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Cultural Heritage Informatics Model
- 1. CULTURAL HERITAGE INFORMATICS: a model for digital practice, capacity building, and education in cultural heritage Dr. Ethan Watrall Department of Anthropology MATRIX: The Center for the Arts, Letters, & Social Sciences Online Michigan State University @captain_primate | #MWHAC
- 2. “digital” is having an indelible impact on cultural heritage
- 3. “DIGITAL” IS CHANGING: RESEARCH PUBLICATION TEACHING PUBLIC ENGAGEMENT COMMUNICATION
- 4. INFORMATICS
- 5. INFORMATICS?
- 6. “the creative application of information, communication, and computing technologies to .”
- 7. BIOINFORMATICS INFORMATICS INFOR NFORMATICS ECOINFORMATICS INFORM ORMATICS BUSINESS INFORMATICSINF ICS CHEMICAL INFORMATICS INFORMA CS INFORMATICS MUSIC INFORMATICS RMATICS COMMUNITY INFORMATICSIN CS EVOLUTIONARY INFORMATICS INFOR TICS SOCIAL INFORMATICS INFORMATI CS INFORMATICS LEGAL INFORMATICS FORREST INFORMATICS INFORMATICS NFORMATICS HYDROINFORMATICS INFO ATICS HEALTH INFORMATICS INFORMAT
- 8. CULTURAL HERITAGE INFORMATICS
- 9. “the creative application of information, communication, and computing technologies to cultural heritage.”
- 11. this isn’t the point
- 12. this is the point this isn’t the point
- 13. ?
- 14. TI ES NI U MA L H GI TA DI ?
- 15. TI ES NI U MA L H GI TA DI ? DIG ITA LA RC HA EO LO GY
- 16. DIG ES ITA NITI LH MA IST H U OR TA L Y GI DI ? DIG ITA LA RC HA EO LO GY
- 17. DIG ES ITA NITI LH MA IST H U OR TA L Y GI DI CE ? DIG ITA CI EN LA N S RC ATIO HA EO RM LO IN FO GY
- 18. DIG ES ITA NITI LH MA IST H U OR TA L Y GI DI CHI DIG CE ITA CI EN LA N S RC ATIO HA EO RM LO IN FO GY
- 19. * HALLMARKS cultural heritage informatics
- 20. my perspective from the “trenches”
- 21. my perspective from the “trenches” (get it...trenches)
- 22. l.apture.com reddit.com. api.tweetmeme.com www.apture.com apture.com. tweetmeme.com. mediterraneanworld.wordpress.com interdisciplinary imagesamazon.com. safebrowsing.clients.google.com & connected gstatic.com. csi.gstatic.com maps.google.com botd.wordpress.com wwwfcopensocial.googleusercontent.com psychologytoday.com. creativecommons.org. savageminds.org. mediterraneanworld.files.wordpress.com www.psychologytoday.com eclick.net doubleclick.net. plos.org. creativecommons.org savageminds.org blogs.plos.org blogblog.com. googleadservices.com. botd2.wordpress.com 2ge1ffhdgsaom3padg8i2jd5pke1ajbtafcopensocial.googleusercontent.com asorblog.org. img2.blogblog.com yahoo.com. asorblog.org iamyojan.wordpress.com dhiban.wordpress.com pipes.yahoo.com om sharethis.com. r1rk9np7bpcsfoeekl0khkd2juj27q3oafcopensocial.googleusercontent.com edge.sharethis.com widget3.linkwi middlesavagery.wordpress.com quantserve.com. mudbrick.com. www.googleanalytics.com lh3.google.com 4.bp.blogspot.com www.mudbrick.com thegamersgirl.com. www.thegamersgirl.com ox.ac.uk. 3.bp.blogspot.com youtube.com. web.prm.ox.ac.uk sisujournal.blogspot.com www.youtube.com publishingarchaeology.blogspot.com spaceshipenvelope.blogspot.com matthewlaw.wordpress.com wideurbanworld.blogspot.com dauentina.blogspot.com victoriafine.blogspot.com understandingsociety.blogspot.com www.gravatar.com www.diggirl.com bloggingpompeii.blogspot.com sdupreefamily.blogspot.com jnasconeart.blogspot.com calixtlahuaca.blogspot.com jasonquinlan.com. bonesandcupcakes.wordpress.com diggirl.com. artenvelope.blogspot.com scottkennedyartist.blogspot.com captureanimpression.blogspot.com tollanfilms.com. adventureswithyandm.blogspot.com archaeopop.blogspot.com ggpht.com. www.jasonquinlan.com blogspot.com. humanrightsarchaeology.blogspot.com thamesdiscovery.org. goodreads.com. photosbysusannunn.blogspot.com 2.bp.blogspot.com www.tollanfilms.com jnkdo.blogspot.com lh3.ggpht.com passiminpassing.blogspot.com photo.goodreads.com sharethis.com. www.thamesdiscovery.org
- 23. collaborative
- 24. OPEN open?
- 26. silos = bad (a grain solo, just in case you didn’t know)
- 29. chi.matrix.msu.edu The MSU Cultural Heritage Informatics Initiative is a platform for interdisciplinary scholarly collaboration in the domain of Cultural Heritage Informatics at Michigan State University. In addition, the initiative strives to equip students with the practical and analytical skills necessary to creatively apply digital technologies to cultural heritage materials and questions, influence the current state of cultural heritage informatics, and become thought leaders for the future of cultural heritage informatics.
- 31. Sixteen Tons Tells the story of mine workers, their families, and their communities through a public archive and online exhibit that documents the history of two mining towns. Campus Unearthed Online exhibit with explores the cultural heritage of Michigan State University, and allows the Campus Archaeology Program to engage with the public and community stakeholders dhShare Collaborative online resource that allows users to share and engage with resources relating to intellectual properly, copyright, and cultural patrimony Mississippian Archaeological Digital Repository Scholarly digital repository designed to preserve and provide access to Mississippian archaeological data
- 32. cultural heritage informatics * FIELDSCHOOL sites.matrix.msu.edu/chi-fieldschool
- 33. msu.seum
- 34. “campus as museum” Android + iPhone/iPod Mobile, locations-based application that allows users to engage with the heritage of MSU and the process by which that knowledge was constructed
- 37. PUNCHLINE?
- 38. this is the point this isn’t the point
- 39. taking a leap (fin) watrall@msu.edu @captain_primate
Notes de l'éditeur
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- I’m taking quite a bit for granted in this statement - not least of which the idea that computers and computation have impacted archaeology and cultural heritage for quite a long time (since the early 1950s).\n\nComputers and cultural heritage isn’t a new thing at all. In fact, at least in archaeology, the relationship can be traced back to the early 1950s \n\nOne of the earliest,most influential, and best known examples comes courtesy of the late Jim Deetz’s seminal work on Arikara ceramics carried out in the very early 1960s in which he used an IBM mainframe to discover "stylistic coherence" on over two thousand rim sherds from central South Dakota Medicine Crow site\n\nBut lets put that aside for now.\n
- Its in this context that I would like to introduce you to a term - a term that will serve to frame the rest of this discussion\n
- Its in this context that I would like to introduce you to a term - a term that will serve to frame the rest of this discussion\n
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- a reminder that the technology isn’t the point. \n
- a reminder that the technology isn’t the point. \n
- So, what exactly is the difference between Cultural Heritage Informatics and other similar domains such as the DIGITAL HUMANITIES, DIGITAL ARCHAEOLOGY, DIGITAL HISTORY, or even LIBRARY & INFORMATION SCIENCES.\n
- So, what exactly is the difference between Cultural Heritage Informatics and other similar domains such as the DIGITAL HUMANITIES, DIGITAL ARCHAEOLOGY, DIGITAL HISTORY, or even LIBRARY & INFORMATION SCIENCES.\n
- So, what exactly is the difference between Cultural Heritage Informatics and other similar domains such as the DIGITAL HUMANITIES, DIGITAL ARCHAEOLOGY, DIGITAL HISTORY, or even LIBRARY & INFORMATION SCIENCES.\n
- So, what exactly is the difference between Cultural Heritage Informatics and other similar domains such as the DIGITAL HUMANITIES, DIGITAL ARCHAEOLOGY, DIGITAL HISTORY, or even LIBRARY & INFORMATION SCIENCES.\n
- the argument I’m making is that in many ways, CHI brings much of these domains together\n
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- important to point out that these characteristics are of my own making - based on my experience and work in digital cultural heritage. \n\nTales from the trenches, as it were\n
- or perhaps, given that this is a conference of archaeologists, this would be more appropriate\n
- cultural heritage informatics isn’t just about archaeology - its about all disciplines that are interested in cultural heritage. - history, museology, historic literature, area studies (such as American Studies, and Near Eastern Languages & Cultures)\n\nIt is also about those disciplines, such as informations science, computer sciences, and user experience design, that can help us address technical questions and challenges. \n
- cultural heritage informatics is also deeply collaborative...leveraging the skills and domain knowledge of various disciplines to build engaging digital cultural heritage projects\n
- When I say “open,” what exactly do I mean?\n\nThere has been a lot of talk about openness in regards to data - and that is an important discussion to have. However, when I say “open” in this context, I’m more interested in encouraging a form of scholarship that is outward facing instead of inward facing\n\na form of practice that looks to the greater scholarly ecosystem (not just in cultural heritage) for models, approaches, collaborators, and research\n\na form of practice that engages with the wider scholarly community - thereby bringing our experience and understanding to other domains (related or not) and subjects\n
- cultural heritage informatics embraces a culture of sharing - sharing of models, data, approaches, workflows, even code.\n
- This model of openness, collaboration, and sharing is simply not possible in an environmental of rigidly and dogmatically enforced “silos” - intellectual silos, professional silos\n\nDisciplinary and intellectual silos are simply counterproductive to exciting and innovative work in digital cultural heritage. \n
- Cultural heritage informatics has a very strong ethic of “building as a way of knowing” (or “hacking as a way of knowing”).\n\nThe idea is that you can gain far more insight and understanding by actually making things \n\nThis approach also has added benefit for students because they gain or strengthen skills that ultimately make them better professionals. \n
- At MSU, I’m put this model into practice in the Cultural Heritage Informatics Initiative\n
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- The CHI Initiative is housed and administered by the MSU Department of Anthropology, hosted by MATRIX, and funded by Anthropology, The Graduate School, and the College of Social Sciences\n
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- describe fieldschool\n
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- powerful model for developing digital cultural heritage projects\n\npowerful model for building skills in students and capacity in the domain of cultural heritage. \n
- its also worthwhile to circle back to this image, and remind you that the technology isn’t the point - the point is what it can do for the scholarly inquiry into the human past and human culture. How the technology can support contributions to the scientific record. \n
- but it also requires that you take a leap - diverge from common practice and step into the unknown and unfamiliar.\n