The Notion of Digital Empathy

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The Notion of Digital Empathy with Yifei Chai OVERVIEW During his studies at the Royal College of Art and Imperial College London, Yifei Chai has been exploring the Human – Machine interface from an empathetic point of view – what it fundamentally means to be human in the digital space. Inspired by witchcraft, his graduation project The Pretender Project allows one human to enter and control another’s body. Since then the motion control function of the project has received much interest, and is now UK government funded and developed by an award winning Innovation company Unit9. The talk will investigate how we as human beings understand and absorb the world around us and how digital is changing that; what it means to be human in a digital space; and how the exploration into additional sensorial input/output devices could revolutionize VR and the way we live. OBJECTIVE To introduce the notion of Digital Empathy, The Pretender Project and how multiple sensorial stimulations will change the future of VR. TARGET AUDIENCE Gamers, Developers, VR Enthusiasts, Dreamers ASSUMED AUDIENCE KNOWLEDGE Basic or advanced knowledge of the concept of Virtual Reality. First hand experience with VR headsets a plus. FIVE THINGS AUDIENCE MEMBERS WILL LEARN How our perception as a human engages in a Digital Space. How Digital Empathy is crucial in generating a great user experience and has the potential to push forward towards amazing futures. Pretender Motion as a motion output device that interfaces with the human body. How the Proteus Effect affects our digital and physical persona. The collaboration and adaptation of multiple sensorial stimulations in a VR experience.

H E L L O H U M A N S

P R E T E N D E R
P R O J E C T

F I L M S D I G I T A L G A M E S V R T E C H N O L O G Y

D I G I T A L E M P A T H Y

W H A T I S E M P A T H Y ?

H U M A N = E M P A T H Y

OUR BRAIN IS A PREDICTION MECHANISM
PEEKING AT THE WORLD AROUND US

HOW DOES THIS RELATE
TO THE DIGITAL/VIRTUAL SPACE?

TO EXPAND OUR NATURAL LIMITS

IMAGE SOURCE: Infrared Zoo

D I G I T A L E M P A T H Y ?

WHAT ABOUT THE MORE ADVANCED SIDE
OF MAN/MACHINE INTERACTION?

WE ARE ONLY USING
THE MECHANICAL LAYER OF TECHNOLOGY

WHAT WE HAVE IS A DICTIONARY
WHAT WE NEED/HUMAN IS LITERATURE

V R

VR THE ULTIMATE DIGITAL EMPATHY?

P R E S E N C E

THE WILD WITHIN
VR Film For Tourism Board of Canada

STELLA ARTOIS: THE PERFECT FLIGHT
Become Rufus the Hawk of Wimbledon

NISSAN JUKE: CHASE THE THRILL
Parkour Skating Robot Car Chase

SOME EXPERIENCE AND CHALLENGES

A B O U T P R E S E N C E
1

LEXUS ELEVATE
VR Film About ‘Why We Ride’

2A B O U T E M O T I O N

WATER POVERTY
Stella Artois ‘Buy A Lady A Drink’

H O N D U R A S

NO CLOSEUPS, NO DEPTH OF FIELD

3N O
‘ B E H I N D T H E C A M E R A ’

THE LINE OF SIGHT

“SHOOTING VIDEO IS LIKE HUNTING,
SHOOTING VR IS LIKE SETTING BEAR TRAPS.
YOU SET IT UP, RUN AWAY
AND HOPING YOU CATCH SOMETHING.”
@bcsolomon

4A B O U T E M P A T H Y

D I G I T A L E M P A T H Y

P R E T E N D E R
P R O J E C T

PRETENDER = MOTION OUTPUT DEVICE

D I G I T A L E M P A T H Y ?

The Notion of Digital Empathy

The Notion of Digital Empathy

The Notion of Digital Empathy

The Notion of Digital Empathy

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Carl Ratcliff and Frank Bethel present 'Exclusive Research The Culture of Cre...

Carl Ratcliff and Frank Bethel present 'Exclusive Research The Culture of Cre...

The Future of Motion Design

The Future of Motion Design

The Future of Motion Design

Airplanes: Sailboats :: Mobile : Desktop

Airplanes: Sailboats :: Mobile : Desktop

Airplanes: Sailboats :: Mobile : Desktop

Aristotle's Storytelling Framework for the Web

Aristotle's Storytelling Framework for the Web

Aristotle's Storytelling Framework for the Web

DNX Workshop ★ Produktion und Selbstvermarktung von Videos und Filmen im Soci...

DNX Workshop ★ Produktion und Selbstvermarktung von Videos und Filmen im Soci...

DNX Workshop ★ Produktion und Selbstvermarktung von Videos und Filmen im Soci...

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Technology timeline

Technology timeline

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Africa - `Wild Luxury'

Africa - `Wild Luxury'

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XD Immersive: Jessica Outlaw, Virtual Reality and the Future of Immersive Exp...

XD Immersive: Jessica Outlaw, Virtual Reality and the Future of Immersive Exp...

The Power of Story in Attraction Design

The Power of Story in Attraction Design

The Power of Story in Attraction Design

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Aesthetic sense - A tool for survival?

Aesthetic sense - A tool for survival?

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Focus on story, don't be seduced by sexy tools: How journalists can create gr...

Focus on story, don't be seduced by sexy tools: How journalists can create gr...

The Experience Factory

The Experience Factory

The Experience Factory

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Paradigm shifts #4

Paradigm shifts #4

Design + Photography Portfolio

Design + Photography Portfolio

Design + Photography Portfolio

TECHnosterone and UXtrogens: field check

TECHnosterone and UXtrogens: field check

TECHnosterone and UXtrogens: field check

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Why can't we all just get along? [Bettakultcha]

Why can't we all just get along? [Bettakultcha]

The New Norm(al): Confronting What Open Means for Higher Education

The New Norm(al): Confronting What Open Means for Higher Education

The New Norm(al): Confronting What Open Means for Higher Education

Plus de FITC

Varun Vachhar rangle.io Overview JavaScript frameworks allow us to build innovative and delightful experiences for our users. A common approach adopted with these modern tools is to combine all required JavaScript into one large bundle. Therefore, causing the loading performance to suffer. Especially on older devices or devices with low memory and processing power. An alternative approach is to split your code into various smaller chunks which you can then be loaded on demand — allowing you to reduce the load time drastically. In this session, Varun will demonstrate how you can adopt the practice of code-splitting when building applications with frameworks such as React and Vue. Objective Learn how to use code-splitting to improve the loading performance of Javascript heavy applications. Target Audience Front-end developers who build JavaScript heavy applications Assumed Audience Knowledge Basic understanding of web development and some familiarity with frameworks such as React, Angular or Vue. Level Intermediate Five Things Audience Members Will Learn What is code-splitting? Different types of code-splitting How to split a React or Vue application How to “lazy-load” parts of the application Removing duplicate code from chunksa

Cut it up

Presented at Web Unleashed 2019 More info at www.fitc.ca/webu Andréa Crofts League Overview Examining our responsibility as creators to design for disconnection. The “restore connection” alert isn’t just for devices– it applies to people too. And it’s more important now than ever before. Digital creators, we need to talk. The rise in mental health as a result of situational stress is a prevailing theme in today’s society, and some of the products we’re building are the root cause. But we have the power to change this. As creators of digital products, how might we enable our users to be more present in their lives? How might we invest in features like Instagram’s activity timer, despite the fact that they’re fundamentally counterintuitive to the usage metrics most behemoth tech companies are driving towards? We have a responsibility as creators of digital products to enable others to disconnect …and re-connect with themselves, physically and mentally. This intersection is an emerging category Andrea likes to call digital health, and it’s something we can create together. Objective To share actionable strategies, principles and considerations for designing with digital health top of mind. Andrea will get into some #realtalk about how we can collectively create more balance and presence for the humans using our products. Target Audience Designers and digital creators of all kinds – especially those building digital products at scale! Level Open to audience members of any skill level (this is a more high-level talk) Five Things Audience Members Will Learn Tips and best-in-class examples of designing for digital health Design guidelines and principles for designing with digital health in mind Evidence-based practices to ground your future design decisions Strategies for re-framing the success metrics of digital products Design ethics resources

Designing for Digital Health

Designing for Digital Health

Designing for Digital Health

Presented at Web Unleashed 2019 More info at www.fitc.ca/webu Luke DeWitt REDspace Overview JavaScript’s popularity has exploded over the last decade, taking it from a laughable scripting language to one that powers much of the web today. Because it’s so flexible and so easy to learn, it’s extremely popular with new developers looking to cut their teeth in programming. However, these strengths are also weaknesses, as it’s incredibly easy to write bad JavaScript without even knowing it. A lot of these newer developers jump from “Hello, World!”, to TodoMVC in order to find the library that makes their life easier. By doing this, they skip over some of the important details of not only how JavaScript works, but also how to optimize its performance to ensure the best user experience. The Chrome profiler is a very handy tool that not a lot of developers have experience with. In this talk, we’ll take a beginner’s look at the profiler tool and examine how to use it to best improve your web application, and identify bottlenecks in your code without having to rely only on console.log statements. Objective To help developers understand how to better make use of the JavaScript profiler. Target Audience Any JavaScript developers Assumed Audience Knowledge Basic JavaScript Level Beginner / intermediate Five Things Audience Members Will Learn Javascript inner-workings Profiling concepts Identifying bottlenecks Profiling node applications Tooling

Profiling JavaScript Performance

Profiling JavaScript Performance

Profiling JavaScript Performance

presented at Web Unleashed 2019 For more info see https://fitc.ca/event/webu19/ Kevin Daly RBC Ventures Every developer has faced the difficult choice of deciding what tech stack they should use for a new project. Should you use the latest tech or something that everyone knows? Which framework is the best for your team? To survive your tech stack, developers must make trade-offs with developing on new tech stacks and the ability to maintain and scale their applications. In this presentation, you’ll learn how to evaluate your tech stack and understand the pros and cons of using bleeding edge technology. Using his past experiences, Kevin will also share his lessons learned and how his team tackles managing their tech stack today.

Surviving Your Tech Stack

Surviving Your Tech Stack

Surviving Your Tech Stack

Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Bushra Mahmood Unity Technologies Overview In this talk, Bushra Mahmood will explain how to articulate and pitch augmented reality as a viable medium to help solve problems. Learn about what makes an AR application come together on both mobile devices and headsets. Uncover different tools and methodologies for problem-solving and making a compelling story. By properly understanding this technology and its parts, creatives can take an active role in shaping and defining this new space in computing. Objective Learn the tools and techniques required to pitch an augmented reality project. Target Audience Designers, product managers, product stakeholders. Assumed Audience Knowledge An understanding of product design and an awareness of AR Five Things Audience Members Will Learn The right language to use when explaining ‘spatial’ design The different requirements and considerations for scoping an AR project The tools that are currently available for AR authoring Insights into what the near and far future will hold for this medium. An example of an AR application pitch

How to Pitch Your First AR Project

How to Pitch Your First AR Project

How to Pitch Your First AR Project

Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Karri Ojanen RBC Royal Bank of Canada Overview Over the past number of years companies have adopted the idea of customer-centricity. People across functions can fluently talk about the importance of paying special attention to end-user needs and overall customer experience. But innovation and forward-thinking ideas that connect both customer and business needs can’t simply be squeezed out of brainstorm sessions and sticky notes if the organization doesn’t learn how to effectively look outside of its own silos. In this session, Karri will show how to move from jumping to solutions to driving innovation by understanding the question first. Target Audience Designers, researchers, strategists, product managers, and technology leads Three Things Audience Members Will Learn Methodologies and tools to form insights out of a holistic understanding of customer challenges How to synthesize data to form a vision of the better future How to break the vision into manageable chunks that drive value for the business and the customer at every launch

Start by Understanding the Problem, Not by Delivering the Answer

Start by Understanding the Problem, Not by Delivering the Answer

Start by Understanding the Problem, Not by Delivering the Answer

Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Alan Williams Imaginary Forces Overview During dailies as an intern at Imaginary Forces, Alan’s director, Karin Fong, would follow her animation feedback with one of the scariest and empowering questions of his career, “what do you think?” Over the last eight years, Alan’s transition from technician to creative director came from a dramatic shift in how he approached and answered that question. By examining larger conceptual principles to practical application in commercial and tv/film design, such as HBO’s Vinyl and Netflix’s Anne with an E, he will share hard-learned lessons that can empower you, whether in Photoshop, behind a camera, or pitching to clients, in developing and selling your creative voice. Target Audience Visual communicators eager to become more evocative storytellers Five Things Audience Members Will Learn ‘Method branding’ in a selfie culture O.C.D. (observe, collect, dissect) & the imagination The resuscitating power of rearrangement Pertinence vs pipeline: the crippling cage of routine Less pitching, more poetry

Cocaine to Carrots: The Art of Telling Someone Else’s Story

Cocaine to Carrots: The Art of Telling Someone Else’s Story

Cocaine to Carrots: The Art of Telling Someone Else’s Story

Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Carl Sziebert Google Overview Innovation is defined as the process of making an idea into a good or service that creates value by meeting a need or solving a problem at scale. This talk explores ways to find inspiration from everyday sources, invest in skills that foster collaboration, and identify opportunities for impact. While leveraging the core principles of and learnings from designing products for real people, Carl will examine a number methods for building creativity and innovation into our everyday work. Target Audience For individual contributors looking to cultivate opportunities for impact and find the right time, space, and tools to innovate in our everyday work. Five Things Audience Members Will Learn A bottom-up approach to framing innovation within your daily work Identify and validate opportunities that make an impact Prioritize, prototype, and build understanding of the problems you are solving Collaborate locally and globally Seek, give, and apply feedback often

Everyday Innovation

Everyday Innovation

Everyday Innovation

Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Chris Zacharias imgix Overview The average website loads over 1.5MBs of content per page, making over 75 requests. Many popular websites are serving over 5MBs just to load their homepages. And these numbers represent measurements taken AFTER compression is applied. The full weight of many popular websites is pushing 20+ MBs these days. In an era where performance truly matters to the end user experience, web developers need techniques to help curtail this bloat in data down the wire. No matter how well you optimize, there is no better way to than to delete things you do not need. How does one determine what is essential to the user experience and what is not? One answer Chris posits is to develop a hyper-lightweight version of your website which will provide critical insights into your specific performance priorities. This is a process that he has leveraged on many projects, in particular at YouTube to reduce the size of the video watch page from 1.5MBs to 100KBs. In this talk, Chris will take real-world web pages and show techniques for dramatically reducing their page weight and for identifying areas to optimize, while outlining the key steps to doing this well. Objective Learn a process for building a hyper-lightweight version of your website for establishing reasonable performance budgets, grounded in reality, to work from. Target Audience Web developers Assumed Audience Knowledge HTML, CSS, Javascript, some server-side awareness. Level Intermediate Five Things Audience Members Will Learn How to analyze a web page for performance issues A holistic approach to deconstructing an existing website A clear process for building a hyper-lightweight version of your website Translating your findings into real performance priorities Establishing a realistic performance budget

HyperLight Websites

HyperLight Websites

HyperLight Websites

Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Michael Fullman VT Pro Design Overview An exploration of the process of creation. We live in a time where technology and inspiration are more readily available and accessible than ever before. That being said we also live in a time that mostly highlights the successes of projects and process. In this particular talk Michael wants to touch on the process of creation with technology at VT Pro, to further explore a full circle approach to inspiration and creation where often times our next project is inspired by something learned in the process of creating something else. By exploring what went wrong and what went right in a number of different projects he’s created, Michael will touch on points where inspiration can be found in this world of seemingly endless technology; the importance of collaboration; what can be learned from the moments that don’t necessarily go as planned; and how often projects come close to failure than the audience ever knows. Lastly he wants to touch on the process of finding personal inspiration to inspire an audience, and the momentum to push further that comes from their energy. Objective Things often don’t go as planned, but often that’s the fun part. Target Audience Creative technologists and experience designers Five Things Audience Members Will Learn Collaborative process Giving personality to a piece of technology How to learn from the unexpected We all start somewhere (the journey is just as important as the destination) Everything is possible now

Everything is Terrifying

Everything is Terrifying

Everything is Terrifying

Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Sands Fish MIT Media Lab Overview Today, the environments that humans occupy in space are designed for survival. Humans are carefully shuttled to and from space, and during their relatively short stays, they are provided with minimum supplies to remain alive and able to perform experiments. As we begin to plan less for short visits and more for life in space (such as a six to eight month trip to Mars and beyond) the question becomes: What does human culture look like in space? This talk will explore how human culture, design, and creativity might evolve as we begin to live in space, and the unique environmental conditions that might guide us in certain directions, just as the environment on Earth has. It will discuss space tourism, living in zero gravity, and some experiments in art and design that hint at future aesthetics. Objective Convey what opportunities exist at the outset of a more democratized New Space age, and call out the aesthetics, ethics, and cultural frontiers we find ourselves faced with at the end of the second decade of this century. Target Audience Those interested in the future of human life in space Five Things Audience Members Will Learn The history of human culture in space Unique design constraints and considerations when designing for zero gravity The experience of flying in a zero-g flight The aesthetics at play in human spacefaring — (what has been) New forms, new materials, new ideas — (what might be)

Post-Earth Visions: Designing for Space and the Future Human

Post-Earth Visions: Designing for Space and the Future Human

Post-Earth Visions: Designing for Space and the Future Human

Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Lindsay Munro Adobe XD Overview Your social network could be more valuable than the work you’re doing today, because it could (and should) lead to the opportunities you get tomorrow. Your next post could result in your next recommendation, job, collaboration, exhibit, and next level experience. In this session, you’ll learn how to hone and build your online social media presence to attract brands and engage in the modern-day endorsement deal. Get a behind-the-scenes perspective on the things brands look for in creative profiles and the rules of engagement. Objective Teach the ins and outs of what it means to be a creative social influencer. Target Audience Creatives looking to up level their social media presence and strike brand partnerships. Things Audience Members Will Learn How to set yourself up for “success” on social media The importance of working with the right brands Figuring out compensation and negotiating contracts The ins and outs of disclosure and liability How to not mess it up

The Rise of the Creative Social Influencer (and How to Become One)

The Rise of the Creative Social Influencer (and How to Become One)

The Rise of the Creative Social Influencer (and How to Become One)

Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Amelie Rosser Jam3 Overview For the past two years Jam3 worked alongside Joy Kogawa and the NFB to create East of the Rockies, an augmented reality storytelling experience. East of the Rockies is the first interactive AR game of its kind. The story takes users through a piece of Canadian history where Japanese Canadians were forced to leave their homes and live at internment camps during WWII. This talk will cover the creation of the game: from concept and storyboarding, to the development process in Unity and various challenges and questions to consider from a creator’s perspective. Objective To let the audience in on the behind the scenes of developing an AR experience like East of the Rockies. Target Audience For those interested in Augmented Reality storytelling and game development. Five Things Audience Members Will Learn AR techniques using Unity Storytelling in AR Prototyping interactions in AR Game state management using Unidux Game optimization techniques in Unity

East of the Rockies: Developing an AR Game

East of the Rockies: Developing an AR Game

East of the Rockies: Developing an AR Game

The Knowledge Society: Three Talks About the Future Futurism Innovation Science Isabella Grandic The Knowledge Society Overview Join three incredible, young, and brilliant minds as they present their findings on topics that we’ll all have to deal with in the not so distant future. This series of talks will explore how exponential technologies like synthetic farming, nanotechnology, and quantum computing can be used to solve some of the world’s most difficult problems. The speakers are all students of The Knowledge Society (TKS), a human accelerator for high school students designed to help them impact billions. TKS encourages students to take risks and think big. Ayaan Esmail‘s talk will cover creating a proactive healthcare system

Creating a Proactive Healthcare System

Creating a Proactive Healthcare System

Creating a Proactive Healthcare System

R.C. Woodmass Crescendo Overview The reports are in: how we relate to technology directly affects how we relate to other humans, to our environments, and to ourselves. Are we headed for a technological dystopia, where robots are in charge and empathy is just a word for the history books? Not necessarily! Learn how the interfaces we interact with can teach us how to be better communicators, increase our understanding of each other, and how product design might be the key to building a positive future for all. Objective Directly address fear and skepticism about technology, inspiring all who design and build tech to think more empathetically when building UX and UI. Target Audience Product designers, HR specialists, and anyone skeptical about technology Three Things Audience Members Will Learn How to create user interfaces that are flexible enough to include everyone, even if they can’t keep up with all the different identities and new labels that people are using What is conversation design, and how it has the power to teach people how to communicate How AI has the potential to be more inclusive than previous data analysis systems, if we leverage its weaknesses to the human advantage

World Transformation: The Secret Agenda of Product Design

World Transformation: The Secret Agenda of Product Design

World Transformation: The Secret Agenda of Product Design

Matt Swoboda Notch Overview The adoption of real-time technologies and workflows for content creation is a seismic shift in the world of video/graphics. It has a fundamental effect on not just on render times but on the entire creative process. In this session hear from someone who has been using realtime graphics for creative work for almost 20 years, and his experiences in applying it to productions such as the Ed Sheeran world tour and Cirque du Soleil. Objective Give the audience an overview of what really is capable in a real-time workflow today, and where things are headed. Target Audience Anyone who wants to take confident steps in the direction of real-time motion graphics, especially within the live, installation and AR fields. Five Things Audience Members Will Learn How does real-time change the creative and production process Limitations – where does it work, where doesn’t it make sense What real-time graphics are capable of today What happens on a rock’n’roll tour bus What DOESN’T happen on a rock’n’roll tour bus

The Power of Now

The Power of Now

The Power of Now

Hasan Ahmad Aquent DEV6 Overview PWAs are a newly emerging delivery format for web, desktop apps. The fact that they can be installed on a client device and behave like natively installed apps means that special care should be taken when designing and building these types of apps, above and beyond a typical browser-only web application. One of the most important (potential) differentiators in the user experience of a PWA app vs a traditional web app is the ability to provide a high-performance UI because of their ability to do things like cache resources offline, including entire pieces of Web UI code, and the use of background services. In this talk we are going to do an exhaustive overview of the entire landscape of building PWAs from a performance-first perspective. Target Audience Web development teams Assumed Audience Knowledge Web Development fundamentals Objective Large enterprise applications Five Things Audience Members Will Learn Why PWA’s require performance engineering What tools are available to measure performance metrics Offline caching strategies Host device considerations: desktop and mobile Taking advantage of background code: Service Workers

High Performance PWAs

High Performance PWAs

High Performance PWAs

Bhavana Srinivas Netlify Overview A new web stack has emerged. A stack powered by modern browsers, API economy and Git based workflows. A stack that is not tied to specific technologies. A stack that takes into account both developer experience while building the application, and user experience when interacting with the application. A stack that delivers better performance, higher security, and lower cost of scaling for web applications. In this talk, Bhavana will dive more into the architecture and best practices for building performant web applications using the JAMstack Objective Educate the audience about the JAMstack and why it powers performant sites Target Audience Web stakeholders who want fast, secure and performant websites Assumed Audience Knowledge Built a website/interacted with sites Five Things Audience Members Will Learn What is the JAMstack The ecosystem around the JAMstack How to improve the performance of your site built on the JAMstack Example sites built on this architecture Resources and best practices

Rise of the JAMstack

Rise of the JAMstack

Rise of the JAMstack

Midge “Mantissa” Sinnaeve Mantissa Overview Midge will be speaking about his experience of switching to open source applications for his freelance work. From ditching expensive software subscriptions to going down the linux rabbit hole, he’ll take you along for the ride and show you some cool stuff along the way. It’s an in-depth look at what happens when your digital tools become an extension of yourself and how that can in turn inspire you to get better as an artist and find your style. Objective Taking a critical look at how you work and why. Target Audience (Motion) designers, 3D & VFX artists Four Things Audience Members Will Learn Open Source Design Tools Self-criticism Inspiration Letting go

From Closed to Open: A Journey of Self Discovery

From Closed to Open: A Journey of Self Discovery

From Closed to Open: A Journey of Self Discovery

Studio Macouno has been realizing post industrial projects for two decades. Though they’re very busy doing things like creating generative shavers for Philips and designing life size 3D printed petition elephants, those are but a fraction of what they would like to do. In this talk Dolf will explore the projects they just don’t have time for. The things the studio would love to do but can’t do on it’s own. The things that are way out there… Those that don’t seem possible, or are just too much work. The dreams that they think are a bit too much, but they just might do anyway. Objective Finding, funding and founding cooperatives for creative futurist projects. Target Audience People interested in making things today that seem ideas for tomorrow. Five Things Audience Members Will Learn Some about generative design 3d printing Art Running projects And making things happen

Projects Ain’t Nobody Got Time For

Projects Ain’t Nobody Got Time For

Projects Ain’t Nobody Got Time For

Plus de FITC (20)

Cut it up

Designing for Digital Health

Designing for Digital Health

Designing for Digital Health

Profiling JavaScript Performance

Profiling JavaScript Performance

Profiling JavaScript Performance

Surviving Your Tech Stack

Surviving Your Tech Stack

Surviving Your Tech Stack

How to Pitch Your First AR Project

How to Pitch Your First AR Project

How to Pitch Your First AR Project

Start by Understanding the Problem, Not by Delivering the Answer

Start by Understanding the Problem, Not by Delivering the Answer

Start by Understanding the Problem, Not by Delivering the Answer

Cocaine to Carrots: The Art of Telling Someone Else’s Story

Cocaine to Carrots: The Art of Telling Someone Else’s Story

Cocaine to Carrots: The Art of Telling Someone Else’s Story

Everyday Innovation

Everyday Innovation

Everyday Innovation

HyperLight Websites

HyperLight Websites

HyperLight Websites

Everything is Terrifying

Everything is Terrifying

Everything is Terrifying

Post-Earth Visions: Designing for Space and the Future Human

Post-Earth Visions: Designing for Space and the Future Human

Post-Earth Visions: Designing for Space and the Future Human

The Rise of the Creative Social Influencer (and How to Become One)

The Rise of the Creative Social Influencer (and How to Become One)

The Rise of the Creative Social Influencer (and How to Become One)

East of the Rockies: Developing an AR Game

East of the Rockies: Developing an AR Game

East of the Rockies: Developing an AR Game

Creating a Proactive Healthcare System

Creating a Proactive Healthcare System

Creating a Proactive Healthcare System

World Transformation: The Secret Agenda of Product Design

World Transformation: The Secret Agenda of Product Design

World Transformation: The Secret Agenda of Product Design

The Power of Now

The Power of Now

The Power of Now

High Performance PWAs

High Performance PWAs

High Performance PWAs

Rise of the JAMstack

Rise of the JAMstack

Rise of the JAMstack

From Closed to Open: A Journey of Self Discovery

From Closed to Open: A Journey of Self Discovery

From Closed to Open: A Journey of Self Discovery

Projects Ain’t Nobody Got Time For

Projects Ain’t Nobody Got Time For

Projects Ain’t Nobody Got Time For

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The Notion of Digital Empathy

1. H E L L O H U M A N S

2.

3. P R E T E N D E R P R O J E C T

4. F I L M S D I G I T A L G A M E S V R T E C H N O L O G Y

5. D I G I T A L E M P A T H Y

6. W H A T I S E M P A T H Y ?

7. H U M A N = E M P A T H Y

8.

9.

10.

11.

12.

13.

14. OUR BRAIN IS A PREDICTION MECHANISM PEEKING AT THE WORLD AROUND US

15. HOW DOES THIS RELATE TO THE DIGITAL/VIRTUAL SPACE?

16. TO EXPAND OUR NATURAL LIMITS

17. IMAGE SOURCE: Infrared Zoo

18.

19. D I G I T A L E M P A T H Y ?

20.

21.

22.

23.

24.

25.

26.

27. WHAT ABOUT THE MORE ADVANCED SIDE OF MAN/MACHINE INTERACTION?

28.

29.

30.

31.

32. WE ARE ONLY USING THE MECHANICAL LAYER OF TECHNOLOGY

33. WHAT WE HAVE IS A DICTIONARY WHAT WE NEED/HUMAN IS LITERATURE

35. VR THE ULTIMATE DIGITAL EMPATHY?

36. P R E S E N C E

37. THE WILD WITHIN VR Film For Tourism Board of Canada

38.

39.

40. STELLA ARTOIS: THE PERFECT FLIGHT Become Rufus the Hawk of Wimbledon

41.

42. NISSAN JUKE: CHASE THE THRILL Parkour Skating Robot Car Chase

43.

44.

45.

46. SOME EXPERIENCE AND CHALLENGES

47. A B O U T P R E S E N C E 1

48. LEXUS ELEVATE VR Film About ‘Why We Ride’

49.

50.

51.

52.

53.

54.

55.

56. 2A B O U T E M O T I O N

57. WATER POVERTY Stella Artois ‘Buy A Lady A Drink’

58.

59. H O N D U R A S

60.

61.

62.

63.

64.

65.

66. NO CLOSEUPS, NO DEPTH OF FIELD

67.

68.

69. 3N O ‘ B E H I N D T H E C A M E R A ’

70. THE LINE OF SIGHT

71.

72.

73. “SHOOTING VIDEO IS LIKE HUNTING, SHOOTING VR IS LIKE SETTING BEAR TRAPS. YOU SET IT UP, RUN AWAY AND HOPING YOU CATCH SOMETHING.” @bcsolomon

74. 4A B O U T E M P A T H Y

75.

76.

77.

78.

79.

80.

81.

82.

83. D I G I T A L E M P A T H Y

84. P R E T E N D E R P R O J E C T

85.

86.

87.

88. PRETENDER = MOTION OUTPUT DEVICE

89.

90.

91.

92.

93.

94.

95.

96. D I G I T A L E M P A T H Y ?