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The Principles of Design

     By: Cayley Blenner
Shape
A two dimensional outline of an
object or its representation in an
image.
Shape
Form
A distinguishable three dimensional image
of the subject matter.
Form
Leading Lines
Are used to draw the viewer’s eye through
a photograph and are intentional or
unintentional, natural lines created in the
space of the photograph and are used to
create a visual narrative in the
composition. Also used to draw your eye
to a focal point in the shot that you would
like to highlight.
Leading Lines
Texture
The visible surface quality of an object
adding character to your picture. Texture
can be smooth and shiny like a new car, or
rough and edgy as in tree bark or a cobble
walkway.
Texture
Color (Hue)- Symmetrical Balance
Symmetrical balance can be described as
having equal “weight” on equal sides of a
centrally placed fulcrum. It may also be
referred to as formal balance.
Color (Hue)- Symmetrical Balance
Asymmetrical Balance
Also called informal balance, is more
complex and difficult to envisage. It
involves placement of objects in a way that
will allow objects of varying visual weight
to balance one another around a fulcrum
point. This can be best imagined by
envisioning a literal balance scale that can
represent the visual “weights” that can be
imagined in a two dimensional
composition.
Asymmetrical Balance
Gradient
Is something fading like a sunset and you
cant see where it ends.
Gradient
Repetition
Involves the use of patterning to achieve
timed movement and a visual “beat”. This
repetition may be a clear repetition of
elements in a composition, or it may be a
more subtle kind of repetition that can be
observed in the underlying structure of the
image.
Repetition
Pattern
The regular repetition of several objects,
shapes, or colors in an ordered or random
manner.
Pattern
Contrast
A striking exhibition of unlikeness.
Contrast
Dominance
Dominance is an object or color that
stands out in relation to the rest of the
image.
Dominance
Proportion
Refers to the relative size and scale of the
various elements in a design. The issue is
the relationship between objects, of a
whole. This means that it is necessary to
discuss proportion in terms of the context
or standard used to determine proportion.
Proportion
Unity
Is the underlying principle that summarizes all
of the principles and elements of design. It
refers to the coherence of the whole, the
sense that all of the parts are working
together to achieve a common result; a
harmony of all the parts. Unity can be
achieved through the effective and cosistent
use of any of the elements, but pattern- that
is, underlying structure- is the most
fundamental element for a strong sence of
unity.
Unity
Negative Space
Is the empty space around the subject or
focus of the photograph.
Negative Space
Rule of Thirds
Is a compositional rule of thumb in visual
arts such as painting, photography, and
design. The rule states that an image
should be imaged as divided into nine
equal parts by two equally-spaced
horizontal lines and two equally spaced
vertical lines, and that important
compositional elements should be placed
along these lines or their intersections.
Rule of Thirds
Visual Center
A location on a rectangular map, about 5%
of the height above the geometric center,
to which the eye is drawn perceptually.
Visual Center

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The principles of design

  • 1. The Principles of Design By: Cayley Blenner
  • 2. Shape A two dimensional outline of an object or its representation in an image.
  • 4. Form A distinguishable three dimensional image of the subject matter.
  • 6. Leading Lines Are used to draw the viewer’s eye through a photograph and are intentional or unintentional, natural lines created in the space of the photograph and are used to create a visual narrative in the composition. Also used to draw your eye to a focal point in the shot that you would like to highlight.
  • 8. Texture The visible surface quality of an object adding character to your picture. Texture can be smooth and shiny like a new car, or rough and edgy as in tree bark or a cobble walkway.
  • 10. Color (Hue)- Symmetrical Balance Symmetrical balance can be described as having equal “weight” on equal sides of a centrally placed fulcrum. It may also be referred to as formal balance.
  • 12. Asymmetrical Balance Also called informal balance, is more complex and difficult to envisage. It involves placement of objects in a way that will allow objects of varying visual weight to balance one another around a fulcrum point. This can be best imagined by envisioning a literal balance scale that can represent the visual “weights” that can be imagined in a two dimensional composition.
  • 14. Gradient Is something fading like a sunset and you cant see where it ends.
  • 16. Repetition Involves the use of patterning to achieve timed movement and a visual “beat”. This repetition may be a clear repetition of elements in a composition, or it may be a more subtle kind of repetition that can be observed in the underlying structure of the image.
  • 18. Pattern The regular repetition of several objects, shapes, or colors in an ordered or random manner.
  • 22. Dominance Dominance is an object or color that stands out in relation to the rest of the image.
  • 24. Proportion Refers to the relative size and scale of the various elements in a design. The issue is the relationship between objects, of a whole. This means that it is necessary to discuss proportion in terms of the context or standard used to determine proportion.
  • 26. Unity Is the underlying principle that summarizes all of the principles and elements of design. It refers to the coherence of the whole, the sense that all of the parts are working together to achieve a common result; a harmony of all the parts. Unity can be achieved through the effective and cosistent use of any of the elements, but pattern- that is, underlying structure- is the most fundamental element for a strong sence of unity.
  • 27. Unity
  • 28. Negative Space Is the empty space around the subject or focus of the photograph.
  • 30. Rule of Thirds Is a compositional rule of thumb in visual arts such as painting, photography, and design. The rule states that an image should be imaged as divided into nine equal parts by two equally-spaced horizontal lines and two equally spaced vertical lines, and that important compositional elements should be placed along these lines or their intersections.
  • 32. Visual Center A location on a rectangular map, about 5% of the height above the geometric center, to which the eye is drawn perceptually.