Paper delivered at the International Publishers Association Congress, Cape Town, 2012. The congress focused on 'Publishing in a New Area' and this presentation aimed to present the issues from a South African perspective
24. …the print tradition at the juncture of
Arab and African scholars embedded
in social networking and oral
traditions…
25. We live on a huge continent
http://www.informationisbeautiful.net/2010/the-true-size-of-africa/
26. And with Africa manifesting the
promise of continuing economic
growth it is becoming and
important market.
27. ‘…there is a vast and growing new middle class across
the continent: the British, American and European
media houses have lost us. Our own are
booming, and we are finding deals with CCTV (China)
and al-Jazeera. We fly Emirates and Kenya Airways.
We make deals with those who see a common and
vibrant future being a platform for engagement.’
Binyanvaga Wainaina: Hpw not to Write about Africa in 2012
The Guardian 3 June 2012
http://www.guardian.co.uk/commentisfree/2012/jun/03/how-not-to-write-about-
africa?INTCMP=SRCH
28. Can we celebrate digital media as a
route to new, more expansive
opportunities?
36. The HSRC Press pioneered a new
model of social science scholarly
publishing, using flexible licensing for
dual stream print for sale and open
access digital
37.
38. HSRC digital and print books reach
worldwide and have achieved
substantially wider exposure than the
traditional print model
41. in 2012 the Department of Basic
Education supplied to schools over 4
million copies of free science and
Maths textbooks from the Siyavula
initiative with open access text and
support material online..
63. 1947 The British Traditional Market
Agreement constituted British
publishers a cartel in global
publishing.
Andre Rens in Publishing and Alternative Licensing Models in Africa . Ottowa, IDRC 2010
http://idl-bnc.idrc.ca/dspace/bitstream/10625/45649/1/132110.pdf
64. The BTMA became the subject of an anti-trust
investigation by the United States Department
of Justice in 1974. As a consequence, it was
formally terminated in 1976 by British
publishers – who continued to adopt the same
approach in individual licence agreements with
American publishers, so that the pattern
persisted until at least the end of the 20th
century (Feather 2006: 191; Bryant 1979: 371).
Andre Rens in Publishing and Alternative Licensing Models in Africa . Ottowa, IDRC 2010
http://idl-bnc.idrc.ca/dspace/bitstream/10625/45649/1/132110.pdf
65. The term ‘territorial rights’ refers to
limitations which copyright
intermediaries such as publishers
place on licences that they
issue, which enable them to engage in
price discrimination.
Andre Rens in Publishing and Alternative Licensing Models in Africa . Ottowa, IDRC 2010
http://idl-bnc.idrc.ca/dspace/bitstream/10625/45649/1/132110.pdf
66. In South Africa and many other African
countries, parallel importation is
prohibited and criminalised
67. The mapping of territorial rights onto the
boundaries drawn by the colonial powers
at the Berlin Conference (1984–5) reduces
the viability of African publishers by
limiting their markets, thus ensuring
continued domination by multinational
corporations.
Andre Rens in Publishing and Alternative Licensing Models in Africa . Ottowa, IDRC 2010
http://idl-bnc.idrc.ca/dspace/bitstream/10625/45649/1/132110.pdf
81. What is missing – real commitment from the
mobile companies to content.
“The key issue for the success of data revenues
is: how can you create a compelling, financially
rewarding ecosystem to generate apps, content
and services that users want more of?”
Roger Southall: Balancing Act
http://www.balancingact-africa.com/news/en/issue-no-607/top-story/open-
innovation-afri/en
82. Empowerme
nt is likely to
happen
through
collaboration
– new
partnerships
will be
needed
Attribution Some rights reserved by Anthony_Joel
83. Eve Gray
Centre for Educational Technology
IP Law and Policy Research Unit
University of Cape Town
http://www.gray-area.co.za
http://www.cet.uct.ac.za
http://uctipunit.wordpress.com/about-2/
!
!
Report'to'Mellon'Foundation'
2010! '
!
84. You are free to:
Copy, share, adapt, or re-mix;
Photograph, film, or broadcast;
Blog, live-blog, or post video of;
This presentation. Provided that:
You attribute the work to its author and respect the rights and
licenses associated with its components.