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Historicizing Humanitarian Photography: The Case of Magnum Photos Michelle Woodward
Magnum’s “classic” visual style 1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression
[object Object],1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression
[object Object],1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression ,[object Object]
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression ,[object Object]
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression ,[object Object]
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression ,[object Object]
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression ,[object Object]
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression ,[object Object]
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression ,[object Object]
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression ,[object Object]
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression ,[object Object]
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression ,[object Object]
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression ,[object Object]
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression
1 - high drama 2 - documentary realism 3 - abstract narrative 4 - artistic expression
Gilles Peress.  Pro-Ayatollah Shariat-madari demonstrations, Tabriz, Iran, 1980
 

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