2. Elements of Realistic Fiction
Realistic fiction is simply stated as real kids with real
problems solved in a realistic manner in a real world
setting. If a story is excellent, it has more than one great
characteristic. Therefore, realistic stories can and often
do have humor, a sense of adventure, perhaps even
danger.
Real kids
Real problems
Real settings
Real solutions
Real humor
Real adventure or danger
3. Characteristics of the Best Realistic
Fiction
Characters are engaging and believable.
Dialogue is believable
Plot is fresh and original
Setting is true to life
Problems faced by the characters are honestly portrayed
Resolution makes sense
Theme grows naturally out of the action and characters
Writer does not preach at us
4. Elements of Realistic Fiction
Introduction
is where the author builds the story’s background. This is
where the reader learns about the setting, the
characters, and the story’s conflict, and perhaps what
took place before the story begins.
Setting
is where and when the story takes place:
location, season, weather, and time period. Setting is
important to the plot, the characters, the characters’
problems, and the theme.
5. Characterization and Conflict
Characterization
allows the reader to learn about what characters look
like, what they say, what others say about them, and
what they do (Lukens, 1999). Characters seem real
because their actions and dialogue are believable. As
readers, we often can identify with these characters
because they are like our friends or ourselves.
Conflict
in realistic fiction is defined by the type of problem in the
story. Conflict is the tension that exists between the
forces in the character’s life.
6. Plot and Theme
Plot
is what happens in the story. The plot in realistic
fiction must be believable or possible and easily
understood, fast-paced and moving toward
resolving the conflict.
Theme
is the idea that holds the story together,…the
central meaning of a piece of writing
7. Point of View
Point of view
is the perspective of the storyteller.
When a story is written from the first-person point of
view, the main character usually tells the story and
uses the word “I”
When a story is written from the third-person point of
view, the person telling the story is a central observer
who knows all (omniscient) and can recount details,
actions, thoughts, and feelings of the characters
8. Imagery
Imagery
refers to the author’s choice of descriptive words and
phrases that help readers form a mental picture of
settings, characters, and events, thus keeping readers
fully involved in the story.
Figurative language,
including similes and metaphors, is used in realistic
fiction to enhance imagery. Similes are comparisons
that make use of “like” or “as.” A metaphor compares
two unlike things directly without using like or as.
9. Tone
Author’s intent or tone
relates to how the author wants readers to feel
as we read the book. An author can intend the
story to be humorous, sad, serious, slapstick, or
any combination of these throughout the
story, and will use sentence structure, word
choices, patterns and arrangements to
communicate and set the story’s tone
10. Dear Mr. Henshaw by Beverly
Cleary
SUBJECTS:
Divorce
Parent and child
Schools
Letters
11. Frindle by Andrew Clements
SUBJECTS:
Teacher-student
relationships
New words
Schools
12. Walk Two Moons by Sharon
Creech
SUBJECTS:
Death
Grandparents
Family life
Friendship
13. The Watsons Go to Birmingham by
Christopher Paul Curtis
SUBJECTS:
African Americans
Family life
Prejudice
Brothers and sisters
14. From the Mixed Up Files of Mrs.
Basil E. Frankweiler by E.L.
Konigsburg
SUBJECTS:
Metropolitan Museum
of Art
Runaways
Brothers and sisters
15. Maniac Magee by Jerry Spinelli
SUBJECTS:
Death
Family life
Prejudice
16. Becoming Naomi Leon by Pam
Munoz Ryan
SUBJECTS:
Great-grandmothers
Brothers and sisters
Family problems
Mexican Americans
Mexico
17. Pictures of Hollis Woods by
Patricia Reilly Giff
SUBJECTS:
Family life
Orphans
Artists
Foster home care
Old age
18. Criteria for selection
Criteria for selecting titles in the realistic
fiction collection begins with believability of
characters, settings, and events
Readers must be able to accept the
characters as real people and events as
real places when reading realistic stories;
they must be credible