architect and founder of
modern Kolhapur. The district is abundant in natural
resources- water, soil, natural vegetation, animal wealth and
minerals. As a result, Kolhapur is one of the most
agriculturally advanced districts of not only Maharashtra but
also India. It is fast becoming an industrialised district as well
and already a front runner in agro-based industries.
KOLHAPURI District is one of the shining examples in the Co-
operative Movement of India. No doubt, the district has the
highest per capita income in the Maharashtra State and one
of the highest in the country.
• Kolhapur has a distinct culture developed as a result of rich
history and its quality of people who have been front-
runners in various fields. Kolhapur is famous in the country
for production of Kolhapur Special.

DEMOGRAPHY
• According to the 2011 census KOLHAPURI district has a
population of 3,874,015,This gives it a ranking of 65th in
India (out of a total of 640). The district has a population
density of 504 inhabitants per square kilometre (1,310/sq
mi). Its population growth rate over the decade 2001-2011
was 9.96%. Kolhapur has a sex ratio of 953 females for every
1000 males.
• The district has three centres of tourism, the Mahalaxmi
temple and karveer peeth jagadguru shankaracharya math
in the city of Kolhapur and Jyotiba temple in Wadi ratnagiri.
District KOLHAPURI
Population 3,876,001
Hindu 87.20 %
Muslim 7.39 %
Christian 0.40 %
Sikh 0.04 %
Buddhist 0.77 %
Jain 4.00 %
Others 0.03 %
Not Available 0.17 %

Footwear protects the feet from thorns, sharp stones, slushy
mud, sunny sand, uneven surfaces to provide a comfort and
luxury for the activities of man (human being) like walking,
running, jumping, climbing etc. The heel size is decided as per
the trend in the market and popular choice. Durability and
ornamentation are some of the aspect, which is looked into
from the time of civilizations of man.
The search for some of the ornamental and durable footwear
led to the city of Kolhapuri located in Maharashtra, India. As
the name itself Kolhapuri Chappal originated from Kolhapur,
which was especially made for the people of this place.
Chappals of hard core for the farmers and fancy chappals for
the office bearers in the courts of the king as per their need
(of work- rough use) were made. For which artisan’s had
tussle with themselves to find the ways in making best and
variety of chappals for the king according the artisan, who
runs chappal business since many generations.
INTRODUCTION TO KOLHAPURI CHAPPALS
Chamar community does the
hereditary occupation of tanning
and leatherwork. Subash Nagar of
KOLHAPURI is one of the main
areas, where about 15-20 artisans
together make the KOLHAPURI
chappals. Chappals are usually flat
with intricate patterns made of
the buffalo/ cowhide as the base
and fine goat leather for the
plaited strips to decorate the
upper portion.

TOOLS FOR KOLHAPURI CHAPPALS
Kolhapur, the city located in the southern part of Maharashtra is
very famous for their chappals. They are usually open-toed
chappals stitched with the tail of the buffalo hide and the
thickness of the chappal that makes them durable. Tools usually
used are for the basic operations of slicing, cutting and sewing of
the leather. Different parts of animal hide are used for making
various parts of the chappals. The good quality leather gives the
chappal a longer duration of usage of the chappal. The improved
manufacturing gives a result of better quality production. Also
templates for sole, insole, half-sole, instep bar, toe ring strap, etc.
Tools and Raw Materials used for Making of a chappal are:
• Country Hammer: It is used for thumping the sole and foot-
bed.
• Punches: Punches for punching design and numbers.
• Stamps: Stamps for stamping logo.
• Rappi (Knife): The leathers are cut according to the required
designs by using Rappi.
• Asti (hammer): Metal hammer used for beating the leather.
• Machine: Machine for cutting bubble or hirda.

• Sewing Machine: It is used to stitch the braided parts on the
patti’s of the chappal.
• Chandini Punch (Star pogar): It is used to make a design.
• Thodapaekapathi: Thodapaekapathi used to give wave effect
or zigzag type of designs patterns.
• Grinder: Grinder are used for smoothening the leather for
finishing raw materials.
• Palagana (Kargoti stone): Palagana helps to remove the outer
hair of buffalo or cow hide.
• Kurpa (hasiya) and Setall (aari): Thesel are also used as a knife
for cutting leather.
• Rubber Powder: Rubber Powder is used for sticking the
leather.
• Wooden Sponge: The wooden sponge are dipped into the
rubber solution and applied on the leather for pasting.
• Sisal Leaf (Cactus): Sisal Leaves are used to stitch the skin of
the buffalo/cow during bag tanning process.
• Nylon Threads: Nylon Threads are used to stitch the chappal
according to the customers demand.
• Broom: Broom is used to clean the working area where
leather is placed.
• Shoe Cream: It is used for polishing.
• Buffalo Leather: It is
foremost raw material for
making KOLHAPURIi
chappal.
• Seeds (vinchu) Tree: A
particular type of seeds
are kept in between two
layers of sole, to make
sound while walking.

MATERIAL FOR KOLHAPURI CHAPPALS

These chappal shave always been popular for their strength
and durability and have been named after its birthplace. The
module here tries to capture the entire art of making these
chappals and the manner in which the maker brings out its
famous form.

After thinking it thoroughly he set a small shop at roadside
corner & in no time his chappals became the talk of
the town & saudagars from every corner started coming
to him with personal demands to be incorporated in the
design along with their customized foot size. The young
man wonders to himself “Once a neglected no one, now
people from every corner come to buy these chappals
from me” & with that thought he gets back to making
again….”
To make a Kolhapuri Chappal craftsmen use many tools
like Hammers of different sizes, Punches, Rappi (Knife),
Sewing Machine. These chappals are made from
processed leather. Mainly buffalo, goat or bull hides are
used in the manufacturing of these. This leather is
processed and grazed.
PROCEDURE OF MAKING OF KOLHAPURI CHAPPALS

The process of making the chappal starts with removing
the hair from the hide. Salt & lime powder is mixed with
water in a big tank & the hides are soaked in it for four
days.
As the skin becomes softer it is stitched with Sisal leaves
into a bag form. Harada(Myrobalan fruits) pieces, Babul
pieces with water are mixed in a wooden bucket called as
Teep for about five days. This mixture is filled in the leather
bag in the upper portion for about 7-8 days and further the
mixture is filled to the lower portion and tied for about 8
days.

The craftsmen prepare a surface of babul tree for drying the
leather under the sun for 2-3 days & afterwards they are
kept in storage. Leather is washed again to make it soft &
simple tools are used to make it ever smoother. After
a design & the size are finalized, the craftsmen use a stencil
to mark the shape & size. Layers after layers are stacked
together to prepare a sole, to bind those leather or cotton
threads are used to stitch them together.
After the sole is ready, the craftsmen proceed to make different
types of decorative straps using soft leather stripes & punched
leather pieces. These different types of knots & stitches are one
of the main qualities of a Kholapuri chappal & sometimes local
adhesives are also used to stick different parts. Lastly a shoe
cream, a color mixed with little water is used to get a yellowish
or reddish color.

The straps are attached to the base part of the chappal &
for ornamentation purpose different type of threads
and zari are used. Named after the city, Kolhapuri chhapals
have a very strong character, one that is easily identified by
their aesthetics. Local craftsmen also have different names
for these chappals; like Kapsae, Korwnda, Nachemaruie,
Agutapata, ShahuMaharaj, Maherban, LadiesPaper etc.

INNAUGRATION INSIGHTS
Mr Basant ji was the guest who is a social worker to uplift
artisans and the Indian Handicrafts. He was invited to
inaugrate with the assistant director Mr Chandrashekhar
Singh and the designer Ms Neeji Bansal.

SKETCH AND PROTOTYPES
POM POM LACE KOLHAPURI CHAPPAL

PUNCH KOLHAPURI AND THREAD STYLING

POM POM AND LACE KOLHAPURI

POM POM LACE AND BEADS KOLHAPURI

POM POM AND GOTA LACE KOLHAPURI

PUNCH AND EMBOSSED KOLHAPURI

FABRIC UPPER KOLHAPURI

LEATHER STRANDS KOLHAPURI

MODERN CONTEMPORARY LEATHER CHAPPAL

GEOMETRIC PATTERN FABRIC UPPER KOLHAPURI

LACE MIX KOLHAPURI

MIRROR LACE AND EMBOSSED LEATHER KOLHAPURI

LACE FABRIC AND POM POM MIX KOLHAPURI

PUNCH WITH MINIMAL DESIGN KOLHAPURI

MODERN CONTEMPORARY

TWO STRAP MINIMAL CHAPPAL

CONTEMPORARY LEATHER CHAPPAL

PUNCH KOLHAPURI

SPIRAL THREAD CONTEMPORARY LEATHER CHAPPAL

TWO STRAP LEATHER CHAPPAL

PUNCH LEATHER CHAPPAL

PUNCH KOLHAPURI CHAPPAL

CONTEMPORARY TOE CHAPPAL

LACE AND EMBOSSED KOLHAPURI CHAPPALS

EMBOSSED LEATHER KOLHAPURI

S.No. 1 2 3 4
Product
Name
Fabric Upper
Kolhapuri
Fabric Upper
Kolhapuri
Fabric
Upper
Kolhapuri
Fabric
Upper
Kolhapuri
Product
Code
KC/S/1 KC/S/2 KC/S/3 KC/S/4
Product
Material Fabric ,
Leather &
Thread
Fabric
,Leather &
Thread
Fabric
,Leather &
Thread
Fabric
,Leather &
Thread
Price Rs. 600 Rs. 750 Rs. 600 Rs. 600
Size 8 7 8 8
PRODUCT LIST AND COST

S.No. 5 6 7 8
Product
Name
Geometric
pattern fabric
upper
kolhapuri
Lace mix
kolhapuri
Lace fabric
and pom
pom mix
kolhapuri
Mirror lace
and
embossed
leather
kolhapuri
Product
Code
Product
Material Fabric
,Leather &
Thread
Lace ,
Leather&
Thread
Pom Pom,
Lace ,
Leather&
Thread
Pom
Pom,Lace ,
Leather&
Thread
Price Rs. 700 Rs. 750 Rs. 750 Rs. 700
Size 7 8 7 7

S.No. 9 10 11 12
Product
Name
Lace and
embossed
kolhapuri
chappals
Modern
contemporary
leather
chappal
Modern
contemporary
leather
chappal
Pom pom
lace
kolhapuri
chappal
Product
Code
Product
Material Lace,
Leather,
Thread
Leather,
Thread
Leather,
Thread
Pom Pom,
Lace,Leath
er, Thread
Price Rs. 800 Rs. 800 Rs. 1100 Rs. 750
Size 8 8 9 8

S.No. 13 14 15 16
Product
Name
Contemporary
leather
chappal
Contemporary
toe chappal
Two strap
minimal
chappal
Spiral thread
contempora
ry leather
chappal
Product
Code
KC/S/13 KC/S/14 KC/S/15 KC/S/16
Product
Materi
al
Leather,
Thread
Leather,
Thread
Leather,
Thread
Leather,
Golden
thread
Price Rs. 1100 Rs. 1000 Rs. 950 Rs. 1150
Size 9 9 9 9

S.No. 17 18 19 20
Product
Name
Two strap
leather
chappal
Modern
contemporary
leather
chappal
Modern
contemporar
y
Punch
leather
chappal
Product
Code
KC/S/17 KC/S/18 KC/S/19 KC/S/20
Product
Material Leather,
Thread
Leather,
Thread
Leather,
Thread
Leather,
Thread
Price Rs. 1000 Rs. 950 Rs. 900 Rs. 1000
Size 9 9 9 9

S.No. 21 22 23 24
Product
Name
MODERN
CONTEMPOR
ARY
Punch
leather
chappal
Punch
leather
chappal
Pom pom
lace and
beads
kolhapuri
Product
Code
KC/S/21 KC/S/22 KC/S/23 KC/S/24
Product
Material Leather,
Thread
Leather,
Thread
Embossed
Chip,Leather,
Thread
Lace, fabric,
Pom Pom,
Leather,
Thread
Price Rs. 850 Rs. 1000 Rs. 950 Rs. 800
Size 8 9 8 8

S.No. 25 26 27 28
Product
Name
Pom pom and
lace kolhapuri
Lace fabric
and pom
pom mix
kolhapuri
Punch
kolhapuri
and thread
styling
Embossed
leather
kolhapuri
Product
Code
KC/S/25 KC/S/26 KC/S/27 KC/S/28
Product
Material Pom Pom,
Fabric,
Lace,Leather
Pom Pom,
Fabric,
Lace,Leather
Thread,
Leather
Thread,
Leather,
Price Rs. 900 Rs. 850 Rs. 800 Rs. 850
Size 8 8 8 8

S.No. 29 30 31 32
Product
Name
Punch
Kolhapuri
Punch
Kolhapuri
Punch
Kolhapuri
Punch
Kolhapuri
Product
Code
KC/S/29 KC/S/30 KC/S/31 KC/S/32
Product
Material Leather,
Thread
Leather,
Thread
Leather,
Thread
Leather,
Thread
Cost Rs. 900 Rs. 650 Rs. 700 Rs. 800
Size 8 8 9 9

S.No. 33 34 35 36
Product
Name
Leather
strands
kolhapuri
Leather
strands
kolhapuri
Leather
strands
kolhapuri
Fabric
upper
kolhapuri
Product
Code
KC/S/33 KC/S/34 KC/S/35 KC/S/36
Product
Material Leather,
Thread
Leather,
Thread
Leather,
Thread
Fabric,
Beads,
Leather,
Thread
Price Rs. 900 Rs. 950 Rs. 900 Rs. 950
Size 8 8 9 8

S.No. 37 38
Product Name Lace fabric and
pom pom mix
kolhapuri
Pom pom and gota
lace kolhapuri
Product Code KC/S/37 KC/S/38
Product
Material Pom-Pom,
leather, Thread
Pom-Pom, Lace,
Leather
Cost Rs. 600 Rs. 800
Size 8 8

Name of Artisan : Dattatray Shankar Satpute
Spouse Name : Mrs. Anandi Dattatray Satpute
Date of Birth :01-06-1962
Address : A/p Sangrul, Karvir, Dist- KOLHAPURI
Mobile : 9604214605
Art Details : Leather KOLHAPURIi Chappals, Leather
Bags, Leather Frames and other Leather Goods.
Pancard No :DKFPS7209F
Aadhar Card No :961113882530
Bank Details Bank of Maharashtra
A/c:- 60166560647
IFSC:- MAHB0000497
Caste Scheduled Caste
BIODATA OF MASTER CRAFT PERSON
Details about the art work towards society :
Completed one year training from the DC (H) schemes and
assistance in the year 1992 Accolades - Many news
artciles are published in newspaper about the artistic work
done for the society Participated in DC (H) Exhibition,
Vijaywada in the year 2007 Participated in IITF Pragati
Maidan Exhibition, New Delhi in the year 2009 Received
an prestigious award from Charmakar Samaj Seva Sangh for
contributing towards social cause in developing the art in
the year 2009 Participated in MSSIDC Exhibition,
Aurangabad in the year 2010 Participated in Dilli Haat
Exhibition, New Delhi in the year 2010

AWARDS RECEIVED BY THE MASTER CRAFT PERSON

Mobile No. Bank Name Account No. IFSC Code Artisans Card No
Date of
Issue
Date of Birth Home Address Panchayat Name
9604214605
Bank of
Maharashtra
60166560647 MAHB0000497 WRKPC 238967 03-Feb
01-06-62 Sangrul, Karveer Kolhapur Sangrul Grampanchayat
9604214605
Bank of
Maharashtra
60166560647 MAHB0000497 WRKPC 239157 03-Feb 01-06-65 Sangrul, Karveer Kolhapur Sangrul Grampanchayat
9923658816
Bank of
Maharashtra
60303075578 MAHB0000497 WRKPC 144448 27-Jun 01-01-74 Sangrul, Karveer Kolhapur Sangrul Grampanchayat
9665571516
Bank of
Maharashtra 60060394519
MAHB0000497 WRKPC 238976 03-Feb 01-06-70 Sangrul, Karveer Kolhapur Sangrul Grampanchayat
9049265822
Bank of
Maharashtra
9049265822
Bank of
Maharashtra
8983118082
Bank of
Maharashtra
9552351681
Bank of
Maharashtra
8983118082
Bank of
Maharashtra
9921517694
Bank of
Maharashtr
a
60195229235
MAHB000168
0
WRKPC
238811
03-Feb 26-06-79 Sangrul, Karveer Kolhapur Sangrul
Grampanchayat
7798853067
Bank of
Maharashtr
a
25020958544
MAHB000049
7
WRKPC
145957
27-Jun 01-06-51 Sangrul, Karveer Kolhapur Sangrul
Grampanchayat
7798853067
Bank of
Maharashtr
a
25020958544
MAHB000049
7
Wrkpc 144502 27-Jun
01-06-46
Sangrul, Karveer Kolhapur Sangrul
Grampanchayat
7709294313
Bank of
Maharashtr
a
60277464460
MAHB000049
7
WRKPC
144428
27-Jun 01-06-61 Sangrul, Karveer Kolhapur Sangrul
Grampanchayat
7066413939
Bank of
Maharashtr
a
20219202875
MAHB000049
7
WRKPC
238630
03-Feb
01-06-71
Sangrul, Karveer Kolhapur Sangrul
Grampanchayat
7798376037
Bank of
India
0906101100022
86
BKID0000906
WRKPC
238855
03-Feb 01-06-62
Savarde tarf Asandoli Panhala
Kolhapur
Savarde tarf
Grampanchayat
8055329192
Bank of
India
0906101100096
64
BKID0000906
WRKPC
238680
03-Feb 06-10-91
Kolhapur
Savarde tarf
Grampanchayat
7798376037
Bank of
India
0906105100096
40
BKID0000906
WRKPC
238858
03-Feb 05-09-94
Kolhapur
Savarde tarf
Grampanchayat
9579518090
Bank of
India
0906121000017
10
BKID0000906
WRKPC
238860
03-Feb 01-06-75
Kolhapur
Savarde tarf
Grampanchayat
8805849097
Bank of
India
0906101100117
47
BKID0000906
WRKPC
238852
03-Feb 01-06-78
Kolhapur
Savarde tarf
Grampanchayat
8805168875
Bank of
India
0906101100119
76
BKID0000906
WRKPC
240240
15-Feb 01-06-92
Kolhapur
Savarde tarf
Grampanchayat
8805168875
Bank of
India
0906105100051
01
BKID0000906
WRKPC
240237
15-Feb 01-06-80
Kolhapur
Savarde tarf
Grampanchayat
8805168875 Bank of India 090610110011977 BKID0000906 WRKPC 238686 03-Feb 18-05-91
Savarde tarf Asandoli Panhala Kolhapur
Savarde tarf
Grampanchayat
8007025128 Bank Of india 090610500004665 BKID0000906 WRKPC 238637 03-Feb 01-06-73
Savarde tarf Asandoli Panhala Kolhapur
Savarde tarf
Grampanchayat
9921841134
Bank of
Maharashtra
60256703425 MAHB0000497 WRKPC 238970 03-Feb
8698943557
Bank of
Maharashtra
60203944781 MAHB0000497 WRKPC 238969 03-Feb
9168139011
Bank of
Maharashtra
9579518090
Bank of India 090612100001880 BKID0000906 WRKPC 238861 03-Feb 21-06-98 Savarde tarf Asandoli Panhala Kolhapur
Savarde tarf Grampanchayat
8636712030
Bank of
Maharashtra
8308927866 Bank of India 090610110007123 BKID0000906 WRKPC 239051 03-Feb 01-06-52 Savarde tarf Asandoli Panhala Kolhapur Savarde tarf Grampanchayat
8421544330 Bank of India 090610110012857 BKID0000906 WRPKC 42883 23-Mar
01-06-75 Savarde tarf Asandoli Panhala Kolhapur
9763999337 Bank of India 090610110001725 BKID0000906 WRKPC 238676 03-Feb 01-06-77 Savarde tarf Asandoli Panhala Kolhapur
LIST OF ARTISANS

9763999337 Bank of India 090610110006431 BKID0000906 WRKPC 240238 15-Feb 01-06-88 Savarde tarf Asandoli Panhala Kolhapur
9503698460 Syndicate Bank 5.2302E+13 SYNB0005230 WRKPC 240248 15-Feb 12-03-93 kanchanwadi kolhapur Kanchanwadi Grampanchayat
9503698460 Bank of India 092310110006492 BKID0000923 WRKPC 240243 15-Feb 16-10-91 kanchanwadi kolhapur Kanchanwadi Grampanchayat
9503698460
State Bank Of
India
33928649050 SBIN0012691 WRKPC 240219 15-Feb 01-01-68 kanchanwadi kolhapur
Kanchanwadi Grampanchayat
9503698460 Bank of India 090210110012636 BKID0000902 WRKPC 240313 15-Feb 01-06-66 kanchanwadi kolhapur Kanchanwadi Grampanchayat
8007520892
State Bank Of
India
33396716585 SBIN0011136 WRKPC 144868 27-Jun
01-06-68 kanchanwadi kolhapur
9158645478 Bank of India 091910110004005 BKID0000919 WRKPC 240212 15-Feb 07-12-71 kanchanwadi kolhapur
9975259935
Bank of
Maharashtra
60146623035 MAHB0000483 WRKPC 240241 15-Feb 01-06-88 kanchanwadi kolhapur
9975259935
Bank of
Maharashtra
60146623035 MAHB0000483 WRKPC 240234 15-Feb 02-05-78 kanchanwadi kolhapur
8308927866 Bank of India 090610110007123 BKID0000906 WRKPC 239050 03-Feb 01-09-69 Savarde tarf Asandoli Panhala Kolhapur Savarde tarf Grampanchayat
Mobile No. Bank Name Account No. IFSC Code Artisans Card No
Date of
Issue
Date of Birth Home Address Panchayat Name
LIST OF ARTISANS

SUCCESS STORY OF THE WORKSHOP
The designs made during the workshop are already live all
around the globe on amazon and flipkart .
It gives me a great pleasure to be a part of their success story
KOLHAPURIi Chappals, renowned heritage product has a long
royal history dated back to 18th century. This heritage
product has marked it present not only in India but also
globally.
But in the last 10 to 20 years the demand for this product
seemed to be decreasing due to various factors like
availability of raw material, technological interventions,
lacking new generations participation, new design
interventions and the daily wages of the artisans.
But in the last 3 to 5 years there came a twist in this
KOLHAPURIi chappal industry when : Adhar Samajik Santha,
NGO: started working with the master craftsman of these
heritage products. They were successful in turning their
minds to work on these heritage products and they showed
faith towards us as we are successful in providing them the
marketing platform.
Actual story started when the Office of Development
Commissioner (DC-H) along with our NGO started helping
these artisans in every small problem of them related to
these products. We have helped them in providing the:
Artisan Card of DC (H) Office and all the facilities that comes
along with this cards.
As we say, Icing on the cake, was the workshop of Integrated
Design and Development of KOLHAPURIi Chappals organized
by DC (H) from 15th May To 14th August 2018.

All the facilities were provided by the office including raw
material, footwear designer (Ms. Neeji Bansal) and daily
wages to all the artisans.
In this workshop our Master Artisan (Mr. Dattatray Satpute)
with the help of designer and all other craftsman were
successful in developing 40 new prototypes and few other
allied leather accessories.
Our AD Mr. Chandrashekhar Singh Sir was very helpful in
solving each our constraints that came across while running
this workshop. This prototypes are now launched on online
mega stores like Amazon and Filpkart. Also these products have
been showcased in various exhibition cum sale like
Mahakumbhamela held at Kanerimath KOLHAPURI,
Gandhishilp Bazar held at Goa and exhibition at Ambiente
India at Pragati Maidan, New Delhi.
And last but not the least, the change that this workshop has
created on our artisans mind is very tremendous. Our master
artisan Shri Dattatray Satpute (60 Years) is now very much
enthusiastic in creating the new prototypes and is now
contributing in developing new generation who is willing in this
good cause, which will not only empower the new artisans but
will also give them a good dignified life. In this year 2018, he
has also participated in National Award competition by DC (H).
Our one more artisan Mr. Sarjerao Mane, is now participating
in new exhibition which are held by DC(H) and those making
literate to fellow artisans by conveying them the facilities that
the DC(H) office is offering to the genuine artisans. And now,
here comes are group of lady artisans who are more than
happy as they see that now their future is very bright as they
along with their family will be able to live a successful and a
satisfied life.

HIGHLIGHTS OF THE WORKSHOP
Operations of Traditional KOLHAPURIi Chappal

SOLUTION FOR RAW MATERIAL
•Directly getting the export quality leather produced from the
tanneries.
•Above images are from the latest Resourcing trip done by Atish
Chavan
•Once produced the raw material will be stored at Raw Material
Bank for further distribution.

Traditional KOLHAPURIi sole base is used. The
upper is given a new look with new punch design

Traditional KOLHAPURIi sole base is used. The upper is
given a solid color keeping simplicity.

Traditional KOLHAPURIi sole base is used. The
upper is embellished with traditional fabrics like
jari, khan, banjara giving it a traditional look.

Traditional KOLHAPURIi sole base is used. The upper is
embellished with pom pom lace giving it a traditional look.

New Leather Designs- Designs are done according to the
latest design and customer needs. The sole shape is totally
different from KOLHAPURIis. Single colour tone gives an
esthetic look with black chrome used for insole and upper.

Display of Prototypes at Ambiente India- Pragati Maidan, New Delhi

Exhibition cum Sale of new Prototypes at Gandhi Shilp
Bazaar held at Margao, Goa from 28-10-18 to 06-11-18.

Exhibition of new Prototypes at Maha - Kumbhmela held
at Siddhagiri Kanerimath, KOLHAPURI from 23-10-18 to
27-10-18. Master Artisan Mr. Dattatray Satpute exhibited
the new prototypes developed in the workshop.
Mr. Aatish Chavan explaining the new concept developed in
leather chappals with Shri. Mohan Bhagwat (RSS, Chairman) and
Swamiji Kadh Siddheshwar Maharaj, Kanerimath.

A detailed survey of the area was made to access the existing
Embroidery /Phulkari craft & Technique, the available
materials, technical inputs, production process and
marketability of product etc. for the development of new
designs, which can easily, marketed.
As we are going to making Embroidery/Phulkari, base line
survey have to be done before starting the design Program
keeping certain things in the mind such as the present
condition of craft and its practitioners, to know the basic
requirement, the problem and its solutions and last but not
the least for the scope & possibilities of the crafts and its
practitioners. How one can get them in the line of current
world of competition. What are their needs and wants,
required facilities, and about their habits.
I started the work by keeping basic aspects of the
development like locating the active area i.e. geographically
where the craft stands, which level of skills craftsperson
have, basic difficulties lies around the area so that it could
easy to reach and rectify the problem. The result reveals
heartening facts. No doubt, they are skilled and deserve
every right to get all the recognition, others enjoying.
The crafts persons practicing the art for the household
needs and for some small business point. There products of
concerned and the designs were of limited stock, as they do
not have exposure to the competition.
DESIGNER’S VIEW

The ultimate story is that by giving proper guidance regarding
the designs, ability to judge the trend and requirement of the
market, technical inputs, providing proper marketing network,
refinement of taste and choices to be built up among the
artisans to enable them to put an overall performance on the
craft to ensure end users satisfaction.
The crafts persons at Vill-Akhalgarh ,Distt.-Pathankot
(Punjab)practicing the craft were too organized, technically
sound and easy access to connect internationally & domestic
market itself . The crafts persons were talented and practicing
it as earning from this plays a major part for their bread &
butter. The crafts persons practicing, is just for the sake of their
survival not for their growth and business. There products of
concerned and the designs were limited, as they don’t have
exposure to the outer world of competition. They are the
highly skilled but raw, easily can be mould into any shape of
desire.
It can be underlined as mention below-
•Practiced by females of the family
•They lack innovation
•Lack the Knowledge of trend due to market exposures
•Limited product range and designs
•They do not know the techniques to cure, processing &
finishing
•They don’t have the proper marketing channel & costing
method

As a designer, I want to convey the message that to promoting
Indian handicrafts by developing handicrafts artisan cluster
and cells into professionally managed and self-reliant
community enterprises on the principles of affective member
participation and mutual co-operation. The thrust of the
scheme is on a projected need based integrated approach for
craft persons leading their empowerment.
The main objective should be as-
•Make empower artisans by making the active entrepreneurs
cum primary stake holders in the process of development and
bringing them to a visible platform for easy access to domestic
& overseas markets.
• Upgrade artisan’s skill through appropriate design and
technology intervention to enable them to use quality raw
material, tools and equipment to produce value-added items.
•Provided adequate infrastructure support for improved
quality and productivity and to enable artisan’s access to a
larger market segment, both domestic and international.
•Ensure effective collective participation of all members
involved in production and marketing process for optimal
growth in human resource, production, and income.
•Create centers of excellence (based on the philosophy of
collective enterprises) with well integrated linkages
At last, I want to wish the artisans very all the best of luck
for their future.
SUGGESTIONS

1.Name Of Organization :
2. Name of Craft :
3 .Sanction Order No. :
4 .Detail Of Venue :
5 Date of Commencement :
6. Date Of Completion :
7.No. of Beneficiaries : 40
8.No. of Prototypes
Developed : 38
Council of handicraft Development
Programme
KOLHAPURIi Chappals
J12012/58/2017-18/DS/WR/SC/1665
14TH AUGUST
15TH MAY
Chaundeshwari Hall,Bajarwada,
Near Sangural High School,
Sangural, Karveer,KOLHAPURI-
416204
PERFORMANCE CUM ACHIEVEMENT REPORT

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