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FRUTIGER T h e B o o k o f
TYPOGRAPHY 
IS PASSION
Frutiger 
Copyright © 2012 by Florencia Dina Ariesta 
All rights reserved. This book or any portion there of may 
not be reproduced or used in any manner whatsoever 
without the express 
written permission of the publisher except for the use of 
brief quotations in a book review. 
Printed in the United States of America 
First Printing, 2012 
ISBN 0-9000000-0-0 
New York Times Publishing 
123 Mesa Street 
Scottsdale, AZ 00000 
www.nytimes.com
CONTENTS 
9 
15 
29
That 
W h o i s 
A D R I A N 
FRUTIGER
1
Bor n in 1928 i n 
interlaken, Swit-zerland. 
Adr i a n 
Frutiger wa s t r a ined a t 
the kuns tgewe rbe s chul e 
in Zur i ch be for mov ing t o 
P a r i s . He wa s inspi red by the 
s impl i c i t y of the a r t s and c r a f t s 
of hi s home region, and de v e lope d 
an appre c i a t ion for the re l a t ionshi p 
between black and white. Balance be-twe 
en t int and shade and the Yin and 
Yang became par t of Frutiger’s design phi - 
losophy. 
I n 1952, Charled Peignot of Deperny & Peignot-offered 
Frutiger a job whe re he qui c k l y began hi s 
ascent to one of the few e l i t e i n the world of typog-r 
aphy. Hi s f i r s t s e r ious t ype f a c e wa s Me r idi en, de s igne d 
in 1955. 
One of the most popular typefaces ever developed i s Univ-
10 
e r s , a Frutiger c re a t ion f rom 1957. Uni v e r s wa s de s igned in a wide 
range of weights and s t y l e s with a potentially revolutionary refer-ence 
system of numbers meant to describe specific fonts instead 
of the conventional naming system that included names such as 
“Extra Bold Condensed”. Each font has two numbers, the first 
referring to the weight and the second referring to the style. 
the rest of the design and typography community unfortu-nately 
did not adopt Frutiger’s system. 
Fame is something Adrian Frutiger most definitely 
gained, but it was not his goal. He wanted to create 
typefaces that were legible and efficient, and suc-ceeded 
extraordinarly. Univers, Frutiger, and Avenir 
are perfect examples of the product of his philosophy 
“the most important thing I have learned is that legibil-ity 
and beauty stand close together and that type design, 
in its restraint, should be only felt but not perceived by the 
reader”. 
If the signage in the Charled de Gaulle airport of Roissy (near 
paris), France is visually pleasing to you, thank Adrian Frutiger. 
His self-titled sans-serif typeface, Frutiger, is all over it. Origi-
11 
nally named “Roissy”. Frutiger was designed in 1976 
speciffically for the Char les de Gaul le ai rpor t s ignage 
with an important purpose - Clarity and legibility, espe-cially 
from a significant distance. 
With only sl ight differences in character shape from univ-ers, 
Frutiger s tands alone as a completely useful typeface. 
I t s curved let ter s such as C, G, J , c, e, g, and s are more open, 
which allows for greater legibility from a distance. Frutiger 
comes in several weight s and s tyles , and uses the same numer ical 
naming sys tem as univer s . Perceived as warm and f r iendly as far as 
typefaces go, Frutiger is widely used and considered a classic type-face 
with a timeless quality. One i s likely to find i t anywhere in swit-zer 
land, as i t used for t raff ic s igns throughout the count ry due 
to i t s legibi l i ty as demos t rated at Char les de Gaul le in France. 
Frutiger i s al so used by the Swi s s Pos t , as wel l as swi s scom, a 
leading international telecommunication company. 
Letterforms for true i t a l i c faces of frutiger were developed 
in 1999 as par t of the revi sed ver s ion t i t led f rut iger NEXT 
.The original frutiger i tal ics were jus t s lanted roman 
fonts rather than unique italic.
KNOW MORE 
ABOUT 
FRUTIGER 
F A M I L Y
2
From the begin-ning, 
Adrian F r u t i - 
ger env i s ioned a new 
s y s t em of font we ight 
and s t y l e denot a t ion 
ba s ed on numbe r s r a the r 
The Frut ig er 
Numbering System 
than impre c i s e name s such a s 
bold, l ight , i t a l i c , condens ed, 
and e xpanded. Ins t e ad, e a ch font 
i s a s s igned a two-digi t numbe r. 
The f i r s t digi t or “P re f i x” denot e s the 
we ight of the font f rom the l ight e s t (2) t o 
the heaviest ( 9 ) . The second d i g i t or “suf-f 
i x ” indicates wight of the font f rom most ex-panded 
( 2 ) to the most condensed ( 9 ) . I n addi-t 
ion, odd numbe red suf f i x e s indi c a t e upr ight l e t t e r 
forms whe re a s e v en numbe red suf f i x e s a re obl ique . 
In both c a s e s , 5 di s c r ibe s the mos t norma l or roma n 
attribute.
16 
47 
Frutiger 
46 
Frutiger 
45 
Frutiger 
57 
Frutiger 
56 
Frutiger 
55 
Frutiger 
67 
Frutiger 
66 
Frutiger 
65 
Frutiger 
75 
Frutiger 
76 
Frutiger 
77 
Frutiger 
87 
Frutiger 
95 
Frutiger
17 
4 
5 
6 
7 
8 
9 
8 
7 
6 
5 
4 
Ultra Condensed 
Condensed Oblique 
Condensed 
Oblique 
Roman 
Extended 
STYLE 
WEIGHT 
Light 
Roman 
Medium 
Bold 
Heavy 
Extra Black
18 
Ascender ? 
the upward vertical stem on some lowercase letters, such as h and b, that extends 
above the x-height is the ascender. The height of the ascenders is an identifying 
characteristic of many typefaces. 
F-----------------------------------r--------------------------------u---------------------------------------------t---------------------------------------------------------------------------------------------------------------------------------------------------------------------Size 
Ascender 
Type -------------------------------------------------------------------------------------------------------------------------------Descender 
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Descender ? 
The por t ion of some lowe r cas e l e t t e r s, such as g and y, that e x t ends or 
de s c ends be low the bas e l ine i s the de s c ende r. The l ength and shape of the 
de s c ende r can af f e c t r eadabi l i t y of l ine s of t ype and i s an ident i f y ing fac tor 
for some typefaces.
19 
Cap Height ? 
The height of a capital letter measured from the baseline. In typography, cap height 
refers to the height of a capital letter above the baseline for a particular typeface. 
It specifically refers to the height of capital letters that are flat 
t--------------------------------------i----------------------------g------------------------------------------e------------------------------------------r---------------- 
------------------------------------------------------------------------------------------------------------------------------------------- 
Counter 
------------------------------------------------------------------------------------------------------------------------------------------- 
Neck 
------------------------------------------------------------------------------------------------------------------------------------------------------- 
Cap Height 
X - Height 
Base Line 
Baseline ? 
bas e l ine i s the imaginar y l ine upon whi ch a l ine of t e x t r e s t s. In mos t 
t ype fac e s, the de s c ende r s on charac t e r s such as g or p e x t end down 
below the baseline while curved l e t t e r s such as c o r o extend ever-so-slightly 
below the baseline.
20 
g Counter 
Neck
21 
Neck ? 
A stroke that connects the top and bottom 
bowls of lowercase double-story g’s. Definition: 
In typeface anatomy, the link is that small, usually 
curved stroke that connects the bowl and loop of a 
double-storey g. Also Known As: Link, terminal A con-necting 
element or factor. 
Counter ? 
The open space in a fully or partly closed area within 
a letter. Definition: In typography, the enclosed or 
partially enclosed circular or curved negative space 
(white space) of some letters such as d, o, and s 
is the counter. The term counter may sometimes 
be used to refer only to closed space
22 
Paris .......................................... 
Frutiger 47 Light Condensed 
Miami ............................................ 
Frutiger 57 Condensed 
Amsterdam .............. 
Frutiger 67 Bold Condensed 
New York .............. 
Frutiger 77 Black Condensed 
Las Vegas ... 
Frutiger 87 Extra Black Condensed 
Philadelphia ........................ 
Frutiger 45 l i g h t 
Dubai ........................................ 
Frutiger 46 Light Italic
23 
Frutiger 55 Roman ....................... 
Melbourne 
Frutiger 56 Italic ................................. 
Adelaide 
Frutiger 65 Bold .......................................... 
Sydney 
Frutiger 66 Bold Italic ................... 
Cambridge 
Frutiger 75 Black ................. 
Puerto Rico 
Frutiger 76 Black Italic ......................... 
Canada 
Frutiger 95 Ultra Black ............ 
Maldives
24 
UNIVERS 
1954 
55 gg 
More open letters are 
meant to be warm & 
friendly as compared 
to Univers’ objective 
rationalism. 
descenders tend to sink 
lower, while ascenders 
tend to rise higher.
25 
hh cc 
1975 
FRUTIGER 
thick & thin strokes are 
nearly identical. 
lowercase c & e are less 
closed to differentiate 
easier from lowercase o.
26 
THIS IS 
ALL ABOUT 
USAG E & 
PORTOFOLIOS
27 
3
On thi s P age we 
wi l l t a l k about 
the usage of F r u t i - 
ger t ype f a c e and a l s o 
my portofolios. I have a l - 
re ady made a br i t i sh edi t ion 
The Frut ig er 
Usage & Po r t f o l i o 
monopol y, 4 page s of F a shy “ 
F a shion Webs i t e”, and l a s t but 
not l e a s t Wedding de cor a t ions for 
the env i ronment de s ign. The y a re not 
conne c t ed wi th e a ch othe r s , but i t wi l l 
shows i t ’s own theme and pe r sona l i t y. 
There are also some usage of frutiger type-f 
a c e in adv e r t i s ing and a i rpor t s ignage . So many 
v a r i e t i e s , wi th di f f e rent purpos e . I t a l l shown the 
power of Frutiger typeface.
30 
Scotia Bank 
Frutiger t ype f a c e ha s be en us e d 
for S cot i a Bank adv e r t i s ement . 
The y us ed thi s t ype f a c e be c aus e 
S cot i a bank want to show tha t 
the i r bank c an be us ed by anyone .
31 
Charles 
De Gaulle 
Frutiger ha s be en us e d 
for the f i r s t t ime i n 
Charles De Gaulle air-por 
t , S inc e then thi s 
t ype f a c e ha s be come 
famous.
32 
MONOPOLY “British 
Edition” 
1 
FASHY “ Fashion Web” 
Frutiger 
Portofolios 
2 
Wedding Environment 
Decorations 
3
33 
Kensington 
Palace 
Millenium 
Dome 
Big Ben 
Collect $ 2 00 
YOU ARE READY TO 
GO 
$ 150 
Community 
Chest 
Chest 
Community 
Community 
Chest 
Victoria & Albert 
Museum 
Westminster 
Cathedral 
Chance 
Chance 
Chance 
MONOPOLY 
Income 
Tax 
Luxury 
Tax 
Cleopatra’s 
Needle 
London 
Eye 
St. Paul’s 
Cathedral 
Tower of 
London 
British 
Museum 
Houses of 
Parliament 
Westminster 
Abbey 
Royal Albert 
Hall 
Tower 
Bridge 
Imperial War 
Museum 
Marble 
Arch 
Nelson’s 
Column 
Lambeth 
Palace 
Admiralty 
Arch 
Madame 
Tussauds Buckhingham 
Palace 
$ 60 
Electricity 
Electric 
Company 
Pay 10% 
or 
$ 200 
Pay $ 75 
$ 200 $ 150 
$ 200 
$ 200 
$ 200 
Water 
Company 
Central 
Bus Station 
H’smith & City 
Bus Station 
Victoria 
Bus Station Piccadilly 
Bus Station 
JUST 
VISIT 
$ 60 
30 ST Mary 
Axe 
$ 120 $ 100 $ 100 
$ 200 $ 180 $ 180 $ 160 $ 140 $ 140 
$ 280 $ 260 $ 260 $ 240 $ 220 $ 220 
$ 400 $ 350 $ 320 $ 300 $ 300 
B R I T I S H E D I T I O N 
JAIL 
FREE 
PARKING 
MONOPOLY “ BRITISH EDITION ”
34 
HOME 
NEWS 
PORTFOLIO 
CONTACT 
PORTRAIT OF A WOMAN 
WELCOME TO FASHY FASHION PHOTOGRAPHY SPECIALIST. SAY SOMETHING 
ABOUT YOUR HIGH - FASHION PHOTO. 
BANGS AND FLIRTY SMILE 
WOMAN FLINGING REALLY 
FEMINISM 
SMILES AND EYES TALK 
PUT YOUR STYLE ON ITS HIGH 
QUIRKY STYLE OF EMMA 
A WATERY BATTLE 
EDGY STYLE DOMINATION 
ADORABLY PERKINS 
SHOW ALL 
POSTS 
PORTFOLIO 
CATEGORIES POPULAR POSTS BLOGROLL 
> 
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> 
Company News 
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Our Latest News 
Photography 
SOCIALIZE WITH US 
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Video World 
Fashion 
Website 
Fashy is a fashion Photog-r 
aphy spe c i a l i s t . In thi s 
case I use Frutiger type-f 
a c e for thi s web. The r e 
a re tot a l 4 page s in thi s 
webs i t e : Home , News , 
Portfolio and Contact.
35 
HOME 
NEWS 
PORTFOLIO 
CONTACT 
ADMIN OUR LATEST NEWS, PHOTOGRAPHY 6 COMMENTS 
RECENT POSTS 
Quirky Style of Emma 
ADMIN OUR LATEST NEWS, PHOTOGRAPHY 80 COMMENTS 
HIGH FASHION IS NOT AS EASY AS IT SEEMS 
7 
APR 
2012 
High - Fashion . 2 words but it contains so many things to do, to remember, it needs 
creativity to create it. To be honest before I decided to choose this field as my dream job, I have 
been through so many work fields, such as fashion editor, graphic designer, web developer, 
still life photographer and many more. But in the end, my sight in fashion brought me here. 
I’ve been falling in love with the fashion field since I was 12 years old, my mom is a fashion 
designer, while my father working as a fashion editor in HARPERS BAZAAR magazine. I was 
completely amze with their works, it needs not only talent but also sense of creativity to create 
such good fashion. That’s why we called it high, it’s not ordinary ... 
“ 
CATEGORIES POPULAR POSTS BLOGROLL 
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> 
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Featured 
Our Latest News 
Photography 
SOCIALIZE WITH US 
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Radial Shortcodes Tag 
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HAT AND CURLY HAIR 
5 
MAR 
2012 READ MORE 
A hat and curly hair has become a trend lately, they are facinating and also awesomely 
looks good on you. Not every style looks good on you, but this 60’s looks sure does, it’ll 
make you look gorgeous and sexy at the same time. This look will show your outer 
beauty to its maximum. You may choose which colour fits you most, we suggest you to choose 
a bold colour, it’ll enhance your skin colour ... 
Hat and Curly Hair 
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ADORABLY PERKINS 
5 
Poppy Perkins, that’s her full name. She has been put her interest on fashion since she was 5 y.o. 
MAR 
No wonder whatever she wear or do, she’s trully a fashion fetish. High - Fashion is the theme of 
2012 Today’s photo shoot. She choose her own clothes and put on her own make up, no needs of 
Stylist or make up artist. Well she can be both of them, she’s trully talented ... 
READ MORE 
PAGE 1 OF 3 1 2 3 >> 
ARCHIVES 
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November 2010 
October 2010 
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May 2010 
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HOME 
NEWS 
PORTFOLIO 
CONTACT 
BANGS AND FLIRTY SMILE 
WOMAN FLINGING REALLY 
FEMINISM 
PHOTOGRAPHIES, VIDEO 
Not everyone have this hynotizing 
look. It’s rare, it’s worth to see 
how a look from a person can be 
so mezmerizing. 
SMILES AND EYES TALK 
PUT YOUR STYLE ON ITS HIGH 
QUIRKY STYLE OF EMMA 
A WATERY BATTLE 
EDGY STYLE DOMINATION 
ADORABLY PERKINS 
VINTAGE COMPLETELY 
CATEGORIES POPULAR POSTS BLOGROLL 
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Featured 
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Hat and Curly Hair 
A Watery Battle 
Audio Flash Greyscale 
Photography Portfolio 
Radial Shortcodes Tag 
Theme Themeforest 
Video World 
SHOW ALL AUDIO INTERVIEWS PHOTOGRAPHIES VIDEO 
MILLA SMIZE AND POSE 
SMILE IS ANOTHER FASHION 
PURE HIGH FASHION 
HAT AND CURLY HAIR 
CENTRE OF THE ATTENTION 
EYES DO TELL 
AGYNESS SHARP HAWK EYES 
OUR LIPS ARE SEALED 
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36 
HOME 
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CONTACT 
CATEGORIES POPULAR POSTS BLOGROLL 
> 
> 
> 
> 
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Featured 
Our Latest News 
Photography 
SOCIALIZE WITH US 
> 
> 
> 
> 
Documentation 
Plugins 
Suggest Ideas 
Support Forum 
> 
> 
> 
Themes 
WordPress Blog 
Wordpress Planet 
TAGS 
Hat and Curly Hair 
A Watery Battle 
Audio Flash Greyscale 
Photography Portfolio 
Radial Shortcodes Tag 
Theme Themeforest 
Video World 
CONTACT US 
To be able to keep in touch with our company, we provide a simplest way for you. If you 
want to ask something or make a deal with our company, you can just put your name 
and email down there and also your message. Wheteher you want to make a deal with 
us or not, or just put a simple question. We will answer it immediately. Our company has a 
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37 
Wedding 
Decorations 
Wedding i s the mos t im-por 
t ant moment s for bot h 
girls and boys. So it’s kin-da 
impor t ant to prepa re i t 
as good as you can. 
In this case I have de-s 
igned some de cor a t ions 
for wedding re c ept ions . 
The re a re menus , t abl e 
numbe r, Name of f r i ends 
and f ami l y, and a l so Br ide 
and groom board. 
HERE COMES 
THE 
MISS 
JESSY 
MR 
PARK
38 
HERE COMES 
THE 7 
with Chesse Flat Bread 
STEVANIE 
VICKY 
2014 
14 . 02 
Salmon Sashimi 
with Cawan Mushi 
with Meatball Spagethi 
American Favorite Pizza 
Original with Chuka Japanese Kurage 
Ramen 
Brazilian Paella 
with prunchella 
Grilled Turkey 
with Mashed Potato 
or 
Strawberry Chessecake 
Chocolate / Vanilla Ice Cream 
Red Wine / Sparkling wine 
Premium Tea / Mineral Water / 
Macaroni Clear Soup 
a cootie catcher 
style menu
39
40
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The Book Of Frutiger

  • 1. FRUTIGER T h e B o o k o f
  • 2.
  • 4.
  • 5. Frutiger Copyright © 2012 by Florencia Dina Ariesta All rights reserved. This book or any portion there of may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review. Printed in the United States of America First Printing, 2012 ISBN 0-9000000-0-0 New York Times Publishing 123 Mesa Street Scottsdale, AZ 00000 www.nytimes.com
  • 7. That W h o i s A D R I A N FRUTIGER
  • 8. 1
  • 9.
  • 10. Bor n in 1928 i n interlaken, Swit-zerland. Adr i a n Frutiger wa s t r a ined a t the kuns tgewe rbe s chul e in Zur i ch be for mov ing t o P a r i s . He wa s inspi red by the s impl i c i t y of the a r t s and c r a f t s of hi s home region, and de v e lope d an appre c i a t ion for the re l a t ionshi p between black and white. Balance be-twe en t int and shade and the Yin and Yang became par t of Frutiger’s design phi - losophy. I n 1952, Charled Peignot of Deperny & Peignot-offered Frutiger a job whe re he qui c k l y began hi s ascent to one of the few e l i t e i n the world of typog-r aphy. Hi s f i r s t s e r ious t ype f a c e wa s Me r idi en, de s igne d in 1955. One of the most popular typefaces ever developed i s Univ-
  • 11. 10 e r s , a Frutiger c re a t ion f rom 1957. Uni v e r s wa s de s igned in a wide range of weights and s t y l e s with a potentially revolutionary refer-ence system of numbers meant to describe specific fonts instead of the conventional naming system that included names such as “Extra Bold Condensed”. Each font has two numbers, the first referring to the weight and the second referring to the style. the rest of the design and typography community unfortu-nately did not adopt Frutiger’s system. Fame is something Adrian Frutiger most definitely gained, but it was not his goal. He wanted to create typefaces that were legible and efficient, and suc-ceeded extraordinarly. Univers, Frutiger, and Avenir are perfect examples of the product of his philosophy “the most important thing I have learned is that legibil-ity and beauty stand close together and that type design, in its restraint, should be only felt but not perceived by the reader”. If the signage in the Charled de Gaulle airport of Roissy (near paris), France is visually pleasing to you, thank Adrian Frutiger. His self-titled sans-serif typeface, Frutiger, is all over it. Origi-
  • 12. 11 nally named “Roissy”. Frutiger was designed in 1976 speciffically for the Char les de Gaul le ai rpor t s ignage with an important purpose - Clarity and legibility, espe-cially from a significant distance. With only sl ight differences in character shape from univ-ers, Frutiger s tands alone as a completely useful typeface. I t s curved let ter s such as C, G, J , c, e, g, and s are more open, which allows for greater legibility from a distance. Frutiger comes in several weight s and s tyles , and uses the same numer ical naming sys tem as univer s . Perceived as warm and f r iendly as far as typefaces go, Frutiger is widely used and considered a classic type-face with a timeless quality. One i s likely to find i t anywhere in swit-zer land, as i t used for t raff ic s igns throughout the count ry due to i t s legibi l i ty as demos t rated at Char les de Gaul le in France. Frutiger i s al so used by the Swi s s Pos t , as wel l as swi s scom, a leading international telecommunication company. Letterforms for true i t a l i c faces of frutiger were developed in 1999 as par t of the revi sed ver s ion t i t led f rut iger NEXT .The original frutiger i tal ics were jus t s lanted roman fonts rather than unique italic.
  • 13. KNOW MORE ABOUT FRUTIGER F A M I L Y
  • 14. 2
  • 15.
  • 16. From the begin-ning, Adrian F r u t i - ger env i s ioned a new s y s t em of font we ight and s t y l e denot a t ion ba s ed on numbe r s r a the r The Frut ig er Numbering System than impre c i s e name s such a s bold, l ight , i t a l i c , condens ed, and e xpanded. Ins t e ad, e a ch font i s a s s igned a two-digi t numbe r. The f i r s t digi t or “P re f i x” denot e s the we ight of the font f rom the l ight e s t (2) t o the heaviest ( 9 ) . The second d i g i t or “suf-f i x ” indicates wight of the font f rom most ex-panded ( 2 ) to the most condensed ( 9 ) . I n addi-t ion, odd numbe red suf f i x e s indi c a t e upr ight l e t t e r forms whe re a s e v en numbe red suf f i x e s a re obl ique . In both c a s e s , 5 di s c r ibe s the mos t norma l or roma n attribute.
  • 17. 16 47 Frutiger 46 Frutiger 45 Frutiger 57 Frutiger 56 Frutiger 55 Frutiger 67 Frutiger 66 Frutiger 65 Frutiger 75 Frutiger 76 Frutiger 77 Frutiger 87 Frutiger 95 Frutiger
  • 18. 17 4 5 6 7 8 9 8 7 6 5 4 Ultra Condensed Condensed Oblique Condensed Oblique Roman Extended STYLE WEIGHT Light Roman Medium Bold Heavy Extra Black
  • 19. 18 Ascender ? the upward vertical stem on some lowercase letters, such as h and b, that extends above the x-height is the ascender. The height of the ascenders is an identifying characteristic of many typefaces. F-----------------------------------r--------------------------------u---------------------------------------------t---------------------------------------------------------------------------------------------------------------------------------------------------------------------Size Ascender Type -------------------------------------------------------------------------------------------------------------------------------Descender --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Descender ? The por t ion of some lowe r cas e l e t t e r s, such as g and y, that e x t ends or de s c ends be low the bas e l ine i s the de s c ende r. The l ength and shape of the de s c ende r can af f e c t r eadabi l i t y of l ine s of t ype and i s an ident i f y ing fac tor for some typefaces.
  • 20. 19 Cap Height ? The height of a capital letter measured from the baseline. In typography, cap height refers to the height of a capital letter above the baseline for a particular typeface. It specifically refers to the height of capital letters that are flat t--------------------------------------i----------------------------g------------------------------------------e------------------------------------------r---------------- ------------------------------------------------------------------------------------------------------------------------------------------- Counter ------------------------------------------------------------------------------------------------------------------------------------------- Neck ------------------------------------------------------------------------------------------------------------------------------------------------------- Cap Height X - Height Base Line Baseline ? bas e l ine i s the imaginar y l ine upon whi ch a l ine of t e x t r e s t s. In mos t t ype fac e s, the de s c ende r s on charac t e r s such as g or p e x t end down below the baseline while curved l e t t e r s such as c o r o extend ever-so-slightly below the baseline.
  • 21. 20 g Counter Neck
  • 22. 21 Neck ? A stroke that connects the top and bottom bowls of lowercase double-story g’s. Definition: In typeface anatomy, the link is that small, usually curved stroke that connects the bowl and loop of a double-storey g. Also Known As: Link, terminal A con-necting element or factor. Counter ? The open space in a fully or partly closed area within a letter. Definition: In typography, the enclosed or partially enclosed circular or curved negative space (white space) of some letters such as d, o, and s is the counter. The term counter may sometimes be used to refer only to closed space
  • 23. 22 Paris .......................................... Frutiger 47 Light Condensed Miami ............................................ Frutiger 57 Condensed Amsterdam .............. Frutiger 67 Bold Condensed New York .............. Frutiger 77 Black Condensed Las Vegas ... Frutiger 87 Extra Black Condensed Philadelphia ........................ Frutiger 45 l i g h t Dubai ........................................ Frutiger 46 Light Italic
  • 24. 23 Frutiger 55 Roman ....................... Melbourne Frutiger 56 Italic ................................. Adelaide Frutiger 65 Bold .......................................... Sydney Frutiger 66 Bold Italic ................... Cambridge Frutiger 75 Black ................. Puerto Rico Frutiger 76 Black Italic ......................... Canada Frutiger 95 Ultra Black ............ Maldives
  • 25. 24 UNIVERS 1954 55 gg More open letters are meant to be warm & friendly as compared to Univers’ objective rationalism. descenders tend to sink lower, while ascenders tend to rise higher.
  • 26. 25 hh cc 1975 FRUTIGER thick & thin strokes are nearly identical. lowercase c & e are less closed to differentiate easier from lowercase o.
  • 27. 26 THIS IS ALL ABOUT USAG E & PORTOFOLIOS
  • 28. 27 3
  • 29.
  • 30. On thi s P age we wi l l t a l k about the usage of F r u t i - ger t ype f a c e and a l s o my portofolios. I have a l - re ady made a br i t i sh edi t ion The Frut ig er Usage & Po r t f o l i o monopol y, 4 page s of F a shy “ F a shion Webs i t e”, and l a s t but not l e a s t Wedding de cor a t ions for the env i ronment de s ign. The y a re not conne c t ed wi th e a ch othe r s , but i t wi l l shows i t ’s own theme and pe r sona l i t y. There are also some usage of frutiger type-f a c e in adv e r t i s ing and a i rpor t s ignage . So many v a r i e t i e s , wi th di f f e rent purpos e . I t a l l shown the power of Frutiger typeface.
  • 31. 30 Scotia Bank Frutiger t ype f a c e ha s be en us e d for S cot i a Bank adv e r t i s ement . The y us ed thi s t ype f a c e be c aus e S cot i a bank want to show tha t the i r bank c an be us ed by anyone .
  • 32. 31 Charles De Gaulle Frutiger ha s be en us e d for the f i r s t t ime i n Charles De Gaulle air-por t , S inc e then thi s t ype f a c e ha s be come famous.
  • 33. 32 MONOPOLY “British Edition” 1 FASHY “ Fashion Web” Frutiger Portofolios 2 Wedding Environment Decorations 3
  • 34. 33 Kensington Palace Millenium Dome Big Ben Collect $ 2 00 YOU ARE READY TO GO $ 150 Community Chest Chest Community Community Chest Victoria & Albert Museum Westminster Cathedral Chance Chance Chance MONOPOLY Income Tax Luxury Tax Cleopatra’s Needle London Eye St. Paul’s Cathedral Tower of London British Museum Houses of Parliament Westminster Abbey Royal Albert Hall Tower Bridge Imperial War Museum Marble Arch Nelson’s Column Lambeth Palace Admiralty Arch Madame Tussauds Buckhingham Palace $ 60 Electricity Electric Company Pay 10% or $ 200 Pay $ 75 $ 200 $ 150 $ 200 $ 200 $ 200 Water Company Central Bus Station H’smith & City Bus Station Victoria Bus Station Piccadilly Bus Station JUST VISIT $ 60 30 ST Mary Axe $ 120 $ 100 $ 100 $ 200 $ 180 $ 180 $ 160 $ 140 $ 140 $ 280 $ 260 $ 260 $ 240 $ 220 $ 220 $ 400 $ 350 $ 320 $ 300 $ 300 B R I T I S H E D I T I O N JAIL FREE PARKING MONOPOLY “ BRITISH EDITION ”
  • 35. 34 HOME NEWS PORTFOLIO CONTACT PORTRAIT OF A WOMAN WELCOME TO FASHY FASHION PHOTOGRAPHY SPECIALIST. SAY SOMETHING ABOUT YOUR HIGH - FASHION PHOTO. BANGS AND FLIRTY SMILE WOMAN FLINGING REALLY FEMINISM SMILES AND EYES TALK PUT YOUR STYLE ON ITS HIGH QUIRKY STYLE OF EMMA A WATERY BATTLE EDGY STYLE DOMINATION ADORABLY PERKINS SHOW ALL POSTS PORTFOLIO CATEGORIES POPULAR POSTS BLOGROLL > > > > Company News Featured Our Latest News Photography SOCIALIZE WITH US > > > > Documentation Plugins Suggest Ideas Support Forum > > > Themes WordPress Blog Wordpress Planet TAGS Hat and Curly Hair A Watery Battle Audio Flash Greyscale Photography Portfolio Radial Shortcodes Tag Theme Themeforest Video World Fashion Website Fashy is a fashion Photog-r aphy spe c i a l i s t . In thi s case I use Frutiger type-f a c e for thi s web. The r e a re tot a l 4 page s in thi s webs i t e : Home , News , Portfolio and Contact.
  • 36. 35 HOME NEWS PORTFOLIO CONTACT ADMIN OUR LATEST NEWS, PHOTOGRAPHY 6 COMMENTS RECENT POSTS Quirky Style of Emma ADMIN OUR LATEST NEWS, PHOTOGRAPHY 80 COMMENTS HIGH FASHION IS NOT AS EASY AS IT SEEMS 7 APR 2012 High - Fashion . 2 words but it contains so many things to do, to remember, it needs creativity to create it. To be honest before I decided to choose this field as my dream job, I have been through so many work fields, such as fashion editor, graphic designer, web developer, still life photographer and many more. But in the end, my sight in fashion brought me here. I’ve been falling in love with the fashion field since I was 12 years old, my mom is a fashion designer, while my father working as a fashion editor in HARPERS BAZAAR magazine. I was completely amze with their works, it needs not only talent but also sense of creativity to create such good fashion. That’s why we called it high, it’s not ordinary ... “ CATEGORIES POPULAR POSTS BLOGROLL > > > > Company News Featured Our Latest News Photography SOCIALIZE WITH US > > > > Documentation Plugins Suggest Ideas Support Forum > > > Themes WordPress Blog Wordpress Planet TAGS Hat and Curly Hair A Watery Battle READ MORE Audio Flash Greyscale Photography Portfolio Radial Shortcodes Tag Theme Themeforest Video World HAT AND CURLY HAIR 5 MAR 2012 READ MORE A hat and curly hair has become a trend lately, they are facinating and also awesomely looks good on you. Not every style looks good on you, but this 60’s looks sure does, it’ll make you look gorgeous and sexy at the same time. This look will show your outer beauty to its maximum. You may choose which colour fits you most, we suggest you to choose a bold colour, it’ll enhance your skin colour ... Hat and Curly Hair A Watery Battle ADORABLY PERKINS 5 Poppy Perkins, that’s her full name. She has been put her interest on fashion since she was 5 y.o. MAR No wonder whatever she wear or do, she’s trully a fashion fetish. High - Fashion is the theme of 2012 Today’s photo shoot. She choose her own clothes and put on her own make up, no needs of Stylist or make up artist. Well she can be both of them, she’s trully talented ... READ MORE PAGE 1 OF 3 1 2 3 >> ARCHIVES > > > > April 2012 March 2012 February 2012 January 2012 > > > December 2011 November 2010 October 2010 > July 2010 > May 2010 > March 2010 > January 2010 HOME NEWS PORTFOLIO CONTACT BANGS AND FLIRTY SMILE WOMAN FLINGING REALLY FEMINISM PHOTOGRAPHIES, VIDEO Not everyone have this hynotizing look. It’s rare, it’s worth to see how a look from a person can be so mezmerizing. SMILES AND EYES TALK PUT YOUR STYLE ON ITS HIGH QUIRKY STYLE OF EMMA A WATERY BATTLE EDGY STYLE DOMINATION ADORABLY PERKINS VINTAGE COMPLETELY CATEGORIES POPULAR POSTS BLOGROLL > > > > Company News Featured Our Latest News Photography SOCIALIZE WITH US > > > > Documentation Plugins Suggest Ideas Support Forum > > > Themes WordPress Blog Wordpress Planet TAGS Hat and Curly Hair A Watery Battle Audio Flash Greyscale Photography Portfolio Radial Shortcodes Tag Theme Themeforest Video World SHOW ALL AUDIO INTERVIEWS PHOTOGRAPHIES VIDEO MILLA SMIZE AND POSE SMILE IS ANOTHER FASHION PURE HIGH FASHION HAT AND CURLY HAIR CENTRE OF THE ATTENTION EYES DO TELL AGYNESS SHARP HAWK EYES OUR LIPS ARE SEALED SIMPLE PREPPY SWEET SIMPLE DOMINATION TWITTER Free Wordpress Plugin : 3D Banner Rotator http://t.co/f6wnl9rj via @PremiumCoding #wordpress #plugins November 2, 2012 - 18:32 January 1, 1970 -00:00
  • 37. 36 HOME NEWS PORTFOLIO CONTACT CATEGORIES POPULAR POSTS BLOGROLL > > > > Company News Featured Our Latest News Photography SOCIALIZE WITH US > > > > Documentation Plugins Suggest Ideas Support Forum > > > Themes WordPress Blog Wordpress Planet TAGS Hat and Curly Hair A Watery Battle Audio Flash Greyscale Photography Portfolio Radial Shortcodes Tag Theme Themeforest Video World CONTACT US To be able to keep in touch with our company, we provide a simplest way for you. If you want to ask something or make a deal with our company, you can just put your name and email down there and also your message. Wheteher you want to make a deal with us or not, or just put a simple question. We will answer it immediately. Our company has a 24 hours custumer service whiches ready to answer every question from all of you. Name (Required) Email (Required) Message (Required) CONTACT ask_fashy@gmail.com +6215420093 0818123456 msn info@msntest.com SEND MESSAGE CLEAR MESSAGE
  • 38. 37 Wedding Decorations Wedding i s the mos t im-por t ant moment s for bot h girls and boys. So it’s kin-da impor t ant to prepa re i t as good as you can. In this case I have de-s igned some de cor a t ions for wedding re c ept ions . The re a re menus , t abl e numbe r, Name of f r i ends and f ami l y, and a l so Br ide and groom board. HERE COMES THE MISS JESSY MR PARK
  • 39. 38 HERE COMES THE 7 with Chesse Flat Bread STEVANIE VICKY 2014 14 . 02 Salmon Sashimi with Cawan Mushi with Meatball Spagethi American Favorite Pizza Original with Chuka Japanese Kurage Ramen Brazilian Paella with prunchella Grilled Turkey with Mashed Potato or Strawberry Chessecake Chocolate / Vanilla Ice Cream Red Wine / Sparkling wine Premium Tea / Mineral Water / Macaroni Clear Soup a cootie catcher style menu
  • 40. 39
  • 41. 40