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Email Archiving:
Issues and Concerns
Deep Dive: Assessing Tools and Best Practices for
Email Preservation and Access in Art Museums
A few things about
official email correspondence
that keep me up at night …
Correspondence as primary source material
• Organizational history
• Object acquisition
• Artworks … what is today’s equivalent to Van Gogh’s
letters?
• Incomplete threads
• Inconsistent (or non-existent) archiving practices
- Multiple formats
- Print & paper file: inconsistent practice, no guidelines, can’t monitor
- Idiosyncratic approaches
Questions of intellectual property
• Who owns the content?
• Reliance on cloud-based systems
- Terms of service vary widely
Scary Technology Stuff
• Years of inbox size limits
- IT had real resource limits – treated as a cost center
- IT ordered deletion, offered no alternative
• Migration from system-to-system
- Migration can be “lossy”
Archiving versus Backup
• Um … they aren’t the same thing …
• Confuses senior decision-makers
• Even if archiving is taking place:
- Lack of policies
- Unfiltered content (loads of garbage)
- Versioning issues
- Failures & inadvertent deletes
Inbox used as de facto DAM system
• File attachments galore
• Storage, search, retrieval challenges
• Content disappears when staff depart
Legal Stuff
• Provenance
• Subpoena/Discovery
• Other (mainly HR) issues: bias, discrimination,
harassment, etc.
Media-based artwork: documentation
• Artist’s instructions & preferences
• Troubleshooting & problem-solving
• Stated and/or implied permissions
- File conversion
- Equipment upgrade or replacement
Complexity & expense
• Do we have the resources?
• Staffing?
• Standards?
History
Help!
Objects
Threads
Inconsistency
Print
Incomplete
Formats
Storage
Provenance
Subpoena
Ownership
HR issues
Cloud
Confusion
Back up
Attachments
Paper
Unfiltered
DAMs
Permissions
Artists
UpgradeResources
Staffing
Standards
Thank you!
Douglas Hegley, Director of Technology
Minneapolis Institute of Arts
dhegley@artsmia.org
@dhegley

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