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Writing Across Media Christy Dena UniverseCreation101.com Power to the Pixel 23rd October 2008
Writing ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
Four Approaches to Cross-Media Creation Version 1, Christy Dena, 2008 ,[object Object],* Film is King, other mediums are Queen ,[object Object],[object Object],Medium Status * Have to experience more than one * Experience more than one * Experience one or the other * Experience one on top of the other, no relation Audiences ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Execution ,[object Object],[object Object],[object Object],[object Object],Skills Artistic Economic & Artistic Economic (& Artistic) Economic Motivation Strategies & Techniques ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Native Integrated Complimentary Isolated
Four Approaches to Cross-Media Creation ,[object Object],* Film is King, other mediums are Queen ,[object Object],[object Object],Medium Status * Have to experience more than one * Experience more than one * Experience one or the other * Experience one on top of the other, no relation Audiences ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Execution ,[object Object],[object Object],[object Object],[object Object],Skills Artistic Economic & Artistic Economic (& Artistic) Economic Motivation Strategies & Techniques ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Native Integrated Complimentary Isolated
 
Managing Coherence
Scan of ‘The Complete Graph’ (p.247) in Marie-Laure Ryan (2001)  'Can Coherence be Saved?'  Narrative as Virtual Reality:  Immersion and Interactivity in Literature and Electronic Media .  M.-L. Ryan (Ed.). Baltimore, Johns Hopkins University Press :  242-270.
Ivan Reitman’s  My Super Ex-Girlfriend
 
 
 
How to Manage Coherence  Across Media Platforms?
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Recaps http://wayback.perplexcitystories.com/?url=story.perplexcity.com/ http://stophanso.rachelblake.com/recap.html
Fictional corporations, products & characters with plot-agnostic content
Richard Kelly’s  Donnie Darko Restricting/Obstructing Access
http://www.donniedarkofilm.com/
POV: Brad Bird’s   The Incredibles & Jack-Jack Attacks Feature Film DVD Extra
Artistic Rendition  (new POV from alternate takes etc):   Paul Thomas Anderson’s  Punch Drunk Love  and  Blossoms & Blood  DVD extra
 
 
The Matrix , Wachowski Brothers Time Medium
[object Object],[object Object]
Call-to-Action Cycle ,[object Object],[object Object],[object Object]
[object Object]
[object Object]
[object Object]
Marc Forster’s  Finding Neverland
[object Object],ReGenesis II Extended Reality Game by Xenophile Media
[object Object]
[object Object],gameplay and gameworld responses
Referrals
 
Heroes 360 Experience
 
Prison Break
http://www.iad-ordnonstop.net/ Criminal Minds
Modeling Nick Hamm’s  Godsend
 
 
Traversal Design
 
Customer Experience Management Guide Book
Japan Market Intelligence
The Beast
Joseph Campbell, 1949
Christopher Vogler, 1992
Six to Start http://wetellstories.co.uk/
My bio site:  http://www.ChristyDena.com/ Blog & podcast: http://www.UniverseCreation101.com Email:  [email_address]

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Writing Across Media