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The	
  Future	
  of	
  Television	
  
By	
  CEO	
  Carey	
  Martell	
  
www.martelltv.com	
  
careymartell@martellbrothers.com	
  
The	
  Present	
  
•  Television	
  networks	
  distribute	
  programming	
  from	
  a	
  central	
  operaBon	
  that	
  
provides	
  content	
  to	
  a	
  number	
  of	
  regionally	
  operated	
  TV	
  staBons	
  or	
  Pay	
  TV	
  
providers,	
  who	
  then	
  transmit	
  the	
  content	
  to	
  viewers	
  for	
  watching	
  in	
  their	
  
homes.	
  	
  
•  The	
  television	
  industry	
  evolved	
  from	
  the	
  radio	
  networks	
  of	
  the	
  1920s,	
  and	
  is	
  
sBll	
  stuck	
  in	
  that	
  anBquated	
  thinking.	
  	
  
The	
  Present:	
  The	
  "Old	
  Guard"	
  
Since	
  1986,	
  commercial	
  broadcast	
  television	
  has	
  been	
  dominated	
  by	
  the	
  'Big	
  Four'	
  networks;	
  ABC,	
  CBS,	
  NBC	
  
and	
  Fox.	
  	
  
•  'The	
  Big	
  Four'	
  provide	
  the	
  overwhelming	
  majority	
  of	
  programming	
  
content	
  for	
  their	
  affiliate	
  staBons,	
  though	
  affiliate	
  staBons	
  reserve	
  air	
  
Bme	
  for	
  local	
  programming	
  (such	
  as	
  news	
  shows).	
  	
  
	
  
•  There	
  exists	
  smaller	
  broadcast	
  staBons,	
  such	
  as	
  the	
  religion	
  focused	
  
Trinity	
  BroadcasBng	
  Network,	
  who	
  provide	
  speciality	
  programming.	
  
	
  
•  The	
  largest	
  broadcast	
  network	
  is	
  the	
  publicly	
  owned	
  Public	
  
BroadcasBng	
  System	
  (PBS),	
  a	
  non-­‐profit	
  educaBonal	
  service	
  funded	
  by	
  
the	
  federal	
  government	
  and	
  private	
  donaBons.	
  	
  
	
  
	
  
	
  
	
  
The	
  Present:	
  Broadcast	
  TV	
  
Broadcast	
  television	
  ('over-­‐the-­‐air'	
  TV)	
  use	
  terrestrial	
  television	
  signals	
  emi[ed	
  and	
  carried	
  by	
  radio	
  towers.	
  
•  Broadcast	
  television	
  networks	
  primarily	
  broadcast	
  signals	
  through	
  the	
  air	
  using	
  TV	
  transmi[ers.	
  
	
  
•  Through	
  a	
  network	
  of	
  broadcast	
  relay	
  staBon	
  (also	
  called	
  'repeater	
  staBons')	
  antenna	
  towers,	
  the	
  central	
  staBon	
  can	
  boost	
  
the	
  reach	
  of	
  their	
  signals	
  to	
  reach	
  all	
  residents	
  of	
  a	
  county.	
  	
  
•  Some	
  broadcast	
  staBons	
  are	
  independently	
  owned,	
  referred	
  to	
  as	
  ‘network	
  affiliate	
  staBons’.	
  They	
  license	
  and	
  
rebroadcast	
  content	
  from	
  one	
  of	
  the	
  ‘Big	
  Four’	
  staBons	
  to	
  the	
  counBes	
  they	
  service.	
  
	
  
Broadcast	
  TV	
  StaBon	
  
City	
  Homes	
  
Country	
  Homes	
  
Antenna	
  tower	
  
Country	
  Homes	
  
Antenna	
  tower	
  
Drawbacks:	
  Broadcast	
  TV	
  
•  OperaBng	
  repeater	
  staBons	
  and	
  antennae	
  towers	
  is	
  expensive;	
  they	
  must	
  be	
  
maintained,	
  and	
  the	
  government	
  has	
  special	
  taxes	
  on	
  their	
  operaBon.	
  	
  
	
  
•  Although	
  the	
  majority	
  of	
  regional	
  staBons	
  simply	
  simulcast	
  the	
  content	
  of	
  another	
  
staBon	
  through	
  use	
  of	
  a	
  'network	
  feed’,	
  the	
  FCC	
  requires	
  that	
  broadcast	
  staBons	
  be	
  
properly	
  staffed,	
  making	
  full	
  automaBon	
  of	
  TV	
  staBons	
  impossible.	
  	
  
	
  
The	
  Present	
  -­‐	
  Cable	
  TV	
  
Cable	
  TV	
  relies	
  on	
  'superstaBons'	
  (some	
  of	
  which	
  also	
  do	
  broadcast	
  TV)	
  to	
  transmit	
  signals	
  to	
  orbital	
  satellites.	
  
	
  	
  
•  In	
  specific	
  geographical	
  locaBons,	
  a	
  network	
  of	
  towers	
  capture	
  signals	
  from	
  the	
  satellites.	
  	
  
•  The	
  towers	
  relay	
  those	
  signals	
  through	
  cable	
  lines	
  that	
  run	
  directly	
  into	
  consumer's	
  homes	
  through	
  a	
  set-­‐top	
  box	
  that	
  
decodes	
  the	
  box	
  signals	
  for	
  viewing	
  on	
  a	
  TV.	
  
Homes	
  
Antenna	
  tower	
  
Homes	
  
Antenna	
  tower	
  
Satellite	
  
SuperstaBon	
  
Drawbacks	
  -­‐	
  Cable	
  TV	
  
•  Like	
  with	
  broadcast	
  TV,	
  it	
  is	
  expensive	
  to	
  maintain	
  the	
  network	
  of	
  signal	
  receiving	
  towers	
  and	
  cables.	
  
•  Cable	
  TV	
  systems	
  must	
  also	
  pay	
  municipal	
  districts	
  a	
  'Cable	
  Television	
  franchise	
  fee'	
  for	
  the	
  right-­‐of-­‐
way	
  use	
  of	
  public	
  property	
  (the	
  public	
  property	
  that	
  the	
  cables	
  run	
  along	
  in	
  order	
  to	
  reach	
  consumer	
  
homes).	
  	
  
•  Cable	
  companies	
  are	
  required	
  by	
  the	
  1992	
  Cable	
  Television	
  Consumer	
  ProtecBon	
  and	
  CompeBBon	
  Act	
  
to	
  obtain	
  retransmission	
  consent	
  and	
  pay	
  a	
  fee	
  for	
  the	
  right	
  to	
  carry	
  broadcaster's	
  signals.	
  
Furthermore	
  the	
  Act	
  prohibits	
  cable	
  companies	
  from	
  charging	
  broadcasters	
  to	
  carry	
  their	
  signals,	
  
limiBng	
  revenue	
  opportuniBes	
  for	
  the	
  cable	
  companies	
  while	
  giving	
  the	
  broadcasters	
  an	
  unfair	
  
advantage	
  when	
  negoBaBng	
  contracts.	
  
•  The	
  enormous	
  expense	
  of	
  operaBng	
  Cable	
  TV	
  systems	
  and	
  inability	
  to	
  charge	
  broadcasters	
  forces	
  the	
  
systems	
  providers	
  to	
  charge	
  monthly	
  subscripBon	
  fees	
  to	
  the	
  viewer.	
  
The	
  Present:	
  Satellite	
  TV	
  
Satellite	
  TV	
  is	
  provided	
  directly	
  to	
  the	
  consumer	
  by	
  allowing	
  a	
  small	
  dish	
  receiver	
  unit	
  installed	
  on	
  the	
  home	
  to	
  
capture	
  signals	
  re-­‐broadcast	
  from	
  the	
  superstaBons	
  using	
  orbital	
  satellites.	
  
Satellite	
  
SuperstaBon	
  
Homes	
  
Homes	
  
Drawbacks	
  –	
  Satellite	
  TV	
  
•  Like	
  with	
  cable	
  TV,	
  it	
  is	
  expensive	
  to	
  purchase	
  and	
  maintain	
  the	
  orbital	
  satellites	
  and	
  broadcasBng	
  
equipment	
  necessary	
  to	
  transmit	
  signals	
  to	
  the	
  satellites.	
  
•  Viewers	
  must	
  have	
  their	
  own	
  satellite	
  signal	
  receiving	
  dish	
  and	
  decoder	
  box	
  to	
  receive	
  the	
  transmissions.	
  
The	
  expense	
  of	
  the	
  equipment	
  causes	
  the	
  Satellite	
  TV	
  system	
  provider	
  to	
  charge	
  the	
  viewer	
  a	
  monthly	
  
subscripBon	
  fee.	
  
How	
  the	
  Money	
  Is	
  Made	
  
Broadcast	
  TV	
  
•  Primarily	
  funded	
  by	
  ad	
  revenue.	
  Network	
  affiliate	
  staBons	
  who	
  rebroadcast	
  signals	
  typically	
  sell	
  air	
  Bme	
  to	
  local	
  
businesses	
  for	
  running	
  ads,	
  with	
  the	
  originaBng	
  broadcast	
  staBon	
  taking	
  part	
  in	
  revenue	
  sharing	
  on	
  profits	
  from	
  these	
  
locally	
  aired	
  commercials.	
  	
  
Satellite	
  &	
  Cable	
  TV	
  
•  StaBons	
  listed	
  in	
  the	
  electronic	
  channel	
  guides	
  are	
  paid	
  a	
  "per	
  subscriber	
  fee"	
  from	
  the	
  Cable	
  /	
  Satellite	
  systems	
  provider	
  
for	
  the	
  right	
  to	
  re-­‐broadcast	
  their	
  signals	
  through	
  the	
  electronic	
  channel	
  guide.	
  Broadcaster	
  TV	
  staBons	
  receive	
  10%	
  of	
  
their	
  revenue	
  from	
  these	
  rebroadcast	
  fees.	
  	
  
•  In	
  turn,	
  the	
  Cable	
  /	
  Satellite	
  system	
  providers	
  makes	
  their	
  revenue	
  by	
  charging	
  a	
  monthly	
  subscripBon	
  fee	
  from	
  the	
  
viewer,	
  usually	
  by	
  creaBng	
  subscripBon	
  plans	
  that	
  package	
  several	
  desirable	
  staBons	
  together.	
  
The	
  Future	
  :	
  iTV	
  Systems	
  
Cloud-­‐based	
  internet	
  television	
  (iTV)	
  systems	
  that	
  stream	
  video	
  signals	
  through	
  the	
  internet	
  to	
  the	
  consumer	
  
will	
  be	
  the	
  model	
  for	
  the	
  next	
  100	
  years.	
  
•  Using	
  computer	
  servers,	
  Content	
  Providers	
  feed	
  their	
  videos	
  into	
  the	
  electronic	
  channel	
  guide	
  of	
  the	
  ITV	
  system	
  provider,	
  
who	
  provides	
  a	
  suite	
  of	
  tools	
  to	
  allow	
  the	
  Content	
  Providers	
  to	
  run	
  virtual	
  TV	
  staBons	
  that	
  users	
  can	
  access	
  to	
  receive	
  both	
  
live	
  video	
  feeds	
  and	
  pre-­‐recorded	
  shows.	
  	
  	
  
Content	
  Provider	
  
Video	
  Host	
  Servers	
  
Mobile	
  Devices	
  
Living	
  Room	
  HD	
  TVs	
  
Laptops	
  
iTV	
  System	
  Provider	
  
Advantages	
  of	
  Cloud-­‐based	
  TV	
  
•  Unlike	
  cable	
  or	
  satellite,	
  the	
  viewer	
  does	
  not	
  need	
  to	
  be	
  restricted	
  to	
  a	
  fixed	
  locaBon	
  to	
  watch	
  content;	
  
they	
  can	
  tap	
  into	
  wi-­‐fi	
  networks	
  using	
  mobile	
  devices	
  and	
  laptop	
  computers.	
  
•  Municipals	
  cannot	
  claim	
  franchise	
  fees,	
  since	
  the	
  iTV	
  system	
  provider	
  does	
  not	
  use	
  public	
  property	
  to	
  
provide	
  their	
  service,	
  but	
  rather	
  leverages	
  the	
  exisBng	
  relaBonships	
  of	
  internet	
  service	
  providers.	
  	
  
•  Expensive	
  broadcast	
  equipment,	
  such	
  as	
  for	
  sending	
  signals	
  to	
  orbital	
  satellites,	
  is	
  not	
  necessary.	
  
•  The	
  Cable	
  Television	
  Consumer	
  ProtecBon	
  and	
  CompeBBon	
  Act	
  does	
  not	
  apply	
  to	
  iTV	
  systems,	
  allowing	
  
the	
  iTV	
  system	
  provider	
  to	
  have	
  more	
  freedom	
  when	
  negoBaBng	
  contracts	
  with	
  broadcasters,	
  such	
  as	
  
charging	
  content	
  providers	
  for	
  special	
  services	
  and	
  share	
  in	
  ad	
  revenue	
  earnings.	
  	
  
	
  
Impact	
  of	
  Cloud-­‐based	
  TV	
  
•  Because	
  internet	
  service	
  providers	
  connect	
  viewers	
  to	
  the	
  iTV	
  system,	
  there	
  is	
  no	
  room	
  for	
  'network	
  
affiliate	
  staBons'	
  in	
  the	
  new	
  television	
  ecosystem.	
  Unless	
  they	
  transform	
  into	
  content	
  producers	
  the	
  
affiliate	
  staBons	
  will	
  go	
  bankrupt.	
  	
  
•  Due	
  to	
  the	
  low	
  cost	
  of	
  reaching	
  viewers	
  world-­‐wide,	
  content	
  providers	
  do	
  not	
  need	
  to	
  license	
  their	
  
content	
  to	
  third-­‐parBes.	
  Content	
  providers	
  can	
  directly	
  transmit	
  to	
  viewers	
  no	
  ma[er	
  where	
  they	
  live.	
  
•  Due	
  to	
  the	
  low	
  cost	
  of	
  operaBng	
  and	
  reaching	
  viewers,	
  StaBons	
  specializing	
  in	
  micro-­‐niche	
  subject	
  
programming,	
  such	
  as	
  content	
  designed	
  to	
  appeal	
  to	
  subcultures	
  (ex.	
  goth	
  lifestylers,	
  anime	
  fans)	
  can	
  be	
  
profitable	
  ventures.	
  Non-­‐profit	
  educaBonal	
  broadcasters	
  such	
  as	
  PBS,	
  local	
  access	
  or	
  student-­‐run	
  school	
  
staBons	
  are	
  also	
  benefited	
  by	
  the	
  low	
  cost	
  of	
  entry	
  and	
  operaBon	
  of	
  this	
  technology.	
  
Problems	
  with	
  exisBng	
  soluBons	
  
•  If	
  you	
  want	
  to	
  use	
  Youtube,	
  you	
  must	
  upload	
  ALL	
  your	
  videos	
  to	
  Youtube.	
  	
  
•  Youtube	
  is	
  in	
  control	
  of	
  the	
  relaBonship	
  with	
  your	
  adverBsers.	
  
•  Youtube	
  intenBonally	
  drives	
  traffic	
  from	
  YOUR	
  channel	
  to	
  a	
  compeBtor's	
  channel	
  using	
  the	
  “related	
  videos”	
  feed	
  on	
  your	
  
video	
  watch	
  player.	
  
•  Youtube	
  restricts	
  your	
  ability	
  to	
  communicate	
  with	
  audiences;	
  no	
  mailing	
  list	
  for	
  channel	
  subscribers.	
  	
  
•  Youtube	
  does	
  no	
  markeBng	
  for	
  your	
  channel,	
  but	
  instead	
  requires	
  you	
  to	
  market	
  Youtube	
  in	
  order	
  for	
  people	
  to	
  find	
  your	
  
channel.	
  
These	
  problems	
  also	
  apply	
  to:	
  
Vimeo,	
  blip.tv,	
  Twitch.tv,	
  and	
  virtually	
  every	
  other	
  streaming	
  video	
  plalorm	
  on	
  the	
  internet.	
  	
  
They	
  are	
  designed	
  as	
  video-­‐sharing	
  websites,	
  not	
  television	
  systems.	
  	
  
Case	
  
Study:	
  
Upload	
  videos.	
   Yes	
   No	
  
Embed	
  videos	
  from	
  Youtube,	
  Vimeo,	
  blip.tv,	
  Twitch.tv	
  and	
  other	
  video	
  hosts?	
   No	
   Yes	
  
Your	
  subscribers	
  join	
  a	
  mailing	
  list;	
  integra@on	
  with	
  Mail	
  Chimp,	
  FanBridge	
  and	
  
Constant	
  Contact?	
  
No	
   Yes	
  
Audiences	
  can	
  see	
  a	
  weekly	
  release	
  schedule	
  for	
  shows?	
   No	
   Yes	
  
Customized	
  API	
  support	
  for	
  your	
  exis@ng	
  premium	
  subscrip@on	
  system?	
   No	
   Yes	
  
Ad	
  revenue	
  commission.	
   45%	
  (non-­‐negoEable)	
   30%	
  (negoEable)	
  
Dashboard	
  tools	
  to	
  directly	
  sell	
  ad	
  stock	
  to	
  adver@sers?	
   No	
   Yes	
  
2nd	
  Screen	
  mobile	
  app	
  allows	
  related	
  merchandise	
  to	
  be	
  purchased	
  by	
  viewer?	
   No	
   Yes	
  
Feature	
  Comparison	
  
7/3/2013	
   Martell	
  TV	
  ©	
  2013	
  CONFIDENTIAL	
   15	
  
7/3/2013	
   Martell	
  TV	
  ©	
  2013	
  CONFIDENTIAL	
   16	
  
Who	
  is	
  Martell	
  TV?	
  
•  Most	
  exciBng	
  TV	
  development	
  since	
  MTV.	
  
	
  
•  Enables	
  user	
  to	
  build	
  their	
  staBon	
  in	
  15	
  minutes.	
  
	
  
•  Uses	
  free	
  (YouTube	
  or	
  user	
  generated)	
  content.	
  
	
  
•  User	
  can	
  focus	
  on	
  building	
  a	
  following.	
  	
   	
   	
   	
  (Twi[er	
  of	
  content)	
  
	
  
•  User	
  can	
  share	
  with	
  friends.	
   	
   	
   	
   	
  (Facebook	
  of	
  content)	
  
	
  
•  StaBons	
  are	
  easy	
  to	
  navigate.	
   	
   	
   	
   	
  (TV	
  Guide	
  of	
  ITV)	
  
	
  
•  Appealing,	
  easy	
  to	
  use,	
  addicBve	
  interface.	
   	
   	
  (revoluBonary	
  user	
  experience)	
  
q  HTML5	
  hybrid	
  web	
  app.	
  
q  Create	
  CATV	
  style	
  programming	
  
schedules	
  using	
  online	
  videos.	
  
q  Cloud-­‐based	
  ITV	
  system.	
  
q  Embed	
  videos	
  from	
  mulBple	
  
sources	
  (YouTube,	
  Vimeo,	
  
white-­‐label	
  soluBons,	
  etc).	
  	
  
Beta	
  design	
  for	
  Martell	
  TV	
  channel	
  guide	
  
Our	
  Product	
  !!	
  
7/3/2013	
   Martell	
  TV	
  ©	
  2013	
  CONFIDENTIAL	
   17	
  
Why	
  a	
  Martell	
  TV	
  Guide?	
  
q  Enables	
  tradiBonal	
  TV	
  broadcast	
  scheduling	
  strategies	
  (block	
  programming,	
  counter-­‐
programming,	
  day	
  parBng,	
  hammocking,	
  hot-­‐switching,	
  etc.).	
  	
  
§  Increases	
  online	
  views.	
  
q  Enable	
  content	
  discovery	
  and	
  curaBon.	
  
§  Gives	
  publishers	
  control	
  over	
  when	
  videos	
  are	
  suggested	
  to	
  users.	
  
q  Enables	
  mass	
  adopBon.	
  
§  Eliminates	
  the	
  “technology”	
  –	
  UI	
  is	
  easy.	
  
§  A	
  more	
  tradiBonal	
  viewing	
  experience	
  (CATV	
  style)	
  for	
  online	
  content	
  vs	
  the	
  
'subscripBon	
  feed'	
  method	
  for	
  internet	
  television	
  used	
  by	
  YouTube.	
  
Martell	
  TV	
  StaEons	
  are	
  personalized	
  broadcast	
  staEons	
  that	
  leverage	
  video	
  
hosEng	
  plaLorms	
  like	
  YouTube.	
  
7/3/2013	
   Martell	
  TV	
  ©	
  2013	
  CONFIDENTIAL	
   18	
  
q  TV	
  Remote	
  App	
  for	
  iOS	
  and	
  Android	
  
allows	
  viewer	
  to	
  engage	
  with	
  content	
  
while	
  watching	
  videos	
  in	
  full	
  screen	
  
mode	
  on	
  tablets,	
  laptops	
  or	
  HD	
  TVs.	
  
q  Comments,	
  social	
  media	
  sharing	
  and	
  
show	
  selecBons	
  are	
  performed	
  using	
  
the	
  mobile	
  app.	
  	
  
q  Product	
  placements	
  integrated	
  with	
  
the	
  TV	
  Remote	
  app,	
  allowing	
  	
  viewer	
  
to	
  purchase	
  related	
  merchandise	
  	
  
7/3/2013	
   Martell	
  TV	
  ©	
  2013	
  CONFIDENTIAL	
   19	
  
Integrated	
  2nd	
  Screen	
  Viewing	
  
q  Enables	
  adverBsers	
  to	
  purchase	
  ads	
  in	
  'premium'	
  day	
  schedule	
  Bme-­‐slots	
  using	
  a	
  
simple	
  four-­‐step	
  'Ad	
  Bid	
  Wizard'	
  *.	
  	
  
q  Reduced	
  availability	
  of	
  ad	
  space	
  increases	
  compeBBon	
  and	
  drives	
  up	
  the	
  purchase	
  
price	
  of	
  ad	
  space,	
  increasing	
  profits	
  for	
  staBon	
  creators.	
  	
  
*A	
  separate	
  CPM	
  based	
  
ad	
  display	
  system	
  is	
  used	
  
to	
  sell	
  ad	
  stock	
  on	
  
previously	
  aired	
  episodes	
  
available	
  on	
  demand,	
  
func@oning	
  similar	
  to	
  
AdWords.	
  	
  
7/3/2013	
   Martell	
  TV	
  ©	
  2013	
  CONFIDENTIAL	
   20	
  
Targeted	
  Ad	
  MoneBzaBon	
  
7/3/2013	
   Martell	
  TV	
  ©	
  2013	
  CONFIDENTIAL	
   21	
  
Partnering	
  with	
  Providers	
  
CUSTOM	
  API’s	
  FOR	
  CONTENT	
  PROVIDERS	
  
q  Used	
  to	
  develop	
  embedded	
  applets	
  for	
  websites	
  &	
  Facebook	
  Pages,	
  such	
  
as	
  displaying	
  staBon's	
  current	
  schedule.	
  
q  ExisBng	
  subscripBon	
  plan	
  systems	
  can	
  be	
  incorporated	
  into	
  StaBons	
  to	
  
enable	
  premium	
  content	
  releases	
  (simulcasts,	
  feature	
  films)	
  or	
  discounts	
  
on	
  merchandise	
  purchased	
  through	
  mobile	
  device	
  app.	
  
q  Customized	
  soluBons	
  allow	
  integraBon	
  with	
  other	
  plalorms.	
  	
  
	
  
7/3/2013	
   Martell	
  TV	
  ©	
  2013	
  CONFIDENTIAL	
   22	
  
Contact	
  InformaBon:	
  
CEO	
  Carey	
  Martell	
  
careymartell@martellbrothers.com	
  
	
  
Martell	
  TV	
  looks	
  forward	
  to	
  partnering	
  with	
  Content	
  Providers	
  
to	
  achieve	
  mutual	
  business	
  success.	
  

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Future of-tv-martell-bros

  • 1. The  Future  of  Television   By  CEO  Carey  Martell   www.martelltv.com   careymartell@martellbrothers.com  
  • 2. The  Present   •  Television  networks  distribute  programming  from  a  central  operaBon  that   provides  content  to  a  number  of  regionally  operated  TV  staBons  or  Pay  TV   providers,  who  then  transmit  the  content  to  viewers  for  watching  in  their   homes.     •  The  television  industry  evolved  from  the  radio  networks  of  the  1920s,  and  is   sBll  stuck  in  that  anBquated  thinking.    
  • 3. The  Present:  The  "Old  Guard"   Since  1986,  commercial  broadcast  television  has  been  dominated  by  the  'Big  Four'  networks;  ABC,  CBS,  NBC   and  Fox.     •  'The  Big  Four'  provide  the  overwhelming  majority  of  programming   content  for  their  affiliate  staBons,  though  affiliate  staBons  reserve  air   Bme  for  local  programming  (such  as  news  shows).       •  There  exists  smaller  broadcast  staBons,  such  as  the  religion  focused   Trinity  BroadcasBng  Network,  who  provide  speciality  programming.     •  The  largest  broadcast  network  is  the  publicly  owned  Public   BroadcasBng  System  (PBS),  a  non-­‐profit  educaBonal  service  funded  by   the  federal  government  and  private  donaBons.            
  • 4. The  Present:  Broadcast  TV   Broadcast  television  ('over-­‐the-­‐air'  TV)  use  terrestrial  television  signals  emi[ed  and  carried  by  radio  towers.   •  Broadcast  television  networks  primarily  broadcast  signals  through  the  air  using  TV  transmi[ers.     •  Through  a  network  of  broadcast  relay  staBon  (also  called  'repeater  staBons')  antenna  towers,  the  central  staBon  can  boost   the  reach  of  their  signals  to  reach  all  residents  of  a  county.     •  Some  broadcast  staBons  are  independently  owned,  referred  to  as  ‘network  affiliate  staBons’.  They  license  and   rebroadcast  content  from  one  of  the  ‘Big  Four’  staBons  to  the  counBes  they  service.     Broadcast  TV  StaBon   City  Homes   Country  Homes   Antenna  tower   Country  Homes   Antenna  tower  
  • 5. Drawbacks:  Broadcast  TV   •  OperaBng  repeater  staBons  and  antennae  towers  is  expensive;  they  must  be   maintained,  and  the  government  has  special  taxes  on  their  operaBon.       •  Although  the  majority  of  regional  staBons  simply  simulcast  the  content  of  another   staBon  through  use  of  a  'network  feed’,  the  FCC  requires  that  broadcast  staBons  be   properly  staffed,  making  full  automaBon  of  TV  staBons  impossible.      
  • 6. The  Present  -­‐  Cable  TV   Cable  TV  relies  on  'superstaBons'  (some  of  which  also  do  broadcast  TV)  to  transmit  signals  to  orbital  satellites.       •  In  specific  geographical  locaBons,  a  network  of  towers  capture  signals  from  the  satellites.     •  The  towers  relay  those  signals  through  cable  lines  that  run  directly  into  consumer's  homes  through  a  set-­‐top  box  that   decodes  the  box  signals  for  viewing  on  a  TV.   Homes   Antenna  tower   Homes   Antenna  tower   Satellite   SuperstaBon  
  • 7. Drawbacks  -­‐  Cable  TV   •  Like  with  broadcast  TV,  it  is  expensive  to  maintain  the  network  of  signal  receiving  towers  and  cables.   •  Cable  TV  systems  must  also  pay  municipal  districts  a  'Cable  Television  franchise  fee'  for  the  right-­‐of-­‐ way  use  of  public  property  (the  public  property  that  the  cables  run  along  in  order  to  reach  consumer   homes).     •  Cable  companies  are  required  by  the  1992  Cable  Television  Consumer  ProtecBon  and  CompeBBon  Act   to  obtain  retransmission  consent  and  pay  a  fee  for  the  right  to  carry  broadcaster's  signals.   Furthermore  the  Act  prohibits  cable  companies  from  charging  broadcasters  to  carry  their  signals,   limiBng  revenue  opportuniBes  for  the  cable  companies  while  giving  the  broadcasters  an  unfair   advantage  when  negoBaBng  contracts.   •  The  enormous  expense  of  operaBng  Cable  TV  systems  and  inability  to  charge  broadcasters  forces  the   systems  providers  to  charge  monthly  subscripBon  fees  to  the  viewer.  
  • 8. The  Present:  Satellite  TV   Satellite  TV  is  provided  directly  to  the  consumer  by  allowing  a  small  dish  receiver  unit  installed  on  the  home  to   capture  signals  re-­‐broadcast  from  the  superstaBons  using  orbital  satellites.   Satellite   SuperstaBon   Homes   Homes  
  • 9. Drawbacks  –  Satellite  TV   •  Like  with  cable  TV,  it  is  expensive  to  purchase  and  maintain  the  orbital  satellites  and  broadcasBng   equipment  necessary  to  transmit  signals  to  the  satellites.   •  Viewers  must  have  their  own  satellite  signal  receiving  dish  and  decoder  box  to  receive  the  transmissions.   The  expense  of  the  equipment  causes  the  Satellite  TV  system  provider  to  charge  the  viewer  a  monthly   subscripBon  fee.  
  • 10. How  the  Money  Is  Made   Broadcast  TV   •  Primarily  funded  by  ad  revenue.  Network  affiliate  staBons  who  rebroadcast  signals  typically  sell  air  Bme  to  local   businesses  for  running  ads,  with  the  originaBng  broadcast  staBon  taking  part  in  revenue  sharing  on  profits  from  these   locally  aired  commercials.     Satellite  &  Cable  TV   •  StaBons  listed  in  the  electronic  channel  guides  are  paid  a  "per  subscriber  fee"  from  the  Cable  /  Satellite  systems  provider   for  the  right  to  re-­‐broadcast  their  signals  through  the  electronic  channel  guide.  Broadcaster  TV  staBons  receive  10%  of   their  revenue  from  these  rebroadcast  fees.     •  In  turn,  the  Cable  /  Satellite  system  providers  makes  their  revenue  by  charging  a  monthly  subscripBon  fee  from  the   viewer,  usually  by  creaBng  subscripBon  plans  that  package  several  desirable  staBons  together.  
  • 11. The  Future  :  iTV  Systems   Cloud-­‐based  internet  television  (iTV)  systems  that  stream  video  signals  through  the  internet  to  the  consumer   will  be  the  model  for  the  next  100  years.   •  Using  computer  servers,  Content  Providers  feed  their  videos  into  the  electronic  channel  guide  of  the  ITV  system  provider,   who  provides  a  suite  of  tools  to  allow  the  Content  Providers  to  run  virtual  TV  staBons  that  users  can  access  to  receive  both   live  video  feeds  and  pre-­‐recorded  shows.       Content  Provider   Video  Host  Servers   Mobile  Devices   Living  Room  HD  TVs   Laptops   iTV  System  Provider  
  • 12. Advantages  of  Cloud-­‐based  TV   •  Unlike  cable  or  satellite,  the  viewer  does  not  need  to  be  restricted  to  a  fixed  locaBon  to  watch  content;   they  can  tap  into  wi-­‐fi  networks  using  mobile  devices  and  laptop  computers.   •  Municipals  cannot  claim  franchise  fees,  since  the  iTV  system  provider  does  not  use  public  property  to   provide  their  service,  but  rather  leverages  the  exisBng  relaBonships  of  internet  service  providers.     •  Expensive  broadcast  equipment,  such  as  for  sending  signals  to  orbital  satellites,  is  not  necessary.   •  The  Cable  Television  Consumer  ProtecBon  and  CompeBBon  Act  does  not  apply  to  iTV  systems,  allowing   the  iTV  system  provider  to  have  more  freedom  when  negoBaBng  contracts  with  broadcasters,  such  as   charging  content  providers  for  special  services  and  share  in  ad  revenue  earnings.      
  • 13. Impact  of  Cloud-­‐based  TV   •  Because  internet  service  providers  connect  viewers  to  the  iTV  system,  there  is  no  room  for  'network   affiliate  staBons'  in  the  new  television  ecosystem.  Unless  they  transform  into  content  producers  the   affiliate  staBons  will  go  bankrupt.     •  Due  to  the  low  cost  of  reaching  viewers  world-­‐wide,  content  providers  do  not  need  to  license  their   content  to  third-­‐parBes.  Content  providers  can  directly  transmit  to  viewers  no  ma[er  where  they  live.   •  Due  to  the  low  cost  of  operaBng  and  reaching  viewers,  StaBons  specializing  in  micro-­‐niche  subject   programming,  such  as  content  designed  to  appeal  to  subcultures  (ex.  goth  lifestylers,  anime  fans)  can  be   profitable  ventures.  Non-­‐profit  educaBonal  broadcasters  such  as  PBS,  local  access  or  student-­‐run  school   staBons  are  also  benefited  by  the  low  cost  of  entry  and  operaBon  of  this  technology.  
  • 14. Problems  with  exisBng  soluBons   •  If  you  want  to  use  Youtube,  you  must  upload  ALL  your  videos  to  Youtube.     •  Youtube  is  in  control  of  the  relaBonship  with  your  adverBsers.   •  Youtube  intenBonally  drives  traffic  from  YOUR  channel  to  a  compeBtor's  channel  using  the  “related  videos”  feed  on  your   video  watch  player.   •  Youtube  restricts  your  ability  to  communicate  with  audiences;  no  mailing  list  for  channel  subscribers.     •  Youtube  does  no  markeBng  for  your  channel,  but  instead  requires  you  to  market  Youtube  in  order  for  people  to  find  your   channel.   These  problems  also  apply  to:   Vimeo,  blip.tv,  Twitch.tv,  and  virtually  every  other  streaming  video  plalorm  on  the  internet.     They  are  designed  as  video-­‐sharing  websites,  not  television  systems.     Case   Study:  
  • 15. Upload  videos.   Yes   No   Embed  videos  from  Youtube,  Vimeo,  blip.tv,  Twitch.tv  and  other  video  hosts?   No   Yes   Your  subscribers  join  a  mailing  list;  integra@on  with  Mail  Chimp,  FanBridge  and   Constant  Contact?   No   Yes   Audiences  can  see  a  weekly  release  schedule  for  shows?   No   Yes   Customized  API  support  for  your  exis@ng  premium  subscrip@on  system?   No   Yes   Ad  revenue  commission.   45%  (non-­‐negoEable)   30%  (negoEable)   Dashboard  tools  to  directly  sell  ad  stock  to  adver@sers?   No   Yes   2nd  Screen  mobile  app  allows  related  merchandise  to  be  purchased  by  viewer?   No   Yes   Feature  Comparison   7/3/2013   Martell  TV  ©  2013  CONFIDENTIAL   15  
  • 16. 7/3/2013   Martell  TV  ©  2013  CONFIDENTIAL   16   Who  is  Martell  TV?   •  Most  exciBng  TV  development  since  MTV.     •  Enables  user  to  build  their  staBon  in  15  minutes.     •  Uses  free  (YouTube  or  user  generated)  content.     •  User  can  focus  on  building  a  following.          (Twi[er  of  content)     •  User  can  share  with  friends.          (Facebook  of  content)     •  StaBons  are  easy  to  navigate.          (TV  Guide  of  ITV)     •  Appealing,  easy  to  use,  addicBve  interface.      (revoluBonary  user  experience)  
  • 17. q  HTML5  hybrid  web  app.   q  Create  CATV  style  programming   schedules  using  online  videos.   q  Cloud-­‐based  ITV  system.   q  Embed  videos  from  mulBple   sources  (YouTube,  Vimeo,   white-­‐label  soluBons,  etc).     Beta  design  for  Martell  TV  channel  guide   Our  Product  !!   7/3/2013   Martell  TV  ©  2013  CONFIDENTIAL   17  
  • 18. Why  a  Martell  TV  Guide?   q  Enables  tradiBonal  TV  broadcast  scheduling  strategies  (block  programming,  counter-­‐ programming,  day  parBng,  hammocking,  hot-­‐switching,  etc.).     §  Increases  online  views.   q  Enable  content  discovery  and  curaBon.   §  Gives  publishers  control  over  when  videos  are  suggested  to  users.   q  Enables  mass  adopBon.   §  Eliminates  the  “technology”  –  UI  is  easy.   §  A  more  tradiBonal  viewing  experience  (CATV  style)  for  online  content  vs  the   'subscripBon  feed'  method  for  internet  television  used  by  YouTube.   Martell  TV  StaEons  are  personalized  broadcast  staEons  that  leverage  video   hosEng  plaLorms  like  YouTube.   7/3/2013   Martell  TV  ©  2013  CONFIDENTIAL   18  
  • 19. q  TV  Remote  App  for  iOS  and  Android   allows  viewer  to  engage  with  content   while  watching  videos  in  full  screen   mode  on  tablets,  laptops  or  HD  TVs.   q  Comments,  social  media  sharing  and   show  selecBons  are  performed  using   the  mobile  app.     q  Product  placements  integrated  with   the  TV  Remote  app,  allowing    viewer   to  purchase  related  merchandise     7/3/2013   Martell  TV  ©  2013  CONFIDENTIAL   19   Integrated  2nd  Screen  Viewing  
  • 20. q  Enables  adverBsers  to  purchase  ads  in  'premium'  day  schedule  Bme-­‐slots  using  a   simple  four-­‐step  'Ad  Bid  Wizard'  *.     q  Reduced  availability  of  ad  space  increases  compeBBon  and  drives  up  the  purchase   price  of  ad  space,  increasing  profits  for  staBon  creators.     *A  separate  CPM  based   ad  display  system  is  used   to  sell  ad  stock  on   previously  aired  episodes   available  on  demand,   func@oning  similar  to   AdWords.     7/3/2013   Martell  TV  ©  2013  CONFIDENTIAL   20   Targeted  Ad  MoneBzaBon  
  • 21. 7/3/2013   Martell  TV  ©  2013  CONFIDENTIAL   21   Partnering  with  Providers   CUSTOM  API’s  FOR  CONTENT  PROVIDERS   q  Used  to  develop  embedded  applets  for  websites  &  Facebook  Pages,  such   as  displaying  staBon's  current  schedule.   q  ExisBng  subscripBon  plan  systems  can  be  incorporated  into  StaBons  to   enable  premium  content  releases  (simulcasts,  feature  films)  or  discounts   on  merchandise  purchased  through  mobile  device  app.   q  Customized  soluBons  allow  integraBon  with  other  plalorms.      
  • 22. 7/3/2013   Martell  TV  ©  2013  CONFIDENTIAL   22   Contact  InformaBon:   CEO  Carey  Martell   careymartell@martellbrothers.com     Martell  TV  looks  forward  to  partnering  with  Content  Providers   to  achieve  mutual  business  success.