The Third Course Bachelors aims that Directors and Managers open your eyes to different ways of doing and understanding cinema. FILM short films in 35mm, Digital Cinema RED EPIC and RED ONE DIGITAL Movies are shot with a project management and a detailed working of the various crews follow.

1. 1.- Cinema History.
• Cinema History: Period from 1959 to 2009. La Nouvelle Vague and the
second-avantgarde. New Cinema: USA: New York takes over: Cassavetes, Mekas,
Clarke... The free cinema: Richardson, Reisz, Anderson..
• History of Animated Film. Cohl and the birth of cartoons. Pioneers. Abstrac-
tions and vanguards. Screens pins. From the splendor of the Disney to Cartoons.
Stop motion. Lyrics of the third dimension. The Anime. Puppets, hybrids,
invasions and applications. Adult animation. The outsiders. The manga univer-
se. The Pixar renewal.
2.- Direction I.
• The job of the director. The edition and sound. The choice of shots. Building
the structure. Wild-tracks recording, overdubs, room-effects and music. The
preparation and mixing process. Edit is re-edit.
• Production. Contract and rights. Insurance and permissions. Public aids and
broadcasting rights. Co-production and associated production. Promotion.
Festivals. Distribution and sales.
3.- Workshop: Directing actors.
• Directing actors and interpretation. Whys. The audiovisual construction of
the character.Transmission. Characterization, rhythm and gesture. Rehearsals. A
special relationship. In front of the camera. Marking and freedom. Strategies.
Actors direction techniques of the great directors. Tight marking and unlimited
freedom. Directing actors and gender. Directing actors and tone. Directing
actors and style. Intuition and reflection. Directing actors begins on the camera
angle.
4 - Art Direction in Film.
• Set building according to themes, situations and charaters. Evolution of a
set. Use of a set for taking advantage in another. Exterior locations. Theoretical
and practical work on costumes and makeup. The job of propmaster.
5-. Narrativity and Screenplay III .
• Scripts of vanguard. The disappearance of the concept of plot. Motifs and
techniques. Structures. Searches.
• Adaptation. Different materials. Techniques. Modes. Loyalties and ruptures.
The remake.
• Practical Workshops: writing screenplay.
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www.bandeapart.org
París 143 - local. 08036 Barcelona
Tel: +34 93 444 76 78. Fax: +34 93 419 13 89
info@bandeapart.org
DIRECCIÓN FOTOGRAFÍA
Y CÁMARA
MONTAJE ,
SONIDO Y
POSTPRODUCCIÓN.
B.A IN CINEMATOGRAPHY
3rd FILM DIRECTION Major
COURSE STARTS 2016/2017:
OCTOBER 2016
SCHEDULE:
• MORNING :
10:00 to 14:00 hours.
• AFTERNOON:
16:00 to 20:00 hours
FEES :
Choose from single monthly
payment and single payment:
• Total amount of the course
monthly Payment: 5800€.
REGISTER:1.840€ y 8 Fees of 495€
october 2016 to may 2017.
• Total amount of the course
Single payment : 5100€.
This method of payment is a bonus of € 700
cost of the course.
• Places will be allocated in strict
order of registration.
• Check validation of students from
other schools.
Objectives and structure
The Third Year of our B.A in Film Direction
aims to get Directors to widen their perspec-
tives toward different ways of make cinema
and understand it. Students will realize short
films in 35mm, Red Epic and Red One
Digital Cinema with coordination of the
projects and a detailed follow-up of the work
of the different film crews. All students will
realize several audiovisual projects. We
want the student to search for his style as a
creator and to acquire self-confidence
working in a professional environment. At
the end of the Third Year in addition to the
project in 35mm and Digital Cinema shot
during the course, 6 projects are chosen to
be filmed in 35 mm and Digital Cinema by
the students who have shown the best
evolution in all the exercises filmed during de
Bachelor.

2. 6 - The Direction Team.
• The job of the assistant Director. The Software: Movie Magic. Editing docu-
ments for crews. Coordination and support to the Director. Control of shooting
time. Fulfilling the shooting schedule.
• The job of Script. A shooting day for a script. Timing. Chronology. Watching
the actors: the invisible marking. Parts. After the shooting: Script and dialogs list.
7 - The Documentary Film.
• Filmmakers at war. Dissemination and awareness. Chronicles of the Nazi
horrors. The poetic documentary. Mazes and nightmares. An ethnographic film.
The cinema-verité. Mockumentary. Drew's group.
• Direct Cinema. Apocryphal documentary. Policy. Daily. New routes.
• The documentary in Spain. Cinematographic documents. Documentaries of
our time.
8 -. Aesthetic Language and VI. Creating and Mounting Film.
• Analogies. Vanguard and structures. Redefining language. Orbital editing.
Repeat. Duration. Elongation time. Edition in ruins. The Secret Position:
Apotheosis of ellipsis. Indirect editing. The tonal and harmonic. Ruptures of the
internal and external time. Antiflash-back. The untimely. Time stagnant, integra-
ted time. Reversing the time arrow. The new worlds. Order. Counter-structures.
Off-Off. All possible cinemas.
9 -. Projects III.
• Red one’s projects exhibition. Exhibition of the project by the director.
Memory of direction, script and project viability. Choice of projects to shoot
during the course. Shootings
• Multidisciplinary Practices.
• Teasers / Pitching Projects in Red Epic.
• Shortfilms and Color Grading by each student.
-2-
www.bandeapart.org
París 143 - local. 08036 Barcelona
Tel: +34 93 444 76 78. Fax: +34 93 419 13 89
info@bandeapart.org
B.A IN CINEMATOGRAPHY
3rd FILM DIRECTION Major
REGISTER NOW
1. Download the registration form in
www.bandeapart.org
2. Fill in every page and select the
year and the payment method, i. e.
monthly payment or single payment.
3. Sign every page in the form and
once you have paid, send them
together with your receipt and a
photocopy of your ID card or Passport
to our Administration department.
By e-mail
administracion@bandeapart.org
By fax
Nº de Fax: +34 934191389
By post
Bande a Part Escuela de Cine
c/ París, 143 · Local
08036 Barcelona · España
4. Once your documents have been
received, you will receive
confirmation of your place.
Please direct any queries to our
Attention to Students department
Monday to Friday
from 10:00 am to 9:00 pm
Tel.:+34 934447678
Skype: bandeapartbcn
Email
info@bandeapart.org
Visit us at:
Bande a Part Escuela de Cine
c/ París, 143 · Local
08036 Barcelona · España
www.bandeapart.org