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TBC: TBC in the age of
                                                       flux
                                                    @davemee / TANDOT.co.uk / @MadLabUK




was going to talk about TBC in the age of flux, not sure where to start though.
wikipediaʼs always a good one http://en.wikipedia.org/wiki/Tbc theyʼve defined it for us
but then I came back it for a screenshot and it had changed
which is definitive? itʼs easy to say the most recent one, but my time of access decides which oneʼs right
www.flickr.com/photos/ thepotato/333319881/

itʼs like schrodingerʼs cat - i donʼt find out the truth till I access it - access is the decider
Understanding Media: the extensions of man/Routledge Classics

now, i couldnʼt remember what i said i was talking about - I had to check the event website - and this reminds me of Marshall McLuhan
ʻtechnologies as extensions of the nervous systemʼ
and now we all externalise our knowledge - things we remember, how to do things - a critical skill is not learning per se, but knowing how to find
      someone elseʼs learning
©2003 IBM / HistoryFlow of ‘Iraq’ on Wikipedia

and we trust in an ever emergent, unfixed, quantum set of data and documents. this is wikipediaʼs ʻiragʼ page visualised.
www.flickr.com/photos/ doyle_saylor/444354042/

hereʼs another dead guy - walter benjamin, a german intellectual and essayist. heʼs quite famous for an essay known - in english - as ʻthe work of
       art in the age of mechanical reproductionʼ
#    heʼs quite interested in the idea of ʻauraʼ, authenticity, which is lost in mass produced media
hereʼs a photograph of the making of itself - a metaphotograph. each step of mediation changes the meaning of the next step of the product,
leaves less ʻauraʼ and authenticity
so this is ʻthe ambassadorsʼ, a painting by hans holbein
... though actually, itʼs not. itʼs a photograph of it. and theyʼre not ambassadors, theyʼre a painting of ambassadors
and this is a photograph of a reproduction of it. a photograph of a reproduction of a painting of sketches of two ambassadors
so in a way, weʼve been messing with our idea of reality, memory and what is real for a long time.
elizabeth loftus planted false memories of seeing sylvester the cat at disneyland into people by describing the tactility of the experience. of
course, as a WB property this could not happen.
neuroproductions.be/twitter_friends_network_browser/

whatʼs this got to do with planning? decentralisation. these tools and technologies allow us to swap the referent for the reference - mobile phone
numbers, twitter accounts, identity theft. as we use these tools we create increasingly inauthentic connections. they donʼt connect us - they
connect abstractions of us
Wolfram Huke, commons.wikimedia.org/wiki/File:JuergenHabermas_crop2.jpg


so when we organise and coordinate activity - as we increasingly do - through these devices, it creates a disconnect between us and our
outcomes. our communication isnʼt free, itʼs defined by the mediums it passes through, and the nature and conditions of them
thewwwblog.com/images/twitter/mikeyy-worm-attack.png

So when we have a great, but net-native communication environment like Twitter, where the brevity and limits are inherent parts of the
communication, weird stuff can happen. this is how the mikeyy virus was so successful - it was easy to impersonate people
nosysnoop.wordpress.com/2007/09/26/couple-file-for-divorce-after-an-online-affair-with-each-other/



Taken to an extreme - Taiwanese couple - here reported as a bosnian couple - file for divorce. their representationsʼ start ʻdatingʼ electronically
      and only when they meet in the flesh do they realise theyʼre already together.
but at the same time - this gives us a lot of power. we can constantly improve our knowledge, share learning and experiences, and respond in a
more timely and fluid manner than ever before.
this is what scott did with his 20 versions of bladerunner. and in a way - tyrell too - a man who caused trouble with fake memories and abstracted
identites.
www.flickr.com/photos/ brainsluice/294087990/

you know who else did this?
Conclusions:
                                                                 To be confirmed.




so what have we learnt? Iʼm not really sure - itʼs yet to be confirmed. but weʼre increasingly mediating our lives and memory through communal,
      changing channels and it will be interesting to see where it goes - whether peak oil will not only make things more difficult, but also render
      us dumber as the supporting rug is pulled out under us.
Thanks for strolling
    with me!
@davemee / @TANDOT / @MadLabUK

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TBC (Dave Mee)

  • 1. TBC: TBC in the age of flux @davemee / TANDOT.co.uk / @MadLabUK was going to talk about TBC in the age of flux, not sure where to start though.
  • 2. wikipediaʼs always a good one http://en.wikipedia.org/wiki/Tbc theyʼve defined it for us
  • 3. but then I came back it for a screenshot and it had changed which is definitive? itʼs easy to say the most recent one, but my time of access decides which oneʼs right
  • 4. www.flickr.com/photos/ thepotato/333319881/ itʼs like schrodingerʼs cat - i donʼt find out the truth till I access it - access is the decider
  • 5. Understanding Media: the extensions of man/Routledge Classics now, i couldnʼt remember what i said i was talking about - I had to check the event website - and this reminds me of Marshall McLuhan ʻtechnologies as extensions of the nervous systemʼ
  • 6. and now we all externalise our knowledge - things we remember, how to do things - a critical skill is not learning per se, but knowing how to find someone elseʼs learning
  • 7. ©2003 IBM / HistoryFlow of ‘Iraq’ on Wikipedia and we trust in an ever emergent, unfixed, quantum set of data and documents. this is wikipediaʼs ʻiragʼ page visualised.
  • 8. www.flickr.com/photos/ doyle_saylor/444354042/ hereʼs another dead guy - walter benjamin, a german intellectual and essayist. heʼs quite famous for an essay known - in english - as ʻthe work of art in the age of mechanical reproductionʼ # heʼs quite interested in the idea of ʻauraʼ, authenticity, which is lost in mass produced media
  • 9. hereʼs a photograph of the making of itself - a metaphotograph. each step of mediation changes the meaning of the next step of the product, leaves less ʻauraʼ and authenticity
  • 10. so this is ʻthe ambassadorsʼ, a painting by hans holbein ... though actually, itʼs not. itʼs a photograph of it. and theyʼre not ambassadors, theyʼre a painting of ambassadors
  • 11. and this is a photograph of a reproduction of it. a photograph of a reproduction of a painting of sketches of two ambassadors
  • 12. so in a way, weʼve been messing with our idea of reality, memory and what is real for a long time. elizabeth loftus planted false memories of seeing sylvester the cat at disneyland into people by describing the tactility of the experience. of course, as a WB property this could not happen.
  • 13. neuroproductions.be/twitter_friends_network_browser/ whatʼs this got to do with planning? decentralisation. these tools and technologies allow us to swap the referent for the reference - mobile phone numbers, twitter accounts, identity theft. as we use these tools we create increasingly inauthentic connections. they donʼt connect us - they connect abstractions of us
  • 14. Wolfram Huke, commons.wikimedia.org/wiki/File:JuergenHabermas_crop2.jpg so when we organise and coordinate activity - as we increasingly do - through these devices, it creates a disconnect between us and our outcomes. our communication isnʼt free, itʼs defined by the mediums it passes through, and the nature and conditions of them
  • 15. thewwwblog.com/images/twitter/mikeyy-worm-attack.png So when we have a great, but net-native communication environment like Twitter, where the brevity and limits are inherent parts of the communication, weird stuff can happen. this is how the mikeyy virus was so successful - it was easy to impersonate people
  • 16. nosysnoop.wordpress.com/2007/09/26/couple-file-for-divorce-after-an-online-affair-with-each-other/ Taken to an extreme - Taiwanese couple - here reported as a bosnian couple - file for divorce. their representationsʼ start ʻdatingʼ electronically and only when they meet in the flesh do they realise theyʼre already together.
  • 17. but at the same time - this gives us a lot of power. we can constantly improve our knowledge, share learning and experiences, and respond in a more timely and fluid manner than ever before. this is what scott did with his 20 versions of bladerunner. and in a way - tyrell too - a man who caused trouble with fake memories and abstracted identites.
  • 19. Conclusions: To be confirmed. so what have we learnt? Iʼm not really sure - itʼs yet to be confirmed. but weʼre increasingly mediating our lives and memory through communal, changing channels and it will be interesting to see where it goes - whether peak oil will not only make things more difficult, but also render us dumber as the supporting rug is pulled out under us.
  • 20. Thanks for strolling with me! @davemee / @TANDOT / @MadLabUK