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By: Daniel Calzone
China
 Chinese music has been made since the dawn of chinese
  civilization with documents and artifacts providing
  evidence of a well developed musical culture as early as the
  Zhou Dynasty.
 The famous dragon dance with music is also a remembered
  tradition. It is seen on Chinese New Year across the world
  by millions.
 Annual events such as the midi modern music festival in
  Bejing attract tens of thousands of visitors. There is also the
  Snow Music festival in Yunnan. These two events have been
  called the Chinese Woodstock's.
England
 Throughout its history, the United Kingdom has been a major
  exporter and source of musical innovation in the modern and
  contemporary eras, drawing its cultural basis from the history of
  the United Kingdom, from church music, from Western Culture
  and from the ancient and traditional folk music and
  instrumentation of England, Scotland, Northern Ireland, and
  Wales.
 In the sense of commercial music enjoyed by the people, British
  popular music can be seen to originate in the sixteenth and
  seventeenth centuries with the arrival of the broaside
  ballad, which were sold cheaply and in great numbers until the
  nineteenth century. Further technological,economic,and social
  changes led to new forms of music in the nineteenth
  century,including the brass band,which produced a popular form
  of classical music.
South Africa
 African traditional music is frequently functional in nature.
  Performances may be long and often involve the
  participation of the audience.
 There aredifferent kinds of work songs, songs
  accompanying childbirth, marriage, hunting, political
  activities, music to ward off evil spirits and to pay respect to
  good spirits. None of their music is performed outside of
  it’s intended social context and much of it’s associated with
  a particular dance. Some of it, performed by professional
  musicians, is sacral music or ceremonial and courtly music
  performed at royal courts.
Greece separates into two parts: Greek traditional
 Greek music
  music and Byzantine music.
 Music was a major part of ancient Greek theater.
 In Ancient Greece, mixed gender choruses were performed
  for entertainment, celebration and spiritual reasons.
  Instruments included the double-reed aulos and the
  plucked string instrument the Lyre, and another stringed
  instrument called a Kithara.
 Music was an important part of education in ancient
  Greece, and boys were taught music starting at age six.
  Greek musical literacy created a flowering of development;
  Greek music theory included the Greek musical
  modes, eventually became the basis for Western religious
  music and Classical music.
Italy
 The music of Italy ranges across a broad spectrum of
  opera and insrumental classical music and a body of
  popular music drawn from both native and imported
  sources.
 Music has traditionally been one of the cultural
  markers of Italian national and ethnic identity, and
  holds an importan position in society and in politics.
 The earliest Italian popular music was the opera of the
  19th century. Opera has had a lasting effect on Italy's
  folk, classical and popular musics
Japan
 The music of Japan includes a wide array of performers in
  distinct styles both traditional and modern.
 Local music often appears at karaoke venues, which are on
  lease from record labels.
 J-pop, an abbreviation for Japanese pop, is a loosely defined
  genre that entered the musical mainstream of Japan in the
  1990’s. Modern J-pop has its roots in 1960’s music such as
  The Beatles and Kayokyoku(Japanese lyric singing music)
  The term was coined by the Japanese media to distinguish
  Japanese music from foreign music, and now refers to most
  popular Japanese music.
Mexico
 The music of Mexico is very diverse and features a wide range of
  different musical styles. It has been influenced by a variety of
  cultures, most notably indigenous Mexican and European, since
  the late Middle Ages.
 Rumba came from the black Mexican slaves in Veracruz, Mexico
  city, and Yucatán. The style began in Cuba and later became
  famous in the black community of Mexico.
 The history of Cumbia in Mexico is almost as old as Cumbia in
  Colombia. In the 1940s Colombian singers emigrated to
  Mexico, where they worked with the Mexican orquestra director
  Rafael de Paz.
 The Mexican music market serves as a launching pad to stardom
  for a lot of non-Mexican artists who are interested extending the
  market-range of their music.
Spain
 The Music of Spain has a long history and has played an important part
  in the development of western music. It has had a particularly strong
  influence upon Latin American music. The music of Spain is often
  associated abroad with traditions like flamenco and the classical guitar
  but Spanish music is, in fact, diverse from region to region.
 Although Spanish pop music is currently flourishing, the industry
  suffered for many years under Francisco Franco’s regime, with few
  outlets for spanish performers during the 1930’s through the 1970’s.
  Regardless, American and British music, especially rock and roll, had a
  profound impact on Spanish audiences and musicians.
 During the 1960s and early 1970s, tourism boomed, bringing yet more
  musical styles from the rest of the continent and abroad. However, it
  wasn't until the 1980s that Spain's burgeoning pop music industry
  began to take off. During this time a cultural reawakening known as La
  MovidaMadrilena produced an explosion of new art, film and music
  that still exists today.
Ireland
 The music of Ireland is termed Irish traditional music.
  It has remained vibrant through the 20th, and into the
  21st century, despite globalizing local forces.
 In recent decades Irish music in many different genres
  has been very successful internationally. However, the
  most successful genres have been rock, popular and
  traditional fusion.
 The 1960s saw the emergence of major Irish rock
  bands and artists, such as Van Morrison, Taste and
  Thin Lizzy.
Bibliography
   www.soundjunction.org
   www.worldscience.net
   www.aneki.com
   www.itunes.com
   www.ironcountry.com
   www.streetdirectory.com
   www.worldbook.com
   www.encyclopedia.com
   www.kwintesenntial.com
   www.sfceltic.com
   www.aacap.org

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Music culture

  • 2. China  Chinese music has been made since the dawn of chinese civilization with documents and artifacts providing evidence of a well developed musical culture as early as the Zhou Dynasty.  The famous dragon dance with music is also a remembered tradition. It is seen on Chinese New Year across the world by millions.  Annual events such as the midi modern music festival in Bejing attract tens of thousands of visitors. There is also the Snow Music festival in Yunnan. These two events have been called the Chinese Woodstock's.
  • 3. England  Throughout its history, the United Kingdom has been a major exporter and source of musical innovation in the modern and contemporary eras, drawing its cultural basis from the history of the United Kingdom, from church music, from Western Culture and from the ancient and traditional folk music and instrumentation of England, Scotland, Northern Ireland, and Wales.  In the sense of commercial music enjoyed by the people, British popular music can be seen to originate in the sixteenth and seventeenth centuries with the arrival of the broaside ballad, which were sold cheaply and in great numbers until the nineteenth century. Further technological,economic,and social changes led to new forms of music in the nineteenth century,including the brass band,which produced a popular form of classical music.
  • 4. South Africa  African traditional music is frequently functional in nature. Performances may be long and often involve the participation of the audience.  There aredifferent kinds of work songs, songs accompanying childbirth, marriage, hunting, political activities, music to ward off evil spirits and to pay respect to good spirits. None of their music is performed outside of it’s intended social context and much of it’s associated with a particular dance. Some of it, performed by professional musicians, is sacral music or ceremonial and courtly music performed at royal courts.
  • 5. Greece separates into two parts: Greek traditional  Greek music music and Byzantine music.  Music was a major part of ancient Greek theater.  In Ancient Greece, mixed gender choruses were performed for entertainment, celebration and spiritual reasons. Instruments included the double-reed aulos and the plucked string instrument the Lyre, and another stringed instrument called a Kithara.  Music was an important part of education in ancient Greece, and boys were taught music starting at age six. Greek musical literacy created a flowering of development; Greek music theory included the Greek musical modes, eventually became the basis for Western religious music and Classical music.
  • 6. Italy  The music of Italy ranges across a broad spectrum of opera and insrumental classical music and a body of popular music drawn from both native and imported sources.  Music has traditionally been one of the cultural markers of Italian national and ethnic identity, and holds an importan position in society and in politics.  The earliest Italian popular music was the opera of the 19th century. Opera has had a lasting effect on Italy's folk, classical and popular musics
  • 7. Japan  The music of Japan includes a wide array of performers in distinct styles both traditional and modern.  Local music often appears at karaoke venues, which are on lease from record labels.  J-pop, an abbreviation for Japanese pop, is a loosely defined genre that entered the musical mainstream of Japan in the 1990’s. Modern J-pop has its roots in 1960’s music such as The Beatles and Kayokyoku(Japanese lyric singing music) The term was coined by the Japanese media to distinguish Japanese music from foreign music, and now refers to most popular Japanese music.
  • 8. Mexico  The music of Mexico is very diverse and features a wide range of different musical styles. It has been influenced by a variety of cultures, most notably indigenous Mexican and European, since the late Middle Ages.  Rumba came from the black Mexican slaves in Veracruz, Mexico city, and Yucatán. The style began in Cuba and later became famous in the black community of Mexico.  The history of Cumbia in Mexico is almost as old as Cumbia in Colombia. In the 1940s Colombian singers emigrated to Mexico, where they worked with the Mexican orquestra director Rafael de Paz.  The Mexican music market serves as a launching pad to stardom for a lot of non-Mexican artists who are interested extending the market-range of their music.
  • 9. Spain  The Music of Spain has a long history and has played an important part in the development of western music. It has had a particularly strong influence upon Latin American music. The music of Spain is often associated abroad with traditions like flamenco and the classical guitar but Spanish music is, in fact, diverse from region to region.  Although Spanish pop music is currently flourishing, the industry suffered for many years under Francisco Franco’s regime, with few outlets for spanish performers during the 1930’s through the 1970’s. Regardless, American and British music, especially rock and roll, had a profound impact on Spanish audiences and musicians.  During the 1960s and early 1970s, tourism boomed, bringing yet more musical styles from the rest of the continent and abroad. However, it wasn't until the 1980s that Spain's burgeoning pop music industry began to take off. During this time a cultural reawakening known as La MovidaMadrilena produced an explosion of new art, film and music that still exists today.
  • 10. Ireland  The music of Ireland is termed Irish traditional music. It has remained vibrant through the 20th, and into the 21st century, despite globalizing local forces.  In recent decades Irish music in many different genres has been very successful internationally. However, the most successful genres have been rock, popular and traditional fusion.  The 1960s saw the emergence of major Irish rock bands and artists, such as Van Morrison, Taste and Thin Lizzy.
  • 11. Bibliography  www.soundjunction.org  www.worldscience.net  www.aneki.com  www.itunes.com  www.ironcountry.com  www.streetdirectory.com  www.worldbook.com  www.encyclopedia.com  www.kwintesenntial.com  www.sfceltic.com  www.aacap.org