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Ramesside Egypt: Statuary
Ramesses II. British Museum
Purpose
• All statues had a religious purpose
• For a god or a king, it was a manifestation that might
itself be an object of worship.
• For a private person, it was a means by which he or she
could exist forever.
• If an Egyptian statue had been properly made and
animated by the correct rituals, it was magically capable
of possessing life.
Opinions of Ramesside Sculpture
• Critics
• overblown, careless, impersonal, uniform
• seeks to manipulate & intimidate with size
• Others
• tended to vacillate between a modified version of its
immediate post-Amarna predecessors – indirectly but
recognisably under Amarna influence still
• after effects of Amarna and attempts to revitalise
earlier styles (Thutmose III & Amenhotep III)
• (Russmann & Finn, Egyptian Sculpture, 1989)
Statue of
goddess
Sekhmet in the
temple of
Ramesses III at
Medinet Habu
Composite statue of Seti I
height 238cm
Egyptian alabaster (calcite)
The type was popular in the Amarna
Period
Buried in the Karnak Cachette
Statues of nobles
• Statues were placed in temple
courtyards to participate in the daily
offerings given to the god.
• There were statues of family groups,
seated scribes, individuals at prayer,
statues holding a naos or shrine and so
called block statues.
.
Granite scribe statue of
Ramessu-nakht,
High Priest of Amun-Re,
Karnak courtyard,
75cm high,
Time of Ramesses IV, V &
VI
The baboon sitting on his
shoulders was sacred to
Thoth the god of writing
& wisdom.
Kneeling statue of Panehsy,
Royal scribe & treasurer,
presenting a naos with
Horus, Osiris & Isis,
Dynasty 19
• Block statues were distinguished
from earlier cuboid statues by:
• the suggestion of body
contours
• the carving of arms, elbows &
feet
• the pleating of the garment
• the rendering of a seat cushion
Stylistic Developments
Block statue of Samut,
Saqqara,
Dynasty 19
• the tomb owner receiving offering and rites from
family members
• statues of gods
• standing statues of the tomb owner and his wife
• servants and shabtis were placed in the burial
chambers.
• the depiction of the chair in seated statues is a
Ramesside motif, previously people merely sat on
cube shaped blocks.
Statues for tombs
Rock-cut statues of
Nefer-Sekheru,
(TT 296)
time of Ramesses II
Statue of Neye &
his mother Mutnofret,
(Dynasty 19)
Shabtis from the tomb of Saroy
Shabti box of
Henutmehyt,
the
Songstress of
Amun,
Thebes
c. 1250 BC
plastered &
painted wood
Other Sculptural Artefacts
•Amulets & elaborate
jewellery
•Toys & dolls
•Coffins & sarcophagi

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Ramesside sculpture

  • 2. Purpose • All statues had a religious purpose • For a god or a king, it was a manifestation that might itself be an object of worship. • For a private person, it was a means by which he or she could exist forever. • If an Egyptian statue had been properly made and animated by the correct rituals, it was magically capable of possessing life.
  • 3. Opinions of Ramesside Sculpture • Critics • overblown, careless, impersonal, uniform • seeks to manipulate & intimidate with size • Others • tended to vacillate between a modified version of its immediate post-Amarna predecessors – indirectly but recognisably under Amarna influence still • after effects of Amarna and attempts to revitalise earlier styles (Thutmose III & Amenhotep III) • (Russmann & Finn, Egyptian Sculpture, 1989)
  • 4. Statue of goddess Sekhmet in the temple of Ramesses III at Medinet Habu
  • 5.
  • 6. Composite statue of Seti I height 238cm Egyptian alabaster (calcite) The type was popular in the Amarna Period Buried in the Karnak Cachette
  • 7. Statues of nobles • Statues were placed in temple courtyards to participate in the daily offerings given to the god. • There were statues of family groups, seated scribes, individuals at prayer, statues holding a naos or shrine and so called block statues. .
  • 8. Granite scribe statue of Ramessu-nakht, High Priest of Amun-Re, Karnak courtyard, 75cm high, Time of Ramesses IV, V & VI The baboon sitting on his shoulders was sacred to Thoth the god of writing & wisdom.
  • 9. Kneeling statue of Panehsy, Royal scribe & treasurer, presenting a naos with Horus, Osiris & Isis, Dynasty 19
  • 10. • Block statues were distinguished from earlier cuboid statues by: • the suggestion of body contours • the carving of arms, elbows & feet • the pleating of the garment • the rendering of a seat cushion Stylistic Developments
  • 11. Block statue of Samut, Saqqara, Dynasty 19
  • 12. • the tomb owner receiving offering and rites from family members • statues of gods • standing statues of the tomb owner and his wife • servants and shabtis were placed in the burial chambers. • the depiction of the chair in seated statues is a Ramesside motif, previously people merely sat on cube shaped blocks. Statues for tombs
  • 13. Rock-cut statues of Nefer-Sekheru, (TT 296) time of Ramesses II
  • 14. Statue of Neye & his mother Mutnofret, (Dynasty 19)
  • 15. Shabtis from the tomb of Saroy
  • 16. Shabti box of Henutmehyt, the Songstress of Amun, Thebes c. 1250 BC plastered & painted wood
  • 17. Other Sculptural Artefacts •Amulets & elaborate jewellery •Toys & dolls •Coffins & sarcophagi