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Gilda
Gilda 1946 dir by Charles Vidor
Stars:
• Rita Hayworth as Gilda
• Glenn Ford as Johnny Farrell
• George Macready as Ballin Mundson
Set:
In Argentina after the War. Johnny is a down on his
luck kinda guy who begins work for Mundson.
When Mundson returns from a trip married to the
alluring Gilda the complications begin…
Why do we watch it?
• It’s full of post-war desperation and angst.
  These people are either broken or profiteering
  from post-war shortages
• Links to society at the time. It’s set in
  Argentina which was a hot bed of
  disenfranchised people – including ex Nazis
  hiding from authorities
• It represents the American post-war paranoia
  about Nazi war criminals
Why do we watch it
• Gilda is a fabulous Bad Girl/Good Girl. She is a
  femme fatale of sorts (but comes right in the
  end). She’s NOT Phyllis – and we will compare
  the two
• Johnny is a flawed male with “no past and all
  future”
• Ballin is a profiteer and a cruel man
Femme Fatale?                   ‘If I’d have been a ranch they’d
                                 have called me the Bar Nothing

• Rita Hayworth’s Gilda was
  alluring and manipulative,
  but is driven by a love/hate
  relationship with Johnny to
  behave badly.
• Her first (and most famous)
  scene, ‘me decent’
  introduces her as a ‘vamp’
  and uses typical noir visual
  stylistic techniques to make
  her look alluring (light
  behind)
Good Girl/Bad   “I never can seem to do a
                zipper up”
    Girl        Gilda represents the view
                of society at the time that a
                woman outside of family
                and traditional roles is most
                dangerous – she is part of a
                society where women’s
                roles and behaviour were
                changing and that was
                challenging traditional roles

                She uses men to get back at
                Johnny and uses her
                sexuality to get what she
                wants
Good/Girl Bad Girl
Unlike Phyllis she doesn’t
resort to crime – but would
have been seen as amoral at
the time

She is selfish and a narcissist
like Phyllis – looks in the mirror
a bit!

She represents the
existentialist questioning of
life happening after the war -
Gilda is a lost soul, who
doesn’t know what she wants.
Put the blame on Mame (women)
"When they had the earthquake - in San Francisco-
back in 19`6
They said that old mother nature - was up to her
old tricks.
That's the story that went around, but here's the
real lowdown-
Put the blame on mame boys, put the blame on
mame
One night she started to - shim and shake-
that brought on the `Frisco quake
So you can, Put the blame on mame boys,
put the blame on mame.
“You have no idea how faithful I can         Flawed Male
be for the right amount”
                                             • Johnny is literally at rock
                                               bottom when Ballin finds
                                               him
                                             • He is cruel and sadistic to
                                               Gilda – can’t live with her,
                                               can’t live without her
                                             • He is re-made as the cruel
                                               husband that Ballin has
                                               been
                                             • His relationship with
                                               Gilda is fatalistic
“You'd think a bell would have rung, or
you'd think I'd have had some instinct of
warning. But I didn't. I just walked right    "I hated her so, I couldn't get her out
into it”.                                     of my mind for a minute. She was in
                                              the air I breathed, the food I ate..."
Noir Style
Shadow                Venetians
Noir Style
Staircases                Odd Angles
The Hays Code and Gilda
• Gilda only removes one
  glove
• The ending where they
  are re-united was in an
  attempt to keep to the
  code
• The underlying
  suggestion that this is a
  love triangle is not
  made explicit

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Gilda

  • 2. Gilda 1946 dir by Charles Vidor Stars: • Rita Hayworth as Gilda • Glenn Ford as Johnny Farrell • George Macready as Ballin Mundson Set: In Argentina after the War. Johnny is a down on his luck kinda guy who begins work for Mundson. When Mundson returns from a trip married to the alluring Gilda the complications begin…
  • 3. Why do we watch it? • It’s full of post-war desperation and angst. These people are either broken or profiteering from post-war shortages • Links to society at the time. It’s set in Argentina which was a hot bed of disenfranchised people – including ex Nazis hiding from authorities • It represents the American post-war paranoia about Nazi war criminals
  • 4. Why do we watch it • Gilda is a fabulous Bad Girl/Good Girl. She is a femme fatale of sorts (but comes right in the end). She’s NOT Phyllis – and we will compare the two • Johnny is a flawed male with “no past and all future” • Ballin is a profiteer and a cruel man
  • 5. Femme Fatale? ‘If I’d have been a ranch they’d have called me the Bar Nothing • Rita Hayworth’s Gilda was alluring and manipulative, but is driven by a love/hate relationship with Johnny to behave badly. • Her first (and most famous) scene, ‘me decent’ introduces her as a ‘vamp’ and uses typical noir visual stylistic techniques to make her look alluring (light behind)
  • 6. Good Girl/Bad “I never can seem to do a zipper up” Girl Gilda represents the view of society at the time that a woman outside of family and traditional roles is most dangerous – she is part of a society where women’s roles and behaviour were changing and that was challenging traditional roles She uses men to get back at Johnny and uses her sexuality to get what she wants
  • 7. Good/Girl Bad Girl Unlike Phyllis she doesn’t resort to crime – but would have been seen as amoral at the time She is selfish and a narcissist like Phyllis – looks in the mirror a bit! She represents the existentialist questioning of life happening after the war - Gilda is a lost soul, who doesn’t know what she wants.
  • 8. Put the blame on Mame (women) "When they had the earthquake - in San Francisco- back in 19`6 They said that old mother nature - was up to her old tricks. That's the story that went around, but here's the real lowdown- Put the blame on mame boys, put the blame on mame One night she started to - shim and shake- that brought on the `Frisco quake So you can, Put the blame on mame boys, put the blame on mame.
  • 9. “You have no idea how faithful I can Flawed Male be for the right amount” • Johnny is literally at rock bottom when Ballin finds him • He is cruel and sadistic to Gilda – can’t live with her, can’t live without her • He is re-made as the cruel husband that Ballin has been • His relationship with Gilda is fatalistic “You'd think a bell would have rung, or you'd think I'd have had some instinct of warning. But I didn't. I just walked right "I hated her so, I couldn't get her out into it”. of my mind for a minute. She was in the air I breathed, the food I ate..."
  • 10. Noir Style Shadow Venetians
  • 11. Noir Style Staircases Odd Angles
  • 12. The Hays Code and Gilda • Gilda only removes one glove • The ending where they are re-united was in an attempt to keep to the code • The underlying suggestion that this is a love triangle is not made explicit