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A2 Media Evaluation
                                    David Goodwin


   1. In what ways does your media product use, develop or challenge
       forms and conventions of real media products?


       Our music video is performance-based but unlike many principally
       performance-based music videos, such as the “Robert Randolph & The
       Family Band - Nobodysoul” (1) music video, our video does not include an
       audience as it is filmed as if it is a rehearsal. However, we still edited the
       video in the conventional style of mixed narrative
       and performance music video (2). For example, at
       around 0.12 minutes into the video (near the
       beginning), there is a tracking shot around the lead
       singer to give a dynamic feel to the video, before he
       starts singing.                                            Robert Randolph



       Unlike many promotional music videos, we used longer takes rather than
       a rapid shot montage. (3) Whilst many music videos use sounds and
       dialogue at the beginning of the video, our video only uses the music
       soundtrack. The intention of this is so that the audience is not distracted
       from the music by sounds or dialogue at the beginning of the video.
       Instead, we featured an enigmatic opening - a candle being lit, with a
       special flaring effect (setting up the use of this effect for our narrative
       sequences to follow. We used a close up of the woman’s face near the
       beginning of the narrative part of the video to create a sense of intimacy
       with the viewer and so that the viewer sees events from her perspective.
       Although we used a number of medium shots of the members of the band,
       we did not use the kind of close-ups that are characteristic of many music
       videos because we didn’t want to distract the audience from focusing on


A2 Media Evaluation                  David Goodwin                                   1 of 9
the narrative. The band also wanted to be shot in an informal “rehearsal
       feeling” way, deliberately deciding not to look directly at the camera, as is
       conventionally the case.


       Unlike most music performances, which are held on a stage in studios or
       outdoor stages, our video was performed in the music room of a hotel, the
       Grim’s Dyke Hotel, which is a nineteenth century manor house, once
       owned by William Gilbert of Gilbert and Sullivan fame. This allowed us to
       bring a sense of “underplayed” grandeur to the video.




              The music room                        Grim’s Dyke Hotel


       We used minimal special effects in the performance scenes with cross-
       fades between the candle shot and the performance part and between the
       performance part and the narrative part. We did this to preserve the
       impression that the video is of a rehearsal.


       However, we applied a cartoon effect to the narrative parts to differentiate
       these from the performance part of the video and as these are there to
       illustrate the song and did not have to follow the rehearsal style of filming.
       Our use of this cartoon effect was unusual so it would provide our video
       with a unique selling point, enhancing the exposure of the band. This can
       also be used to provide a sense of band image, similarly to the
       “moonwalk” dance created and used by Michel Jackson.




A2 Media Evaluation                 David Goodwin                                2 of 9
2. How effective is the combination of your main product and ancillary
       texts?


       We used a photograph taken at the filming location as the cover for this
       DVD with relatively little image editing, to echo the rehearsal style of the
       music video. Unfortunately we had colour balance issues with the camera
       we used for this photograph, which we were able to repair to a degree. We
       considered changing this to black and white to eliminate this problem but
       felt that it would stand out less due to the black and white colour scheming
       of the rest of the cover and advert. We attempted to use different effects
       for the cover image (also used in the advert) such as applying a cartoon
       effect to the reflections of the band in the piano and rotating it in order to
       confuse the viewer, but found that the intended effect was unsuccessful so
       reverted to the original concept.


       In both the video and the related DVD cover and advert, the band were
       dressed casually to appeal to our target audience as this music video is
       intended to be informal. This contrasts with the formal elegant setting in
       order to enhance the informality of the video.


                                     We created an A4 magazine advertisement to
                                     advertise our music video, which would cover
                                     one page of a magazine. We used a lot of the
                                     same content as used on the cover to provide
                                     a visual link between the two so that a
                                     customer will be able to recognise the cover
                                     of the DVD from the advertisement. We used
                                     the same fonts and colour schemes as well
              Magazine
            Advertisement            as the same cover image to provide this
       consistency.




A2 Media Evaluation                 David Goodwin                                 3 of 9
We did not use any screenshots from the narrative part of the video as this
       would distract the audience’s attention from the band and would be likely
       to create a cluttered feel to the cover. We also didn’t use these images in
       the advertisement as it would ruin the consistency of design between the
       cover and the advert.



       After creating a number of designs and having a lot of discussions, we
       created a very simple logo based around our fictional company name
       Exceptional abbreviated to EXCP with “Exception Productions” below it.
       We did this to provide a simple, memorable logo although it was shown in
       a small font to avoid distracting attention from the band (since “Exception
       Productions” refers solely to our group rather than the band). Our group
       was originally going to be called Diramvid, incorporating our first names
       (Di-wah, the a and m from Imran and Da-vid) but we considered it too
       hard to pronounce or remember and it didn’t sound very effective.



                                    Current logo
                 Old logo



   1. What have you learned from your audience feedback?
       Our music video is aimed at young adults of about age 16-25 of both
       genders and all ethnic backgrounds. It was aimed at people of our age
       because we felt most able to relate to what interests them. We wanted it to
       appeal to anyone of our age group rather than one gender or a particular
       ethnic group so that it had universal appeal to increase the exposure of
       the band.




       The majority of our audience, when asked, considered the colour and
       mise-en-scène to be different and, though a smaller amount (5), colourful



A2 Media Evaluation                David Goodwin                              4 of 9
and a portion (3) romantic, showing that the response from the audience
       concerning our use of mise-en-scène met the effect intended.


       7 of the respondents considered the mise-en-scène in the performance to
       be entertaining and 6 considered it to be eye-catching, again fitting in with
       the effect intended. A smaller portion considered it to be professional and
       confusing, suggesting that it still lacked elements to make it professional
       and that perhaps the technique was made the video a bit hard to follow for
       some respondents. When asked, 6 of the respondents described the
       camerawork (for both parts) as professional and with a varied use of shots
       and the majority of the respondents considered the handheld camera work
       to be professional and steady with only one considering it a little shaky,
       approximately matching the intended response from the audience to our
       video.


       The response from the audience concerning the use of music was largely
       positive with 7 of the respondents considering it entertaining and 5 saying
       that it fits in perfectly with the video and 2 liking it although one respondent
       said that it does not fit in with the video, suggesting that our choice of
       music in conjunction with the other elements of the video such as the
       narrative largely suits the audience. When asked what they liked about the
       editing, the majority (10) of the respondents said they liked the cartoon
       effect applied to the narrative, showing that this is a particularly important
       feature in our video.


       When asked, the majority view (11) on the digipack and magazine cover
       was that there was a good use of colour with other views considerably
       less. No one said that there was poor use of colour. This suggests that we
       made a good use of colour in the digipack and magazine cover. The
       majority of the respondents (11) said that the products followed the forms
       and conventions of existing products with 4 saying that we did partly.



A2 Media Evaluation                 David Goodwin                                   5 of 9
The Band members of Domino Theory, and the characters in the narrative
       part of the video are young so this would appeal to an audience of a
       similar age. Similarly, the romantic theme of this video would appeal to
       this age group, with a simple plotline in the narrative part of a romance
       between two (male and female) young adults.


       All the band members are white males but the man and woman in the
       narrative part are Asian so this video appeals to people from both ethnic
       backgrounds. The narrative part of the video focuses slightly more on the
       woman than the man so women will be more likely to relate to this.
       However, she is attractive and will appeal to the male gaze. Laura Mulvey
       (1941) argued about the objectifying treatment of women in the media
       through what she called “male gaze”, in which the viewers are made to
       look at women on camera through the eyes of a heterosexual man, often
       with the camera lingering on the curves of the woman’s body. This denies
       them human agency “relegating them to the status of objects, hence, the
       woman reader and the woman viewer must experience the text's narrative
       secondarily, by identifying with a man's perspective.” (4) For more
       information on Mulvey, visit http://en.wikipedia.org/wiki/Laura_Mulvey or
       http://en.wikipedia.org/wiki/Male_gaze#The_Male_Gaze_and_Feminist_th
       eory for more about male gaze and feminist theory.


       The narrative part was filmed in Central London with exterior shots of a
       London street, also indicated by a red London bus in the background and
       the illuminated displays. We also filmed a station on the London
       Underground, indicated by the recognisable London Underground roundel
       in the background and the underground train leaving the station.
       Londoners (indeed, any city folk) would be able to relate to this setting and
       it represents a vibrant city full of life- something appealing to our target
       audience- the excitement of a night out in the city lights.



A2 Media Evaluation                 David Goodwin                                 6 of 9
We regularly switched between the narrative and performance elements in
       order to keep the audience’s attention as using only the performance part
       of the video may cause the audience to lose interest, as they are the
       generation that is accustomed to a lot happening simultaneously (e.g.
       advances in technology allowing people to perform multiple functions at
       the same time).




   3. How did you use new media technologies in the research, planning,
       construction and evaluation stages?


       We used Adobe Photoshop to create the static graphics for the music
       video such as the DVD cover and advertisement because the software is
       very flexible and capable of a multitude of professional editing techniques
       and has a large range of fonts to choose from. In addition, I had prior
       knowledge of this software due to my use of it outside of college.


       We also used Final Cut Pro (Apple Macintosh) to import, compile and edit
       the video due to its similar professional editing and compilation abilities,
       and the speed of the new computers compared to the previous older
       computers accelerated video-rendering time considerably. Within this, we
       used additional software to create the outline cartoon effect used in the
       narrative parts of the plot and briefly on the candle at the beginning. This
       was to combine both the cartoon and real elements of the video, to
       contrast it with the performance parts of the video in which this effect is
       not applied.




A2 Media Evaluation                 David Goodwin                                7 of 9
We originally intended to create an animated title with the letters of
       Domino Theory on each domino (i.e. D-O-M-I-N-O T-H-E-O-R-Y) in which
       the domino letters topple in the style of dominoes falling:
       http://www.youtube.com/watch?v=kKNOlcn1Xg4.


       We attempted different methods for achieving this. We first tried using
       Flash to create this clip using simple domino images constructed from
       rectangles with the letters overlaid. When this proved unsuccessful, we
       attempted to use Adobe After Effects to create this effect. We even tried to
       use Blender, a free 3D modelling and animation software, to try this in
       order to use the 3rd dimensional advantage but unfortunately our lack of
       knowledge on the software made this feat too difficult, since we did not
       know how to add the text to the 3D dominoes. In the end, we decided that
       the dominoes animation idea was impractical and we created a simpler
       graphic in Adobe Photoshop, which we did not use, as there were
       compatibility problems with Final Cut Pro in the final video.




       The simpler title design




       Sources:


       1: http://www.youtube.com/watch?v=lUZnlxuXaG4
       2: http://www.slideshare.net/guest60af28/media-music-video-codes-and-
       conventions-presentation-1994185


A2 Media Evaluation                David Goodwin                                 8 of 9
3: General Forms and Conventions (own work)
       4:
       http://en.wikipedia.org/wiki/Male_gaze#The_Male_Gaze_and_Feminist_theory




A2 Media Evaluation               David Goodwin                             9 of 9

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v1- with note Evaluation 25 4-10

  • 1. A2 Media Evaluation David Goodwin 1. In what ways does your media product use, develop or challenge forms and conventions of real media products? Our music video is performance-based but unlike many principally performance-based music videos, such as the “Robert Randolph & The Family Band - Nobodysoul” (1) music video, our video does not include an audience as it is filmed as if it is a rehearsal. However, we still edited the video in the conventional style of mixed narrative and performance music video (2). For example, at around 0.12 minutes into the video (near the beginning), there is a tracking shot around the lead singer to give a dynamic feel to the video, before he starts singing. Robert Randolph Unlike many promotional music videos, we used longer takes rather than a rapid shot montage. (3) Whilst many music videos use sounds and dialogue at the beginning of the video, our video only uses the music soundtrack. The intention of this is so that the audience is not distracted from the music by sounds or dialogue at the beginning of the video. Instead, we featured an enigmatic opening - a candle being lit, with a special flaring effect (setting up the use of this effect for our narrative sequences to follow. We used a close up of the woman’s face near the beginning of the narrative part of the video to create a sense of intimacy with the viewer and so that the viewer sees events from her perspective. Although we used a number of medium shots of the members of the band, we did not use the kind of close-ups that are characteristic of many music videos because we didn’t want to distract the audience from focusing on A2 Media Evaluation David Goodwin 1 of 9
  • 2. the narrative. The band also wanted to be shot in an informal “rehearsal feeling” way, deliberately deciding not to look directly at the camera, as is conventionally the case. Unlike most music performances, which are held on a stage in studios or outdoor stages, our video was performed in the music room of a hotel, the Grim’s Dyke Hotel, which is a nineteenth century manor house, once owned by William Gilbert of Gilbert and Sullivan fame. This allowed us to bring a sense of “underplayed” grandeur to the video. The music room Grim’s Dyke Hotel We used minimal special effects in the performance scenes with cross- fades between the candle shot and the performance part and between the performance part and the narrative part. We did this to preserve the impression that the video is of a rehearsal. However, we applied a cartoon effect to the narrative parts to differentiate these from the performance part of the video and as these are there to illustrate the song and did not have to follow the rehearsal style of filming. Our use of this cartoon effect was unusual so it would provide our video with a unique selling point, enhancing the exposure of the band. This can also be used to provide a sense of band image, similarly to the “moonwalk” dance created and used by Michel Jackson. A2 Media Evaluation David Goodwin 2 of 9
  • 3. 2. How effective is the combination of your main product and ancillary texts? We used a photograph taken at the filming location as the cover for this DVD with relatively little image editing, to echo the rehearsal style of the music video. Unfortunately we had colour balance issues with the camera we used for this photograph, which we were able to repair to a degree. We considered changing this to black and white to eliminate this problem but felt that it would stand out less due to the black and white colour scheming of the rest of the cover and advert. We attempted to use different effects for the cover image (also used in the advert) such as applying a cartoon effect to the reflections of the band in the piano and rotating it in order to confuse the viewer, but found that the intended effect was unsuccessful so reverted to the original concept. In both the video and the related DVD cover and advert, the band were dressed casually to appeal to our target audience as this music video is intended to be informal. This contrasts with the formal elegant setting in order to enhance the informality of the video. We created an A4 magazine advertisement to advertise our music video, which would cover one page of a magazine. We used a lot of the same content as used on the cover to provide a visual link between the two so that a customer will be able to recognise the cover of the DVD from the advertisement. We used the same fonts and colour schemes as well Magazine Advertisement as the same cover image to provide this consistency. A2 Media Evaluation David Goodwin 3 of 9
  • 4. We did not use any screenshots from the narrative part of the video as this would distract the audience’s attention from the band and would be likely to create a cluttered feel to the cover. We also didn’t use these images in the advertisement as it would ruin the consistency of design between the cover and the advert. After creating a number of designs and having a lot of discussions, we created a very simple logo based around our fictional company name Exceptional abbreviated to EXCP with “Exception Productions” below it. We did this to provide a simple, memorable logo although it was shown in a small font to avoid distracting attention from the band (since “Exception Productions” refers solely to our group rather than the band). Our group was originally going to be called Diramvid, incorporating our first names (Di-wah, the a and m from Imran and Da-vid) but we considered it too hard to pronounce or remember and it didn’t sound very effective. Current logo Old logo 1. What have you learned from your audience feedback? Our music video is aimed at young adults of about age 16-25 of both genders and all ethnic backgrounds. It was aimed at people of our age because we felt most able to relate to what interests them. We wanted it to appeal to anyone of our age group rather than one gender or a particular ethnic group so that it had universal appeal to increase the exposure of the band. The majority of our audience, when asked, considered the colour and mise-en-scène to be different and, though a smaller amount (5), colourful A2 Media Evaluation David Goodwin 4 of 9
  • 5. and a portion (3) romantic, showing that the response from the audience concerning our use of mise-en-scène met the effect intended. 7 of the respondents considered the mise-en-scène in the performance to be entertaining and 6 considered it to be eye-catching, again fitting in with the effect intended. A smaller portion considered it to be professional and confusing, suggesting that it still lacked elements to make it professional and that perhaps the technique was made the video a bit hard to follow for some respondents. When asked, 6 of the respondents described the camerawork (for both parts) as professional and with a varied use of shots and the majority of the respondents considered the handheld camera work to be professional and steady with only one considering it a little shaky, approximately matching the intended response from the audience to our video. The response from the audience concerning the use of music was largely positive with 7 of the respondents considering it entertaining and 5 saying that it fits in perfectly with the video and 2 liking it although one respondent said that it does not fit in with the video, suggesting that our choice of music in conjunction with the other elements of the video such as the narrative largely suits the audience. When asked what they liked about the editing, the majority (10) of the respondents said they liked the cartoon effect applied to the narrative, showing that this is a particularly important feature in our video. When asked, the majority view (11) on the digipack and magazine cover was that there was a good use of colour with other views considerably less. No one said that there was poor use of colour. This suggests that we made a good use of colour in the digipack and magazine cover. The majority of the respondents (11) said that the products followed the forms and conventions of existing products with 4 saying that we did partly. A2 Media Evaluation David Goodwin 5 of 9
  • 6. The Band members of Domino Theory, and the characters in the narrative part of the video are young so this would appeal to an audience of a similar age. Similarly, the romantic theme of this video would appeal to this age group, with a simple plotline in the narrative part of a romance between two (male and female) young adults. All the band members are white males but the man and woman in the narrative part are Asian so this video appeals to people from both ethnic backgrounds. The narrative part of the video focuses slightly more on the woman than the man so women will be more likely to relate to this. However, she is attractive and will appeal to the male gaze. Laura Mulvey (1941) argued about the objectifying treatment of women in the media through what she called “male gaze”, in which the viewers are made to look at women on camera through the eyes of a heterosexual man, often with the camera lingering on the curves of the woman’s body. This denies them human agency “relegating them to the status of objects, hence, the woman reader and the woman viewer must experience the text's narrative secondarily, by identifying with a man's perspective.” (4) For more information on Mulvey, visit http://en.wikipedia.org/wiki/Laura_Mulvey or http://en.wikipedia.org/wiki/Male_gaze#The_Male_Gaze_and_Feminist_th eory for more about male gaze and feminist theory. The narrative part was filmed in Central London with exterior shots of a London street, also indicated by a red London bus in the background and the illuminated displays. We also filmed a station on the London Underground, indicated by the recognisable London Underground roundel in the background and the underground train leaving the station. Londoners (indeed, any city folk) would be able to relate to this setting and it represents a vibrant city full of life- something appealing to our target audience- the excitement of a night out in the city lights. A2 Media Evaluation David Goodwin 6 of 9
  • 7. We regularly switched between the narrative and performance elements in order to keep the audience’s attention as using only the performance part of the video may cause the audience to lose interest, as they are the generation that is accustomed to a lot happening simultaneously (e.g. advances in technology allowing people to perform multiple functions at the same time). 3. How did you use new media technologies in the research, planning, construction and evaluation stages? We used Adobe Photoshop to create the static graphics for the music video such as the DVD cover and advertisement because the software is very flexible and capable of a multitude of professional editing techniques and has a large range of fonts to choose from. In addition, I had prior knowledge of this software due to my use of it outside of college. We also used Final Cut Pro (Apple Macintosh) to import, compile and edit the video due to its similar professional editing and compilation abilities, and the speed of the new computers compared to the previous older computers accelerated video-rendering time considerably. Within this, we used additional software to create the outline cartoon effect used in the narrative parts of the plot and briefly on the candle at the beginning. This was to combine both the cartoon and real elements of the video, to contrast it with the performance parts of the video in which this effect is not applied. A2 Media Evaluation David Goodwin 7 of 9
  • 8. We originally intended to create an animated title with the letters of Domino Theory on each domino (i.e. D-O-M-I-N-O T-H-E-O-R-Y) in which the domino letters topple in the style of dominoes falling: http://www.youtube.com/watch?v=kKNOlcn1Xg4. We attempted different methods for achieving this. We first tried using Flash to create this clip using simple domino images constructed from rectangles with the letters overlaid. When this proved unsuccessful, we attempted to use Adobe After Effects to create this effect. We even tried to use Blender, a free 3D modelling and animation software, to try this in order to use the 3rd dimensional advantage but unfortunately our lack of knowledge on the software made this feat too difficult, since we did not know how to add the text to the 3D dominoes. In the end, we decided that the dominoes animation idea was impractical and we created a simpler graphic in Adobe Photoshop, which we did not use, as there were compatibility problems with Final Cut Pro in the final video. The simpler title design Sources: 1: http://www.youtube.com/watch?v=lUZnlxuXaG4 2: http://www.slideshare.net/guest60af28/media-music-video-codes-and- conventions-presentation-1994185 A2 Media Evaluation David Goodwin 8 of 9
  • 9. 3: General Forms and Conventions (own work) 4: http://en.wikipedia.org/wiki/Male_gaze#The_Male_Gaze_and_Feminist_theory A2 Media Evaluation David Goodwin 9 of 9