7. Overview of the Program since 2012
2013 – Romania (TVR – public boradcaster)
The collection :
« The live revolution », December 1989
400h of vidéo material (2”, Beta SP, Umatic)
The project : digitization & access
FIAT/IFTA contribution :
Professional advice on technical solutions
Purchase of 2 editing stations and LTO safe storage unit
Other contributors :
Provision of cleaning machines (Beta, Umatic), and services for transfering the 2 inch tapes
Technicians (TVR)
8. Presentations from 2014 Projects
• Serbia
– Ms Vanja Kranjac, Director of the RTV Production
– Ms Jolan Stephanovic, Head of the TV Archive
• Colombia
– Ms Juana Suarez, Phd Advisory for Proimagines
Collection
10. Assessment
Key criteria
The collection :
Value of the collection
Vulnerability risk
The project :
Accessibility Impact
Feasability of the project
Budget (eligible costs, ratio SYA/Total) for equipment and/or services,
Schedule
Skills of the team
Quality of Application
12. Applications
• 8 projects, from 2 continents and 6 countries (Colombia, Chilie, Uruguay, Argentina, Italy, Croatia)
• Applicants : 4 broadcasters, 2 universities, 1 heritage foundation, 1 amateur private archives
• Few comments on the applications :
– Average amount requested : 18K€ (except one asking for ~250K€), ~54% of the total budget
– (-) No details on content. No quantity in the budget. No information on the service provider. Dead
links.
– (+) Applications. Budget. CV…
15. Funded Project
“DIGITALIZATION FOR ACCESS AND REUSE OF NEWSREEL ON FILM 16 MM.
THE TELEVISION NEWS TELEDIARIO (1972-1984)”
Fundación Patrimonio Fílmico Colombiano
Bogota, Colombia
Rito Alberto Torres Moya
Subdirector Técnico
www.patrimoniofilmico.org.co
17. Collaboration Projet
“5000 REEL WAITING TO BE INGEST INTO NOSARCHIVES”
SURICATA FILM – NOSARCHIVES
Italy
CECILIA PAGLIARANI
Project Manager
www.nosarchives.com
18. Special mention
2015 – Croatia – « Hrvatska radiotelevizija » (HRT)
Portraits and Encounters of Croatian artists - sculptors, painters, writers.
65 programmes / 22 hours / 16mm
Processing and reconstruction of the documentary. Requires restoration
(sound) and documentation (credits)
19. A program designed by FIAT/IFTA
to support endangered audiovisual collections worldwide