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Social Media Extravaganza!
Today’s
Facilitators
Dana Allen-Greil
@danamuses
Jennifer Poleon
@ohiofoodlovers
Phillippa Pitts
@tertiarysource
Margaret Sternbergh
@margienchargie
Jessica Warchall
@je321ss
*
*
*
*
*
Yearinreview!
10.#TheDress
9.talkingtoourselves
8.Friendlycompetition
7.SocialBecomesPhysical
6.HackingSocialforExhibits
#InstaManRay
@Instamanray2015
5.Workingw/Influencers
#EmptyMet
(apr.2013)
#EmptyTate(Dec.2014)
#MFAHafterhours
(Sept. 2015)
#EmptyROM(Jul.2015)
#EmptyArtAndPortraits
(Jul.2015)
#EmptyTCM(Dec. 2014)
#EmptyMuseumOfTheBigBend(Sep.2015)
#EmptyLouvre
(Sept. 2014)
4.Oh,Snap
3.LiveSocialVideoStreams
2.SocialMediaforSocialjustice
#LoveWins
#blacklivesmatter
1.GlobalSocialCollaborations
<< Dana to do >>
● 2825 Participants
● 77 Countries
● 600,000 Tweets
● 237 Million views
● 1079 Participants
● 51 Countries
● 44,000 Tweets
● 63 Million views
Breakout!
BreakoutTopics
1. Making a bigger
splash: Collaborating
with other institutions
2. Content strategy:
What are we trying to
achieve?
3. Are we REALLY
reaching new
audiences?
4. Using social media for
social change
Thingsto
ListenFor...
● Opportunities to
collaborate after the
conference
● Resources to share
● Specific solutions or
successes
Recap!
Takeaways
Making a splash: Collaborating with
other institutions
● Use the International Museum
Social Media Managers Facebook
group to suggest ideas for
collaboration (not just
troubleshooting)
● #ArtMadness as good example of
cross-institution collaboration
● How can we capture the energy of
shared campaigns and build on it?
● Why aren’t we talking to each other
on a regular Monday, not just big
events like #MuseumWeek
● Help each other by sharing strategy
and successful arguments made in
your institution
Takeaways
Content strategy: What are we really
trying to achieve?
● Difficult balance between
transactional/marketing content (with
calls to action) vs. “content content”
information about your collections
● Talking about yourself & your collections
vs. talking about your topic, more
broadly
● “Bullhorn or bandaid”?
● What *IS* content?
● The problem of too much content; how to
triage priorities and not overwhelm your
audience
● For other orgs: The problem of not
enough content
● Challenge of developing strategy and
goals, understanding your audiences on
each platform
● Sharing “engagement” metrics,
comparing call-to-action vs. other kind
Takeaways
Are we REALLY reaching new audiences?
● What is a “new audience”? What is
the measureable outcome?
○ New to this kind of program vs. new to
the museum overall?
○ New website visitor ?
● Working with influencers
○ Ex. of museum staffer Vine account
getting a million views vs. museum
account
● How do you reach teens?
○ How do you stay nimble so you can be
on the platform they’re (still) using
before they move on to the next thing
● Problem of analytics
○ (Lack of) Integration of social media
contacts with customer relationship
management system
● Selfie stations as visual
representation of your audience
● Solution: Umble is an opt-in
Takeaways
Social media for social change
Problems:
● Institutional policies: Are we even allowed to talk
about these issues?
● Line between education vs. activism?
● Collections with problematic images & histories...
what do you do with these?
● There is no neutral stance
● How can we channel this energy into real, systemic
change at our institutions?
○ Avoiding “gloss”; being authentic; not just
doing it for the likes
Solutions:
● How can we invite community to offer interpretations,
take a stand (even if the museum can’t)?
○ Can you offer your platform to amplify voices?
e.g., Twitter takeovers
● Can we use hashtags that are supportive and not
supplantive?
● Craft a compelling argument about why you have a
stake and a role in this issue or discussion
○ Make sure it is mission-related
● Can we offer a lens to look at each others’ collections,
fill in each others’ gaps, and create partnerships so
we can do more together?

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Social Media Extravaganza: A Mini Unconference at MCN 2015