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Jeopardy
 Shots   Composition   Editing   Developing Director

Q $100    Q $100       Q $100     Q $100    Q $100

Q $200    Q $200       Q $200     Q $200    Q $200

Q $300    Q $300       Q $300     Q $300    Q $300

Q $400    Q $400       Q $400     Q $400    Q $400

Q $500    Q $500       Q $500     Q $500    Q $500

                                           Final Jeopardy
$100 Question from Shots
Shot of a subject’s face and upper body
in which the lower frame line crosses
the person’s chest.
$100 Answer from Shots



Close shot (CS)
$200 Question from Shots


Framing that includes the subject’s
head and shoulders.
$200 Answer from Shots



Full close-up (FCU)
$300 Question from Shots

A shot that features a part or very close
view of a subject, such as a detail of a
face or a small object.
$300 Answer from Shots



Extreme close-up (ECU)
$400 Question from Shots



A composition that includes the entire
human figure
$400 Answer from Shots



Full shot (FS)
$500 Question from Shots

A shot in which the camera is lower
than the subject and tilted up.
$500 Answer from Shots



Low-angle shot
$100 Question from Composition

The amount of space in the frame that is
above the primary character(s) head(s).
Excessive headroom can be a sign of
amateurish photography.
$100 Answer from Composition



   Head room
$200 Question from Composition
In an image, the height and width can be
equally divided into thirds. According
to this principle, the four points in the
space where the two vertical lines and
two horizontal lines meet are the areas
of most dynamic interest to the viewer,
and the top and bottom thirds of the
frame are where horizon lines should
stretch.
$200 Answer from Composition



   Rule of thirds
$300 Question from Composition
A shot that is from the point of view of a
character in the film. This can be quite
obvious, such as a hand coming into the
screen, or it can be more subtle, such as
from the context of other shots in the
sequence.
$300 Answer from Composition


     Point-of-view shot
$400 Question from Composition

A change in the distance at which the
image is sharp during a shot, which can
be done manually on the lens, through the
camera or by a remote device.
$400 Answer from Composition



   Focus pull
$500 Question from Composition

A shot that is from the point of view of
a character in the film. This can be
quite obvious, such as a hand coming
into the screen, or it can be more
subtle, such as from the context of
other shots in the sequence.
$500 Answer from Composition



   Point-of-view shot
$100 Question from Editing

A transition between two shots or
sequences whereby the first gradually
fades out as the second fades in with
some overlap.
$100 Answer from Editing



 Dissolve
$200 Question from Editing

The process of selection and cutting
shots (separation them and altering
their length), then moving them and
determining their proper
arrangement in sequences.
$200 Answer from Editing



    Editing
$300 Question from Editing

The cutting and arrangement of shots
designed to make sequences feel
continuous in time and space.
$300 Answer from Editing



 Continuity editing
$400 Question from Editing

An edit between two shots from a
single sequence that makes time or
space shift abruptly or in a jolting
manner: not continuous.
$400 Answer from Editing



 Jump cut
$500 Question from Editing

An edit in which an action or visual
form in the first shot is matched with
one in the second shot to create a
smooth transition between the shots.
$500 Answer from Editing



 Match cut
$100 Question from Developing

A series of still images, usually
drawings, representing individual shots
arranged in sequences for motion
picture production.
$100 Answer from Developing


      Storyboard
$200 Question from Developing

A series of shots that form a distinct
storytelling unit or unified passage in the
film, much like e a scene in a play.
$200 Answer from Developing



   Sequence
$300 Question from Developing
A recorded series of images that show a
view, either fixed or moving, which
duplicates a passage of real time. It can
be cut into smaller pieces through
editing. Also, the passage of time can be
lengthened or shortened by recording
more or fewer frames than is technically
appropriate per second of normal time,
commonly known as slow or fast motion.
$300 Answer from Developing



   Shot
$400 Question from Developing
In relation to the depth of space
depicted in the frame, the background
is made up of the visible elements
(people, spatial elements, walls and so
forth) that are the farthest from the
camera
$400 Answer from Developing



   Background
$500 Question from Developing

Determining the beginning, middle
and end of a movie; target audience,
who will do what; location; etc.
$500 Answer from Developing



   Movie Plan
$100 Question from Director
The arrangement of visual elements in
a motion picture frame. This includes
all people, objects, settings, and other
visuals as they are seen in terms of
width, height, and depth, and as they
move in the space of the screen.
$100 Answer from Director



  Composition
$200 Question from Director

A voice heard with moving images but
not spoken out loud by any character
who is physically part of the sequence
shown on the screen.
$200 Answer from Director



  Voice-over
$300 Question from Director

The movement of subjects in relation to
the camera, particularly to the left or
right sides of the screen.
$300 Answer from Director


     Screen direction
$400 Question from Director

In relation to the depth of space depicted
in the frame, the foreground is made up
of those elements (people, objects, and
so forth) that are closest to the camera.
$400 Answer from Director



  Foreground
$500 Question from Director

Process in which an image gradually
fades away to a black or
monochromatic screen or other image.
$500 Answer from Director



  Fade out
Final Jeopardy

In filmmaking, “the ___________” is an
imaginary line perceived between two or
more characters in a scene used for
purposes of continuity editing.
Final Jeopardy Answer

       Axis

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Jeopardy for film terms

  • 1. Jeopardy Shots Composition Editing Developing Director Q $100 Q $100 Q $100 Q $100 Q $100 Q $200 Q $200 Q $200 Q $200 Q $200 Q $300 Q $300 Q $300 Q $300 Q $300 Q $400 Q $400 Q $400 Q $400 Q $400 Q $500 Q $500 Q $500 Q $500 Q $500 Final Jeopardy
  • 2. $100 Question from Shots Shot of a subject’s face and upper body in which the lower frame line crosses the person’s chest.
  • 3. $100 Answer from Shots Close shot (CS)
  • 4. $200 Question from Shots Framing that includes the subject’s head and shoulders.
  • 5. $200 Answer from Shots Full close-up (FCU)
  • 6. $300 Question from Shots A shot that features a part or very close view of a subject, such as a detail of a face or a small object.
  • 7. $300 Answer from Shots Extreme close-up (ECU)
  • 8. $400 Question from Shots A composition that includes the entire human figure
  • 9. $400 Answer from Shots Full shot (FS)
  • 10. $500 Question from Shots A shot in which the camera is lower than the subject and tilted up.
  • 11. $500 Answer from Shots Low-angle shot
  • 12. $100 Question from Composition The amount of space in the frame that is above the primary character(s) head(s). Excessive headroom can be a sign of amateurish photography.
  • 13. $100 Answer from Composition Head room
  • 14. $200 Question from Composition In an image, the height and width can be equally divided into thirds. According to this principle, the four points in the space where the two vertical lines and two horizontal lines meet are the areas of most dynamic interest to the viewer, and the top and bottom thirds of the frame are where horizon lines should stretch.
  • 15. $200 Answer from Composition Rule of thirds
  • 16. $300 Question from Composition A shot that is from the point of view of a character in the film. This can be quite obvious, such as a hand coming into the screen, or it can be more subtle, such as from the context of other shots in the sequence.
  • 17. $300 Answer from Composition Point-of-view shot
  • 18. $400 Question from Composition A change in the distance at which the image is sharp during a shot, which can be done manually on the lens, through the camera or by a remote device.
  • 19. $400 Answer from Composition Focus pull
  • 20. $500 Question from Composition A shot that is from the point of view of a character in the film. This can be quite obvious, such as a hand coming into the screen, or it can be more subtle, such as from the context of other shots in the sequence.
  • 21. $500 Answer from Composition Point-of-view shot
  • 22. $100 Question from Editing A transition between two shots or sequences whereby the first gradually fades out as the second fades in with some overlap.
  • 23. $100 Answer from Editing Dissolve
  • 24. $200 Question from Editing The process of selection and cutting shots (separation them and altering their length), then moving them and determining their proper arrangement in sequences.
  • 25. $200 Answer from Editing Editing
  • 26. $300 Question from Editing The cutting and arrangement of shots designed to make sequences feel continuous in time and space.
  • 27. $300 Answer from Editing Continuity editing
  • 28. $400 Question from Editing An edit between two shots from a single sequence that makes time or space shift abruptly or in a jolting manner: not continuous.
  • 29. $400 Answer from Editing Jump cut
  • 30. $500 Question from Editing An edit in which an action or visual form in the first shot is matched with one in the second shot to create a smooth transition between the shots.
  • 31. $500 Answer from Editing Match cut
  • 32. $100 Question from Developing A series of still images, usually drawings, representing individual shots arranged in sequences for motion picture production.
  • 33. $100 Answer from Developing Storyboard
  • 34. $200 Question from Developing A series of shots that form a distinct storytelling unit or unified passage in the film, much like e a scene in a play.
  • 35. $200 Answer from Developing Sequence
  • 36. $300 Question from Developing A recorded series of images that show a view, either fixed or moving, which duplicates a passage of real time. It can be cut into smaller pieces through editing. Also, the passage of time can be lengthened or shortened by recording more or fewer frames than is technically appropriate per second of normal time, commonly known as slow or fast motion.
  • 37. $300 Answer from Developing Shot
  • 38. $400 Question from Developing In relation to the depth of space depicted in the frame, the background is made up of the visible elements (people, spatial elements, walls and so forth) that are the farthest from the camera
  • 39. $400 Answer from Developing Background
  • 40. $500 Question from Developing Determining the beginning, middle and end of a movie; target audience, who will do what; location; etc.
  • 41. $500 Answer from Developing Movie Plan
  • 42. $100 Question from Director The arrangement of visual elements in a motion picture frame. This includes all people, objects, settings, and other visuals as they are seen in terms of width, height, and depth, and as they move in the space of the screen.
  • 43. $100 Answer from Director Composition
  • 44. $200 Question from Director A voice heard with moving images but not spoken out loud by any character who is physically part of the sequence shown on the screen.
  • 45. $200 Answer from Director Voice-over
  • 46. $300 Question from Director The movement of subjects in relation to the camera, particularly to the left or right sides of the screen.
  • 47. $300 Answer from Director Screen direction
  • 48. $400 Question from Director In relation to the depth of space depicted in the frame, the foreground is made up of those elements (people, objects, and so forth) that are closest to the camera.
  • 49. $400 Answer from Director Foreground
  • 50. $500 Question from Director Process in which an image gradually fades away to a black or monochromatic screen or other image.
  • 51. $500 Answer from Director Fade out
  • 52. Final Jeopardy In filmmaking, “the ___________” is an imaginary line perceived between two or more characters in a scene used for purposes of continuity editing.