Chiu Longina English Dossier

Chiu Longina | www.longina.com


Chiu Longina
Pobra de Trives, Ourense (Spain). 1970. Anthropologist and musicologist. Sondartist and acoustic spaces creator. Co-
founder and member of the groups Escoitar.org, SINSALaudio.org, Alg-a.org, Artesonoro.org and
Mediateletipos.net. Member of the Center of Experimental Creation of Cuenca (Spain) and of Research group DX7
Tracker (University of Vigo, Spain). Editor and free curator, prepares at this moment a publication on sonorous
technologies of social control and acoustic weapon (the topic of his phD).
E-Mail: chiulongina@gmail.com Web: www.longina.com
Video Channel: http://vimeo.com/chiulongina Photos: http://flickr.com/chiulongina/

CURRENT PROJECTS | proyectos actuales

Notours.org [Experience the territory through the ear]
Mediateletipos.net [digital teletypes]. Digital publishing.
Sinsalaudio.org Sound events production company.
Artesonoro.org Sound art portal in spain.
Alg-a.org Digital artists collective, Galicia (Spain).
Escoitar.org Soundscape project and Aural Studies research.
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SOLO SHOWS | exposiciones individuales

2004 Lomondscape. Longina. “Territori Sonor” (Radio Pica, Barcelona).
2005 Chiu Longina, Los sonidos son actos. Centro de Experimentación Experimental, Cuenca.
La calle suena. Paisaje Sonoro Urbano. School of Fine Arts, Cuenca. Spain.
2006 Paisaje Sonoro de Córdoba.. Albergue de Córdoba (Festival Eutopía), Córdoba. Spain.
Paisaxe Sonora de Vigo. Escoitar.org. MARCO, Museum of Contemporary Art, Vigo. Spain.
2007 Audio HackLAB Escoitar.org. MARCO, Museum of Contemporary Art, Vigo. Spain.
Audio HackLAB Escoitar.org. CGAC (Galician Center of Contemporary Art).
2008 Sonic Weapons. Laboral Centro de arte y Creación Industrial. Gijón. Spain.
2009 No-Tours. Audio-psico-geografía. Laboral Centro de arte y Creación Industrial. Gijón. Spain.
2009 Artsbirthday 2009 Safe and sound/Sonic Weapons. Ars Acústica de la Unión Europea de Radiodifusión (UER)
...............................................................................................................................................

CURATORIAL WORKS | trabajo como comisario

2006 Selection of sound-artists for the ZEMOS98 Festival, SINSALaudio company. Sevilla.
2007 Aural Networks/Redes Aurales. Mediateletipos.net. Digital a la Carta. Sónar Festival , Barcelona.
2007 Fonotopías de Galicia: sons en perigo de extinción. Xunta de Galicia, Radio Galega.
2007 Cartografías de la Escucha. Sonido y Lugar. Series of lectures/conferences. CGAC, S. de Compostela.
2008 Audiovisións. Documentary Film Festival. CGAC, S. de Compostela.
2008 Netaudio networks. Círculo de Bellas Artes. Madrid
...............................................................................................................................................

GROUP SHOWS | exposiciones colectivas

1999 Lost In Sound. CGAC, Santiago de Compostela. Spain.
2000 Festival Audiovisual de Vitoria-Gasteiz. Spain.
Puntos de Encuentro y Areas de Descanso, INJUVE, Ministerio de Trabajo y Asuntos Sociales.Spain.
2002 IFI 2002. Encontro de Arte Sonora e Videocreación. Pontevedra. Spain.
Festival Observatori, Valencia. Spain.
Festival LEM, Barcelona. Spain.
2003 Festival Zemos98. 5ª Edición, Sevilla. Spain.
X Certame de Artes Plásticas Cidade de Lugo. Lugo. Spain.
Artefactos, Malas Artes, Vigo. Spain.
No lo llames performances (Don’t call it performance). Museo Reina Sofía, Madrid. Spain.
III Memorial Enrique X.Macias de Música Contemporánea, Vigo. Spain.
Olladas Oceánicas, Museo do Mar de Vigo. Spain.
Premios para Xoves Artistas. Auditorio de Galicia. Spain.


No lo llames performances (Don’t call it performance). Centro Párraga. Murcia. Spain.
Emerxentes. Casa da Parra. Santiago de Compostela. Spain.
2004 No lo llames performances (Don’t call it performance). CAAC, Sevilla. Spain.
No lo llames performances (Don’t call it performance). Museo del Barrio. Nueva York. EEUU.
2005 SoundTransit. World Soundscapes, Berlin. Germany.
2006 Urbanitas. MARCO, Vigo. Spain.
Proxecto-Edición. Feira de arte, Pontevedra. Spain.
Paisaxe Sonora de Pontevedra. Escoitar.org. REINICIA, arte. tecnoloxía. ciencia.sociedade. Spain.
2007 Google Art or How to Hack Google. New Museum of Contemporary Art, New York. EEUU.
Repeat Please: cultura VJ. Teatro Cómico Principal. Eutopía07, Córdoba. Spain.
2008 Festival de Teatro AlternativoALT08, Instalación Sonora Interactiva. Casa das Artes, Vigo. Spain.
2008 Banquete_Nodos y Redes. Laboral Centro de Arte. Gijón. Spain.
2008 Makrofoniak. Arteleku. Donosti. Spain.
2008 Madridsoundscape. La Casa Encendida. Spain.
2008 IN-SONORA Sound Art Festival. Intermediae-Matadero. Madrid. Spain.
2008 Outonarte. Palexco. Palacio de Congresos y Exposiciones. A Coruña. Spain.
2009 Festival de Couture. Strasburgo. France.
2009 Interference Festival. Breda. Holland.
2009 Recursos Propis. Bòlit. Center of Contemporary Art. Girona. Spain.
2009 Banquet nodes and networks. Sonic Weapons. ZKM. Karlsruhe. Germany.
2009 El Pasado en el Presente. Laboral Centro de Arte. Gijón. Spain.
2009 Outonarte09, irmos de escaparates. Palexco + Kiosco Alfonso. A Coruña. Spain
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ACTIONS AND PERFORMANCES | performances, acciones

2002 Festival BRAGA2002, Portugal. (Fennesz+Dat Politics+SINSAL). Spain.
Club Vademecwm (SINSAL+Stardub+Pole). Spain.
Festival IFI. Facultad Bellas Artes Pontevedra. Spain.
Festival LEM, Barcelona. Spain.
Festival Observatori, Valencia. Spain.
2003 Festival Pro Nunca Máis. Vademecwm, Vigo. Spain.
Festival Zemos98, Sevilla. Spain.
Festival IFI 2003, Pontevedra. Spain.
Aniki Bobo, Porto. Portugal.
Fragil, Lisboa. Portugal.
Fac. Bellas Artes. Berio Molina+Longina, Pontevedra. Spain.
Fac. Bellas Artes UPV. Flexo+Longina, Bilbao, Euskadi. Spain.
2004 Acción "Sonando, op.25 para 20alumnos, 2profesores, un administrativo y un espontáneo", Vigo. Spain.
Acción “audioteletipos”. Acción-Conversación para Suplemento Culturas, diario La Vanguardia. Spain.
“Perfect-Byte”, audio-acción para el sitio “AUDIOTELETIPOS”.Spain.
Acción "Sonido y Antropología". Facultad de Políticas, Univ. Complutense, Madrid. Spain.
Acción "Cuenca Soundscape". Ceja de Uña, Cuenca. Spain.
2005 Acción "Recogiendo el testigo". Facultad Bellas Artes, Cuenca.
Acción "El Sonido no tiene Pilila". AudioLab SINSALaudio, 2º Encontro Alg-a, Vigo. Spain.
Acción "Lanzando artesonoro.org". Centro de Creación Experimental de Cuenca. Spain.
Acción "Intel Corporation". Espacio cntx.org, Vigo. Spain.
Acción "Cluster Sonoro. Antropología del Sonido". 3º Encontro Alg-a, Pontevedra. Spain.
2006 Acción "Perfect_Byte". Museo MARCO, Vigo. Spain.
2007 Acción "Armas Acústicas”. Festival Zemos98, Sevilla. Spain.
Acción "Acoustic Weapons”, Museo MARCO, Vigo. Spain.
Acción “Auscultando el Puente Romano de Lugo”. Festival de Arte Sonoro Artesons. Univ. De Lugo. Spain.
Acción “Sonido de la caída de la primera castaña de la temporada”, Medialab Prado, Madrid. Spain.
Acción “Paisaje Sonoro Cantado”, CGAC (Centro Galego de Arte Contemporáneo), Santiago. Spain. Spain.
Acción “Grabación de paisaje sonoro en tres objetos: vaso, carpeta y radiografía”. CGAC, Santiago. Spain.
2008 Acción "Sonosfera Madrid”. Círculo de Bellas Artes, Madrid. Spain.
Acción “Escuchar tierra, árbol, roca y arbusto”, Televisión de Galicia, Santiago de Compostela. Spain.
Instalación Sonoro Interactiva. Fonoteca Nacional, DF, México. Spain.
Acción “Macrófono”. Festival de Arte Sonoro Sensxperiment Lucena, Córdoba. Spain.
Acción “Macrófono”. Festival de Arte Diginal Canarias Mediafest, Las Palmas de Gran Canarias. Spain.
2009 Acción “Sonosfera de Vitoria”. Artium (Centro de Arte Contemporáneo País Vasco). Spain.
Acción “Sonosfera de Porriño. Festival Coiro de Pita. Porriño Spain.
Acción “Sonosfera de Santiago”. Festival dos Abrazos. Santiago de Compostela. Spain.
Acción “Mosquito Device”. Outonarte09. A Coruña. Spain.
Acción “Escoitando o MACC”. MACC, Sta. Cruz de Tenerife. Spain.


LOMONDSCAPE, LOCH LOMOND. SOUTHERN SCOTLAND (2002)
SOUNDWALKING OF A 12 ISLANDS OF THE LARGEST LAKES IN
EUROPE. RADIO PICA (ARS SONORA). CURATED BY FERRAN
CUADRAS (BARCELONA) http://longina.com/lomondscape/


SONATA FOR LAPTOP. CRÓNICA ELECTRÓNICA. PORTUGAL. (2003)
“Without intention, analysis or reflection, lap-top music is significant, without
significance. It is self-managed and explained and does not rely on external
events because it is self-sufficient and does not need them. It maintains an
intimate and contractual dialogue with the hate of beings and its habitat is the
mechanism of the portable computer, the Sound System. New technology,
new theology.” http://www.cronicaelectronica.org/


SUSHI FOR 4. MUSEO DEL MAR. VIGO, SPAIN (2003)
SOUNDWALK ALONG WEST COAST OF GALICIA. PRODUCTION GRANT
“OLLADAS OCEÁNICAS” EXHIBITION, CURATED BY MANUEL OLVEIRA.
http://longina.com/sushi/index.htm


INTEL CORPORATION. VIDEO ACTION. MARCO. Museum od
Contemporary Art of Vigo. Spain. (2006)
WITH BERIO MOLINA. ACTION TO WASH A BAGPIPE. THIS MUSICAL
INSTRUMENT WAS USED POLITICALLY, AND THIS IS RETURNED TO
THE VILLAGE, THE RIGHTFUL OWNER.


PERFECT-BYTE. URBANITAS. MARCO, VIGO (2006)
CRITICISM OF VIRTUOSITY IN THE "POST-DIGITAL MUSICS." THE
PERFECT PITCH HAS BEEN A "VALUE" IN CLASSICAL MUSIC AND
MASTERY OF A PROGRAMMING LANGUAGE IS ALSO A 'VALUE' IN NEW
MEDIA ARTISTIC ATTITUDES. CELEBRATION OF THE FUNERAL FOR
THE MOST POPULAR PROGRAMMING ENVIRONMENTS IN THE WORLD
OF DIGITAL SOUND ART. REST IN PEACE.


ESCOITAR.ORG RESEARCH PROJECT. COLLECTIVE OF SOUND ARTISTS
AND ACTIVISTS. ANTHROPOLOGISTS, MUSICOLOGISTS, ENGINEERS, GRADUATES
IN FINE ARTS AND MULTIMEDIA ARTISTS, WHOSE MAIN OBJECTIVE IS THE
DEVELOPMENT AND PROMOTION OF THE SONOROUS PHENOMENON AS A NEW
WAY OF KNOWLEDGE OF THE SOCIETY. http://www.escoitar.org


SONIC WEAPONS. VIDEO-ACTION. MARCO (ESPACIO ANEXO) (2007)
ACOUSTIC WEAPONS HAVE BEEN IN DEVELOPMENT BY DEPARTMENT OF DEFENSE
CONTRACTORS, IN EEUU. THIS "MODERN SYSTEM OF TORTURE" TO BE MUCH MORE
EFFICIENT THAN BEATINGS OR STARVATION, PRODUCING PSYCHOLOGICAL
DISINTEGRATION IN A MATTER OF DAYS, RATHER THAN WEEKS OR MONTHS. AND IT
WAS HARD TO DOCUMENT ;THESE "TECHNIQUES" LEAVE NO VISIBLE MARKS ON THE
FLESHY SURFACES OF A HUMAN BODY. http://vimeo.com/776052


SUNG SOUNDSCAPE GALICIAN CENTER OF CONTEMPORARY ART (2007)
8 VOICES, TWO VIDEO CAMERAS AND A MICROPHONE. THE
PERFORMERS SING A SANTIAGO'S SOUNDSCAPE (SPAIN)
http://vimeo.com/643493


SCULPTURES TO LISTEN EXECUTED IN SEVERAL CITIES (2006-2008)
MATADERO (MADRID), LA CASA ENCENDIDA (MADRID), ATENEO OBRERO (GIJÓN),
FESTIVAL SENSXPERIMENT (CÓRDOBA), FESTIVAL ZEMOS98 (SEVILLA), ZKM
(KARLSRUHE), CGAC (S.COMPOSTELA), CANARIAMEDIAFEST (LAS PALMAS), etc.


SONOSFERA MADRID CÍRCULO DE BELLAS ARTES, MADRID (2008)
LIBERATION AND FLIGHT OF 1000 BALLOONS WITH MICROPHONES IN THE ROOF OF THE CIRCLE
OF FINE ARTS OF MADRID. THE LISTENED SOUND WAS TRANSMITTED FOR RADIO3 (RNE). THERE
WAS CELEBRATED THE PRESENTATION OF THE “PROXECTO-EDICIÓN” (CGAC, MARCO,
FOUNDACIÓN LUIS SEOANE). http://vimeo.com/613865


FONOTOPÍAS DE GALICIA SOUND RECORDING IN DANGER OF
EXTINCTION (2007-2008)
TO PROMOTE THE PROJECT THERE WAS RECORDED THE SOUND OF
THE FALL OF THE FIRST CHESTNUT OF AUTUMN IN GALICIA. THE
SOUND OF THE CHESTNUT WAS LISTENED FOR THE FIRST TIME IN
MEDIALAB-PRADO (MADRID)


MOSQUITO DEVICE SOUND INSTALLATION (2008-2009)
MATADERO (MADRID), IN-SONORA (MADRID), FESTIVAL INTERFERENCE (BREDA,
HOLLAND), FESTIVAL DE COUTURE (STRASBURGO), ART BIRTHAY (ARS
ACUSTICA, UR, EUROPE) http://www.artesonoro.org/sonicweapons/

The "Mosquito" is a device that emits a very
disagreeable high frequency sound that only
the 25-year-old minors can hear. Its objective
is to disperse the young people of its habitual
places of meeting (public squares, outside of
commercial centers, etc.). These devices
demonize the young people, symbolize the
malaise in our society and promote the " fear
and hatred" to the young people, creating a
dangerous and increasing gap between
young people and adults.


MACROPHONE 7x2m. CANARIASMEDIAFEST (CANARIAS)
INTERMEDIAE (MADRID), FESTIVAL SENSXPERIMENT (CÓRDOBA), IN-SONORA
(MADRID), BÓLIT (GIRONA), FESTIVAL ZEMOS98 (SEVILLA), ARTIUM (VITORIA),
FESTIVAL DOS ABRAZOS (SANTIAGO), OUTONARTE (A CORUÑA) http://vimeo.com/2180545


AUDIO-HACKLAB MARCO -ESPAZO ANEXO- (2008)
CONSTRUCTION OF AN AUDIO-HACKLAB IN THE MUSEUM OF CONTEMPORARY
ART OF VIGO. THE RESULT WAS PUBLISHED IN A DVD-BOOK.


INTERACTIVE SOUND INSTALLATION (2008-2009)
LABORAL CENTER OF CONTEMPORARY ART (GIJÓN), ZKM
(GERMANY), FONOTECA NACIONAL (MEXICO DF), FESTIVAL ALT08
(VIGO). http://vimeo.com/722603


NO-TOURS LABORAL CENTER OF CONTEMPORARY ART (2009)
AUDIO- PSYCHOGEOGRAPHY / AUDIO-GUIDES FOR AURAL
AUGMENTED EXPERIENCES WITH GPS TECHNOLOGY. CIMADEVILLA,
GIJÓN (WITH ENRIQUE TOMÁS). http://www.escoitar.org/notours/


MACRÓFONO BÒLIT CENTER OF CONTAMPORARY ART (2009)
EXHIBITION "RECURSOS PROPIOS" GIRONA. SOUND INSTALLATION, 3
VIDEO-MONITORS AND PROJECTION OF SOUND MAP OF GALICIA


TECHNOLOGIES OF SOCIAL CONTROL INTERFERENCE EXHIBITION
(BREDA, HOLLAND, 2009)
SOUND INSTALLATION (MOSQUITO DEVICE) + VIDEO MANIFESTO
ABOUT SONIC WEAPONS.


SONIC INTERVENTIONS ARTIUM (CENTER OF CONTEMPORARY ART.
BASQUE COUNTRY, 2009)
MACROFONO, EAR AND OTHER DEVICES FOR THE EYES, OR HOW
EXCITING THE EAR THROUGH THE EYES.


SONOSFERA DE PORRIÑO EVERY PLACE, AS EVERY INHABITED SPACE,
IS LOADED WITH A MEANING, WITH A “HISTORICAL AND RELATIONAL
IDENTITY” THAT HAS BEEN MADE OUT OF AN INDIVIDUAL OR COLLECTIVE
PROCESS OF MEMORY. IT IS THE RESULT OF OUR LISTENING ACTS.


FESTIVAL DOS ABRAZOS SANTIAGO DE COMPOSTELA, 2009. THIS
PROJECT PROPOSES AND STRATEGY FOR ASSUMING THE SOUND
COMPLEXITY OF A TERRITORY, FOR UNDERSTANDING HOW MUCH THE
SOUND IS INFORMING US ABOUT A THAT PLACE.


OUTONARTE 09 SONIC WEAPONS. A FEW EXAMPLES OF THE USE OF
SOUND AS A MEDIUM OF CONTROL. EITHER AS A FORM OF PHYSICAL
ENERGY, AS A MECHANISM FOR COERCION OR AS AN IMPLICIT
AGREEMENT, SOUND PLAYS AN IMPORTANT ROLE IN THE DEVELOPMENT
OF SYSTEMS OF SOCIAL CONTROL.


HOMEMADE MOSQUITO THE INSTRUMENT "MOSQUITO", AN
ULTRASOUND-STURGEON NOISE TRANSMITTER DEVELOPED IN 2005 IN
GREAT BRITAIN WHOSE AIM IS BY MEANS OF SOUND WAVES IN HIGH
FREQUENCY RESPONSES TO EXPEL TEENAGERS, WHO ARE "HANGING
AROUND" - A SOUND WAVE WHICH CAN ONLY BE HEARD BY PEOPLE
UNDER 25 DUE TO ITS FREQUENCY.

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