2. Reflexive
Definition:
In which the film maker acknowledges their presence – they
are in front of the camera and give some narrative guidance.
Extra information:
To aid the audience in their understanding of the process of
construction in film so that they could develop a
sophisticated and critical attitude.
3. Poetic
Definition:
In which and artist narrative is constructed – sometimes the
topic is more human interest rather than current affairs led.
Extra information:
This mode of documentary film tends toward subjective
interpretations of it’s subject. Light on
exaggeration, documentaries in this mode forsake traditional
narrative content.
4. Observational
Definition:
Being there as events unfold - these documentaries tend to
follow a person or event and document their journey as it
occurs. The camera remains as unobtrusive as possible,
allowing the audience to make up their own mind.
Extra information:
“new, light equipment made possible an intimacy of
observation new to documentary, and this involved sound as
well as image” (Barnouw 1993). The move to lighter 16mm
equipment and shoulder mounted camera allowed
documentarians to leave the anchored part of the tripod.
5. Expository
Definition:
An analysis and exposition of a person or topic – for example
Michael Moore exposes society to forms of political
corruption.
Extra information:
This mode’s emphasis is on rhetorical content, and it’s goal of
persuasion. Narration is a distinct innovation of this type of
documentary – it holds the weight of explaining and arguing
a film’s rhetorical content. This mode collects footage that
functions to strengthen the spoken narrative.
6. Participatory
Definition:
Welcomes direct engagement between film maker and
subject – the film maker becomes part of the events being
recorded.
Extra information:
The film maker becomes directly involved with the issue
being addressed; he becomes a character in the film; his
impact on the events in the film are shown.
