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Occupied Palestinian Territories > Audiovisual and Media / Gender




                                                          Breaking the wall
                                                                 of silence
n The Masarat project included not only the produc-
tion of four films but also 58 screenings, like this one
in Beit Fajjar village
                                                                                                       www.enpi-info.eu
                  Women in the occupied Palestinian
                  territories have long lived in the shadow of
                  their male relatives, often suffering untold abuse. Now,
                  an EU-funded film project, ‘Masarat’, has given them a voice,
                  shattering taboos in the most dramatic way.
                  Text by Elias Zananiri
                  Photos by Elias Zananiri, Masarat

                               East Jerusalem - When local Tulkarem TV station Al Fajr Al Jadid showed Golden
                               Pomegranate Seeds, a short film made by Ghada Terawi under an EU-funded proj-
                               ect to promote Palestinian women film directors, the impact was immediate.
                               Just minutes into the film, furious viewers began to call in protesting that “the film
                               had crossed red lines” says the channel’s Raja Nafee. “I told my staff not to respond
                               but simply to ask the viewers to wait until the end and then talk.” By the time the
                               film was over, 15 minutes later, the mood had changed. “People were encouraged
                               and many demanded that similar films be made in the future.”
                               “I think we broke the wall of silence.”
                               Golden Pomegranate Seeds juxtaposes the folk-tale of a girl whose silence in the
This publication does          face of what she saw would always haunt her, with real stories of real women, who
not represent the              dare to speak out about the sexual abuse they have suffered in the family. The
official view of the EC
                               message from the women is stark: “If you’re silent once, you’ll stay silent forever.”
or the EU institutions.
The EC accepts no              A taboo had been shattered, said Nafee: a few days later, a police
responsibility or              officer called to tell her that in less than 24 hours, 14 cases of       ENPI Info Centre – Feature no. 13
liability whatsoever                                                                                  This is a series of features on
                               sexual abuse by relatives had been reported by girls to the local
with regard to its                                                                                    projects funded by the EU’s
                               police station.                                                        Regional Programme, prepared by
content.
                                                                                                     journalists and photographers on
                               Snowball effect                                                        the ground or the ENPI Info
                                                                                                     Centre. ENPI Info Centre/EU 2010©
                               What happened in Tulkarem was repeated all over the occupied
Breaking the wall of silence         p.2
ENPI Info Centre - Feature no. 13




                                      Palestinian territories, where the film was shown at community centres and on local                       “People were
                                      channels. Farha Abu Alheija of Farah TV in Jenin said people called her afterwards asking                encouraged
                                      that such cases be addressed more in the future. And secondary schools have taken up                     and many
                                      the challenge, asking to show the film to their students, while the United Nations Relief                 demanded
                                      and Work Agency (UNRWA) and the Palestinian Ministry of Health have asked to use it                      that similar
                                      in their gender outreach and counselling programmes.                                                     films be
                                      Golden Pomegranate Seeds was one of four films made by Palestinian women under                            made in the
                                      the ‘Masarat’ project, fully funded under the EU’s Regional Information and Communi-                     future. I think
                                      cations programme with €120,000. The project has been a spectacular success for                          we broke the
                                      Shashat, a Palestinian cinema NGO with emphasis on capacity building for Palestinian                     wall of
                                      filmmakers, mostly women.                                                                                 silence.”
                                      Not all films touch such a raw nerve, but they do thrust women to the fore, in a deeply
                                      conservative, patriarchal society.
                                      In Far from Loneliness, Sawsan Qaoud draws on the inspiration of an accidental meeting
                                      to follow three old farming women on the tough pre-dawn journey from their fields to
n Dr. Alia Arasoughly                 the market. Mahasen Nasser-Eldin tells the story of Samia, a feisty, active and committed
the director general of Shashat and
Masarat project director
                                      71-year-old woman, whose struggle to remain in Jerusalem and to promote girl’s educa-
                                      tion marks her personal and professional life. The fourth film, Dima Abu Ghoush’s First
                                      Love, tells the story of tender love blooming in the lives of young girls, who speak of the
                                      importance of their parents’ role in dealing with their emotions and dilemmas.
                                      Dr. Alia Arasoughly, the director general of Shashat and Masarat project director, says
                                      women should be given the chance not only to consume, but also to create culture. Cul-
                                      ture, she explains, goes far beyond knowledge, entering deep into emotions and feel-
                                      ings. Women, therefore, can and must play a major role in cultural outreach.
                                      The EU funding for Masarat included not only the production of four films but also 58
                                      screenings, 25 showings in community and cultural centres in the West Bank and Gaza
                                      Strip, and some 168 local community TV broadcasts, followed by live talk shows.
                                      Following every showing, feedback forms were distributed to the audience. Out of 7,790
                                      responses, 7,285 were positive (2,139 said the showings were excellent, 2,934 very good
n The poster of the Masarat           and 2,212 good). With such a result, Shashat feels Masarat is important enough to pro-
film project
                                      duce every year.

                                      Reaching out to a wide audience
                                      “From the outset,” said Arasoughly, “I thought the festival should not be directed exclu-
 “From the outset, I                  sively to the elite intelligentsia of society nor concentrate its activities in the centre of the
thought the festival                  West Bank, but reach the largest audience possible.” She wanted a wide platform, through
   should not be di-                  screenings in multiple and socially diverse locations, accompanied by discussions.
  rected exclusively                  For the EU, the project has “exceeded all expectations in touching people's hearts and
                                                                                                                                              n A scene from Golden
  to the elite intelli-               prompting debates on difficult, even taboo subjects,” says Alix de Mauny, who as Press                    Pomegranate Seeds
gentsia… but reach                    and Information Manager at the Euro-
    the largest audi-                 pean Commission Technical Assistance
      ence possible.”                 Office for the West Bank and Gaza Strip
                                      was closely involved with Masarat. “Be-
                                      cause the local women film directors
                                      themselves came up with the subjects
                                      and decided how to approach them,
                                      they were able to tap into the real issues
                                      facing Palestinian women, and found a
                                      way to ask searching questions without
                                      ever preaching to their audience.”
Breaking the wall of silence            p.3
ENPI Info Centre - Feature no. 13



     “The films have                     Masarat has given women a voice: “It exploded in us what we do not say, and gave us                  n Ghada Terawi on the set
                                                                                                                                             of Golden Pomegranate
 helped to open up a                    the confidence to think that there are options!” one Bethlehem woman said after a                     Seeds
debate on the role of                   screening of Golden Pomegranate Seeds.
    women – and we                      “These things should be talked about.”
  have much to learn                    Indeed, De Mauny is struck how many of the is-
      from how they                     sues raised find echoes in other parts of the
   managed to raise                     world, including Europe. “The films have helped
 such difficult issues                    to open up a debate on the role of women –
    so positively and                   and we have much to learn from how they
     constructively.”                   managed to raise such difficult issues so posi-
                                        tively and constructively.”




            Regional Information & Communication Programme
            Aims at boosting public awareness and understanding of the EU and its relations in the ENPI area,
            through support to journalists and media outlets for material production, as well as training

            Participating countries          Objective
            Armenia, Azerbaijan,             The Programme seeks to increase public knowledge and awareness of the EU and its relationship with
            Belarus, Georgia,                the Neighbourhood countries and create a local sense of involvement and shared ownership. It clarifies
            Moldova, Russia,                 policies but also highlights the development aid implemented by the EU in the region It facilitates
            Ukraine (East) Algeria,          cooperation between journalists and media organizations, helps build sustainable communication
            Egypt, Israel, Jordan,           networks and assists the continued development of free opinion and freedom of expression in a bid to
            Lebanon, Morocco,                contribute to the creation of an environment conducive to dialogue and mutual understanding.
            Occupied Palestinian
            Territory, Syria, Tunisia        Find out more
            (South)                          Shashat website - http://www.shashat.org/
                                             Regional Information & Communication Programme fiche -
            Timeframe                        http://www.enpi-info.eu/mainmed.php?id=247&id_type=10
            2008-2011                        European Commission Technical Assistance Office for the West Bank and Gaza Strip -
                                             http://www.delwbg.ec.europa.eu/
            Budget
            €19 million (€12
            million ENPI South, €7
            million ENPI East)




                                                                                           The ENPI Info Centre is an EU-funded Regional
                                                                                           Information and Communication project
                                                                                           highlighting the partnership between the EU and
                                                                                           Neighbouring countries. The project is managed




ENPI info centre
     info ce t e
                                                                                           by Action Global Communications.




                                                                                         w ww.enpi-info.eu
                                                                                                p

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  • 1. Occupied Palestinian Territories > Audiovisual and Media / Gender Breaking the wall of silence n The Masarat project included not only the produc- tion of four films but also 58 screenings, like this one in Beit Fajjar village www.enpi-info.eu Women in the occupied Palestinian territories have long lived in the shadow of their male relatives, often suffering untold abuse. Now, an EU-funded film project, ‘Masarat’, has given them a voice, shattering taboos in the most dramatic way. Text by Elias Zananiri Photos by Elias Zananiri, Masarat East Jerusalem - When local Tulkarem TV station Al Fajr Al Jadid showed Golden Pomegranate Seeds, a short film made by Ghada Terawi under an EU-funded proj- ect to promote Palestinian women film directors, the impact was immediate. Just minutes into the film, furious viewers began to call in protesting that “the film had crossed red lines” says the channel’s Raja Nafee. “I told my staff not to respond but simply to ask the viewers to wait until the end and then talk.” By the time the film was over, 15 minutes later, the mood had changed. “People were encouraged and many demanded that similar films be made in the future.” “I think we broke the wall of silence.” Golden Pomegranate Seeds juxtaposes the folk-tale of a girl whose silence in the This publication does face of what she saw would always haunt her, with real stories of real women, who not represent the dare to speak out about the sexual abuse they have suffered in the family. The official view of the EC message from the women is stark: “If you’re silent once, you’ll stay silent forever.” or the EU institutions. The EC accepts no A taboo had been shattered, said Nafee: a few days later, a police responsibility or officer called to tell her that in less than 24 hours, 14 cases of ENPI Info Centre – Feature no. 13 liability whatsoever This is a series of features on sexual abuse by relatives had been reported by girls to the local with regard to its projects funded by the EU’s police station. Regional Programme, prepared by content. journalists and photographers on Snowball effect the ground or the ENPI Info Centre. ENPI Info Centre/EU 2010© What happened in Tulkarem was repeated all over the occupied
  • 2. Breaking the wall of silence p.2 ENPI Info Centre - Feature no. 13 Palestinian territories, where the film was shown at community centres and on local “People were channels. Farha Abu Alheija of Farah TV in Jenin said people called her afterwards asking encouraged that such cases be addressed more in the future. And secondary schools have taken up and many the challenge, asking to show the film to their students, while the United Nations Relief demanded and Work Agency (UNRWA) and the Palestinian Ministry of Health have asked to use it that similar in their gender outreach and counselling programmes. films be Golden Pomegranate Seeds was one of four films made by Palestinian women under made in the the ‘Masarat’ project, fully funded under the EU’s Regional Information and Communi- future. I think cations programme with €120,000. The project has been a spectacular success for we broke the Shashat, a Palestinian cinema NGO with emphasis on capacity building for Palestinian wall of filmmakers, mostly women. silence.” Not all films touch such a raw nerve, but they do thrust women to the fore, in a deeply conservative, patriarchal society. In Far from Loneliness, Sawsan Qaoud draws on the inspiration of an accidental meeting to follow three old farming women on the tough pre-dawn journey from their fields to n Dr. Alia Arasoughly the market. Mahasen Nasser-Eldin tells the story of Samia, a feisty, active and committed the director general of Shashat and Masarat project director 71-year-old woman, whose struggle to remain in Jerusalem and to promote girl’s educa- tion marks her personal and professional life. The fourth film, Dima Abu Ghoush’s First Love, tells the story of tender love blooming in the lives of young girls, who speak of the importance of their parents’ role in dealing with their emotions and dilemmas. Dr. Alia Arasoughly, the director general of Shashat and Masarat project director, says women should be given the chance not only to consume, but also to create culture. Cul- ture, she explains, goes far beyond knowledge, entering deep into emotions and feel- ings. Women, therefore, can and must play a major role in cultural outreach. The EU funding for Masarat included not only the production of four films but also 58 screenings, 25 showings in community and cultural centres in the West Bank and Gaza Strip, and some 168 local community TV broadcasts, followed by live talk shows. Following every showing, feedback forms were distributed to the audience. Out of 7,790 responses, 7,285 were positive (2,139 said the showings were excellent, 2,934 very good n The poster of the Masarat and 2,212 good). With such a result, Shashat feels Masarat is important enough to pro- film project duce every year. Reaching out to a wide audience “From the outset,” said Arasoughly, “I thought the festival should not be directed exclu- “From the outset, I sively to the elite intelligentsia of society nor concentrate its activities in the centre of the thought the festival West Bank, but reach the largest audience possible.” She wanted a wide platform, through should not be di- screenings in multiple and socially diverse locations, accompanied by discussions. rected exclusively For the EU, the project has “exceeded all expectations in touching people's hearts and n A scene from Golden to the elite intelli- prompting debates on difficult, even taboo subjects,” says Alix de Mauny, who as Press Pomegranate Seeds gentsia… but reach and Information Manager at the Euro- the largest audi- pean Commission Technical Assistance ence possible.” Office for the West Bank and Gaza Strip was closely involved with Masarat. “Be- cause the local women film directors themselves came up with the subjects and decided how to approach them, they were able to tap into the real issues facing Palestinian women, and found a way to ask searching questions without ever preaching to their audience.”
  • 3. Breaking the wall of silence p.3 ENPI Info Centre - Feature no. 13 “The films have Masarat has given women a voice: “It exploded in us what we do not say, and gave us n Ghada Terawi on the set of Golden Pomegranate helped to open up a the confidence to think that there are options!” one Bethlehem woman said after a Seeds debate on the role of screening of Golden Pomegranate Seeds. women – and we “These things should be talked about.” have much to learn Indeed, De Mauny is struck how many of the is- from how they sues raised find echoes in other parts of the managed to raise world, including Europe. “The films have helped such difficult issues to open up a debate on the role of women – so positively and and we have much to learn from how they constructively.” managed to raise such difficult issues so posi- tively and constructively.” Regional Information & Communication Programme Aims at boosting public awareness and understanding of the EU and its relations in the ENPI area, through support to journalists and media outlets for material production, as well as training Participating countries Objective Armenia, Azerbaijan, The Programme seeks to increase public knowledge and awareness of the EU and its relationship with Belarus, Georgia, the Neighbourhood countries and create a local sense of involvement and shared ownership. It clarifies Moldova, Russia, policies but also highlights the development aid implemented by the EU in the region It facilitates Ukraine (East) Algeria, cooperation between journalists and media organizations, helps build sustainable communication Egypt, Israel, Jordan, networks and assists the continued development of free opinion and freedom of expression in a bid to Lebanon, Morocco, contribute to the creation of an environment conducive to dialogue and mutual understanding. Occupied Palestinian Territory, Syria, Tunisia Find out more (South) Shashat website - http://www.shashat.org/ Regional Information & Communication Programme fiche - Timeframe http://www.enpi-info.eu/mainmed.php?id=247&id_type=10 2008-2011 European Commission Technical Assistance Office for the West Bank and Gaza Strip - http://www.delwbg.ec.europa.eu/ Budget €19 million (€12 million ENPI South, €7 million ENPI East) The ENPI Info Centre is an EU-funded Regional Information and Communication project highlighting the partnership between the EU and Neighbouring countries. The project is managed ENPI info centre info ce t e by Action Global Communications. w ww.enpi-info.eu p