These are slides from my video workshop Oct. 15, 2019 at Drake University in Des Moines. This was a hands-on workshop focused on shooting video on phones and editing with the Videoshop app.
2. HELLo. I’m Chris snider
• Associate professor in Drake
University’s School
of Journalism and Mass
Communication
• Teach classes on video, audio,
social media, design, storytelling
and web design
• Also teach a variety of classes
on those topics in our
Online Master of Arts in
Communication program
3. • I’m passionate about how businesses can use social
media and digital media
• Formerly editor at Juice Magazine and the Des Moines
Register
• Continue to run social media accounts and build websites
for clients and several related to Drake University
4. Video is more popular and more
in-demand than ever
The problem is… most people don’t
know how to make quality video.
But you can do it with only a smartphone.
7. Shoot in shots
• Don’t shoot in one continuous movement or hold one
shot for too long
• Shoot a series of unique shots and put them together
to tell the story
• This is a terrible video (with millions of views)…
8.
9. Move, point, shoot, stop.
Move, point, shoot, stop.
Move, point, shoot, stop.
• Frame your shot, then press record until it gets boring.
• Then stop and move on to the next one.
• Shoot more than you think you’ll need (you don’t have
to use it all)
13. Camera movement…
• Pan - move the camera horizontally
• Tilt - move the camera vertically
• Zoom - move toward/away from to subject
• Always begin and end stable
14. … avoid camera movement
• Any sort of camera movement is advanced technique
• Hold the camera still and let the movement happen
inside your composed shot
• Most great TV/movies are a series of still shots
15.
16. COMPOSE
YOUR SHOTS
• Take charge and
properly set up the
shot.
• Pay attention to
backgrounds.
• Don’t be afraid to
rearrange the furniture
(in non-documentary
situations).
25. Go to Facebook or Instagram
and look at the first video you see
How are they doing?
• Shooting in shots
• Avoiding camera movement
• Composing shots (rule of thirds, framing,
leading lines, foreground/background)
• Shooting wide, medium close-up
26. Let’s shoot, Part 1
• Shoot at least five shots of someone doing an action
(using a prop, being “lost on campus” or ????)
• Include wide, medium and close-up shots
• Hold the camera steady
• Compose shots - rule of thirds, framing, leading lines,
foreground/background
Shooting in shots
29. A visual timeline representation of your video
Indicators about effects, titles, music, sounds
Preview area - shows video clips as they are
playing
Tools you can use as you edit
Library of clips you’re working with. Press,
hold, and drag a clip to re-arrange your clips
in your timeline.
30. • Trim ends
• Cut from middle
• Split into two
clips
38. Shoot in sequences
• Think in terms of scenes
• For each scene, follow the action, shoot wide, medium
and close-up
• Reconstruct the event so it appears to happen in real
time. Look for things that repeat (so you can shoot
more than once). Or have your subject repeat them (if
possible)
41. Storyboard, then shoot
• It’s important to think through all of your shots ahead of
time.
• Easiest way is to storyboard what you will shoot.
42. Use Pattern interrupts
Pattern Interrupts are elements in your video that are different than the rest
of your video (they literally "interrupt" the “pattern"). Pattern Interrupts can be:
• On-screen graphics
• Animations
• New background or setting
• B roll shots
• Different camera angles
• Sound effects
43.
44. Tell a story
• Every video will be better if it tells a story.
• A story should have three elements
• A sympathetic character
• An obstacle (the thing in your character’s way)
• A pot of gold (the end goal or reward)
48. Let’s BRAINSTORM
• Choose a topic: the not-so-great outdoors
OR trouble at birthday party
OR first-date disaster
• Who is your sympathetic character?
• What is the obstacle? How do they overcome?
• What happens in beginning, middle, end?
49. you’re only as good as your audio
• A video that is difficult to hear will turn off viewers.
• Avoid locations with bad acoustics.
• Avoid distracting background noises (busy areas, heavy
machinery, lawnmowers, etc.)
• Use an external microphone for quality audio.
51. Smartphone video has
four main weaknesses
Hard to keep phone stable
(stabilization does get better every year)
Lack of quality audio when too far from camera
Not great in low-light situations
Limited zoom options (also getting better)
57. Zoom with your feet,
not with your lens
• Shoot at your camera’s widest setting for stability
• 10x zoom = 10x shakiness
• Can be uncomfortable to get in close, but it’s our best
option
58. Let’s shoot and edit, part 2
• What we’re focusing on
• Quality audio
• Variety of shots
• Shooting in sequences
• Tripod for steady video
Interview with b-roll
59. Click impose to add
cutaway shot
• You’ll need to size up the
video (use 2 fingers) to
completely cover the
interview
• Just watch the ad to get
this feature for free
62. A BETTER VIDEO APP: FILMICPRO
• $15 for iOS and Android
• Professional video tools such as smooth zooming, lock
focus, lock exposure, sound monitoring.
63. Creative videos: Quik
• Free for both Android and iOS
• Quickly make videos, add text and music
70. Mojo
High-quality motion graphics
templates. $40/yr for pro.
Unfold
100+ templates for Stories
photos. 25 for free.
InShot
Convert shape of videos
and add text.
Tools for creating Stories
71. MORE VIDEO APPS TO TRY
• YouStar - add special effects to videos
• Jumprope - create step-by-step how-to videos
• Action Movie FX - add Hollywood special effects
• Adobe Rush - shoot, edit and share videos
• Cinamaker - shoot videos with multiple phones
72. Let’s shoot and edit, part 3
• What we’re focusing on
• Storyboard
• Quality audio
• Variety of shots
• Tripod for steady video
5 shots about you