Photography, Film, Video, and Digital Arts

4. ANSEL ADAMS. Moon and Half Dome, Yosemite National Park, California (1960).

5. NASA. Earthrise (1969). Photo courtesy of NASA.

10. The Camera Obscura The camera obscura.

12. LOUIS-JACQUES-MANDÉ DAGUERRE. The Artist’s Studio (1837). Daguerreotype

14. WILLIAM HENRY FOX TALBOT. Botanical Specimen (1839). Photogenic drawing. The Negative

16. LOUIS LUMIÈRE. Young Lady with an Umbrella (1906–1910). Autochrome. The Autochrome Color

18. NADAR. Sarah Bernhardt (1859). Portraits

20. ALEXANDER GARDNER. Home of a Rebel Sharpshooter, Gettysburg (July 1863). Wet-plate photograph. Photojournalism

21. DOROTHEA LANGE. Migrant Mother, Nipomo, California (1936). Gelatin silver print. 12 1⁄2 ” x 9 7⁄8 ” .

22. MARGARET BOURKE-WHITE. The Living Dead of Buchenwald, April 1945 (1945).

23. RON BERARD. Untitled (2001).

24. Photography as an Art Form EDWARD STEICHEN. The Flatiron Building - Evening (1906).

26. SANDY SKOGLUND. Radioactive Cats (1980). Cibachrome. 30 ” x 40 ” .

27. Photography as an Art Form See William Wegman’s photograph Blue Period (1981)

28. CINDY SHERMAN. Untitled (1984). Color photograph. 71 ” x 48 1⁄2 ” .

29. DAVID HOCKNEY. Pearblossom Highway 11—18th April 1986 #2 (1986). Photographic collage. 78 ” x 111 ” .

30. HAROLD EDGERTON. Fan and Flame Vortices (1973). Dye transfer print. 13 ” x 20 ”.

32. Figure 8.21, p.164: EADWEARD MUYBRIDGE. Galloping Horse (1878). Muybridge’s cinema graphic experiments

34. BUSBY BERKELEY. “Tutti Frutti” number from The Gang’s All Here. Staged Production

35. D. W. GRIFFITH. Scene from Birth of a Nation (1915). The Mobile Camera

36. ALFRED HITCHCOCK. Film still from North by Northwest. Film Editing

37. ORSON WELLES. Film still from Citizen Kane. Flashbacks in Film Editing

39. VICTOR FLEMING. “The Burning of Atlanta,” a film still from Gone with the Wind. Color Motion Pictures

40. Special Effects See film stills from Christopher Nolan’s Batman Begins (2005)

42. LENI RIEFENSTAHL. Film still from Triumph of the Will (1936). Propaganda

43. CHARLES CHAPLIN. Film still from The Great Dictator. Satire

44. JOHN FORD. Film still from The Grapes of Wrath. Social Commentary

45. ROBERT WIENE. Film still from The Cabinet of Dr. Caligari (1919). Fantasy

46. Surrealism See film still from Salvador Dalí and Luis Buñuel’s Un Chien Andalou (1928)

47. INGMAR BERGMAN. Film still from The Seventh Seal (1956). Symbolism

49. SHIGEKO KUBOTA. Three Mountains (1976–1979). Four-channel video installation with 3 mountains, constructed of plywood and plastic mirrors, containing 7 monitors; Mountain I: 38 ” x 17 ” at top and 59 ” x 59 ” at base; Mountains II and III: 67 ” x 21 ” at top and 100 ” x 60 ” at base; 4 color videotapes, each 30 minutes.

50. DARA BIRNBAUM. PM Magazine (1982). Installation at San Francisco Museum of Modern Art, May 9–September 16, 1997; five-channel color video and sound installation. Installation panel 6 ’ x 8 ’ .

51. BILL VIOLA. The Crossing (1996). Two-channel color video and stereo-sound installation, continuous loop. 192 ” x 330 ” x 684

52. TONY OURSLER. Getaway #2 (1994). Mattress, cloth, LCD projector, VCR, videotape. 16 ” x 117 1⁄2 ” x 86 ” overall

54. KEITH HARING. Untitled (1983). 35 mm slide of work created on the New York Institute of Technology’s Images paint system.

56. YAEL KARANEK. Copy: Potentially Endless A (2007). Lambda print 44½" × 70". Edition of 3.

57. LYNN HERSHMAN. Digital Venus (1996). Iris print. 102 cm x 152 cm