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Oblivion (note
no back of          Time (note wings
head, no brain, o   and hourglass)
memory)


                    Jest or Folly (with
                    roses and bells on his
                    ankle. Has stepped on
  Jealousy          a thorn – the pleasure
                    and pain of love)


The Golden
Apple of Venus      Fraud (serpent’s
given by Paris in   tail, honeycomb and
the fateful
                    string)
contest with
Minerva and
Juno
(Hera, Athena &
Aphrodite). His
reward was
Helen and the       Deceit
Trojan War.
Allegory with Venus and Cupid c.
                1455
• Agnolo Bronzino
• A “puzzle painting” –alludes to different
  qualities of Love.
• Jest – compared to Fraud, Jealousy and Deceit.
• Note Time and Oblivion struggling with the
  blue cloth in an attempt to reveal (or forget)
  the Truth
• Venus disarms her own son (Cupid)
Allegories
• An allegory that takes time to unravel and understand
• Greater effort = greater reward
• Some allegories more universal – David & Goliath. Some
  more elite. Requires specific education.
• May have been a gift of Cosimode’Medici to Francis I. ( a
  gift of flattery – implies
   – 1. that Francis will understand all the references
   – 2. that Cosimo is intelligent as well
   – 3. caters to the taste of Francis: elegant, refined, erotic
Mannerism
Bronzino, Venus, Cupid, Folly and Time
• Given to Francis I of France as a gift from the Medici in
   Florence
• Extremely learned allegories that defy easy interpretation
• Venus fondled by Cupid, her son, and uncovered by Father
   Time
• Venus holds the apple she won in a beauty contest
• Cupid has his eyes on the apple, but does not suspect that
   Venus has removed an arrow from his quiver
• Folly throws roses
• Vanity is beautiful girl on the outside, but an animal under
   her skirt
• Vanity’s hands are oddly arranged
• Masks symbolize falseness; doves symbolize love
• Envy is green
• Strong contours
• High key color, flesh smooth as porcelain
Women Artists
• Women’s roles in Florence, Sienna and Venice
  very limited
• More relaxed guild system outside of these
  cities
Prosperzia de’Rossi (1490 – 1530)
•First woman sculptor to leave works of
such high quality
•Knowledge of male anatomy that was
unusual for the time in women
SofonisbaAnguissola, 1532 – 1625
•1ST woman painter not the daughter of another painter
•Specialized in portraits
•Received high praise from Michelangelo
•Enjoyed the Patronage of the Spanish Royal family
Mannerist Painting
• emphasized complexity and virtuosity over naturalistic representation.

• While the formal vocabulary of Mannerism takes much from the later
  works of Michelangelo (1475–1564) and Raphael (1483–1520), its
  adherents generally favored compositional tension and instability rather
  than the balance and clarity of earlier Renaissance painting.

• Some characteristics common to many Mannerist works include distortion
  of the human figure,

• a flattening of pictorial space, and a cultivated intellectual sophistication
Mannerism
• Figures often seek out toward the frame
  rather than the center of the composition
• Heavy Intertwining of Figures
• Distortion and elongation of frms
• Often a lack of mathematical space
• Many religious and mythological subjects,
  portraits
Correggio (1494-1534
•Begins a school of
painting taken up by
Parmigiano in Parma
•Breaks up the symmetry
og High Renaissance using
bouyant naturalism rather
than deliberate chaos
•Specializes in soft
voluptuous flesh
•Reminiscent of Mantegna
with POV
•Huge influence on
Baroque ceiling painting
Mannerism
Parmigianino, Madonna of the Long
   Neck
• Exaggerated elegance, long delicate
   hands and neck
• Ambiguous columns: one column or
   many? This part of painting left
   unfinished, as is the hair of the Christ
   Child
• Self-portrait of artist gazes out at us
   at left
• Mary’s small head: standards of
   beauty of the time
• Christ’s pose inspired by
   Michelangelo’s Pietà
• Vanishing point is low
• Oddly proportioned figures, some
   parts of the painting are crowded
   others relatively empty
Mannerism
            Bologna, Rape of the Sabine Women
            • Uncommissioned, done to silence
               critics who doubted his ability to
               carve monumental marble works
            • To be seen from all sides
            • Spiraling movement, figura
               serpentinata
            • Arms and legs spiral in space
            • Nude figures
            • Reference to Laocoön in the
               crouching old man
            • Three bodies interlock
            • Ancient sources said that sculptures
               were made from a single block. The
               Renaissance discovered this was
               untrue. Bologna wanted to surpass
               the ancients.

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Allegory1

  • 1.
  • 2. Oblivion (note no back of Time (note wings head, no brain, o and hourglass) memory) Jest or Folly (with roses and bells on his ankle. Has stepped on Jealousy a thorn – the pleasure and pain of love) The Golden Apple of Venus Fraud (serpent’s given by Paris in tail, honeycomb and the fateful string) contest with Minerva and Juno (Hera, Athena & Aphrodite). His reward was Helen and the Deceit Trojan War.
  • 3. Allegory with Venus and Cupid c. 1455 • Agnolo Bronzino • A “puzzle painting” –alludes to different qualities of Love. • Jest – compared to Fraud, Jealousy and Deceit. • Note Time and Oblivion struggling with the blue cloth in an attempt to reveal (or forget) the Truth • Venus disarms her own son (Cupid)
  • 4. Allegories • An allegory that takes time to unravel and understand • Greater effort = greater reward • Some allegories more universal – David & Goliath. Some more elite. Requires specific education. • May have been a gift of Cosimode’Medici to Francis I. ( a gift of flattery – implies – 1. that Francis will understand all the references – 2. that Cosimo is intelligent as well – 3. caters to the taste of Francis: elegant, refined, erotic
  • 5. Mannerism Bronzino, Venus, Cupid, Folly and Time • Given to Francis I of France as a gift from the Medici in Florence • Extremely learned allegories that defy easy interpretation • Venus fondled by Cupid, her son, and uncovered by Father Time • Venus holds the apple she won in a beauty contest • Cupid has his eyes on the apple, but does not suspect that Venus has removed an arrow from his quiver • Folly throws roses • Vanity is beautiful girl on the outside, but an animal under her skirt • Vanity’s hands are oddly arranged • Masks symbolize falseness; doves symbolize love • Envy is green • Strong contours • High key color, flesh smooth as porcelain
  • 6. Women Artists • Women’s roles in Florence, Sienna and Venice very limited • More relaxed guild system outside of these cities
  • 7. Prosperzia de’Rossi (1490 – 1530) •First woman sculptor to leave works of such high quality •Knowledge of male anatomy that was unusual for the time in women
  • 8. SofonisbaAnguissola, 1532 – 1625 •1ST woman painter not the daughter of another painter •Specialized in portraits •Received high praise from Michelangelo •Enjoyed the Patronage of the Spanish Royal family
  • 9. Mannerist Painting • emphasized complexity and virtuosity over naturalistic representation. • While the formal vocabulary of Mannerism takes much from the later works of Michelangelo (1475–1564) and Raphael (1483–1520), its adherents generally favored compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. • Some characteristics common to many Mannerist works include distortion of the human figure, • a flattening of pictorial space, and a cultivated intellectual sophistication
  • 10. Mannerism • Figures often seek out toward the frame rather than the center of the composition • Heavy Intertwining of Figures • Distortion and elongation of frms • Often a lack of mathematical space • Many religious and mythological subjects, portraits
  • 11. Correggio (1494-1534 •Begins a school of painting taken up by Parmigiano in Parma •Breaks up the symmetry og High Renaissance using bouyant naturalism rather than deliberate chaos •Specializes in soft voluptuous flesh •Reminiscent of Mantegna with POV •Huge influence on Baroque ceiling painting
  • 12. Mannerism Parmigianino, Madonna of the Long Neck • Exaggerated elegance, long delicate hands and neck • Ambiguous columns: one column or many? This part of painting left unfinished, as is the hair of the Christ Child • Self-portrait of artist gazes out at us at left • Mary’s small head: standards of beauty of the time • Christ’s pose inspired by Michelangelo’s Pietà • Vanishing point is low • Oddly proportioned figures, some parts of the painting are crowded others relatively empty
  • 13. Mannerism Bologna, Rape of the Sabine Women • Uncommissioned, done to silence critics who doubted his ability to carve monumental marble works • To be seen from all sides • Spiraling movement, figura serpentinata • Arms and legs spiral in space • Nude figures • Reference to Laocoön in the crouching old man • Three bodies interlock • Ancient sources said that sculptures were made from a single block. The Renaissance discovered this was untrue. Bologna wanted to surpass the ancients.