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EXPRESSIONISM Developed during the LATE 19th and EARLY 20th centuries  (Dominant in Germany 1905-1925)
[object Object],[object Object],[object Object],[object Object],[object Object]
German Expressionism “ Die Brucke” (The Bridge) Colour, Distortion of Images  and Violent Brushstrokes. Movement centered in Dresden, Germany and led by  Ernst Kirschner Ernst Kirschner, Self Portrait as a Soldier , 1915. GERMAN EXPRESSIONISM
Ernst Kirschner, Two Women in the Street , 1914. GERMAN EXPRESSIONISM
Ernst Kirschner, Street, Berlin , 1913. GERMAN EXPRESSIONISM
Ernst Kirschner,  Brandenburg Gate , 1915. GERMAN EXPRESSIONISM
The  Brandenburg Gate  is a former city gate and one of the main symbols of Berlin, Germany. It is the only remaining gate of a series through which one formerly entered Berlin.
Kathe Kollwitz,   The Survivors,  1923. GERMAN EXPRESSIONISM Kathe Kollwitz Worked almost exclusively in printmaking and drawing Themes of inhumanity and injustice The plight of workers and war victims Her son died during first week of WWI
Kathe Kollwitz,   Woman With Dead Child , 1903 etching.  GERMAN EXPRESSIONISM
Kathe Kollwitz,   Memorial for Karl Liebnecht , 1919. GERMAN EXPRESSIONISM
Kathe Kollwitz,   The Grieving Parents , 1932.  GERMAN EXPRESSIONISM
Vassily Kandinsky,   Composition VII,  1913. Der Blaue Reiter (The Blue Rider) Another German Expressionist movement that produced feeling as visual FORM – not just color Complete abstraction-  non-objective work  - elimination of representation Knew about music, literature, science (the atomic theory) - material objects have no structure or purpose Orchestration of color, form, line, and space- blueprints for an enlightened and liberated society, emphasizing spirituality
Vassily Kandinsky,   Composition VII,  1913.  DER BLAUE REITER
Vassily Kandinsky,   Contrasting Sounds,  1924. DER BLAUE REITER
Franz Marc, Foxes,  1913. DER BLAUE REITER
Franz Marc,   Fighting Forms,  1914.  DER BLAUE REITER
Marsden Hartley, Portrait of a German Officer 1914. Marsden Hartley was an American living in Munich and was directly influenced by these European movements
 
[object Object],[object Object],[object Object],[object Object]

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Expressionism (final version)

  • 1. EXPRESSIONISM Developed during the LATE 19th and EARLY 20th centuries (Dominant in Germany 1905-1925)
  • 2.
  • 3. German Expressionism “ Die Brucke” (The Bridge) Colour, Distortion of Images and Violent Brushstrokes. Movement centered in Dresden, Germany and led by Ernst Kirschner Ernst Kirschner, Self Portrait as a Soldier , 1915. GERMAN EXPRESSIONISM
  • 4. Ernst Kirschner, Two Women in the Street , 1914. GERMAN EXPRESSIONISM
  • 5. Ernst Kirschner, Street, Berlin , 1913. GERMAN EXPRESSIONISM
  • 6. Ernst Kirschner, Brandenburg Gate , 1915. GERMAN EXPRESSIONISM
  • 7. The Brandenburg Gate is a former city gate and one of the main symbols of Berlin, Germany. It is the only remaining gate of a series through which one formerly entered Berlin.
  • 8. Kathe Kollwitz, The Survivors, 1923. GERMAN EXPRESSIONISM Kathe Kollwitz Worked almost exclusively in printmaking and drawing Themes of inhumanity and injustice The plight of workers and war victims Her son died during first week of WWI
  • 9. Kathe Kollwitz, Woman With Dead Child , 1903 etching. GERMAN EXPRESSIONISM
  • 10. Kathe Kollwitz, Memorial for Karl Liebnecht , 1919. GERMAN EXPRESSIONISM
  • 11. Kathe Kollwitz, The Grieving Parents , 1932. GERMAN EXPRESSIONISM
  • 12. Vassily Kandinsky, Composition VII, 1913. Der Blaue Reiter (The Blue Rider) Another German Expressionist movement that produced feeling as visual FORM – not just color Complete abstraction- non-objective work - elimination of representation Knew about music, literature, science (the atomic theory) - material objects have no structure or purpose Orchestration of color, form, line, and space- blueprints for an enlightened and liberated society, emphasizing spirituality
  • 13. Vassily Kandinsky, Composition VII, 1913. DER BLAUE REITER
  • 14. Vassily Kandinsky, Contrasting Sounds, 1924. DER BLAUE REITER
  • 15. Franz Marc, Foxes, 1913. DER BLAUE REITER
  • 16. Franz Marc, Fighting Forms, 1914. DER BLAUE REITER
  • 17. Marsden Hartley, Portrait of a German Officer 1914. Marsden Hartley was an American living in Munich and was directly influenced by these European movements
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