SlideShare une entreprise Scribd logo
1  sur  10
Genre Theory
Quotes
Quotes from media theorists
 Richard Dyer – in 1973 argued that ‘genres are pleasurable because

they offer escapist fantasies into fictional worlds that remove the
boredom of reality’. He sees these worlds as Utopian that offer an
abundance of energy, excitement and spontaneity.
 Hartley – ‘Genres are agents of ideological closure; they limit the
meaning potential of a given text’ – e.g. classic westerns expected
roles of stock characters limits the unexpected developments of the
narrative. Recently genres have been adapted to allow alternative
representations – bad cowboys or gay cowboys.
 Hodge and Kress – ‘genres are typical forms of texts which links
producers, consumers, topic, medium, manner and occasion’. E.g.
a Disney fairytale using computer generated imagery, released in
multiplex’s and DVD and internet availability.
 Fowler – ‘one advantage of genres is that they

can rely on readers already having knowledge
and expectations about the works within a genre’.
This means that producer do not have to explain the
conventions of a text as audiences are already
familiar.
 Gledhill – ‘Genres can be seen as a kind of
shorthand, increasing the efficiency of
communication’. This means that because
audiences already know what to expect within a
genre, it is not necessary to explain all of the details
to them, narratives can therefore be condensed.
 Allen – ‘Any text requires what is called ‘cultural capital’

on the part of its audience to make sense of it’. E.g. they
bring their past experience of a genre to help them
understand it.
 Fiske – ‘the assignment of a text to a genre influences
how the text is read’. E.g. if you believe a text to be in a
certain genre you will interpret according to your
expectations of that genre.(You expect the up and down
relationships in Bridget Jones and don’t worry as you expect
a happy ending).
 He also said: ‘Genre constrains the possible ways in
which a text is interpreted, guiding readers to a
preferred reading’. Again in rom coms we don’t take
behaviour seriously because we know that everything will
turn out well.
 Knight – ‘Genre may offer various emotional

pleasures such as empathy and escapism’. We enjoy
imagining ourselves living the characters lives.
 Neale – ‘Pleasure is derived from repetition and
difference’. We like to feel secure with the familiarity of a
genre but also like surprise.
 Abercrombie – ‘We derive pleasure from observing
how the conventions of a genre are manipulated’.
Knowing what to expect makes us enjoy the unexpected.
Pastiche and parody in genre
 A pastiche is a media text made up of pieces of

other texts or an imitation of other styles
 A parody is an imitation of one media text by
another for comic effect – Scary movie and
Shaun of the Dead
 Pastiche can involve Homage – when one text
deliberately imitates the characteristics of another
in recognition of the texts importance. What lies
beneath contains elements of homage to
Hitchcock’s Psycho
Genre are liked by producers
 Constructed for an known/guaranteed audience
 Use repeated storylines and stock characters
 Allow re-use of sets, props and actors – financial

savings
 They are tried and tested and provide an element
of security for investors
 Budget and financial return are easier to predict
 They allow for clear product and audience
differentiation and market segmentation
Why audiences like genre
 Know what to expect
 they can plan viewing with certain expectations
 They enjoy subtle variations within a particular framework
 They engage quickly with easily recognisable plots and





characters
They enjoy predicting outcomes
They can easily follow the narratives within genres, therefore
requiring less attention
They can experience a sense of cultural and emotional security
Helps choosing the right text for entertainment
Are genres too predictable and
unimaginative?
 Genres try to avoid this because:
 If they are audiences will decline and industries will

lose money, genres have to adapt to reflect changes
in social and cultural attitudes, values and
expectations (horror and gangster genres)
 Stale genres can be revived by being less predictable
and more imaginative (The Western - Brokeback
Mountain)
 Audiences seek familiarity and difference within

genres and therefore welcome a degree of
predictability. The loose conventions allow film
makers to take short cuts by using stock characters
and locations thus requiring little development
 However, audiences want plot twists and hybrid
developments to keep them interested
 Today films are increasingly flexible and
unpredictable with their mix of genres to appeal to a
wider audience

Contenu connexe

Tendances

AS Media Studies - Case Study Example
AS Media Studies - Case Study ExampleAS Media Studies - Case Study Example
AS Media Studies - Case Study ExampleEva Petridou
 
Codes & conventions of a film trailer
Codes & conventions of a film trailerCodes & conventions of a film trailer
Codes & conventions of a film trailersimdam
 
Narrative Theorist: Todorov's 5 Stages
Narrative Theorist: Todorov's 5 StagesNarrative Theorist: Todorov's 5 Stages
Narrative Theorist: Todorov's 5 StagesArt Noble
 
Science Fiction & District 9
Science Fiction & District 9Science Fiction & District 9
Science Fiction & District 9jwright61
 
Applying genre to your text
Applying genre to your textApplying genre to your text
Applying genre to your texthammonda
 
Fandom Henry Jenkins
Fandom  Henry JenkinsFandom  Henry Jenkins
Fandom Henry JenkinsTomEccles4
 
I, Daniel Blake film Case Study
I, Daniel Blake film Case StudyI, Daniel Blake film Case Study
I, Daniel Blake film Case StudyElliePalmerBurgell
 
Formalist film theory presentation
Formalist film theory presentationFormalist film theory presentation
Formalist film theory presentationdanwargo
 
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION B VOGUE AND THE BIG ISSUE
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION B VOGUE AND THE BIG ISSUEEDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION B VOGUE AND THE BIG ISSUE
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION B VOGUE AND THE BIG ISSUEGemmaHugill
 
Narrative Structure in film
Narrative Structure in filmNarrative Structure in film
Narrative Structure in filmNaamah Hill
 
Micro and Macro elements in film
Micro and Macro elements in film Micro and Macro elements in film
Micro and Macro elements in film Girish Jeebodhun
 
MS4 Case Study: Stranger Things: Genre, Narrative and Representation
MS4 Case Study: Stranger Things: Genre, Narrative and RepresentationMS4 Case Study: Stranger Things: Genre, Narrative and Representation
MS4 Case Study: Stranger Things: Genre, Narrative and RepresentationElle Sullivan
 
Eduqas GCE Media Studies AS (Y1) Component 1 Section A Exam Walkthrough Jan 2...
Eduqas GCE Media Studies AS (Y1) Component 1 Section A Exam Walkthrough Jan 2...Eduqas GCE Media Studies AS (Y1) Component 1 Section A Exam Walkthrough Jan 2...
Eduqas GCE Media Studies AS (Y1) Component 1 Section A Exam Walkthrough Jan 2...KBucket
 
Codes and conventions of film trailers
Codes and conventions of film trailersCodes and conventions of film trailers
Codes and conventions of film trailersjazzyprince
 
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION C ZOELLA AND ATTITUDE
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION C ZOELLA AND ATTITUDEEDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION C ZOELLA AND ATTITUDE
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION C ZOELLA AND ATTITUDEGemmaHugill
 
ASY1 Media Studies C1SA Kiss of the Vampire: language and representation
ASY1 Media Studies C1SA Kiss of the Vampire: language and representationASY1 Media Studies C1SA Kiss of the Vampire: language and representation
ASY1 Media Studies C1SA Kiss of the Vampire: language and representationKBucket
 
Conventions of action films
Conventions of action filmsConventions of action films
Conventions of action filmssimsimma
 
Narrative Theories and Examples
Narrative Theories and ExamplesNarrative Theories and Examples
Narrative Theories and ExamplesSianLynes
 

Tendances (20)

AS Media Studies - Case Study Example
AS Media Studies - Case Study ExampleAS Media Studies - Case Study Example
AS Media Studies - Case Study Example
 
Codes & conventions of a film trailer
Codes & conventions of a film trailerCodes & conventions of a film trailer
Codes & conventions of a film trailer
 
Narrative Theorist: Todorov's 5 Stages
Narrative Theorist: Todorov's 5 StagesNarrative Theorist: Todorov's 5 Stages
Narrative Theorist: Todorov's 5 Stages
 
Science Fiction & District 9
Science Fiction & District 9Science Fiction & District 9
Science Fiction & District 9
 
Applying genre to your text
Applying genre to your textApplying genre to your text
Applying genre to your text
 
Fandom Henry Jenkins
Fandom  Henry JenkinsFandom  Henry Jenkins
Fandom Henry Jenkins
 
I, Daniel Blake film Case Study
I, Daniel Blake film Case StudyI, Daniel Blake film Case Study
I, Daniel Blake film Case Study
 
Formalist film theory presentation
Formalist film theory presentationFormalist film theory presentation
Formalist film theory presentation
 
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION B VOGUE AND THE BIG ISSUE
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION B VOGUE AND THE BIG ISSUEEDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION B VOGUE AND THE BIG ISSUE
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION B VOGUE AND THE BIG ISSUE
 
Narrative Structure in film
Narrative Structure in filmNarrative Structure in film
Narrative Structure in film
 
Micro and Macro elements in film
Micro and Macro elements in film Micro and Macro elements in film
Micro and Macro elements in film
 
MS4 Case Study: Stranger Things: Genre, Narrative and Representation
MS4 Case Study: Stranger Things: Genre, Narrative and RepresentationMS4 Case Study: Stranger Things: Genre, Narrative and Representation
MS4 Case Study: Stranger Things: Genre, Narrative and Representation
 
Eduqas GCE Media Studies AS (Y1) Component 1 Section A Exam Walkthrough Jan 2...
Eduqas GCE Media Studies AS (Y1) Component 1 Section A Exam Walkthrough Jan 2...Eduqas GCE Media Studies AS (Y1) Component 1 Section A Exam Walkthrough Jan 2...
Eduqas GCE Media Studies AS (Y1) Component 1 Section A Exam Walkthrough Jan 2...
 
Codes and conventions of film trailers
Codes and conventions of film trailersCodes and conventions of film trailers
Codes and conventions of film trailers
 
The Film Artist
The Film ArtistThe Film Artist
The Film Artist
 
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION C ZOELLA AND ATTITUDE
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION C ZOELLA AND ATTITUDEEDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION C ZOELLA AND ATTITUDE
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION C ZOELLA AND ATTITUDE
 
ASY1 Media Studies C1SA Kiss of the Vampire: language and representation
ASY1 Media Studies C1SA Kiss of the Vampire: language and representationASY1 Media Studies C1SA Kiss of the Vampire: language and representation
ASY1 Media Studies C1SA Kiss of the Vampire: language and representation
 
Conventions of action films
Conventions of action filmsConventions of action films
Conventions of action films
 
Narrative Theories and Examples
Narrative Theories and ExamplesNarrative Theories and Examples
Narrative Theories and Examples
 
HDM Representation.pptx
HDM Representation.pptxHDM Representation.pptx
HDM Representation.pptx
 

Similaire à Genre theory quotes

This one genre theory powerpoint
This one genre theory powerpointThis one genre theory powerpoint
This one genre theory powerpointbir
 
Genre theory
Genre theoryGenre theory
Genre theoryEmHall
 
Genre theory
Genre theoryGenre theory
Genre theoryEmHall
 
Media Studies theorists key concepts - Revision pack
Media Studies theorists   key concepts - Revision packMedia Studies theorists   key concepts - Revision pack
Media Studies theorists key concepts - Revision packalevelmedia
 
Genre theory A2
Genre theory A2Genre theory A2
Genre theory A2MattLumley
 
Genre presentation
Genre presentationGenre presentation
Genre presentationjamesmichie
 
Zain key concepts
Zain   key conceptsZain   key concepts
Zain key conceptsCat Davies
 
FM2 Booklet Part 1
FM2 Booklet Part 1FM2 Booklet Part 1
FM2 Booklet Part 1Belinda Raji
 
FM2 Booklet Part 1
FM2 Booklet Part 1FM2 Booklet Part 1
FM2 Booklet Part 1Belinda Raji
 
The History.pptx
The History.pptxThe History.pptx
The History.pptxHeryMach1
 
Representation theory
Representation theoryRepresentation theory
Representation theorySaffronEvans
 
MS1 key concepts booklet 2014
MS1 key concepts booklet 2014MS1 key concepts booklet 2014
MS1 key concepts booklet 2014Amanda Simmons
 

Similaire à Genre theory quotes (20)

This one genre theory powerpoint
This one genre theory powerpointThis one genre theory powerpoint
This one genre theory powerpoint
 
Genre theory
Genre theoryGenre theory
Genre theory
 
Genre presentation
Genre presentationGenre presentation
Genre presentation
 
Genre theory
Genre theoryGenre theory
Genre theory
 
Genre theory
Genre theoryGenre theory
Genre theory
 
Media Studies theorists key concepts - Revision pack
Media Studies theorists   key concepts - Revision packMedia Studies theorists   key concepts - Revision pack
Media Studies theorists key concepts - Revision pack
 
Genre theory A2
Genre theory A2Genre theory A2
Genre theory A2
 
Genre presentation
Genre presentationGenre presentation
Genre presentation
 
Genre Theory
Genre TheoryGenre Theory
Genre Theory
 
Genre theory
Genre theoryGenre theory
Genre theory
 
Zain key concepts
Zain   key conceptsZain   key concepts
Zain key concepts
 
FM2 Booklet Part 1
FM2 Booklet Part 1FM2 Booklet Part 1
FM2 Booklet Part 1
 
FM2 Booklet Part 1
FM2 Booklet Part 1FM2 Booklet Part 1
FM2 Booklet Part 1
 
The History.pptx
The History.pptxThe History.pptx
The History.pptx
 
Lesson
LessonLesson
Lesson
 
Representation theory
Representation theoryRepresentation theory
Representation theory
 
Genre
GenreGenre
Genre
 
Audience theory
Audience theoryAudience theory
Audience theory
 
Narrative theory
Narrative theoryNarrative theory
Narrative theory
 
MS1 key concepts booklet 2014
MS1 key concepts booklet 2014MS1 key concepts booklet 2014
MS1 key concepts booklet 2014
 

Plus de Elle Sullivan

MS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and RepresentationMS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and RepresentationElle Sullivan
 
Lesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4bLesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4bElle Sullivan
 
Lesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark schemeLesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark schemeElle Sullivan
 
Lesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark schemeLesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark schemeElle Sullivan
 
Lesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case studyLesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case studyElle Sullivan
 
Lesson 6 - TV Comedy audience pleasures
Lesson 6 - TV Comedy  audience pleasuresLesson 6 - TV Comedy  audience pleasures
Lesson 6 - TV Comedy audience pleasuresElle Sullivan
 
Lesson 4 - TV Comedy audience
Lesson 4 - TV Comedy  audienceLesson 4 - TV Comedy  audience
Lesson 4 - TV Comedy audienceElle Sullivan
 
Lesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and schedulingLesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and schedulingElle Sullivan
 
Lesson 1 - TV Comedy idents
Lesson 1 - TV Comedy identsLesson 1 - TV Comedy idents
Lesson 1 - TV Comedy identsElle Sullivan
 
Lesson 2 - TV Comedy PSB
Lesson 2 - TV Comedy  PSBLesson 2 - TV Comedy  PSB
Lesson 2 - TV Comedy PSBElle Sullivan
 
Lesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practiceLesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practiceElle Sullivan
 
Lesson 11 - Action Adventure ethnicity and buddy movies
Lesson 11  - Action Adventure ethnicity and buddy moviesLesson 11  - Action Adventure ethnicity and buddy movies
Lesson 11 - Action Adventure ethnicity and buddy moviesElle Sullivan
 
Lesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure filmsLesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure filmsElle Sullivan
 
Lesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure RepresentationLesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure RepresentationElle Sullivan
 
Lesson 8 - Action Adventure archetypes
Lesson 8 - Action Adventure  archetypesLesson 8 - Action Adventure  archetypes
Lesson 8 - Action Adventure archetypesElle Sullivan
 
Lesson 7 - Action Adventure jeopardy analysis
Lesson 7 - Action Adventure  jeopardy analysisLesson 7 - Action Adventure  jeopardy analysis
Lesson 7 - Action Adventure jeopardy analysisElle Sullivan
 
Lesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspenseLesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspenseElle Sullivan
 
Lesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genresLesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genresElle Sullivan
 
Lesson 2 - Action adventure films intro
Lesson 2 -  Action adventure films introLesson 2 -  Action adventure films intro
Lesson 2 - Action adventure films introElle Sullivan
 
Lesson 1 Action Adventure Films - Exam requirements
Lesson 1   Action Adventure Films - Exam requirementsLesson 1   Action Adventure Films - Exam requirements
Lesson 1 Action Adventure Films - Exam requirementsElle Sullivan
 

Plus de Elle Sullivan (20)

MS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and RepresentationMS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and Representation
 
Lesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4bLesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4b
 
Lesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark schemeLesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark scheme
 
Lesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark schemeLesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark scheme
 
Lesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case studyLesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case study
 
Lesson 6 - TV Comedy audience pleasures
Lesson 6 - TV Comedy  audience pleasuresLesson 6 - TV Comedy  audience pleasures
Lesson 6 - TV Comedy audience pleasures
 
Lesson 4 - TV Comedy audience
Lesson 4 - TV Comedy  audienceLesson 4 - TV Comedy  audience
Lesson 4 - TV Comedy audience
 
Lesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and schedulingLesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and scheduling
 
Lesson 1 - TV Comedy idents
Lesson 1 - TV Comedy identsLesson 1 - TV Comedy idents
Lesson 1 - TV Comedy idents
 
Lesson 2 - TV Comedy PSB
Lesson 2 - TV Comedy  PSBLesson 2 - TV Comedy  PSB
Lesson 2 - TV Comedy PSB
 
Lesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practiceLesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practice
 
Lesson 11 - Action Adventure ethnicity and buddy movies
Lesson 11  - Action Adventure ethnicity and buddy moviesLesson 11  - Action Adventure ethnicity and buddy movies
Lesson 11 - Action Adventure ethnicity and buddy movies
 
Lesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure filmsLesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure films
 
Lesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure RepresentationLesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure Representation
 
Lesson 8 - Action Adventure archetypes
Lesson 8 - Action Adventure  archetypesLesson 8 - Action Adventure  archetypes
Lesson 8 - Action Adventure archetypes
 
Lesson 7 - Action Adventure jeopardy analysis
Lesson 7 - Action Adventure  jeopardy analysisLesson 7 - Action Adventure  jeopardy analysis
Lesson 7 - Action Adventure jeopardy analysis
 
Lesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspenseLesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspense
 
Lesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genresLesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genres
 
Lesson 2 - Action adventure films intro
Lesson 2 -  Action adventure films introLesson 2 -  Action adventure films intro
Lesson 2 - Action adventure films intro
 
Lesson 1 Action Adventure Films - Exam requirements
Lesson 1   Action Adventure Films - Exam requirementsLesson 1   Action Adventure Films - Exam requirements
Lesson 1 Action Adventure Films - Exam requirements
 

Dernier

Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser... Shivani Pandey
 
👙 Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Serviceanamikaraghav4
 
↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...noor ahmed
 
👙 Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Serviceanamikaraghav4
 
Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...
Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...
Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...noor ahmed
 
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...Apsara Of India
 
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...noor ahmed
 
👙 Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Serviceanamikaraghav4
 
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingAlmora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingNitya salvi
 
Call Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
Call Girls Nashik Gayatri 7001305949 Independent Escort Service NashikCall Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
Call Girls Nashik Gayatri 7001305949 Independent Escort Service NashikCall Girls in Nagpur High Profile
 
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...rahim quresi
 
Call Girl Service Belur - 7001035870 with real photos and phone numbers
Call Girl Service Belur - 7001035870 with real photos and phone numbersCall Girl Service Belur - 7001035870 with real photos and phone numbers
Call Girl Service Belur - 7001035870 with real photos and phone numbersanamikaraghav4
 
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
Call Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls GoaCall Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls Goa
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goasexy call girls service in goa
 
Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448ont65320
 

Dernier (20)

Call Girls New Ashok Nagar Delhi WhatsApp Number 9711199171
Call Girls New Ashok Nagar Delhi WhatsApp Number 9711199171Call Girls New Ashok Nagar Delhi WhatsApp Number 9711199171
Call Girls New Ashok Nagar Delhi WhatsApp Number 9711199171
 
Goa Call "Girls Service 9316020077 Call "Girls in Goa
Goa Call "Girls  Service   9316020077 Call "Girls in GoaGoa Call "Girls  Service   9316020077 Call "Girls in Goa
Goa Call "Girls Service 9316020077 Call "Girls in Goa
 
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
 
👙 Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
 
↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...
 
👙 Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
 
Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...
Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...
Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...
 
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
 
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
 
👙 Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service
 
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingAlmora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
 
Call Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
Call Girls Nashik Gayatri 7001305949 Independent Escort Service NashikCall Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
Call Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
 
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goaGoa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
 
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
 
Call Girl Service Belur - 7001035870 with real photos and phone numbers
Call Girl Service Belur - 7001035870 with real photos and phone numbersCall Girl Service Belur - 7001035870 with real photos and phone numbers
Call Girl Service Belur - 7001035870 with real photos and phone numbers
 
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
Call Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls GoaCall Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls Goa
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
 
Call Girls South Avenue Delhi WhatsApp Number 9711199171
Call Girls South Avenue Delhi WhatsApp Number 9711199171Call Girls South Avenue Delhi WhatsApp Number 9711199171
Call Girls South Avenue Delhi WhatsApp Number 9711199171
 
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICECHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
 
Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448
 
Call Girls Chirag Delhi Delhi WhatsApp Number 9711199171
Call Girls Chirag Delhi Delhi WhatsApp Number 9711199171Call Girls Chirag Delhi Delhi WhatsApp Number 9711199171
Call Girls Chirag Delhi Delhi WhatsApp Number 9711199171
 

Genre theory quotes

  • 2. Quotes from media theorists  Richard Dyer – in 1973 argued that ‘genres are pleasurable because they offer escapist fantasies into fictional worlds that remove the boredom of reality’. He sees these worlds as Utopian that offer an abundance of energy, excitement and spontaneity.  Hartley – ‘Genres are agents of ideological closure; they limit the meaning potential of a given text’ – e.g. classic westerns expected roles of stock characters limits the unexpected developments of the narrative. Recently genres have been adapted to allow alternative representations – bad cowboys or gay cowboys.  Hodge and Kress – ‘genres are typical forms of texts which links producers, consumers, topic, medium, manner and occasion’. E.g. a Disney fairytale using computer generated imagery, released in multiplex’s and DVD and internet availability.
  • 3.  Fowler – ‘one advantage of genres is that they can rely on readers already having knowledge and expectations about the works within a genre’. This means that producer do not have to explain the conventions of a text as audiences are already familiar.  Gledhill – ‘Genres can be seen as a kind of shorthand, increasing the efficiency of communication’. This means that because audiences already know what to expect within a genre, it is not necessary to explain all of the details to them, narratives can therefore be condensed.
  • 4.  Allen – ‘Any text requires what is called ‘cultural capital’ on the part of its audience to make sense of it’. E.g. they bring their past experience of a genre to help them understand it.  Fiske – ‘the assignment of a text to a genre influences how the text is read’. E.g. if you believe a text to be in a certain genre you will interpret according to your expectations of that genre.(You expect the up and down relationships in Bridget Jones and don’t worry as you expect a happy ending).  He also said: ‘Genre constrains the possible ways in which a text is interpreted, guiding readers to a preferred reading’. Again in rom coms we don’t take behaviour seriously because we know that everything will turn out well.
  • 5.  Knight – ‘Genre may offer various emotional pleasures such as empathy and escapism’. We enjoy imagining ourselves living the characters lives.  Neale – ‘Pleasure is derived from repetition and difference’. We like to feel secure with the familiarity of a genre but also like surprise.  Abercrombie – ‘We derive pleasure from observing how the conventions of a genre are manipulated’. Knowing what to expect makes us enjoy the unexpected.
  • 6. Pastiche and parody in genre  A pastiche is a media text made up of pieces of other texts or an imitation of other styles  A parody is an imitation of one media text by another for comic effect – Scary movie and Shaun of the Dead  Pastiche can involve Homage – when one text deliberately imitates the characteristics of another in recognition of the texts importance. What lies beneath contains elements of homage to Hitchcock’s Psycho
  • 7. Genre are liked by producers  Constructed for an known/guaranteed audience  Use repeated storylines and stock characters  Allow re-use of sets, props and actors – financial savings  They are tried and tested and provide an element of security for investors  Budget and financial return are easier to predict  They allow for clear product and audience differentiation and market segmentation
  • 8. Why audiences like genre  Know what to expect  they can plan viewing with certain expectations  They enjoy subtle variations within a particular framework  They engage quickly with easily recognisable plots and     characters They enjoy predicting outcomes They can easily follow the narratives within genres, therefore requiring less attention They can experience a sense of cultural and emotional security Helps choosing the right text for entertainment
  • 9. Are genres too predictable and unimaginative?  Genres try to avoid this because:  If they are audiences will decline and industries will lose money, genres have to adapt to reflect changes in social and cultural attitudes, values and expectations (horror and gangster genres)  Stale genres can be revived by being less predictable and more imaginative (The Western - Brokeback Mountain)
  • 10.  Audiences seek familiarity and difference within genres and therefore welcome a degree of predictability. The loose conventions allow film makers to take short cuts by using stock characters and locations thus requiring little development  However, audiences want plot twists and hybrid developments to keep them interested  Today films are increasingly flexible and unpredictable with their mix of genres to appeal to a wider audience