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Checking Out Me History
John Agard
Key ideas
• The poem draws upon the experiences of the poet Agard. He was
born in Guyana (formerly British Guiana) in the Caribbean. He moved
to the UK in the late 1970s.
• Agard’s purpose is to make the reader consider the way in which we
are taught history and how we conceive our identity.
• The poet had to follow a history curriculum which was biased towards
whites and/or is Eurocentric. In his poem he challenges this view and
cites some major black figures to balance the bias and create a basis
for his own identity.
• The poem also challenges racist attitudes which are often unthinking.
Form and structure
• Written in free verse.
• It is a dramatic monologue which sounds like a speech about non-
European history: the poet teaches the reader his ‘history’.
• The poem alternates between two structures which are marked by
two different fonts.
Repetition
• Repetition of ‘Dem’ emphasises how the poet doesn’t identify with
the people/teachers who taught him history. It could also linked to
Agard’s cultural background and his ancestors.
• ‘Dem tell me/ Dem tell me/ Wha dem want to tell me’
• The poet replaces the ‘th’ with ‘d’ in order to suggest his Caribbean
dialect. The use of phonetic spelling could emphasise how he sees his
identity as different (to the history he has been taught).
• The use of phonetic spelling and grammar could also portray the
poet’s refusal to adhere to normal spelling rules and grammar. This
could be representative of the poet’s refusal to adhere to
conventional history.
Uses of rhyme
• The stanzas which describe the history the poet was taught at school
create the style of a nursery rhyme. The poet uses the tone of the
poem to convey that the history he was taught in school was like a
nursery rhyme or made up story to him.
• ‘Dem tell me bout de man who discover de balloon
• and de cow who jump over de moon
• Dem tell me bout de dish ran away with de spoon’ (lines 22-24)
Uses of rhyme
• The cumulative effect of sections of rhyme could represent the poet’s
increasing anger/ indignation at what he sees as ignoring aspects of history.
This is combined with the use of enjambment which also builds up
indignation of the poet.
• ‘Dem tell me bout 1066 and all dat
• dem tell me bout Dick Whittington and he cat
• But Toussaint L’Ouverture
• no dem never tell me bout dat’ (lines 6-9)
• The poet juxtaposes British history with his own history. When referring to
British history, one of the examples he cites is of a pantomime in order to
make it look trivial in comparison to his own examples.
Italics/ irregular rhyme
• The combination of use of italics, short verses and irregular rhyme
could be viewed as creating a drum beat. This could be viewed as
reflective of Caribbean traditions of music and verbal passing/ oration
of stories.
• ‘From Jamaica
• she travel far
• to the Crimean War
• she volunteer to go…’ (lines 40-44)
Language
Imagery- metaphors/ use of light
• “Hopeful stream to freedom river”- natural imagery suggests the power of the figure (Nanny de
Maroon). She is described as a spiritual person. She is also associated with hope and liberty.
• The poet’s use of natural imagery for women could represent mother nature and/or showing the
power of women.
• ‘Mary Seacole…
• a healing star…
• a yellow sunrise’
• Jamaican Mary Seacole described as a ‘healing star’ which suggests images linked to light, hope
and warmth. Seacole is seen as a mythological creature (metaphor). The poet creates a contrast
between Florence Nightingale with her “lamp” and Seacole as a “star” (The star shines brighter).
In general the non-European historical figures are described in a more vivid and realistic,
memorable way. Light imagery is used to represent them as beacons of hope (which contrasts to
the duller descriptions of the European historical figures).
Metaphors of blindness and metaphor of identity
• The source of the poet’s anger and indignation is that he believes that his
view of history and himself have been distorted. He feels that his
education kept his true identity hidden from him. He was unable of his
heritage even though it is an important part of who he is.
• ‘Blind me to me own identity’ No light shed upon his own identity/ feels
that he has been forced to learn an ‘alien’ history.
• ‘Bandage up me eye with me own history’ Bandages are usually white
therefore he has been blinded by the ‘white’ history.
• ‘I carving out me identity’ - last line reflects the fight/ struggle the poet
has to create his own identity/ history against the ‘norm’. The
connotations of the verb “carving” also suggestive of trying to create
something that won’t fade or be forgotten.
Feelings and attitudes
• Questioning/ cynical
• The speaker of the poem poses the question: what is history? It is
based on a person/ people’s perceptions.
• Celebration/ rebellion
• The poet uses the poem in order to celebrate unknown historical
figures- celebrating their work and lives.
• Anger/ defiance
• There was a conflict between what the poet was allowed to see and
what he wasn’t.
Themes
• Outsider
• Racism/ discrimination
• Identity- personal identity- who each individual is and/or collective
identity- how different minorities have been marginalised through
education.
• Presentation of childhood.
Compare with…
• ‘Emigree’ (Theme of outsider/ tension between cultures/ identity)
• ‘London’ (Power of establishments e.g. the church, education and
power of people)
• ‘Ozymandias’ (Power of people)
Key quotations
• ‘Dem tell me/ Dem tell me/ Wha dem want to tell me’
• ‘Bandage up me eye with me own history/Blind me to me own
identity’
• ‘Dem tell me bout ole King Cole was a merry old soul
• but dem never tell me about Mary Seacole’
• ‘But now I checking out me own history/ I carving out me identity’
Glossary
• Toussaint L’Ouverture- a ruler who led the slaves to victory in the
Haitian revolution.
• Nanny de Maroon- leader of the Maroons (runaway slaves), who led
Jamaican resistance against the British Lord Nelson- officer in the
Royal Navy who died during the Battle of Trafalgar Shaka- influential
Zulu leader and warrior.
• Caribs and Arawaks- Caribbean people whose islands were invaded by
Europeans.
• Mary Seacole- Jamaican nurse who helped the sick in the Crimean
War.

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Checking Out Me History

  • 1. Checking Out Me History John Agard
  • 2. Key ideas • The poem draws upon the experiences of the poet Agard. He was born in Guyana (formerly British Guiana) in the Caribbean. He moved to the UK in the late 1970s. • Agard’s purpose is to make the reader consider the way in which we are taught history and how we conceive our identity. • The poet had to follow a history curriculum which was biased towards whites and/or is Eurocentric. In his poem he challenges this view and cites some major black figures to balance the bias and create a basis for his own identity. • The poem also challenges racist attitudes which are often unthinking.
  • 3. Form and structure • Written in free verse. • It is a dramatic monologue which sounds like a speech about non- European history: the poet teaches the reader his ‘history’. • The poem alternates between two structures which are marked by two different fonts.
  • 4. Repetition • Repetition of ‘Dem’ emphasises how the poet doesn’t identify with the people/teachers who taught him history. It could also linked to Agard’s cultural background and his ancestors. • ‘Dem tell me/ Dem tell me/ Wha dem want to tell me’ • The poet replaces the ‘th’ with ‘d’ in order to suggest his Caribbean dialect. The use of phonetic spelling could emphasise how he sees his identity as different (to the history he has been taught). • The use of phonetic spelling and grammar could also portray the poet’s refusal to adhere to normal spelling rules and grammar. This could be representative of the poet’s refusal to adhere to conventional history.
  • 5. Uses of rhyme • The stanzas which describe the history the poet was taught at school create the style of a nursery rhyme. The poet uses the tone of the poem to convey that the history he was taught in school was like a nursery rhyme or made up story to him. • ‘Dem tell me bout de man who discover de balloon • and de cow who jump over de moon • Dem tell me bout de dish ran away with de spoon’ (lines 22-24)
  • 6. Uses of rhyme • The cumulative effect of sections of rhyme could represent the poet’s increasing anger/ indignation at what he sees as ignoring aspects of history. This is combined with the use of enjambment which also builds up indignation of the poet. • ‘Dem tell me bout 1066 and all dat • dem tell me bout Dick Whittington and he cat • But Toussaint L’Ouverture • no dem never tell me bout dat’ (lines 6-9) • The poet juxtaposes British history with his own history. When referring to British history, one of the examples he cites is of a pantomime in order to make it look trivial in comparison to his own examples.
  • 7. Italics/ irregular rhyme • The combination of use of italics, short verses and irregular rhyme could be viewed as creating a drum beat. This could be viewed as reflective of Caribbean traditions of music and verbal passing/ oration of stories. • ‘From Jamaica • she travel far • to the Crimean War • she volunteer to go…’ (lines 40-44)
  • 8. Language Imagery- metaphors/ use of light • “Hopeful stream to freedom river”- natural imagery suggests the power of the figure (Nanny de Maroon). She is described as a spiritual person. She is also associated with hope and liberty. • The poet’s use of natural imagery for women could represent mother nature and/or showing the power of women. • ‘Mary Seacole… • a healing star… • a yellow sunrise’ • Jamaican Mary Seacole described as a ‘healing star’ which suggests images linked to light, hope and warmth. Seacole is seen as a mythological creature (metaphor). The poet creates a contrast between Florence Nightingale with her “lamp” and Seacole as a “star” (The star shines brighter). In general the non-European historical figures are described in a more vivid and realistic, memorable way. Light imagery is used to represent them as beacons of hope (which contrasts to the duller descriptions of the European historical figures).
  • 9. Metaphors of blindness and metaphor of identity • The source of the poet’s anger and indignation is that he believes that his view of history and himself have been distorted. He feels that his education kept his true identity hidden from him. He was unable of his heritage even though it is an important part of who he is. • ‘Blind me to me own identity’ No light shed upon his own identity/ feels that he has been forced to learn an ‘alien’ history. • ‘Bandage up me eye with me own history’ Bandages are usually white therefore he has been blinded by the ‘white’ history. • ‘I carving out me identity’ - last line reflects the fight/ struggle the poet has to create his own identity/ history against the ‘norm’. The connotations of the verb “carving” also suggestive of trying to create something that won’t fade or be forgotten.
  • 10. Feelings and attitudes • Questioning/ cynical • The speaker of the poem poses the question: what is history? It is based on a person/ people’s perceptions. • Celebration/ rebellion • The poet uses the poem in order to celebrate unknown historical figures- celebrating their work and lives. • Anger/ defiance • There was a conflict between what the poet was allowed to see and what he wasn’t.
  • 11. Themes • Outsider • Racism/ discrimination • Identity- personal identity- who each individual is and/or collective identity- how different minorities have been marginalised through education. • Presentation of childhood.
  • 12. Compare with… • ‘Emigree’ (Theme of outsider/ tension between cultures/ identity) • ‘London’ (Power of establishments e.g. the church, education and power of people) • ‘Ozymandias’ (Power of people)
  • 13. Key quotations • ‘Dem tell me/ Dem tell me/ Wha dem want to tell me’ • ‘Bandage up me eye with me own history/Blind me to me own identity’ • ‘Dem tell me bout ole King Cole was a merry old soul • but dem never tell me about Mary Seacole’ • ‘But now I checking out me own history/ I carving out me identity’
  • 14. Glossary • Toussaint L’Ouverture- a ruler who led the slaves to victory in the Haitian revolution. • Nanny de Maroon- leader of the Maroons (runaway slaves), who led Jamaican resistance against the British Lord Nelson- officer in the Royal Navy who died during the Battle of Trafalgar Shaka- influential Zulu leader and warrior. • Caribs and Arawaks- Caribbean people whose islands were invaded by Europeans. • Mary Seacole- Jamaican nurse who helped the sick in the Crimean War.