2. Table of Contents
Photography
Portrait and Fine Art Photography 3
Fine Art Inspiration 4
Lighting and Location 11
Marketing 18
Posing 25
Post-Processing Ideas 32
Props, Wardrobe, and Makeup Ideas 39
References 46
3. Photography- Portrait and Fine Art
Photography
Portrait Photography is one of the things I like best about photography. This type of photography takes people and places them in controlled
environments with various lighting set ups and props, wardrobe, and makeup choices. The photographer poses the subject and chooses camera settings
and compositions to create a flattering, attractive image of their subject. I enjoy being able to capture the emotions and relationships of my subjects. I
love how different people are- how their hair and eye colors and skin tones and everything else about them are completely unique. I like to capture my
subjects in natural light in relaxed settings, with informal or formal posing. I enjoy maternity, new born, family, senior, and glamor portraits. I have
also worked with studio lighting, and hope to experiment with that more in the future. There is something really wonderful about getting just the right
pose and the right connection between the subject and the camera. I love hearing subjects comment on how their images look to them, and how having
their photograph taken makes the subject feel. I want my subjects to feel good about themselves, to feel special. I think portrait photography can do
that. It takes skill and practice, and I am very much looking forward to the practice part. I also hope to specialize in fine art portraits, which include
artistic elements, such as story-telling, compositing, special post-production techniques, and specific makeup and wardrobe choices, as well as often
using models. Fine art photography is something I really love, because I love the creativity and freedom of expression it allows. I love stories, and fine
art photography is an excellent way of telling stories. When combining fine art with portraiture, the photographer can create portraits which are
beautiful works of art which the client would feel proud to hang on their walls.
3
4. Fine Art Inspiration
Fine art photography allows photographers to create art with their photographs. The photographer can come up with a concept
(conceptual photography) or a theme, or choose a metaphor or message which they might want to convey with the image. They can use
models or just props, or a combination of those, as well as choosing the other elements of the scene, including location, lighting, time of
day (or night), time of year, mood, wardrobe, makeup, and a variety of other things which will combine to create their image. The
images do not always have to be from one photograph. Sometimes photographers will create composites of several images to create
their art. In this folder, I will collect images from other fine art photographers which inspire me. I will be looking for images whose
theme, overall look, compositional elements, mood, and subject matter appeal to me. I will probably focus on composite images,
because I want to learn more about creating composites, and I love that composites make so many impossible things possible, like
people flying, or objects levitating, or fairies and other fantastical things. The possibilities are really endless. I hope to include
photographs by Brooke Shaden and Ashley Lebedev. These two photographers are my favorite fine art photographers, but I will also be
open to the work of others. I prefer fantasy images, but am open to seeing more surreal images. I will also include any images which
really speak to me, for whatever reason. I think that if I collect inspiring fine art photographs, then I can start to understand what I
personally like and apply that to my own work.
4
5. “Lith,”
“Faerieland”
Series, Ashley
Lebedev
This image is from the Faerieland Series, by
Ashley Lebedev. I chose this image because I
love the soft lighting and colors, the intricate
hair design, and the post-processing technique
that was used. The image has a very soft, muted
appearance, as if the subject were being seen
through mist. I love the delicate pose, and I love
that the subject is a faery. To me, fine art opens
a world of possibilities, and things that are not
real can be created in fine art photographs.
5
6. “Capturing
Inspiration” by
Brooke Shaden
This image is by photographer
Brooke Shaden. She is a conceptual fine art
photographer. Her images are really
inspiring to me because they capture
impossible things, like people levitating,
ships floating, and people with multiple
limbs or heads. This particular image is
inspiring to me because it is impossible, but
she made a train come through the wall. It’s
like a daydream that she photographed. She
uses compositing to create these images.
Every element in the photo blends well
together and looks realistic.
6
7. “Eye of the
Storm,” by Ed
King
I love the contrast of this black and
white image. I also love how the rocks
and the clouds seem to draw the eye to
the center of the image, as if the viewer
were being sucked into it. I also like the
choice of shutter speed used to create
the milky look of the water.
7
8. Martin Henson
Photography,
“Morning Rays”
Unfortunately this image was too
small to show up clearly after I enlarged it,
but here is the link to the original image:
http://www.martinhensonphotography.co.uk
/early-morning-rays
I chose this image because I love the black
and white and the quality of the light as it
shines out from behind the tree. I can’t get
enough of this sort of light, and I can
imagine it was beautiful in color, too.
8
9. Fine Art Portraits
This is an example of a fine art
styled portrait. I chose this example
because I love portraits and fine art, and
this image is an example of how to
blend the two. I love the dramatic
lighting and the focus.
9
10. Fine Art Portraits
This is another example of a fine
art portrait. I love this one because it
really reminds me of old glass-plate
prints. The focus is really narrow, and I
love the black and white.
10
11. Lighting and Location
Lighting is an essential element of photography. Knowing the direction and intensity of light can really make or break a
photograph. I personally prefer natural light to studio lighting. I think that with studio lighting it is nearly impossible to get natural-
looking light. I am sure that with practice and skill, photographers can recreate natural light in the studio. This is an are where I am
weak. I really need to work on studio lighting, just to have that skill, because sometimes shooting outside is not possible, and I would
not want to have to cancel a shoot. In this folder, I will be collecting images of both natural lighting and studio lighting techniques. I
will try to collect both articles and images. Images with excellent lighting can be really inspiring for me, and I hope to find some images
with lighting that I would like to emulate in my own work. I will try to find articles on lighting techniques and how to modify light,
different lighting set ups, and outdoor lighting for specific times of year.
In addition to lighting, I will also search for images with locations that I find appealing, as well as looking up location scouting
sites. These sites find locations for photographers based on certain criteria, usually for a fee. There can also be a fee for using the
location, such as in a private home or a park. I will also try to find information on locations from other photographers through
messaging boards, and collect images of locations that I hope to use in my own work.
11
12. Sue Bryce
Photography
This photograph was taken by
Sue Bryce, an Australian glamour
photographer who uses natural light. I
chose this image because I prefer
natural light. I think it is gorgeous. This
image is an example of natural light in
indoor portrait photography. I love how
sunny the image looks. Sue Bryce uses
large pieces of polystyrene as reflectors
for fill. They are cheap and very
effective.
12
13. Taylor McCutchan
Photography
I found this image by searching
for natural light portraits on Google.
The image is from Taylor McCutchan’s
Flickr stream. I love this portrait for
both it’s location and lighting. I love
fields, because they provide really
interesting texture and color. The light
in this image looks like sunset, which
casts a golden tone over the image and
creates a really warm feeling.
13
14. Lighting:
Hollywood
Glamour
This is a portrait of actress
Myrna Loy. I chose it for the dramatic
lighting. The light on her hair really
stands out and is typical of old
Hollywood portraits. I would love to do
a vintage-themed image similar to this
as a specialty item.
14
15. Locations:
Abandoned
Buildings
I love old buildings as locations for
portrait shoots. This particular building has
gorgeous architectural details. The window
is huge and beautiful, and lets in tons of
natural light. As a natural light portrait
photographer, this is really important to me.
I love the idea of people in fine clothes in
forgotten locations. The contrast between
clean and new and the broken down
building is really interesting.
15
16. Barns
I love barns for many reasons.
They can be old or new, and have a
variety of textures. They filter light by
allowing light in where there are doors
and windows and blocking it in other
areas. There are many options for
framing the subject, such as doors,
stalls, and windows. They have a nice
rustic look, and that can work for many
clients.
16
17. Trees and
Sunlight
I like forests as a location idea
because they add vertical elements to
the image and they filter the light and
can create really interesting rays of
light. I have seen some nice images of
subjects standing among tall trees, and
the trees and the subject all being
vertical looked really interesting.
17
18. Marketing
Marketing is a huge part of becoming successful as a photographer. There are many areas of marketing to consider.
When I think of marketing, I think of things like websites, logos, names, branding, advertising, and different ways to create
a unique style and sell that to potential clients. In this folder, I will search for images of marketing ideas that I like, such as
websites, logos, color themes, and marketing products such as magnets, pens, calendars, post cards, and promotional items
that can be given away as a bonus with orders. There are a lot of different ways to promote one’s business. I really like the
idea of mailing put postcards or promotional cards, or even pamphlets. Also, social media sites and online advertising can
be good for marketing. Facebook and 500px are examples of online resources for photographers which can promote their
work and introduce them to new clients. Mostly, though, I think I will be focusing on examples of fonts and logos, color
combinations, and different styles of brands which I like. In addition to these items, I will search for examples of resumes
and cover letters that I think look nice and would be effective if I were to use them when applying for a job in a
photographic position. All of these things are really important to having a successful studio, and can also be applied to fine
art photography.
18
19. Business Luxe
Cards by Miller’s
Lab
I chose this as an example of
one of the marketing items I would love
to use for my own business. Regular
rectangular business cards seem boring
to me, and I find that unique items such
as this leave a more lasting impression.
I love the shape, the design, and the
options of putting multiple images on
the card and choosing paper type, such
as linen or pearl.
19
20. Packaging Ideas
I was searching for clever, eye-
catching packaging products on Google and
came across this image. I am not a fan of the
color choices, but I love the idea of hand-made
packaging. I think it shows dedication and
shows that you put a lot of thought into it. I
could get plain boxes as shown in the image and
choose paper, ribbon, and other embellishments
to add, and I could also get a custom stamp so I
could stamp each box with my business logo. It
would take time to make it myself but it could
save money in the long run. Plus, I love craft
projects.
20
21. The Complete
Package
This is a great example of a photo
package. This one includes a CD in a
custom case, a thank-you note, a gift of
chocolates, and another surprise gift. I
would love to do something similar, but
with more of the rustic, eco-friendly look
that I like. I would include a small pouch or
envelope with free wallet-sized prints with
my information on the back for marketing,
and if the customer ordered prints I would
put them in an envelope that matched the
rest of the packaging.
21
22. Address Labels
from Miller’s Lab
This image shows custom
address labels from Miller’s Lab. These
labels can make your mail really stand
out and have a custom look. Customers
will notice right away, and it helps to tie
your brand together when all of your
items (such as stationary, packaging,
and envelopes) match.
22
23. Canvas and
Business Cards
I really liked the idea of putting
a canvas print on display and setting out
business cards right next to it, as shown
in the picture here. One could also place
pamphlets and coupons with the
business cards, so potential customers
can see what services you offer and get
an idea of price, and the coupon would
be a way of drawing customers in.
23
24. Promo Cards
These promo cards are very nice
because they feature a large, full-color
image on the front. The caption is nice
and catches the viewers’ interest. On the
back of the card I would include all of
my contact information and my website.
24
25. Posing
Posing is incredibly important for portrait photography. It is something which I really need to work on,
and finding examples of poses that I like will be extremely helpful to me in a portrait photography career. When I
have done portraits in the past, I have usually tried to think of poses that I have seen before that I liked. In this
folder, I will include images of a variety of poses for a variety of subjects. I will find images for posing children,
newborns, and maternity poses, as well as group poses for family portraits. In addition, I will search for poses
specific to glamor portraits, because I feel these can be carried over to fine art portraits. I will also include
gender-specific poses to find the poses which are most flattering to male or female subjects, as well as poses for
both seated and standing subjects. I also hope to find poses by body type, because not everyone looks good in the
same pose, so I will need to be able to adapt and find a way to pose any body type in a flattering way. I will
search for images with poses that I like, but I will also look for guides for posing, which might be found on
photography sites.
25
26. Fun Family
Posing
I chose this example for my idea
book because I really love seeing family
photos where the family looks like they
are having fun, rather than suffering
through a formal pose. I love the idea of
finding fun backgrounds and interacting
with the location, as shown here. I think
this pose could be adapted for any
location and is a good idea for future
family sessions.
26
27. Almost Formal
Family Posing
This image is a great example of a
more formal family pose than the last
example. It is not completely formal,
though, because some of the family is
sitting and others are standing. I notice in
most formal family portraits that the
subjects are almost always lined up in rows,
and everyone is either sitting or standing.
The mixture of positions, and the fact that
some of the family is in closer to the camera
and some behind other family members,
adds a lot more depth and interest to the
image.
27
28. Posing for Curves
This set of images was taken by
photographer Sue Bryce in order to show
how to pose a curvy woman in the most
flattering way. It shows the difference
between poor posing and excellent posing,
and the last two images are very slimming. I
think a lot of women are self-conscious of
their figures, and knowing how to pose like
this would really make them feel great
about themselves, which in turn will make
them love your photography!
28
29. Creating an
Hourglass Waist
This is another set of images
originally taken by Sue Bryce. The
images show the effect of hand
placement in creating an hourglass
waist. This is another slimming trick for
curvy women.
29
30. Poses for Seniors
This is a collection of various
posing ideas for senior portraits. The
hands are very graceful, and I like the
arm over the head because it frames the
face well. The image with the tree
branches is interesting because she is
interacting with her surroundings, and
the branches lead in to the subject.
30
31. Poses for Seniors
This is a collection of images
showing fun posing ideas for senior
portraits. I like the playful look of these
poses. I don’t like that her arm is
crossed over her chest because it seems
to distract from her face a bit, but I like
the graceful hands and the kicked out
leg.
31
32. Post-Processing Ideas
Post-processing is an area of weakness for me. It is important for portrait photography, because it refines the images
and can make the difference between a boring photo and a spectacular one. It is incredibly important to fine art
photography, especially composites. I only know the basics of post-processing with Lightroom and Photoshop. In this
folder, I will search for images which have been edited with programs like Photoshop. I will choose images whose overall
look appeals to me. What I mean by that is the overall look after the image has gone through post-processing. I will also try
to find before and after images to show how post-processing can change an image. I will search for a variety of images
which have had “actions” applied to them, and hopefully I will be able to find one image which has several edited versions.
This will help me get an idea of which types of post-processing I find appealing, and which types work best for certain types
of photographs, such as newborn photography, family portraits, or glamor portraits. Seeing the images with post-processing
is only one part of learning about it, so I also hope to find how-to guides on post-processing, and will try to find images or
perhaps take screen captures of websites which have instructions for post-processing.
32
33. Soft and Warm
There is something really appealing
about the post-processing technique used on
this photography. I love how soft it looks,
and the warm tones. The whole image looks
a little muted, which is similar to the
example of fine art photography that I
posted by Ashley Lebedev of Bottle Bell
Photography. It’s dreamy, and I would love
to learn this technique for use in my female
portraits, as well as children’s portraits.
33
34. Antique Post-
Processing,
Walter Iooss
I love anything antique,
especially 1930’s and prior. I really love
the look of old glass negatives, and I
have wanted to learn how to create that
look with digital photography. I hope to
be able to use that style with modern
portraits. I love the vignette, the texture
of the emulsion border, and how in-
focus the subjects are, while the rest of
the image seems blurry (not quite like
traditional bokeh; different, somehow).
Adam Virgo & John Kennedy, Celtic Club, Glasgow, 2006
34
35. Soft and Creamy
I love the soft and creamy look
of this Photoshop action from
michellekanephotography.com. This is a
very dreamy look and would work
nicely for many family or individual
portraits. There are so many options for
color images, and this is one of my
favorite looks.
35
36. Faded Black and
White
This is the same image as the
previous one, but with a soft black and
white action applied to the photo. I love
black and white photography, and for
portraits this works really nicely. No
details are lost and the contrast is not
too high.
36
37. Fine Art Film
Preset
This is a preset from
prettypresets.com. I like presets for
Lightroom because I can adjust things
and customize the look without having
to do all of the work from scratch. This
look is very nice for both portraits and
fine art photography.
37
38. Summer Sky
Preset
This is another preset from
prettypresets.com which was in the fine
art collection. I think this type of preset
would work well for fine art portraits
and glamour portraits. I do not
personally like it for children, because I
think of children as vibrant and full of
life, and the dull colors here don’t work
for that. But for portraits with a serious
tone, this preset is very nice.
38
39. Props, Wardrobe, and Makeup Ideas
In this folder I will be collecting images of potential props to be used for both portrait and fine art photography. I
have rarely used props, so finding images with props will help me get an idea of how they are used in photography. I will
also be collecting images with models wearing different outfits, so that I can have a variety of ideas for wardrobe pieces to
use in my own photography. I think the wardrobe really depends on the image and the idea behind the image, so I will try to
find examples that suit fine art photography and portrait photography. Often in family portraits, the photographer will have
subjects coordinate their outfits, either by matching outfits or color schemes. I will find examples of this and other family
portraits that have wardrobes that I like.
In addition to props and wardrobe, I will search for images of models wearing makeup. There are so many styles of
makeup, and I hope to find images of styles that appeal to me. I want to collect images of makeup that gives a different look
for each subject, such as a fresh-faced innocent look, a glamorous look, a dramatic look, and for fine art I will look for
makeup which can convey sadness, tiredness, and fantasy elements, such as making a person appear otherworldly.
39
40. Prop #1:
Umbrellas
I love umbrellas as props. I love the
rain, so that is my main reason for loving
umbrellas. But umbrellas can be plain
black, lacey, clear, or they can have fun
patterns like polka dots or rainbows.
Umbrellas can be used for solemn portraits
or for fun portraits. They can be used as
intended or as conceptual props such as can
be seen in my example image. I love this
image because of the whole concept, but I
chose it for it’s creative use of the prop.
40
41. Wardrobe #1
I chose this item as my first idea
for wardrobe. I love vintage items, and
as I stated earlier, I want to incorporate
that into my photography. Using vintage
dresses is a great way to do that, and
they can add visual interest to the
images. I think I would use vintage
dresses more in my fine art
photography, but would love to do
portraits of people in vintage clothes.
41
42. Vintage Sofas
I chose this image of a vintage
sofa because they are really popular
props right now. They can be used in
glamour portraits, children’s portraits,
senior portraits, pet portraits, or any
number of other portraits. I would love
to use one for a vintage-themed portrait
in the style of old Hollywood glamour.
42
43. Crowns
I chose this prop because it is
adorable for children’s portraits. It is
whimsical with a fairytale flair, and it
doubles as a wardrobe item. I have seen
an image on Pinterest.com of a baby
wearing a metal crown which the
parents saved and used again when their
child was several years older. I think
this is a nice idea.
43
44. Levels of Eye
Makeup
This guide shows the different
levels of eye makeup. The natural look
is great for senior portraits, and the light
works well for that too. The darker and
smokier looks are very dramatic and
could work well for glamour portraits
and fine art portraits.
44
45. Minimal Makeup
This makeup style is nice and
light. The skin tone is creamy with a
light blush. I like that nothing is
overdone. If the eye makeup was a little
lighter, it would be a great look for
senior portraits. Senior portraits look
very well with natural makeup, because
seniors are still young; heavy makeup
could age the subject.
45
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46
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<http://www.sheknows.com/parenting/articles/845225/creative-pose-ideas-for-families>
47
48. References Continued
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Hadfield, Jennifer. "Make Lace Glitter Crowns!! (perfect for Photo Props or Birthday Parties)." Tatertots and Jello. Tatertots and
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48
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49
50. References Continued
"Shaden: Gallery." Shaden: Gallery. Web. 03 July 2013.
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50
51. References Continued
Web. 03 July 2013.
<https://sphotos-b.xx.fbcdn.net/hphotos-frc3/988527_10201178466682244_661160354_n.jpg>
Web. 03 July 2013.
<http://mediacacheak2.pinimg.com/originals/58/ac/3e/58ac3eea84d7115d8cd452b5d7ee1c04.jpg>
51