Digital humanities combines traditional humanistic study with digital tools and methods. It values collaboration and sharing through open data. Museums and other cultural institutions are digitizing their collections, making vast amounts of data and resources available online. This allows new types of research, projects, and tools to develop. Digital humanities practitioners encourage opening data with permissive licenses to maximize reuse and partnerships.
Why Teams call analytics are critical to your entire business
Historically Speaking, Digital Humanities, EWallis July 2012
1. Digital humanities and
the museum
Dr Elycia Wallis
Professional Historians Association
Historically speaking
July 2012
http://museumvictoria.com.au/collections/items/1721448/stereograph-federation-celebrations-
illuminated-exhibition-buildings-h-myers-melbourne-victoria-1901
3. Digital humanities
values, tools and
trends
#Musethanks to:
@jamesinealing
@erodley
@mia_out
@leoba
@rahtz
@jamescummings
@annettestr
@CriticalSteph
@bestqualitycrab
@ericdmj
@jenguiliano
@wragge
http://museumvictoria.com.au/collections/items/1216698/quilt-martha-bergin-1843
4. What are the digital
humanities and what
does it value?
Digital humanities is about the use of technology to advance
research in the humanities.
It’s about connectivity, commmunity and collaboration.
Lisa Murray, AHA2012 in Stumbling Through the Past
3 parts to digital humanities:
Digital tools that give us new ways to answer traditional
questions: new tools to examine traditional texts and images
The traditional questions of the humanities, applied to help us
understand the contemporary digital world
Public digital humanities which are new forms of outreach using
the web and other digital tools.
Steven Lubar, 1 July 2012 in Steven Lubar on public humanities
5. What are the digital
humanities and what
does it value?
They are traditional humanities combined with IT; making them both
history and future orientated.
The things historians care about, such as archives, interpretation,
meaning and historiography don’t disappear just because you’re
using technology. The technology is used as the mechanism for
discovery.
Digital humanities emphasises collaboration as a virtue. The ‘lone
wolf’ scholar is less the norm. Sharing ideas, resources, community
allows practitioners to go further and learn more than they would
working alone.
6. Is digital humanities
just for geeks?
Digital humanities is something all researchers can be part of; it’s not
just for large institutions and IT geeks.
You don’t have to learn coding but a bit of scripting can be useful. It’s
also a way of thinking – working with getting messy data into a
structure, or trying some scripting, helps develop computational
thinking
7. Digital humanities
means *open* data!
Digital humanities researchers value collaboration and partnerships –
and to make the most of these they promote publishing data with
unrestrictive licenses for reuse, and utilising linked open data
principles.
Plan, from day one, to publish the data as well as the book. Make that
data linked and open, even if the synthesis comes much later.
If research is funded by public money it must be open, no excuses.
8. Digital humanities
means *open* data!
Digital humanities researchers value collaboration and partnerships –
and to make the most of these they promote publishing data with
unrestrictive licenses for reuse, and utilising linked open data
principles.
Plan, from day one, to publish the data as well as the book. Make that
data linked and open, even if the synthesis comes much later.
If research is funded by public money it must be open, no excuses.
9. One thing to say about digital humanities at http://elyw.tumblr.com/
10. Collections + digitisation = data
Volunteers scanning literature at Museum Victoria’s library,
photograph by Joe Coleman
11. Open licensing
http://www.rijksmuseum.nl/collectie/
http://www.cooperhewitt.org/collectio
ns/data
http://rpmcollections.wordpress.com/
2012/07/20/open-data-from-our-
collections/
21. Finally a word about
Museum Victoria
http://museumvictoria.com.au/collections/items/405695/stripper-harvester-model-h-v-
mckay-sunshine-harvester-ballarat-victoria-1899
22. Our questions to you
What do you want to see on a Collections Online site?
What data, what media, what images?
What do you want to do with Collections Online?
Compile a collection of your own, provide more information or commentary, talk to
others who share your interests?
What do you want to take away from Collections Online?
Data, images, an embeddable link, a citation?
26. Thanks
Dr Ely Wallis
Museum Victoria
ewallis@museum.vic.gov.au
@elyw
http://museumvictoria.com.au/collections/items/747432/stereograph-by-r-
harvie-studio-circa-1920s-1940s
27. Resources - blogs
Discontents by Tim Sherratt, (@wragge on Twitter) at http://discontents.com.au/
Historyonics by Tim Hitchcock at http://historyonics.blogspot.com.au/
In the Library with the Lead Pipe http://www.inthelibrarywiththeleadpipe.org/2012/dhandthelib/
Ivry Twr by Ryan Hunt (@Ryan_Hunt on Twitter) http://ivrytwr.com/category/digital-humanities-2/
Miriam Posner: Blog at http://miriamposner.com/blog/ Miriam is the coordinator of the Digital
Humanities Program at the University of California, Los Angeles (UCLA)
Open Objects by Mia Ridge (@mia_out on Twitter) at http://openobjects.blogspot.com.au/
Steven Lubar on Public Humanities (1 July 2012) In response to a state humanities council question: What
are the digital humanities, and what should we do about them? Blogged on Steven Lubar on Public
Humanities http://stevenlubar.wordpress.com/2012/07/01/in-response-to-a-state-humanities-council-
question-what-are-the-digital-humanities-and-what-should-we-do-about-them/
Stumbling Through the Future. Blog written by Yvonne Perkins but directed towards digital humanities.
Has some really good links and posts. http://stumblingfuture.wordpress.com/
Stumbling Through the Past. Blog started by Yvonne Perkins in 2012 (@perkinsy on Twitter). A recent
post of interest is about the Australian Historical Association Conference 2012. See
http://stumblingpast.wordpress.com/2012/07/17/reaching-out-to-the-public-australian-historical-
association-conference-2012/
28. Resources – links,
associations,
conferences
Australasian Association for Digital Humanities website is at http://aa-dh.org/
Digital Humanities 2012 conference has just been held in Hamburg. See http://www.dh2012.uni-
hamburg.de/ (Twitter hashtag #dh2012)
Cuny Academic Commons. The CUNY Digital Humanities Resource Guide – lots of good links
http://commons.gc.cuny.edu/wiki/index.php/The_CUNY_Digital_Humanities_Resource_Guide
Excellent summary of links about Digital Humanities from the US National Endowment for the
Humanities, Office of Digital Humanities. Brett Bobley (November 18, 2010) New York Times on the
Digital Humanities at http://www.neh.gov/divisions/odh/new-york-times-the-digital-humanities
Johnathon Shaw (May-June 2012) The Humanities, Digitised. Reconceiving the study of culture. Harvard
Magazine at http://harvardmagazine.com/2012/05/the-humanities-digitized
Suzanne Fischer (July 13, 2012) Once Upon a Place: Telling Stories with Maps. The Atlantic at
http://www.theatlantic.com/technology/archive/2012/07/once-upon-a-place-telling-stories-with-
maps/259787/
Notes de l'éditeur
For anyone who is on Twitter, here’s my twitter tag. A bit about myself – and a confession. I’m not a digital humanities practitioner, and not even a historian. I’m originally trained as a zoologist, here at Uni Melb. Since coming to work at the Museum, I’ve moved through working in one of the research collections, to managing the collection management database, to my current role in IT which is to put the museum’s collections online. Museum Victoria has a collection of some 16 million items, covering humanities and sciences. Breaking humanities down, we have anthropology collections through to social history collections; collections of historic photographs through to aeroplanes. So in order to undertake my role, I need to keep up with research and thinking across disciplines. And, hence my interest in digital humanities – not as a practitioner of the discipline but as someone trying to provide practitioners with useful tools and services that will allow them to make most use of the museum’s collections for their own research. Tonight I’ll talk about 3 things.
So first I’ll talk a little about what are the values, tools and trends in digital humanities. But I must start by thanking a generous group of people – most of whom I’ve never met. put the question out to TwitterWhat I will say are the answers I got back. Want to acknowledge their generosity as it exemplifies what they then said about digital humanities.
So the conclusion is contained in this wordle. It’s open, collaborative, sees primary sources as “data”, uses technology. However, just a note about the dangers of digital. This was also brought up by Lisa Murray when she said that there is a risk of dropping into the thinking of ‘if it’s not digital it doesn’t exist”. So in amongst the technological tools, and the mass of digitised resources the real object, text or resource is still very important.
Now moving on to projects providing raw access to data. Organisations all around the world are busy trying to provide data in digitised form that digital humanities scholars require and thrive on. This is a small scanning operation run at Museum Victoria, there are certainly many much bigger operations, scanning literature, archives, letters, scrapbooks, photographs, trade literature. And photographing artworks, collections objects etc.
And once it’s digitised, it’s only useful online. I can’t talk about many projects today as there’s so many out there, but will mention a few and leave you with the links to go away and explore. Pick pretty much any library, museum or archive these days and there will be some sort of representation of their collections online.Earlier I mentioned the word ‘open’ – in respect to access and licensing. Increasingly museums, libraries and archives are making their resources so open that they don’t even require attribution when you reuse the dataset. They apply a creative commons license called Cczero. Examples: Rijksmuseum, Brighton museums, Cooper Hewitt
Closer to home, the standout project is run by the National Library in Canberra – called Trove. Is there anyone who is *not* familiar with Trove?Digitised newspapers are the go to project, but there are also huge aggregated collections from right around the country of images, music scores, biographical data, diaries etc and traditional library style book catalogues. They have also released an API, which allows people to programatically come and grab data in order (rather than copying and pasting individual records) in order to remix and reuse it. I’ll come back to that in a few minutes.
Closer to home, the SLV provides extensive access to collections, as does the Public Records Office.
It’s also not just large organisations that provide digitised resources. Smaller community organisations are also doing it – though some now very large.Examples are Victorian Collections which is a project that provides a place for small organisations around Victoria to publish their collections. Being run by Museums Australia Victoria branch. and HistoryPin. Global project that provides a place for organisations and individuals to upload historic photos, pinpoint them on a map and in time and add their own story. Excellent resource if you’re researching a particular place.
Resource discovery aggregators. Museums put up this project last year to aggregate information about collections held in Museums.
So once you’ve got the data, what do you do with it? As I said at the start, digital humanities is at its core no different from traditional history in its aims, just in the tools and methods. So you can get the data and do what you always did in the past. There are some particular projects that I’d like to show you, though, where people are using the data they’ve mined to tell new stories or add new perspectives. One fantastic project is called Invisible Australians and is run by Kate Bagnall and Tim Sherratt up in Canberra. They utilise the data provided in Trove and by the National Archives to pull out images and information about people living under the White Australia policy. Their project paints an evocative picture of just who were these ‘white’ Australians? What were their lives, the history and their families.
Tim has gone further though, and writes all sorts of interesting little tools, that he makes freely available for others to use through Wragge Labs. QueryPic is one example – which gives a graph of the frequency of words used in newspapers over time.
And unfortunately don’t have time to go into the whole field of work that takes historical data and reinterprets it or represents it using mapping, visualisations and timelines. Neatline from the Scholars Lab at the University of Virginia Library has just ben released and is a set of tools that allows you to plot events or other data against digitised historical maps.
Museum Victoria puts nearly 74,000 of its collection objects online, on our own website and to other places. We have 9800 images in HistoryPin, and 36,000 images in Trove, for example. We wish to share our collections information openly and freely. We publish an API so that you can come and grab our data. We’ve also studied our audience pretty extensively. We know that people who visit MV’s collections describe themselves as ‘researchers’ often for a hobby or interest, but also for professional reasons. We’re redoing the site right now, and are interested in making it a better resource.
We don’t want to work against you, but with you
That takes you to places you haven’t been to before.
I’ve compiled some resources and information that I will leave you with
There are lots of places to go for more resources about digital humanities.