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Shavian Metatheater from A to Z
by Jean Reynolds
A SHIP A SHOP
Judi Dench
starred in a 1979
production.
A SHIP A SHOP
 No preface
 No afterword
 No politics
 No economics
 No social commentary
 No hint of the war
that’s coming
“Yet a name as signifier of
social differences is always
an aporia that indicates
singularity, individuality,
and unique identity while
always being socially and
kinship based, always
someone else’s name—‘In
the name of the father,’ as
Lacan put it.” (Gahan 221)
Peter Gahan says that it’s a
play about language.
 Reverse love chase
 “Comedy of
disillusion”
 Theatrical skill
“Shaw’s Comedy of
Disillusionment”
“Comprehension of events in the
theater is always provisional
and—until the end of
performance—necessarily
incomplete. In its temporal
unfolding, dramatic plot is a
string of inferences, the
moment's best guess.”
Stanton B.
Garner Jr.
 Compression
 Authorial absence
 Instability
Compression Strategies include:
 stock characters and
plots
 stage settings
 allusions to myth,
folk stories, and
other traditional
materials
 ”Village Wooing”
 only two characters – a
man and a woman
 shipboard setting
Authorial absence
Because Shaw doesn’t
narrate the unfolding
story (as a novelist might),
we have to make up our
own minds about what’s
happening onstage.
Instability  confusion
 contradictions
 doubts
 After his unhappy
first marriage, A
has given up on
women
 A wants a woman
with money
 A furtively checks
out every woman
on the ship
 A’s first marriage
was unhappy
because his wife
was used to
spending money
 Z wants to see the
world
 Z wants romantic
moonlight walks
in faraway places
 Z decides she
prefers day-to-day
village life
 Z decides she wants
to stay in the village
and marry her boss
 spending your money
carefully and making it
last
 getting to know one
place intimately and
deeply
 having a lavish, once-
in-a-lifetime
experience
 visiting far-flung,
exotic places
 trust and respect
 security
 companionship
 a thrilling romance
 glamour
 freedom
Who determines what a play is
about…and what it means?

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Shaw's Metatheater from A to Z

  • 1. Shavian Metatheater from A to Z by Jean Reynolds
  • 2. A SHIP A SHOP
  • 3. Judi Dench starred in a 1979 production.
  • 4. A SHIP A SHOP
  • 5.
  • 6.  No preface  No afterword  No politics  No economics  No social commentary  No hint of the war that’s coming
  • 7. “Yet a name as signifier of social differences is always an aporia that indicates singularity, individuality, and unique identity while always being socially and kinship based, always someone else’s name—‘In the name of the father,’ as Lacan put it.” (Gahan 221) Peter Gahan says that it’s a play about language.
  • 8.
  • 9.  Reverse love chase  “Comedy of disillusion”  Theatrical skill
  • 10. “Shaw’s Comedy of Disillusionment” “Comprehension of events in the theater is always provisional and—until the end of performance—necessarily incomplete. In its temporal unfolding, dramatic plot is a string of inferences, the moment's best guess.” Stanton B. Garner Jr.
  • 11.  Compression  Authorial absence  Instability
  • 12. Compression Strategies include:  stock characters and plots  stage settings  allusions to myth, folk stories, and other traditional materials
  • 13.  ”Village Wooing”  only two characters – a man and a woman  shipboard setting
  • 15. Because Shaw doesn’t narrate the unfolding story (as a novelist might), we have to make up our own minds about what’s happening onstage.
  • 16. Instability  confusion  contradictions  doubts
  • 17.  After his unhappy first marriage, A has given up on women  A wants a woman with money  A furtively checks out every woman on the ship  A’s first marriage was unhappy because his wife was used to spending money
  • 18.  Z wants to see the world  Z wants romantic moonlight walks in faraway places  Z decides she prefers day-to-day village life  Z decides she wants to stay in the village and marry her boss
  • 19.  spending your money carefully and making it last  getting to know one place intimately and deeply  having a lavish, once- in-a-lifetime experience  visiting far-flung, exotic places
  • 20.  trust and respect  security  companionship  a thrilling romance  glamour  freedom
  • 21. Who determines what a play is about…and what it means?

Notes de l'éditeur

  1. Written between two world wars; no preface or afterword; no politics, economics, or social criticism
  2. Title of play; only two characters – a man and a woman; shipboard