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1. High Renaissance Leonardo da Vinci Raphael Michelangelo Architecture Bramante Palazzo Farnese Venetian regional style Bellini Giorgione Titian Palladio
2. 2 Figure 22-6 LEONARDO DA VINCI, The Fetus and Lining of the Uterus, ca. 1511–1513. wash, over red chalk and traces of black chalk on paper, 1’ 8 5/8”. Royal Library, Windsor Castle.
3. LEONARDO DA VINCI, Study of the Varying Effectsof Light Striking a Profile from a Single Source, 3 Terms: Chiaroscuro, modeling
4. LEONARDO DA VINCI, Madonna and ChildHugging a CatLEONARDO DA VINCI, Study of Babies, 1508-10,red chalk 4
5. 5 Figure 22-2 LEONARDO DA VINCI, Leonardo da Vinci, Madonna of the Rocks, from San Francesco Grande, Milan, Italy, begun 1483. Oil on wood (transferred to canvas), 6’ 6 1/2” x 4’. Louvre, Paris.
9. 9 Figure 22-8 RAPHAEL, Madonna in the Meadow, 1505. 1505–1506. Oil on wood, 3’ 8 1/2” x 2’ 10 1/4”. Kunsthistorisches Museum, Vienna.
10. 10 Figure 22-4 LEONARDO DA VINCI, Last Supper, ca. 1495–1498. Oil and tempera on plaster, 13’ 9” x 29’ 10”. Refectory, Santa Maria delle Grazie, Milan.
20. Figure 22-24 CHRISTOFORO FOPPA CARADOSSO, medal showing Bramante’s design for the new Saint Peter’s, 1506. Bronze, 2 1/4” diameter. British Museum, London. 20
21. BRAMANTE Examine the achievements of Donato Bramante: innovative central-plan designs based on classical sources (influence of tholoi and Roman circular temples), and the beginning of new St. Peter’s in Rome. 21
22. Figure 10-4 Temple of Vesta (?), Tivoli, Italy, early first century BCE. 22
24. Figure 22-25 MICHELANGELO BUONARROTI, plan for Saint Peter’s, Vatican City, Rome, Italy, 1546. (1) dome, (2) apse, (3) portico. 24 Term: Portico
25. Figure 22-26 MICHELANGELO BUONARROTI, Saint Peter’s (looking northeast), Vatican City, Rome, Italy, 1546–1564. Dome completed by GIACOMO DELLA PORTA, 1590. 25 Terms: Pilaster Colossal order
26. St. Peter’s Basilica from the Piazza San Pietro. Façade by Carlo Maderno, 1607-1615. Dome by Michelangelo, 1546-1564.
30. 30 Figure 21-40 PERUGINO, Christ Delivering the Keys of the Kingdom to Saint Peter, Sistine Chapel, Vatican, Rome, Italy, 1481–1483. Fresco, 11’ 5 1/2” x 18’ 8 1/2”.
34. 34 Figure 22-10 RAPHAEL, Galatea, Saladi Galatea, Villa Farnesina, Rome, Italy, 1513. Fresco, 9’ 8” x 7’ 5”.
35. 35 Figure 22-5 LEONARDO DA VINCI, Mona Lisa, ca. 1503–1505. Oil on wood, 2’ 6 1/4” x 1’ 9”. Louvre, Paris.
36. Figure 22-19 MICHELANGELO BUONARROTI, Creation of Adam detail of the ceiling (FIG. 22-1) of the Sistine Chapel, Vatican City, Rome, Italy, 1511–1512. Fresco, 9’ 2” x 18’ 8”. 36
42. Figure 22-21 MICHELANGELO BUONARROTI, Last Judgment, altar wall of the Sistine Chapel (FIG. 22-18), Vatican City, Rome, Italy, 1536–1541. Fresco, 48’ x 44’. 42
45. Figure 21-12 DONATELLO, David, late 1440–1460. Bronze, 5’ 2 1/4” high. MuseoNazionale del Bargello, Florence. 45 First free-standing nude statue since antiquity. Notice the contrapposto Nudity used to portray a Biblical hero rather than as an allegory for sinfulness (Medieval mentality).
52. Figure 21-36 MICHELOZZO DI BARTOLOMMEO, facade of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445. 52 Terms: Rustication, Stringcourses, Dressed masonry, Cornice
53. Figure 21-37 MICHELOZZO DI BARTOLOMMEO, interior court of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445. 53 Term: Arcade
54. Figure 21-42 PIERO DELLA FRANCESCA, Enthroned Madonna and Saints Adored by Federico daMontefeltro (Brera Altarpiece), ca. 1472–1474. Oil on wood, 8’ 2” x 5’ 7”. PinacotecadiBrera, Milan. 54 Term: Disegno
55. Figure 22-38 TITIAN, Madonna of the Pesaro Family, 1519–1526. Oil on canvas, 15’ 11” x 8’ 10”. Pesaro Chapel, Santa Maria deiFrari,Venice. 55
56. Figure 22-36 GIORGIONE DA CASTELFRANCO, The Tempest, ca. 1510. Oil on canvas, 2’ 8 1/4” x 2’ 4 3/4”. Galleria dell’Accademia, Venice. 56
60. Figure 21-28 SANDRO BOTTICELLI, Birth of Venus, ca. 1484–1486. Tempera on canvas, approx. 5’ 9” x 9’ 2”. Galleria degli Uffizi, Florence. Figure 5-62 PRAXITELES, Aphrodite of Knidos. Roman marble copy of an original of ca. 350–340 BCE. 6’ 8” high. MuseiVaticani, Rome. 60
64. Figure 22-30 ANDREA PALLADIO, plan of the Villa Rotonda (formerly Villa Capra), near Vicenza, Italy, ca. 1550–1570. (1) dome, (2) porch. 64
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67. Figure 22-32 ANDREA PALLADIO, interior of San Giorgio Maggiore ,Venice, Italy, begun 1566. 67
68. Figure 21-44 LEON BATTISTA ALBERTI, west facade of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472. 68
69. 69 Figure 22-4 LEONARDO DA VINCI, Last Supper, ca. 1495–1498. Oil and tempera on plaster, 13’ 9” x 29’ 10”. Refectory, Santa Maria delle Grazie, Milan.
70. 70 Figure 21-20 MASACCIO, Holy Trinity, Santa Maria Novella, Florence, Italy, ca. 1424–1427. Fresco, 21’ 10’ 5/8” x 10’ 4 3/4”.
71. Figure 22-47 TINTORETTO, Last Supper, 1594. Oil on canvas, 12’ x 18’ 8”. San Giorgio Maggiore, Venice. 71
72. Figure 22-12 MICHELANGELO BUONARROTI, Pieta, ca. 1498-1500. Marble, 5’ 8 ½” high. Saint Peter’s, Vatican City, Rome. 72
73. 73 Figure 21-23 FRA FILIPPO LIPPI, Madonna and Child with Angels, ca. 1455. Tempera on wood, 2’ 11 1/2”. x 2’ 1”. Galleria degli Uffizi, Florence.
74. 74 Figure 22-2 LEONARDO DA VINCI, Leonardo da Vinci, Madonna of the Rocks, from San Francesco Grande, Milan, Italy, begun 1483. Oil on wood (transferred to canvas), 6’ 6 1/2” x 4’. Louvre, Paris.
77. Figure 22-45 BRONZINO, Portrait of a Young Man, ca. 1530–1545. Oil on wood, 3’ 1 1/2” x 2’ 5 1/2”. Metropolitan Museum of Art, New York (H. O. Havemeyer Collection, bequest of Mrs. H. O. Havemeyer, 1929). 77
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79. Figure 22-11 RAPHAEL, Baldassare Castiglione, ca. 1514. Oil on canvas, 2’ 6 1/4” x 2’ 2 1/2”. Louvre, Paris. 79