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2013 AP Art History

 Mid Term Study Slides
Lamasu. Human-headed
winged bull facing. Bas-relief
from King Sargon II's palace at
Dur Sharrukin in Assyria (now
Khorsabad in Iraq), c. 713–716
BCE.
Ashurbanipal Hunting Lions, Dying Lioness, Nimrud (c. 850
   BCE)
• Relief sculpture
• Animals show emotion, humans none
• Ruthless rendering of lions
• Chaotic arrangement of lions
• Organized arrangement of humans
• Humans as stoic and severe
Palette of Narmer
Stela of King Naram Sin   c. 3200 – 2800 BCE
(Iran c.2300-2200 BC)
Temple of Queen Hatshepsut, Deir al-Bahrri c1490-1460 bce
“The Place of the Northern Monastery”
Monotheism with the sole god
Aten – a radical change in religious
worship and practice

Radical change in sculptural
representation

Also causes major economic
changes

Capital city moved from Thebes to
Armana
dipylon amphora
Grave Stele of Hegeso
Kritios Boy
Late Classical Art
            4th Century BC

Praxiteles, Aphrodite of Knidos
• First nude woman in Greek art
• Very popular in its own time, people
   came from far and wide to see it
• Placed in a round temple surrounded by
   columns: effect of sneaking a peek at
   her
• Not openly erotic
• Female sexual power suggested
• Genitals lacking
• Steps into a bath
• One side of her has an open form, the
   other closed
• S curve
• Gentle dreamy quality
Hellenistic Sculpture
Nike of Samothrace
• Nike alighting on a boat
• Water cascading on boulders
• Commemorated a naval victory in 191
   BC
• Twist of torso
• Drama
• Monumental
• Fountain creates the illusion of rushing
   waves
• Missing right arm might have once
   raised crown to naval victor
• Wet drapery flowing around legs and
   sticking to the body
• To be seen from several angles
Augustus of prima Porta c. 15 AD
Constantine the Great
Reigned 306-312 CE
Nimes, France
15 –14 BCE
Temple of Fortuna Virilis (Portunas) Late 2nd BCE
San Vitale
S. Vitale, c. 525 -547
Statue of an old market
woman, Early
Imperial, Julio-Claudian, 1st
century A.D.
Roman
St. Peter’s Basilica
Reputed Burial Place of St. Peter
Built on the orders of Constantine c. 326
The Good Shepherd
Galla Placidia, Ravena
c. 425-26




 •Contains shading to indicate depth & light source
 •Hint of landscape and rocks
 •Young, beardless adult with a halo – based on Apollo model
 •Imperial gold and purple- assimilation of Imperial Status
 •Long golden staff that ends with a cross – adaptation of Imperial Staff
Emperor Justinian and Attendants, Saint Vitale, Ravenna, c.547
Built during the city’s
rebuilding after riots of
532




“Purple makes a fine
shroud” – attributed to
Theodora
The Alhambra, 1338 - 1390
The Night Journey of Muhammad on His
Steed, Buraq; leaf from a copy of the
Bustan of Sacdi, dated 1514. From
Bukhara, Uzbekistan. In The
Metropolitan Museum of Art.
St. Matthew, the Coronation   St. Matthewthe Ebbo Gospels, c. 816
      Gospels, c. 800
Lindau Gospels
c. 870-880
Book of Kells c. 800   Lindisfarne Gospels c. 700
Early Medieval Art

Sutton Hoo Purse Lid
• Geometric interlace
   designs
• Symmetry of forms
• Animals and humans
   interact
• Repetition of patterns
• Used as a purse cover for
   a disintegrated purse
   found in a ship burial in
   England

                                     Purse Cover, Sutton Hoo ship
                                     burial, c. 655
West Tympanum, Cathedral of Autun, France
          Gislebertus, C 1130 AD
Pisa Cathedral
ambulatory choir of
St. Denis, c. 1140-1144,
France (Gothic).
exterior buttresses of St. Denis

right: plan of choir of St. Denis.
Rottgen Pieta   Gero Crucifix
Virgin and Child
1324-39
Sienna Cathedral
Florence Cathedral
Cimabue c. 1280        Duccio. 1318        Giotto c.1310
12’7”             14’9”               10’6”
Digital
reproduction
of
original, fron
t
panel detail

The Temptation
of Christ
In the Room of Nine (Room of Peace)
“Where this holy virtue (Justice) rules, she induces the many souls of the citizens to unity, and
they…make common good their lord.”
The Marriage of Giovanni Arnolfini and Giovanna
Cenami; 1434 (130 Kb); Oil on wood, 81.8 x 59.7
cm (32 1/4 x 23 1/2 in); National Gallery, London
Robert Campin (1425-28)
Fra Angelico, Annunciation, c. 1440
Ghiberti   Brunelleschi
Perugino
Masaccio, 1426-27
Alberti, Sant’Andrea, Mantua
1472

•Patron: Ludovico Gonzaga

•Original Church housed a
vial containing blood of
Christ

•Idea of an “Etruscan
Temple” with a basilica
model plan

•Façade derived from
Roman triumphal arches
Donatello, David
1425 - 30
Italian Quattrocento Sculpture

Donatello, Saint Mark
• Commissioned by the Guild of
  Linen Weavers and
  Peddlers, suggested by pillow
  at base and ample drapery
• Although in a Gothic niche, the
  statue is free standing
• Contrapposto based on Roman
  art
• Drapery falls directly down
• Easy posture
• Face has piercing eyes
• Calculated how the sculpture
  would look from street level
Spiral Jetty, Robert Smithson, 1970
Nancy Holt, Sun Tunnels, 1976
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