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American Architecture Styles

   A beginner’s guide to
    architecture for students.


   Presented by
    : Bruce Black Art.com
THE 3 BASICS OF DESIGN IN
ARCHITECTURE:

  Style


  Form


  Structure
STYLES & TIME PERIODS FOR
   AMERICAN ARCHITECTURE
     Colonial Architecture 1600-1820

              Dutch Colonial                    Architecture Between Wars c. 1920-1940
               French Colonial
        
                                                    Prairie Style
              Spanish Colonial
                                                    Modernistic
              Georgian Colonial

    Romantic Architecture c.1820-1880
                                                    Craftsman
              Greek Revival                     Art Deco Style c. 1923-1940 **
              Gothic Revival                    Post WWII Architecture c. 1945-1965
              Italianate
                                                    Formalism
              Exotic Revival
                                                    International II
              Octagon

    Victorian Architecture c. 1870-1900
                                                 Late Twentieth-Century 1965-present
              Second Empire                        Late Modernism
              Stick                                Post-Modernism
              Queen Anne

              Shingle

              Richardson Romanesque

              Folk Victorian

              ** Art Nouveau (1890-1914)**

    Early 20th-Century 1900-1920

              Colonial Revival

              Neoclassical

              Tudor

              Chateauesque

              Beaux Arts

              French Eclectic

              International I
COLONIAL ARCHITECTURE
   Stately, Symmetrical appearance being rectangular
    shape with two stories.
   Gables on the side and an entry door at the center.
   To conserve heat, a massive chimney ran through the
    center.
   An orderly arrangement of windows around a central
    front door.
   Double-hung windows usually have many small,
    equally sized square panes or “candles” separated
    with “mutton-bars.”




                                                          GEORGIAN COLONIAL
ROMANTIC ARCHITECTURE
   Elaborate wooden millwork after
    the Industrial Revolution fueled the
    construction.
   "Gothic" windows with distinctive
    pointed arches
   Exposed framing timbers
   Steep, vaulted roofs with cross-
    gables.
   Extravagant features may include
    towers and verandas.
   Ornate wooden detailing is             GOTHIC REVIVAL
    generously applied as gable,
    window, and door trim.
VICTORIAN ARCHITECTURE
   Use of mass-produced ornamentation such as
    brackets, spindles, and patterned shingles.
   The last true Victorians were constructed in
    the early 1900s.
   These homes combine modern materials with
    19th century details, such as curved towers
    and spindled porches.
   Elaborate exterior trim (“gingerbread”) and
    carved oak moldings.
   New machines made it possible to mass-
    produce ornamental features such as
    moldings, columns, and brackets. The
    expansion of the railroad meant that building   VICTORIAN
    parts could be sent to far corners of the
    country so people in remote rural areas could
    build fancier homes.
ART NOUVEAU ** a world-wide movement

   Dynamic, undulating, and
    flowing, with curved               http://upload.wikimedia.org/wikip
    'whiplash' lines which
    characterized much of Art
    Nouveau movement.
   Conventional moldings
    seem to spring to life and
                                 GRAND PALAIS INTERIEUR
    'grow' into plant-derived         PARIS FRANCE
    forms.
Gaudí devoted his last years to the project, and at the time of his
death in 1926, less than a quarter of the project was
complete. Sagrada Família's construction progressed slowly, as it
relied on private donations and was interrupted by the Spanish Civil
War—only to resume intermittent progress in the 1950s. Construction
passed the midpoint in 2010 with some of the project's greatest
challenges remaining and an anticipated completion date of 2026—
the centennial of Gaudí's death. 
EARLY 20TH CENTURY ARCHITECTURE
    (contemporary)
   Exposed functional building elements,
    such as ground-to-ceiling plate glass
    windows, and smooth facades.
   The style was molded from modern
    materials--concrete, glass, and steel.
   Characterized by an absence of
    decoration.
                                                INTERNATIONAL
   Interior and exterior walls merely act as
    design and layout elements, and often
    feature dramatic, but nonsupporting
    projecting beams and columns
ARCHITECTURE BETWEEN WARS
   Boxy and symmetrical or low-
    slung and asymmetrical.
   Roofs are low-pitched, with
    wide eaves.
   Brick and clapboard are the
    most common building
    materials
   Rows of casement windows
   One-story porches with
    massive square supports.        PRAIRIE STYLE
   Stylized floral and circular
    geometric terra-cotta or
    masonry ornamentation around
    doors, windows, and cornices.
   Frank Lloyd Wright
    (1867-1959)
   Flat planes to accent
    the parries of the
    Midwest.
   Designed around
    centralized fireplace
   Attempted to create a
    complete environment
    out the conviction that
    buildings have a
    profound influence on
    their inhabitants,
    making architects
    molders of people.
Taliesin West
ART DECO STYLE
   Echoed the Machine Age
   Geometric decorative elements & a vertically
    oriented design.
   This distinctly urban style was never widely
    used in residential buildings
   Towers and other projections above the
    roofline enhance the vertical emphasis of this
    style.
   Flat roofs, metal window casements, and
    smooth stucco walls with rectangular cut-outs
    mark the exteriors of Art Deco homes.
   Facades are typically flush with zigzags and
    other stylized floral, geometric, and "sunrise"
    motifs.                                           ART DECO
   By 1940 the Art Deco style had evolved into
    "Art Moderne," which features curved corners,
    rectangular glass-block windows, and a boat-
    like appearance.
POST WWII ARCHITECTURE

   Two versions: the flat-roof
    and gabled types. The latter is
    often characterized by
    exposed beams.
   Both types tend to be one-
    story tall and were designed
    to incorporate the surrounding
    landscape into their overall      CONTEMPORARY
    look.
Seagram Building 1954-58 (Ludwig Mies van der Rohe and Philip
Johnson.

   This structure, and                      On completion, the construction
    the International style in which it       costs of Seagram made it the
    was built, had enormous                   world's most expensive
    influences on                             skyscraper at the time, due to
    American architecture.                    the use of expensive, high-quality
                                              materials and lavish interior
   A building's structural elements          decoration. The interior was
    should be visible, Mies thought.          designed to assure cohesion with
   I beams were sheathed internally          the external features, repeated
    with concrete (fire code) but             in the glass and bronze
    duplicated outside for aesthetics.        furnishings and decorative
      As designed, the building used          scheme.
    1,500 tons of bronze in its              Another interesting feature of the
    construction.                             Seagram Building is the window
                                              blinds. The blinds were made to
                                              be– fully open, halfway
                                              open/closed, or fully closed to
                                              reduce cluttered look.
LATE 20TH CENTURY
ARCHITECTURE
   The walls of the building create
     planes, which enclose the building.

   The walls tend to be very smooth
    with little interruption including
    windows that are level with the
    walls themselves.
   These smooth-surfaced buildings
    define a volume enclosed by the
    building.                              SPLIT LEVEL
   Symmetry is rejected in favor of
    regularity. Under these principals,
    the facade of buildings were
    designed with windows and doors
    spaced at regular intervals.
Project: Design a building and create
an architectural model.

    Blue Print
    Model
End Slide Show

    Presented by:
     bruceblackart.com

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American Architecture Styles

  • 1. American Architecture Styles  A beginner’s guide to architecture for students.  Presented by : Bruce Black Art.com
  • 2. THE 3 BASICS OF DESIGN IN ARCHITECTURE:  Style  Form  Structure
  • 3. STYLES & TIME PERIODS FOR  AMERICAN ARCHITECTURE Colonial Architecture 1600-1820  Dutch Colonial  Architecture Between Wars c. 1920-1940 French Colonial   Prairie Style  Spanish Colonial  Modernistic  Georgian Colonial  Romantic Architecture c.1820-1880  Craftsman  Greek Revival  Art Deco Style c. 1923-1940 **  Gothic Revival  Post WWII Architecture c. 1945-1965  Italianate  Formalism  Exotic Revival  International II  Octagon  Victorian Architecture c. 1870-1900  Late Twentieth-Century 1965-present  Second Empire  Late Modernism  Stick  Post-Modernism  Queen Anne  Shingle  Richardson Romanesque  Folk Victorian  ** Art Nouveau (1890-1914)**  Early 20th-Century 1900-1920  Colonial Revival  Neoclassical  Tudor  Chateauesque  Beaux Arts  French Eclectic  International I
  • 4. COLONIAL ARCHITECTURE  Stately, Symmetrical appearance being rectangular shape with two stories.  Gables on the side and an entry door at the center.  To conserve heat, a massive chimney ran through the center.  An orderly arrangement of windows around a central front door.  Double-hung windows usually have many small, equally sized square panes or “candles” separated with “mutton-bars.” GEORGIAN COLONIAL
  • 5.
  • 6. ROMANTIC ARCHITECTURE  Elaborate wooden millwork after the Industrial Revolution fueled the construction.  "Gothic" windows with distinctive pointed arches  Exposed framing timbers  Steep, vaulted roofs with cross- gables.  Extravagant features may include towers and verandas.  Ornate wooden detailing is GOTHIC REVIVAL generously applied as gable, window, and door trim.
  • 7.
  • 8. VICTORIAN ARCHITECTURE  Use of mass-produced ornamentation such as brackets, spindles, and patterned shingles.  The last true Victorians were constructed in the early 1900s.  These homes combine modern materials with 19th century details, such as curved towers and spindled porches.  Elaborate exterior trim (“gingerbread”) and carved oak moldings.  New machines made it possible to mass- produce ornamental features such as moldings, columns, and brackets. The expansion of the railroad meant that building VICTORIAN parts could be sent to far corners of the country so people in remote rural areas could build fancier homes.
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  • 10. ART NOUVEAU ** a world-wide movement  Dynamic, undulating, and flowing, with curved http://upload.wikimedia.org/wikip 'whiplash' lines which characterized much of Art Nouveau movement.  Conventional moldings seem to spring to life and GRAND PALAIS INTERIEUR 'grow' into plant-derived PARIS FRANCE forms.
  • 11. Gaudí devoted his last years to the project, and at the time of his death in 1926, less than a quarter of the project was complete. Sagrada Família's construction progressed slowly, as it relied on private donations and was interrupted by the Spanish Civil War—only to resume intermittent progress in the 1950s. Construction passed the midpoint in 2010 with some of the project's greatest challenges remaining and an anticipated completion date of 2026— the centennial of Gaudí's death. 
  • 12. EARLY 20TH CENTURY ARCHITECTURE (contemporary)  Exposed functional building elements, such as ground-to-ceiling plate glass windows, and smooth facades.  The style was molded from modern materials--concrete, glass, and steel.  Characterized by an absence of decoration. INTERNATIONAL  Interior and exterior walls merely act as design and layout elements, and often feature dramatic, but nonsupporting projecting beams and columns
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  • 14. ARCHITECTURE BETWEEN WARS  Boxy and symmetrical or low- slung and asymmetrical.  Roofs are low-pitched, with wide eaves.  Brick and clapboard are the most common building materials  Rows of casement windows  One-story porches with massive square supports. PRAIRIE STYLE  Stylized floral and circular geometric terra-cotta or masonry ornamentation around doors, windows, and cornices.
  • 15. Frank Lloyd Wright (1867-1959)  Flat planes to accent the parries of the Midwest.  Designed around centralized fireplace  Attempted to create a complete environment out the conviction that buildings have a profound influence on their inhabitants, making architects molders of people.
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  • 18. ART DECO STYLE  Echoed the Machine Age  Geometric decorative elements & a vertically oriented design.  This distinctly urban style was never widely used in residential buildings  Towers and other projections above the roofline enhance the vertical emphasis of this style.  Flat roofs, metal window casements, and smooth stucco walls with rectangular cut-outs mark the exteriors of Art Deco homes.  Facades are typically flush with zigzags and other stylized floral, geometric, and "sunrise" motifs. ART DECO  By 1940 the Art Deco style had evolved into "Art Moderne," which features curved corners, rectangular glass-block windows, and a boat- like appearance.
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  • 20. POST WWII ARCHITECTURE  Two versions: the flat-roof and gabled types. The latter is often characterized by exposed beams.  Both types tend to be one- story tall and were designed to incorporate the surrounding landscape into their overall CONTEMPORARY look.
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  • 23. Seagram Building 1954-58 (Ludwig Mies van der Rohe and Philip Johnson.  This structure, and  On completion, the construction the International style in which it costs of Seagram made it the was built, had enormous world's most expensive influences on skyscraper at the time, due to American architecture. the use of expensive, high-quality materials and lavish interior  A building's structural elements decoration. The interior was should be visible, Mies thought. designed to assure cohesion with  I beams were sheathed internally the external features, repeated with concrete (fire code) but in the glass and bronze duplicated outside for aesthetics. furnishings and decorative As designed, the building used scheme. 1,500 tons of bronze in its  Another interesting feature of the construction. Seagram Building is the window blinds. The blinds were made to be– fully open, halfway open/closed, or fully closed to reduce cluttered look.
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  • 25. LATE 20TH CENTURY ARCHITECTURE  The walls of the building create planes, which enclose the building.  The walls tend to be very smooth with little interruption including windows that are level with the walls themselves.  These smooth-surfaced buildings define a volume enclosed by the building. SPLIT LEVEL  Symmetry is rejected in favor of regularity. Under these principals, the facade of buildings were designed with windows and doors spaced at regular intervals.
  • 26. Project: Design a building and create an architectural model.  Blue Print  Model
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  • 36. End Slide Show  Presented by: bruceblackart.com