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The Depression ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
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The Depression ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The Depression ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
New Mexico Recollections, No. 12,  1922-23  Marsden Hartley moved to Taos, New Mexico in 1918. He was interested in Spanish mysticism and the Penitente sect, influences of which are evident in some of his paintings. In the 1920s Hartley announced his conversion to objectivism, stating he could "hardly bear the sound of the words 'expressionism,' 'emotionalism,' 'personality' . . . because they imply the wish to express personal life and I prefer to have no personal life. Personal art is for me a matter of spiritual indelicacy."                                                                                         
Abstract Expressionism ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
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Pink Yellow Mark Rothko 1903 - 1970
"I am not an abstract painter. I am not interested in the relationship between form and colour. The only thing I care about is the expression of man's basic emotions: tragedy, ecstasy, destiny.“ "The role of the artist, of course, has always been that of image-maker. Different times require different images. Today when our aspirations have been reduced to a desperate attempt to escape from evil, and times are out of joint, our obsessive, subterranean and pictographic images are the expression of the neurosis which is our reality. To my mind certain so-called abstraction is not abstraction at all. On the contrary, it is the realism of our time. " ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Minimalism ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Donald Judd
Minimalism ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Pop Art ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Just what is it that makes today's homes so different, so appealing?», 1956 A small collage which a few years before the emergence of Pop Art foresees many of the coming art movement’s characteristics: the consumer world takes control of the secluded safety of home life—in which new media, tape recorder, and television come to play a central role. This results in Hamilton’s repeated confrontation with the role of media in interiors, and his combining, for example, the painted image of a radio with a functioning, sound-producing technique built directly behind it.
Pop Art ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
1962
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Depression To Pop

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  • 8. New Mexico Recollections, No. 12, 1922-23 Marsden Hartley moved to Taos, New Mexico in 1918. He was interested in Spanish mysticism and the Penitente sect, influences of which are evident in some of his paintings. In the 1920s Hartley announced his conversion to objectivism, stating he could "hardly bear the sound of the words 'expressionism,' 'emotionalism,' 'personality' . . . because they imply the wish to express personal life and I prefer to have no personal life. Personal art is for me a matter of spiritual indelicacy."                                                                                       
  • 9.
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  • 12. Pink Yellow Mark Rothko 1903 - 1970
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  • 17.
  • 18.
  • 19. Just what is it that makes today's homes so different, so appealing?», 1956 A small collage which a few years before the emergence of Pop Art foresees many of the coming art movement’s characteristics: the consumer world takes control of the secluded safety of home life—in which new media, tape recorder, and television come to play a central role. This results in Hamilton’s repeated confrontation with the role of media in interiors, and his combining, for example, the painted image of a radio with a functioning, sound-producing technique built directly behind it.
  • 20.
  • 21. 1962
  • 22.