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Week 7, MM1B03, McMaster University



Information
      Mapping
                   From Edward Tufte, Beautiful Evidence
                   “Mapped Pictures: Images as Evidence and Explanation”
Edward Tufte
                                   Edward Tufte's writing is
                                   important the fields of
                                   information design and visual
                                   literacy, which deal with the
                                   visual communication of
                                   information. He is Professor
                                   Emeritus of statistics,
                                   information design, interface
                                   design and political economy
                                   at Yale University.


Edward Tufte, Beautiful Evidence
Credible Evidence
                                 This observation upset
                                 the notion that all
                                 celestial bodies must
                                 revolve around the
                                 Earth. Galileo published
                                 a full description in
                                 Sidereus Nuncius in
                                 March 1610.




Because of Galileo’s detailed annotations his
drawings became credible quantitative
evidence about satellite motion.
According to Tufte, many scientific images are
published simply as amazing celebratory
photographs without scale or relevant comparisons.
Mapped Pictures
• Combine representational graphics with
  scales, diagrams, overlays, numbers,
  words, or images.
• An explanatory image, (like an interface
  design or navigation flow chart) is
  information that has been “mapped out.”
David Hockney, Nicol’s
Canyon, 1980.

See page 164-5.
For showing evidence,
                                             the map metaphor
                                             suggests that labels
                                             belong on images, that
                                             external grids help to
                                             scale images and that
                                             data are more credible
                                             when contextualized.

                                             Stars are located on a
                                             measured and labeled
                                             2-D grid, yielding a dual
                                             context of universal sky
                                             grid and neighbourhood
                                             stars. Brightness is
                                             indicated by star-sizes.


John Bayer, Uranometria, 1603. Leo the Lion. (Engraving, Alexander Mair.)
See page 170-171


John Bayer, Uranometria, 1603. Leo the Lion. (Engraving, Alexander Mair.)
Diagramatic map-tracings
• With diagramatic map tracings such as Loran’s
 treatment of Cezanne’s Still Life with Fruit
 Basket.
• In these mappings, we see the now-revealed
 skewed cubist tables depicted from various
 points of view.
Diagramatic map-tracings




                      See page 174-175
                                         Erle Loran, Cezanne’s
Paul Cezanne, Still Life. 1890
                                         Composition. 1943.
See page 172.
  Not stars, but slaves




J. Hawkesworth, Vigilante Slave Ship. Published for the Religious Society of
Friends, London, 1823.
Analytical Design
Probably the best statistical graphic ever drawn,
this map by Charles Joseph Minard portrays the
losses suffered by Napoleon's army in the Russian
campaign of 1812. Beginning at the Polish-Russian
border, the thick band shows the size of the army
at each position. The path of Napoleon's retreat
from Moscow in the bitterly cold winter is
depicted by the dark lower band, which is tied to
temperature and time scales. — Edward Tufte
From: http://www.edwardtufte.com/tufte/posters
Tufte’s Principles
 For well-mapped analytic design, make sure you show:

 1. Comparisons, Contrast, Differences.
 2. Causality and systematic structure.
 3. Multivariate data, that is more than 1 or 2 variables.
 4. Integration of words, numbers, images, diagrams.
 5. Documentation of data sources, authors, sponsors, etc.
 6. Quality and integrity of content.
Motion graphics
• See page 182 - 183
• How do these still-land examples translate into
  movie-land images?
• How are the vertical arrangements like “layers” in
  photoshop and the horizontal reading like “frames”
  in animation or motion graphics?
• How does this connect with an experience through
  time like navigating a web site?
Local and cosmopolitan view
• See page 190 - 191, example of Ikenobo-
  Kadokaikan.
• Playing against a strong photographic
  perspective, this map locates Kyoto’s School
  of Floral Art and describes routes from the
  train station to the flower arranging school,
  alon g with 20 perspective sketches of
  buildings.
Summary
• Well designed and thoughtfully mapped
 pictures combine the direct visual evidence of
 images with the power of diagrams: Image’s
 representational, local, specific realistic,
 unique, detailed qualities; Diagram’s
 contextualizing, abstacting focusing
 explanatory qualities.
Summary
• Mappings often represent an explanatory
  theory applied to the visual evidence.
  Therefore the standards of what constitutes a
  credible account also apply to mappings.
• Mapping help tell why the design matters.

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Information Mapping

  • 1. Week 7, MM1B03, McMaster University Information Mapping From Edward Tufte, Beautiful Evidence “Mapped Pictures: Images as Evidence and Explanation”
  • 2. Edward Tufte Edward Tufte's writing is important the fields of information design and visual literacy, which deal with the visual communication of information. He is Professor Emeritus of statistics, information design, interface design and political economy at Yale University. Edward Tufte, Beautiful Evidence
  • 3. Credible Evidence This observation upset the notion that all celestial bodies must revolve around the Earth. Galileo published a full description in Sidereus Nuncius in March 1610. Because of Galileo’s detailed annotations his drawings became credible quantitative evidence about satellite motion.
  • 4. According to Tufte, many scientific images are published simply as amazing celebratory photographs without scale or relevant comparisons.
  • 5. Mapped Pictures • Combine representational graphics with scales, diagrams, overlays, numbers, words, or images. • An explanatory image, (like an interface design or navigation flow chart) is information that has been “mapped out.”
  • 6. David Hockney, Nicol’s Canyon, 1980. See page 164-5.
  • 7. For showing evidence, the map metaphor suggests that labels belong on images, that external grids help to scale images and that data are more credible when contextualized. Stars are located on a measured and labeled 2-D grid, yielding a dual context of universal sky grid and neighbourhood stars. Brightness is indicated by star-sizes. John Bayer, Uranometria, 1603. Leo the Lion. (Engraving, Alexander Mair.)
  • 8. See page 170-171 John Bayer, Uranometria, 1603. Leo the Lion. (Engraving, Alexander Mair.)
  • 9. Diagramatic map-tracings • With diagramatic map tracings such as Loran’s treatment of Cezanne’s Still Life with Fruit Basket. • In these mappings, we see the now-revealed skewed cubist tables depicted from various points of view.
  • 10. Diagramatic map-tracings See page 174-175 Erle Loran, Cezanne’s Paul Cezanne, Still Life. 1890 Composition. 1943.
  • 11. See page 172. Not stars, but slaves J. Hawkesworth, Vigilante Slave Ship. Published for the Religious Society of Friends, London, 1823.
  • 12. Analytical Design Probably the best statistical graphic ever drawn, this map by Charles Joseph Minard portrays the losses suffered by Napoleon's army in the Russian campaign of 1812. Beginning at the Polish-Russian border, the thick band shows the size of the army at each position. The path of Napoleon's retreat from Moscow in the bitterly cold winter is depicted by the dark lower band, which is tied to temperature and time scales. — Edward Tufte
  • 14. Tufte’s Principles For well-mapped analytic design, make sure you show: 1. Comparisons, Contrast, Differences. 2. Causality and systematic structure. 3. Multivariate data, that is more than 1 or 2 variables. 4. Integration of words, numbers, images, diagrams. 5. Documentation of data sources, authors, sponsors, etc. 6. Quality and integrity of content.
  • 15. Motion graphics • See page 182 - 183 • How do these still-land examples translate into movie-land images? • How are the vertical arrangements like “layers” in photoshop and the horizontal reading like “frames” in animation or motion graphics? • How does this connect with an experience through time like navigating a web site?
  • 16. Local and cosmopolitan view • See page 190 - 191, example of Ikenobo- Kadokaikan. • Playing against a strong photographic perspective, this map locates Kyoto’s School of Floral Art and describes routes from the train station to the flower arranging school, alon g with 20 perspective sketches of buildings.
  • 17. Summary • Well designed and thoughtfully mapped pictures combine the direct visual evidence of images with the power of diagrams: Image’s representational, local, specific realistic, unique, detailed qualities; Diagram’s contextualizing, abstacting focusing explanatory qualities.
  • 18. Summary • Mappings often represent an explanatory theory applied to the visual evidence. Therefore the standards of what constitutes a credible account also apply to mappings. • Mapping help tell why the design matters.