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MIND
AND
BODY
Session 11
Exploring Art: A Global, Thematic
Approach
Your Turn!
Create a Self-Portrait! 
DEPICTING THE BODY
Portraits
 In art, a successful portrait goes beyond simply creating a likeness.
DEPICTING THE BODY
Portraits
 Portraits can show individuals in ways that mirror their
sociopolitical milieu (social and political environment).
DEPICTING THE BODY
Portraits
 VINCENT VAN GOGH. Portrait
of Dr. Gachet, 1890.
 Inspired by Eugene Delacroix’
Tasso in the Madhouse, 1839.
DEPICTING THE BODY
Portraits
 VINCENT VAN GOGH. Portrait
of Dr. Gachet, 1890.
 “I think that we must not count
on Dr. Gachet at all. First of all,
he is sicker than I am, I think, or
shall we say just as much, so
that’s that. Now when one blind
man leads another blind man,
don’t they both fall into the
ditch?” – Vincent Van Gogh
DEPICTING THE BODY
Portraits
 VINCENT VAN GOGH. Portrait
of Dr. Gachet, 1890.
 “Ah! Portraiture, portraiture with
the thought, the soul of the
model in it, that is what I think
must come.” – Vincent Van Gogh
DEPICTING THE BODY
Portraits
 VINCENT VAN GOGH. Portrait
of Dr. Gachet, 1890.
 In 1990, the painting was sold for
$82.5 million in New York (that’s
$146.5 million today!).
 This is still the highest price paid
for art at a public auction.
 That’s equal to:
3,055,259,530,219VNĐ
DEPICTING THE BODY
Self-Portrait
 Depicting oneself.
DEPICTING THE BODY
Self-Portrait
 Rembrandt Van Rijn made at
least 62 self-portraits.
DEPICTING THE BODY
The Physical Body
 Artists use the body to
address ideas about the
essence
(core/fundamentals/basics)
of humanity as well as
cultural ideals.
DEPICTING THE BODY
The Idealized Body
 POLYKLEITOS. Doryphoros
(Spear-bearer), c. 450-550 BCE.
 The ancient Greeks believed
that humans were capable of
near perfection.
DEPICTING THE BODY
The Idealized Body
 POLYKLEITOS. Doryphoros
(Spear-bearer), c. 450-550 BCE.
 The figure is idealized
(perfect) in several ways:
 In the balanced pose
DEPICTING THE BODY
The Idealized Body
 POLYKLEITOS. Doryphoros
(Spear-bearer), c. 450-550 BCE.
 The figure is idealized
(perfect) in several ways:
 In the balance pose
 In the internal proportions
DEPICTING THE BODY
The Idealized Body
 POLYKLEITOS. Doryphoros
(Spear-bearer), c. 450-550 BCE.
 The figure is idealized
(perfect) in several ways:
 In the balance pose
 In the internal proportions
 In the restrained (controlled)
emotions
DEPICTING THE BODY
The Idealized Body
 POLYKLEITOS. Doryphoros
(Spear-bearer), c. 450-550 BCE.
 The figure is idealized
(perfect) in several ways:
 In the balance pose
 In the internal proportions
 In the restrained (controlled)
emotions; and
 In the roles depicted–youth,
athlete, and warrior.
DEPICTING THE BODY
The Flawed Body
 AGESANDER,
ATHENODORUS, and
POLYDORUS. Laocoön and
His Sons, late 2nd-early 1st
century BCE.
 Greek art turned to depicting
humans engaged in violent
action, vulnerable to age,
injured, diseased, and
subject to emotions (pain,
terror, or despair).
THE BODY
IN ART AND AS ART
The Body as Art Material
 YOKO ONO. Cut Piece, 1964.
 http://www.youtube.com/wa
tch?v=Zfe2qhI5Ix4
 “When people cross
boundaries, it makes you
question those boundaries.”
 What are some racial,
gender, family, and class
boundaries in your culture?
Discuss in your teams…
 What are some
boundaries in your
culture?
 Racial Boundaries?
 Gender Boundaries?
 Clan / Family Boundaries?
 Class Boundaries?
THE BODY
IN ART AND AS ART
The Body as an Art Tool
 CHUCK CLOSE. Fanny, 1985.
THE BODY
IN ART AND AS ART
The Body as an Art Tool
 CHUCK CLOSE. Fanny, 1985.
 “I like using the body as a tool
for painting…by using my
hand, I can feel just how much
ink is on my finger and then I
can feel very clearly how
much I’m depositing (putting)
on the painting.” – Chuck
Close
 http://www.youtube.com/watc
h?v=mm6aHKdX0Pc
JACKSON POLLOCK. Lucifer,
USA, 1947. Oil on canvas.
JACKSON POLLOCK. Lucifer,
USA, 1947. Oil on canvas.
RACE, GENDER,
CLAN, &
CLASS
Session 11
Exploring Art: A Global, Thematic
Approach
GUERRILLA GIRLS. Do women have to
be naked to get into the Met. Museum?,
USA, 1986. Street poster.
JEAN-AUGUSTE DOMINIQUE
INGRES. Grande Odalisque, 1814.
Who are these “Guerrilla Girls”?
http://www.youtube.com/watch?v=33DXdBHaokw
“There is a system in place, and the system has its values, and
the system’s values may not be the best values of our society.
The system itself might be discriminatory, might be exclusive,
might be unfair.”
“Educational institutions are the perfect place to [exhibit our
work] because critical thinking is so important for any higher
education.”
PETER PAUL
RUBENS.
Abduction of
the daughters
of Leucippus,
1617. Oil on
Canvas.
Gender Reflected in Art
 Skin Tone
 Helplessness
 Diamond Shape
JACQUES-LOUIS DAVID. Oath of the
Horatti, France, 1784. Oil on canvas.
Gender Reflected in
Art and Architecture
 Men = Heroes
 Women = Helpless
 Clothing:
 Men = angles
 Women = soft
curves
 Arches:
 Symmetry,
orderliness
 Concrete
social reality
PICK A CARD! ANY CARD!
CLASS
Art and class structure can be
linked in several ways:
 Members of different classes
may be depicted with
distinctive body styles and
poses
 Artwork can show the
environment and activities
that mark members of a
certain class
 A work of art can be a status
item (the owner has status)
DIEGO VELAZQUEZ. Las Menias,
Spain, 1656. Oil on canvas.
Class Activities and
Lifestyles
The Ruling Class
Center figure: daughter of
king
Location
Light
Large Painting (10.5 x 9 ft)
JAN VERMEER VAN DELFT.
The Kitchen Maid, Netherlands, 1660.
Oil on canvas.
Class Activities and
Lifestyles
The Working & Middle Class
The middle class is elevated
in dignity.
The boring, daily task of
pouring milk seems almost
sacred (holy).
Vermeer often painted
ordinary scenes from
everyday life.
DOROTHEA LANGE.
Migrant Mother, Nipomo Valley, USA,
1936. Gelatin silver print.
Class Activities and Lifestyles
The Poor
Art provides us a record of the
poor, their way of life and their
struggles.
This mother was 32 years old
with 7 children during the Great
Depression.
Update your self-portrait
according to your class.

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S11 self and society

  • 1. MIND AND BODY Session 11 Exploring Art: A Global, Thematic Approach
  • 2. Your Turn! Create a Self-Portrait! 
  • 3. DEPICTING THE BODY Portraits  In art, a successful portrait goes beyond simply creating a likeness.
  • 4. DEPICTING THE BODY Portraits  Portraits can show individuals in ways that mirror their sociopolitical milieu (social and political environment).
  • 5. DEPICTING THE BODY Portraits  VINCENT VAN GOGH. Portrait of Dr. Gachet, 1890.  Inspired by Eugene Delacroix’ Tasso in the Madhouse, 1839.
  • 6. DEPICTING THE BODY Portraits  VINCENT VAN GOGH. Portrait of Dr. Gachet, 1890.  “I think that we must not count on Dr. Gachet at all. First of all, he is sicker than I am, I think, or shall we say just as much, so that’s that. Now when one blind man leads another blind man, don’t they both fall into the ditch?” – Vincent Van Gogh
  • 7. DEPICTING THE BODY Portraits  VINCENT VAN GOGH. Portrait of Dr. Gachet, 1890.  “Ah! Portraiture, portraiture with the thought, the soul of the model in it, that is what I think must come.” – Vincent Van Gogh
  • 8. DEPICTING THE BODY Portraits  VINCENT VAN GOGH. Portrait of Dr. Gachet, 1890.  In 1990, the painting was sold for $82.5 million in New York (that’s $146.5 million today!).  This is still the highest price paid for art at a public auction.  That’s equal to: 3,055,259,530,219VNĐ
  • 10. DEPICTING THE BODY Self-Portrait  Rembrandt Van Rijn made at least 62 self-portraits.
  • 11. DEPICTING THE BODY The Physical Body  Artists use the body to address ideas about the essence (core/fundamentals/basics) of humanity as well as cultural ideals.
  • 12. DEPICTING THE BODY The Idealized Body  POLYKLEITOS. Doryphoros (Spear-bearer), c. 450-550 BCE.  The ancient Greeks believed that humans were capable of near perfection.
  • 13. DEPICTING THE BODY The Idealized Body  POLYKLEITOS. Doryphoros (Spear-bearer), c. 450-550 BCE.  The figure is idealized (perfect) in several ways:  In the balanced pose
  • 14. DEPICTING THE BODY The Idealized Body  POLYKLEITOS. Doryphoros (Spear-bearer), c. 450-550 BCE.  The figure is idealized (perfect) in several ways:  In the balance pose  In the internal proportions
  • 15. DEPICTING THE BODY The Idealized Body  POLYKLEITOS. Doryphoros (Spear-bearer), c. 450-550 BCE.  The figure is idealized (perfect) in several ways:  In the balance pose  In the internal proportions  In the restrained (controlled) emotions
  • 16. DEPICTING THE BODY The Idealized Body  POLYKLEITOS. Doryphoros (Spear-bearer), c. 450-550 BCE.  The figure is idealized (perfect) in several ways:  In the balance pose  In the internal proportions  In the restrained (controlled) emotions; and  In the roles depicted–youth, athlete, and warrior.
  • 17. DEPICTING THE BODY The Flawed Body  AGESANDER, ATHENODORUS, and POLYDORUS. Laocoön and His Sons, late 2nd-early 1st century BCE.  Greek art turned to depicting humans engaged in violent action, vulnerable to age, injured, diseased, and subject to emotions (pain, terror, or despair).
  • 18. THE BODY IN ART AND AS ART The Body as Art Material  YOKO ONO. Cut Piece, 1964.  http://www.youtube.com/wa tch?v=Zfe2qhI5Ix4  “When people cross boundaries, it makes you question those boundaries.”  What are some racial, gender, family, and class boundaries in your culture?
  • 19. Discuss in your teams…  What are some boundaries in your culture?  Racial Boundaries?  Gender Boundaries?  Clan / Family Boundaries?  Class Boundaries?
  • 20. THE BODY IN ART AND AS ART The Body as an Art Tool  CHUCK CLOSE. Fanny, 1985.
  • 21. THE BODY IN ART AND AS ART The Body as an Art Tool  CHUCK CLOSE. Fanny, 1985.  “I like using the body as a tool for painting…by using my hand, I can feel just how much ink is on my finger and then I can feel very clearly how much I’m depositing (putting) on the painting.” – Chuck Close  http://www.youtube.com/watc h?v=mm6aHKdX0Pc
  • 22. JACKSON POLLOCK. Lucifer, USA, 1947. Oil on canvas.
  • 23. JACKSON POLLOCK. Lucifer, USA, 1947. Oil on canvas.
  • 24. RACE, GENDER, CLAN, & CLASS Session 11 Exploring Art: A Global, Thematic Approach
  • 25. GUERRILLA GIRLS. Do women have to be naked to get into the Met. Museum?, USA, 1986. Street poster.
  • 26. JEAN-AUGUSTE DOMINIQUE INGRES. Grande Odalisque, 1814. Who are these “Guerrilla Girls”? http://www.youtube.com/watch?v=33DXdBHaokw
  • 27. “There is a system in place, and the system has its values, and the system’s values may not be the best values of our society. The system itself might be discriminatory, might be exclusive, might be unfair.” “Educational institutions are the perfect place to [exhibit our work] because critical thinking is so important for any higher education.”
  • 28. PETER PAUL RUBENS. Abduction of the daughters of Leucippus, 1617. Oil on Canvas. Gender Reflected in Art  Skin Tone  Helplessness  Diamond Shape
  • 29. JACQUES-LOUIS DAVID. Oath of the Horatti, France, 1784. Oil on canvas. Gender Reflected in Art and Architecture  Men = Heroes  Women = Helpless  Clothing:  Men = angles  Women = soft curves  Arches:  Symmetry, orderliness  Concrete social reality
  • 30. PICK A CARD! ANY CARD!
  • 31. CLASS Art and class structure can be linked in several ways:  Members of different classes may be depicted with distinctive body styles and poses  Artwork can show the environment and activities that mark members of a certain class  A work of art can be a status item (the owner has status)
  • 32. DIEGO VELAZQUEZ. Las Menias, Spain, 1656. Oil on canvas. Class Activities and Lifestyles The Ruling Class Center figure: daughter of king Location Light Large Painting (10.5 x 9 ft)
  • 33. JAN VERMEER VAN DELFT. The Kitchen Maid, Netherlands, 1660. Oil on canvas. Class Activities and Lifestyles The Working & Middle Class The middle class is elevated in dignity. The boring, daily task of pouring milk seems almost sacred (holy). Vermeer often painted ordinary scenes from everyday life.
  • 34. DOROTHEA LANGE. Migrant Mother, Nipomo Valley, USA, 1936. Gelatin silver print. Class Activities and Lifestyles The Poor Art provides us a record of the poor, their way of life and their struggles. This mother was 32 years old with 7 children during the Great Depression.