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From the field
                                Creating Invitational Online Learning
                                Environments Using Art-Based Learning
                                Interventions
Authors                           Effective online learning environments are inviting; infused with respect, trust, inten-
                                  tionality, and optimism (Purkey, 2007). Arts-based learning interventions like Reflec-
Beth Perry, RN, PhD
Associate Professor               tive Poetry, Minute at the Movies Analysis, “Our Community” Soap Scenes, and Theme
Faculty of Health Disciplines     Songs facilitate invitational online classes. These inexpensive, adaptable interventions
Athabasca University              enhance learning environments by encouraging human connections and creativity.
Canada
bethp@athabascau.ca
Katherine J. Janzen, RN,
MN
                                1. Introduction
Assistant Professor             Online learning environments should be inviting. Arts-based learning interventions enhance
Faculty of Health and           human connections in online classrooms, and help create an invitational atmosphere infused
Community Studies
                                with respect, trust, intentionality, and optimism (Purkey, 2007). Artistic pedagogical tech-
Mount Royal University
Canada                          nologies (APTs), learning strategies founded in the arts, (Perry & Edwards. 2010) include lit-
kjjanzen@mtroyal.ca             erary, visual, musical, or drama elements. The worth of the arts as teaching tools has been
                                recognized in face-to-face education (Kleiman, 2008). Paintings, photography, literature, po-
Margaret Edwards, RN,
PhD                             etry, music, and drama have contributed positively to the in-person classroom educational
Professor and Associate         experience. Outcomes include reflection, (Darbyshire, 1994) , safe learning environments,
Dean                            (Calman, 2005), dialogue (Calman), and engagement of affect (Mareno, 2006). Perry, Ed-
Faculty of Health Disciplines   wards, Menzies, and Janzen (2011) found APTs increased quality of interactions, enhanced
Athabasca University            sense of community, furthered application of course content, and helped learners establish
Canada
                                group identity in online courses.
marge@athabascau.ca
                                This report describes APTs that we developed and used in online graduate courses to create
                                invitational learning environments. Reflective Poetry, Minute at the Movies Analysis, “Our
Tags                            Community” Soap Scenes, and Course Theme Songs are described. Analysis, based on invita-
                                tional theory, concludes the article.
invitational online learning
environment, artistic
pedagogical technology,         2. 	Arts-Based Learning Interventions
arts-based teaching,
reflective poetry               The arts-based learning interventions described include elements of literature, drama, and
                                music.


                                2.1	 Reflective Poetry
                                Online learners are invited to create poems that distill a complex or abstract course concept
                                into a few carefully chosen words. Poems provide unique avenues of expression of emotion,
                                feeling, and attitude. van Manan (1990) noted that poems do not require a summary as they
                                are the summary. In this way poems allow, even force, writers to be concise and precise.
                                Creating a poem requires the poet to engage in reflection regarding the topic of the poem.




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                                                                                                                          1
From the field

Students share their poems with the class in a virtual poetry       2.2	 Minute at the Movies Analysis
reading, and instructors invite comments furthering reflective
thinking.                                                           This activity uses a video trailer from a movie related to a course
                                                                    topic. Students view the trailer and are provided questions that
We have trialled different types of poems; parallel, reflective,    aid them in their reflection regarding the actions of a movie
and Haiku. With parallel poems instructors provide learners with    character that illustrate the topic. For example, in a course on
a poem (written by the instructor or selected from published        effective leadership students might be encouraged to review
poetry) on a course theme. Students are challenged to write         movie clips from Twelve Angry Men –a movie demonstrating in-
a poem that parallels the instructors’ poem in topic, rhythm,       fluence as one man’s “leadership” causes the opinion of a whole
form, and cadence. With reflective poems instructors provide        room of people to change, or Dead Poet’s Society where one
students with a course theme and ask them to create a poem of       teacher-leader demonstrates various leadership strategies with
any style related to their experience with this theme. Another      a group at a boys’ school. These clips provide starting points
poetic intervention, “Haiku it!,” invites students to condense a    for discussion of leadership approach and style. YouTube offers
course discussion or reading into a Haiku –a poem of seventeen      instructors a searchable library of movie trailers.
syllables– in three lines of five, seven, and five.
                                                                    Movie clips introduce stories that may help students under-
One student response to the “Haiku it!” challenge condensed a       stand related theory. A movie story may teach principles and
discussion of organizational change:                                theories, helping students gain both knowledge and attitudinal
                                                                    shifts. Actors’ actions also provide role-modelling. Using movie
   In change fear lives large
                                                                    trailers provides manageable sized content for downloading,
   No one knows what comes for them
                                                                    and the short highlights help to focus discussion around specific
   Tomorrow quivers
                                                                    stories/theories.

                                                                    “Our Community” Soap Scenes. This learning intervention com-
                                                                    bines the drama of soap opera scenarios with Facebook-like




Figure 1:	 Example of a Community Member Facebook-like Profile



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                                                                                                                                  2
From the field

profiles of created characters. The instructor creates profiles of     and responsible. Optimism focuses on the limitlessness of hu-
approximately 10 individuals who are members of the imagined           man potential; intentionality recognizes that deliberate actions
community. For example, if the graduate course was targeted at         are required to create invitational environments (2007).
grade school teachers learning about collaboration, the commu-
                                                                       Why do the APTs of Reflective Poetry, Minute at the Movies
nity of characters created might include grade school teachers,
                                                                       Analysis, “Our Community” Soap Scenes, and Theme Songs
parents, students, and school administrators. Each community
                                                                       positively influence the invitational nature of the classroom?
member has a Facebook-like profile. (see Figure 1) The profiles
                                                                       We propose the following:
are part of the course materials. Throughout the course, various
community members are featured in scenarios that illustrate              1.	 Before trust and respect can be established participants
course concepts or create a storyline to stimulate class discus-             must become acquainted. Sharing self-authored poems,
sion. The often melodramatic nature of scenarios reflects the                and movie choices and insights reveals personal qualities,
title of the learning activity “soap scenes.”                                values, biases, and priorities. APTs provide an acceptable
                                                                             avenue for self-disclosure that allows familiarity to be en-
As the course proceeds and community members are integrat-
                                                                             hanced. People get to know one another. As students take
ed into class discussions, students begin to regard the fictitious
                                                                             risks, participate in challenging activities, expose vulnera-
community members as part of the course and refer to their
                                                                             bilities and emotions, and find sharing received non-judge-
actions and attributes in other course discussions. Students may
                                                                             mentally by class colleagues, the sense of trust and respect
create additional member profiles, and blank profile templates
                                                                             is heightened.
are provided to facilitate this. Some students create self-profiles
                                                                         2.	 Group optimism gives rise to a sense that anything is possi-
adding themselves to the community.
                                                                             ble. This optimism is fueled by success. With APTs students
                                                                             are told there are no right or wrong answers; all participa-
2.3	 Course Theme Song                                                       tion is embraced as valuable. Diversity and creativity are
Using course theme songs adds music to online courses. Music                 encouraged. The class community gradually develops opti-
evokes emotion, and a theme song (used strategically during                  mism (evidenced as confidence) that furthers participation
the course) may provide learners with a community-building                   and individual and collective learning.
commonality. A link to the theme song can be offered at the              3.	 Utilizing APTs, online course designers/instructors can eas-
beginning or end of course units and/or at challenging junctures             ily, inexpensively, and intentionally take action to enhance
as a means of motivation and focus.                                          learning environments. APTs do not require additional soft-
                                                                             ware or programming. APTs can be adapted for multiple
Choosing an appropriate theme song is difficult as people ap-                course topics, cultures, and teaching and learning styles.
preciate different genres of music. Avoiding potentially distract-
ing or offensive lyrics is important. Up-tempo, instrumental
songs are safer choices. Online open source (royalty free) data-
bases of music such as www.jamendo.com are available. Alter-
                                                                         References
natively, students may choose the theme song which can be a              Calman, K.C. (2005). The arts and humanities in health and
team-building activity. A theme song used in an online graduate          medicine. Public Health, 119, 958-9.
course is “Destiny” available at http://www.jamendo.com/en/
                                                                         Darbyshire, P. (1994). Understanding caring through arts and
track/702401.
                                                                         humanities: A medical/nursing humanities approach to promoting
                                                                         alternative experiences of thinking and learning. Journal of Advanced
3.	 Conclusions                                                          Nursing, 19, 856-863.
Learning environments affect student learning (Haigh, 2008).
                                                                         Kind, P., Destiny. The Fallen Angel, retrieved October 14, 2011
Arts-based learning interventions may help create invitational
                                                                         from http://www.jamendo.com/en/track/702401.
learning environments, infused with trust, respect, optimism,
and intentionality (Purkey, 2007). Trust recognizes humans as            Haigh, M. (2008). Coloring in the emotional language of place.
interdependent. Respect recognizes people are able, valuable,            Journal of Invitational Theory and Practice, 14, 25-40.




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               rnin                                                                                                  n.º 27 • December 2011
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                                                                                                                                            3
From the field


Kleiman, P. (2008). Towards transformation: conceptions of
creativity in higher education. Innovations in Education and Teaching
International, 45(3), 209-217.

Mareno, N. A. (2006). A nursing course with the great masters.
Nursing Education Perspectives, 27(4), 182-183.

Perry, B., & Edwards, M. (2010). Creating a culture of commu-
nity in the online classroom using artistic pedagogical technologies.
Using Emerging Technologies in Distance Education. G.Veletsianos (Ed.).
Edmonton, AB: AU Press.

Perry, B., & Edwards, M., Menzies, C., & Janzen, K. (2011).
Using Invitational Theory to Understand the Effectiveness of
Artistic Pedagogical Technologies in Creating an Invitational
Classroom in the Online Educational Milieu. Proceedings of the
6th International Conference on e-Learning (ICEL), Kelowna, BC,
June 27-28.

Purkey, W. W. (2007). An introduction to invitational theory,
retrieved October 15, 2011 from www.invitationaleducation.net/
ie/ie_intro2.htm

van Manen, M. (1990). Researching lived experience: Human science
for an action sensitive pedagogy. London, ON: Althouse.




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Creating invitational online learning environments using art based learning interventions

  • 1. From the field Creating Invitational Online Learning Environments Using Art-Based Learning Interventions Authors Effective online learning environments are inviting; infused with respect, trust, inten- tionality, and optimism (Purkey, 2007). Arts-based learning interventions like Reflec- Beth Perry, RN, PhD Associate Professor tive Poetry, Minute at the Movies Analysis, “Our Community” Soap Scenes, and Theme Faculty of Health Disciplines Songs facilitate invitational online classes. These inexpensive, adaptable interventions Athabasca University enhance learning environments by encouraging human connections and creativity. Canada bethp@athabascau.ca Katherine J. Janzen, RN, MN 1. Introduction Assistant Professor Online learning environments should be inviting. Arts-based learning interventions enhance Faculty of Health and human connections in online classrooms, and help create an invitational atmosphere infused Community Studies with respect, trust, intentionality, and optimism (Purkey, 2007). Artistic pedagogical tech- Mount Royal University Canada nologies (APTs), learning strategies founded in the arts, (Perry & Edwards. 2010) include lit- kjjanzen@mtroyal.ca erary, visual, musical, or drama elements. The worth of the arts as teaching tools has been recognized in face-to-face education (Kleiman, 2008). Paintings, photography, literature, po- Margaret Edwards, RN, PhD etry, music, and drama have contributed positively to the in-person classroom educational Professor and Associate experience. Outcomes include reflection, (Darbyshire, 1994) , safe learning environments, Dean (Calman, 2005), dialogue (Calman), and engagement of affect (Mareno, 2006). Perry, Ed- Faculty of Health Disciplines wards, Menzies, and Janzen (2011) found APTs increased quality of interactions, enhanced Athabasca University sense of community, furthered application of course content, and helped learners establish Canada group identity in online courses. marge@athabascau.ca This report describes APTs that we developed and used in online graduate courses to create invitational learning environments. Reflective Poetry, Minute at the Movies Analysis, “Our Tags Community” Soap Scenes, and Course Theme Songs are described. Analysis, based on invita- tional theory, concludes the article. invitational online learning environment, artistic pedagogical technology, 2. Arts-Based Learning Interventions arts-based teaching, reflective poetry The arts-based learning interventions described include elements of literature, drama, and music. 2.1 Reflective Poetry Online learners are invited to create poems that distill a complex or abstract course concept into a few carefully chosen words. Poems provide unique avenues of expression of emotion, feeling, and attitude. van Manan (1990) noted that poems do not require a summary as they are the summary. In this way poems allow, even force, writers to be concise and precise. Creating a poem requires the poet to engage in reflection regarding the topic of the poem. ing earn eLearning Papers • ISSN: 1887-1542 • www.elearningpapers.eu eL ers 27 u ers.e gpap .elea rnin n.º 27 • December 2011 Pap www 1
  • 2. From the field Students share their poems with the class in a virtual poetry 2.2 Minute at the Movies Analysis reading, and instructors invite comments furthering reflective thinking. This activity uses a video trailer from a movie related to a course topic. Students view the trailer and are provided questions that We have trialled different types of poems; parallel, reflective, aid them in their reflection regarding the actions of a movie and Haiku. With parallel poems instructors provide learners with character that illustrate the topic. For example, in a course on a poem (written by the instructor or selected from published effective leadership students might be encouraged to review poetry) on a course theme. Students are challenged to write movie clips from Twelve Angry Men –a movie demonstrating in- a poem that parallels the instructors’ poem in topic, rhythm, fluence as one man’s “leadership” causes the opinion of a whole form, and cadence. With reflective poems instructors provide room of people to change, or Dead Poet’s Society where one students with a course theme and ask them to create a poem of teacher-leader demonstrates various leadership strategies with any style related to their experience with this theme. Another a group at a boys’ school. These clips provide starting points poetic intervention, “Haiku it!,” invites students to condense a for discussion of leadership approach and style. YouTube offers course discussion or reading into a Haiku –a poem of seventeen instructors a searchable library of movie trailers. syllables– in three lines of five, seven, and five. Movie clips introduce stories that may help students under- One student response to the “Haiku it!” challenge condensed a stand related theory. A movie story may teach principles and discussion of organizational change: theories, helping students gain both knowledge and attitudinal shifts. Actors’ actions also provide role-modelling. Using movie In change fear lives large trailers provides manageable sized content for downloading, No one knows what comes for them and the short highlights help to focus discussion around specific Tomorrow quivers stories/theories. “Our Community” Soap Scenes. This learning intervention com- bines the drama of soap opera scenarios with Facebook-like Figure 1: Example of a Community Member Facebook-like Profile ing earn eLearning Papers • ISSN: 1887-1542 • www.elearningpapers.eu eL ers 27 u ers.e gpap .elea rnin n.º 27 • December 2011 Pap www 2
  • 3. From the field profiles of created characters. The instructor creates profiles of and responsible. Optimism focuses on the limitlessness of hu- approximately 10 individuals who are members of the imagined man potential; intentionality recognizes that deliberate actions community. For example, if the graduate course was targeted at are required to create invitational environments (2007). grade school teachers learning about collaboration, the commu- Why do the APTs of Reflective Poetry, Minute at the Movies nity of characters created might include grade school teachers, Analysis, “Our Community” Soap Scenes, and Theme Songs parents, students, and school administrators. Each community positively influence the invitational nature of the classroom? member has a Facebook-like profile. (see Figure 1) The profiles We propose the following: are part of the course materials. Throughout the course, various community members are featured in scenarios that illustrate 1. Before trust and respect can be established participants course concepts or create a storyline to stimulate class discus- must become acquainted. Sharing self-authored poems, sion. The often melodramatic nature of scenarios reflects the and movie choices and insights reveals personal qualities, title of the learning activity “soap scenes.” values, biases, and priorities. APTs provide an acceptable avenue for self-disclosure that allows familiarity to be en- As the course proceeds and community members are integrat- hanced. People get to know one another. As students take ed into class discussions, students begin to regard the fictitious risks, participate in challenging activities, expose vulnera- community members as part of the course and refer to their bilities and emotions, and find sharing received non-judge- actions and attributes in other course discussions. Students may mentally by class colleagues, the sense of trust and respect create additional member profiles, and blank profile templates is heightened. are provided to facilitate this. Some students create self-profiles 2. Group optimism gives rise to a sense that anything is possi- adding themselves to the community. ble. This optimism is fueled by success. With APTs students are told there are no right or wrong answers; all participa- 2.3 Course Theme Song tion is embraced as valuable. Diversity and creativity are Using course theme songs adds music to online courses. Music encouraged. The class community gradually develops opti- evokes emotion, and a theme song (used strategically during mism (evidenced as confidence) that furthers participation the course) may provide learners with a community-building and individual and collective learning. commonality. A link to the theme song can be offered at the 3. Utilizing APTs, online course designers/instructors can eas- beginning or end of course units and/or at challenging junctures ily, inexpensively, and intentionally take action to enhance as a means of motivation and focus. learning environments. APTs do not require additional soft- ware or programming. APTs can be adapted for multiple Choosing an appropriate theme song is difficult as people ap- course topics, cultures, and teaching and learning styles. preciate different genres of music. Avoiding potentially distract- ing or offensive lyrics is important. Up-tempo, instrumental songs are safer choices. Online open source (royalty free) data- bases of music such as www.jamendo.com are available. Alter- References natively, students may choose the theme song which can be a Calman, K.C. (2005). The arts and humanities in health and team-building activity. A theme song used in an online graduate medicine. Public Health, 119, 958-9. course is “Destiny” available at http://www.jamendo.com/en/ Darbyshire, P. (1994). Understanding caring through arts and track/702401. humanities: A medical/nursing humanities approach to promoting alternative experiences of thinking and learning. Journal of Advanced 3. Conclusions Nursing, 19, 856-863. Learning environments affect student learning (Haigh, 2008). Kind, P., Destiny. The Fallen Angel, retrieved October 14, 2011 Arts-based learning interventions may help create invitational from http://www.jamendo.com/en/track/702401. learning environments, infused with trust, respect, optimism, and intentionality (Purkey, 2007). Trust recognizes humans as Haigh, M. (2008). Coloring in the emotional language of place. interdependent. Respect recognizes people are able, valuable, Journal of Invitational Theory and Practice, 14, 25-40. ing earn eLearning Papers • ISSN: 1887-1542 • www.elearningpapers.eu eL ers 27 u ers.e gpap .elea rnin n.º 27 • December 2011 Pap www 3
  • 4. From the field Kleiman, P. (2008). Towards transformation: conceptions of creativity in higher education. Innovations in Education and Teaching International, 45(3), 209-217. Mareno, N. A. (2006). A nursing course with the great masters. Nursing Education Perspectives, 27(4), 182-183. Perry, B., & Edwards, M. (2010). Creating a culture of commu- nity in the online classroom using artistic pedagogical technologies. Using Emerging Technologies in Distance Education. G.Veletsianos (Ed.). Edmonton, AB: AU Press. Perry, B., & Edwards, M., Menzies, C., & Janzen, K. (2011). Using Invitational Theory to Understand the Effectiveness of Artistic Pedagogical Technologies in Creating an Invitational Classroom in the Online Educational Milieu. Proceedings of the 6th International Conference on e-Learning (ICEL), Kelowna, BC, June 27-28. Purkey, W. W. (2007). An introduction to invitational theory, retrieved October 15, 2011 from www.invitationaleducation.net/ ie/ie_intro2.htm van Manen, M. (1990). Researching lived experience: Human science for an action sensitive pedagogy. London, ON: Althouse. Edition and production Name of the publication: eLearning Papers Copyrights ISSN: 1887-1542 The texts published in this journal, unless otherwise indicated, are subject Publisher: elearningeuropa.info to a Creative Commons Attribution-Noncommercial-NoDerivativeWorks Edited by: P.A.U. Education, S.L. 3.0 Unported licence. They may be copied, distributed and broadcast pro- Postal address: c/Muntaner 262, 3r, 08021 Barcelona (Spain) vided that the author and the e-journal that publishes them, eLearning Phone: +34 933 670 400 Papers, are cited. Commercial use and derivative works are not permitted. Email: editorial@elearningeuropa.info The full licence can be consulted on http://creativecommons.org/licens- Internet: www.elearningpapers.eu es/by-nc-nd/3.0/ ing earn eLearning Papers • ISSN: 1887-1542 • www.elearningpapers.eu eL ers 27 u ers.e gpap .elea rnin n.º 27 • December 2011 Pap www 4