SlideShare une entreprise Scribd logo
1  sur  26
Humble High School
    International Baccalaureate

How to achieve the
 highest score on
your IB Visual Arts
   examination
             By Raymundo Delgadillo. HHS IB Class of 2010
Art is easy.... right?

INCORRECT.
Actually, according to statistics, it is one of the IB
 subjects with the lowest scores...but why? I
 mean, art is supposed to be easy isn't it?
 Welllllll.... in short, no. A lot more work goes
 into good art than you might think.
 More than the skills that go into a piece, it is the
 research and vision behind it that make art
 fantastic in the eyes of a critic.
And by critics I don't mean your
           classmates...

We mean educated adults who are
 knowledgeable in the field of fine arts.    Yes,
 your classmates might be a great source of
 ideas, but remember, you're in IB art, you need
 more than simply ideas...you need concepts,
 visions, series, themes. You need to be able to
 develop and transform ideas into something
 much deeper, you need to be able to transform
 thoughts into visuals, emotions into colors, and
 actions into shapes.
That is all of course, if you want a
   high grade on your exam....




If you don't....then you can just stay with ideas.
And how do I develop concepts?

Well....that is the not-so-easy part.
First you have to figure out what the focus of
  your art will be. You need to come up with a
  theme that ALL of your work will somehow
  incorporate. Yes, I just said ALL of your work.
  “Omg, how am I gonna do that?” is what you're
  probably thinking, but it is actually easier than
  you think. Figuring out the theme of your art is
  what will take you some time.
And...what is a theme?

Well a theme is a broad idea or a message that all
 of your art will convey. Notice I said “broad”.
 Your theme should allow flexibility, it should
 not be something restricting but simply an idea
 to focus your work. The IB examiner doesn't
 want to see a circus, she wants to see a Paris
 fashion show. She wants something deep,
 something focused, something visually
 appealing.
I still don't get it.

Well you must be special.
Just kidding, it is actually not an easy concept to
    grasp. So let me give you some examples of
    themes:
• Dreaming            The human body Plants
                      Confusion         Love
• Intimacy
                      Animal cruelty Food
• Mythical figures Russian culture Pleasure
• Happiness           Pain              Textures
And how do I develop a theme?

Well, let's take one of the themes and I'll
 show some concepts or art piece ideas you
 can ramify from simply a word.



To make it kind of fun, I chose pleasure ;)
Money


                             The female figure
   Judgment of others


      Sex            PLEASURE Music
                                       Masochism
Materialism           Chocolate

                                Accomplishment,
            Beauty                  Victory
Well...that was random

I wasn't kidding when I said themes could be
broad...if you go back a slide you will notice that
all the words derived from “pleasure” are
extremely different from each other yet all of them
are united because in one way or another they
create pleasure...that is exactly what a theme
should be. It should allow you to freely explore
ideas yet unite all of your work in a way.
What does the exam consist of?

The infamous IWB...Investigation Workbook,
 from which a number of pages (varies
 depending on type of test) will be photocopied at
 the end of the year and internally as well as
 externally graded.
And
Your Studio Work...which should reflect the
 number of hours spent on classroom, no
 matter what medium. Art will be assessed at
 the end of the year by an IB examiner.
Investigation Workbook
Chances are, you have probably heard your
 classmates talk about how horrible writing
 in their IWBs is...well from experience I will
 tell you it isn't fun, but it is not as bad as
 students make it sound. How interesting
 and fun it is depends on you. Ultimately,
 YOU and only you decide what goes in it,
 whether research or sketches, you have the
 ultimate freedom to investigate any topic. So
 if doing pages on your IWB is boring, blame
 yourself.
What is an IWB for?

Before you create a studio piece you must do a
 little research.
That is just the way IB and the real art world
 works. Most good artist don't just pick up a
 paper or canvas and start drawing...for art to
 have a value it has to have a purpose, and
 the way you find that purpose is by doing
 research and focusing your ideas on paper
 before starting the piece. That is what your
 IWB is for.
I don't need an IWB to focus my art
         or show research...
 In IB you do; and that's not up for discussion.
 IB needs to see that you've put work into your
   art and that you've gained knowledge in the
   arts, and since there isn't an actual test in IB
   Visual Arts asides from your interview with
   the examiner, they need to see proof of your
   exploration...all 240 hrs of it. (HL)
How do I start my IWB?
In the first few pages you should talk about
  yourself and what in the field of arts
  interests you. Don't go on saying “I have
  brown hair & I love cookies” because IB
  couldn't care less. Unless it relates arts or
  what you mention somehow turns into an
  art piece later, it won't get you anywhere.
For example it would be fine to have a few
  pages talking about your brown hair, and
  how it makes you who you are IF you plan
  to do a piece about hair, otherwise, no.
Once you get started with your
            art...
You should keep your IWB updated. Make
 sure you throughly record at least half of
 your studio pieces from start to finish. And
 by that I mean:

    Background research

    Piece design (sketch or diagram)

    Continuous updates

    A picture of the finished piece

    AND MOST IMPORTANTLY: Reflection
How should I write in my IWB?
A lot of people fall under the impression that their
 IWB is like a diary..and it's not.                       You
 are not supposed to simply talk about how your
 artwork is in progress, but also continuously
 research things (artists, techniques, etc.) that are directly
 related to your current and future artwork. You
 should also practice techniques in it, but be sure
 that when you do it doesn't take the whole page
 and on the side you describe what you did and
 how it relates to yourself and your work .
What is considered good research?
Well....in simple words, if your IWB looks like the
   pages of the bible, or like a photo album...
   you're not researching right.
You have to find a balance of both visuals and
   writing. Do not allow either to overpower
   your book, there should be equal amounts of
   each. If you do a whole page of writing, make
   sure you balance it by doing a whole page of
   visuals that DIRECTLY relates to the writing.
   But preferably it should be half and half.
Let me show you...
       Unaccceptable
                                   What IB is looking for
I like apples.
                            Apples are one of the most widely
                            cultivated tree fruits. They are
     Decent                 sweet and crunchy and come in
                            different colors.Since I was
  Apples are sweet,         young, I've always had a
  red fruits I have         fascination for the fruit because
  always liked.             my dad owned an apple
                            plantation. I would
                 Good       Like to do a painting
Since I was young I have showing the natural
always liked apples,        beauty of apples,
which are sweet, red fruits emphasizing on the
generally grown in          color and shine of their skin,
Enough about the IWB...

Now let's move on to....YOUR ART!!!
I will not go into much detail on this section
    because it is pretty self-explanatory. There are
    only a few things IB specifically looks for.
Also, let me remind you that to be successful in IB
   you DONT have to be a great artist technique-
   wise, it is all about deep ideas and executing
   them successfully
IB likes to see progress.
IB loves to see progress. It does not matter if you
    start out as the worst painter in your class,
    you can still do well on your exam because
    what matters to IB is how much you develop
    your skills and progress as an artist. And the
    way you show progress is through your IWB
    and the INCREASING QUALITY in your art
    work. As you practice more the quality of
    your artwork will chronologically increase
    and IB loves that, so do not expect your first
    pieces to be Michaelangelo quality.
Your artwork should be personal
One of the IB markbands is “Artwork is directly
   personal to the student” if you don't meet that
   markband, you will never obtain a high score.
Personal? You might ask...Yes. Yes. Yes.
Through your IWB and interview show IB that
   your artwork has a direct connection to you.
   Whether your grandma died (which I sincerely
   hope didn't) or you have always been interested
   in painting, make sure you record the passion
   behind every piece.
Artwork should chronologically
        increase in depth.
And by depth I do not mean the thickness of your
   canvas.
Your studio pieces should ideally be more
   challenging and conceptual as time passes by.
   Don't expect to get away with the same level
   of challenge all year(s). That will not get you a
   high score. If you want to score high, your
   later pieces should not only be of deeper
   meaning, but should involve more
   craftsmanship. This shows your progress.
TIPS:

•   When you start researching something new,
    ALWAYS make titles. Also, use your headings
    to bring interest to your pages...try some cool
    fonts, color letters, play with size...your goal is
    to entertain the examiner...make her go
    “whoa” when she goes through your book. A
    simple change of color and font on your titles
    will add that “whoa” and create interest.


•   Challenge yourself!
TIPS:

•   Instead of printing images from the web, go
    buy yourself an art book/magazine from half-
    price-books and cut out your visuals from
    there...everything is already cited for you, so
    all you do is cut out the picture with the
    bottom citation and you're done!
•   When making a new piece, take gradual
    pictures of your work on it...it's all about
    progress.
TIPS:

•   Criticize yourself!!! As horrible as it sounds, it
    is great to write down “I need to improve on
    my painting skills, they are definitely not the
    best”....it shows the examiner that you are
    aware of your weaknesses and are willing to
    work on them.
•   Go to art museums/galleries and record your
    visits on your IWB...IB loves to see you
    exploring the world of arts. I recommend the
    Menil Collection...

Contenu connexe

Tendances

Year 10 Art Week 1.ppt
Year 10 Art Week 1.pptYear 10 Art Week 1.ppt
Year 10 Art Week 1.pptmissfcmay
 
Self portraits of famous artists
Self  portraits of famous artistsSelf  portraits of famous artists
Self portraits of famous artistsImaginationNation
 
11VA Theory - Marcel Duchamp
11VA Theory - Marcel Duchamp11VA Theory - Marcel Duchamp
11VA Theory - Marcel Duchamplaurajanefriend
 
AS Art exam 2016_ Transformation
AS Art exam 2016_ TransformationAS Art exam 2016_ Transformation
AS Art exam 2016_ TransformationMelanie Powell
 
Draw the Other Half-Art Lesson
Draw the Other Half-Art LessonDraw the Other Half-Art Lesson
Draw the Other Half-Art LessonLiberty Mickelsen
 
ROY LICHTENSTEIN
ROY LICHTENSTEINROY LICHTENSTEIN
ROY LICHTENSTEINAna Rey
 
Abstract art by mark rothko
Abstract art by mark rothkoAbstract art by mark rothko
Abstract art by mark rothkonivaca2
 
Cubism powerpoint
Cubism powerpointCubism powerpoint
Cubism powerpointktibug11
 
Henry moore and barbara hepworth ppt
Henry moore and barbara hepworth pptHenry moore and barbara hepworth ppt
Henry moore and barbara hepworth pptLesa
 
Fragments GCSE Art Exam 2018
Fragments GCSE Art Exam 2018 Fragments GCSE Art Exam 2018
Fragments GCSE Art Exam 2018 Melanie Powell
 
Robert Rauschenberg presentation
Robert Rauschenberg   presentationRobert Rauschenberg   presentation
Robert Rauschenberg presentationKaren Fleming
 
GCSE ESA 2019_Reflection
GCSE ESA 2019_ReflectionGCSE ESA 2019_Reflection
GCSE ESA 2019_ReflectionMelanie Powell
 
Apart and/or Together GCSE Exam 2015
Apart and/or Together GCSE Exam 2015Apart and/or Together GCSE Exam 2015
Apart and/or Together GCSE Exam 2015missfcmay
 
Claes Oldenburg
Claes OldenburgClaes Oldenburg
Claes Oldenburgmjarry
 

Tendances (20)

Year 10 Art Week 1.ppt
Year 10 Art Week 1.pptYear 10 Art Week 1.ppt
Year 10 Art Week 1.ppt
 
Self portraits of famous artists
Self  portraits of famous artistsSelf  portraits of famous artists
Self portraits of famous artists
 
11VA Theory - Marcel Duchamp
11VA Theory - Marcel Duchamp11VA Theory - Marcel Duchamp
11VA Theory - Marcel Duchamp
 
AS Art exam 2016_ Transformation
AS Art exam 2016_ TransformationAS Art exam 2016_ Transformation
AS Art exam 2016_ Transformation
 
Pop Art PDF
Pop Art PDFPop Art PDF
Pop Art PDF
 
Draw the Other Half-Art Lesson
Draw the Other Half-Art LessonDraw the Other Half-Art Lesson
Draw the Other Half-Art Lesson
 
Surrealism
SurrealismSurrealism
Surrealism
 
Surrealism
SurrealismSurrealism
Surrealism
 
ROY LICHTENSTEIN
ROY LICHTENSTEINROY LICHTENSTEIN
ROY LICHTENSTEIN
 
Abstract art by mark rothko
Abstract art by mark rothkoAbstract art by mark rothko
Abstract art by mark rothko
 
Cubism powerpoint
Cubism powerpointCubism powerpoint
Cubism powerpoint
 
Henry moore and barbara hepworth ppt
Henry moore and barbara hepworth pptHenry moore and barbara hepworth ppt
Henry moore and barbara hepworth ppt
 
Fragments GCSE Art Exam 2018
Fragments GCSE Art Exam 2018 Fragments GCSE Art Exam 2018
Fragments GCSE Art Exam 2018
 
Robert Rauschenberg presentation
Robert Rauschenberg   presentationRobert Rauschenberg   presentation
Robert Rauschenberg presentation
 
Apart together
Apart together Apart together
Apart together
 
GCSE ESA 2019_Reflection
GCSE ESA 2019_ReflectionGCSE ESA 2019_Reflection
GCSE ESA 2019_Reflection
 
Pop Art
Pop ArtPop Art
Pop Art
 
Opartshadingblobs
OpartshadingblobsOpartshadingblobs
Opartshadingblobs
 
Apart and/or Together GCSE Exam 2015
Apart and/or Together GCSE Exam 2015Apart and/or Together GCSE Exam 2015
Apart and/or Together GCSE Exam 2015
 
Claes Oldenburg
Claes OldenburgClaes Oldenburg
Claes Oldenburg
 

En vedette

I.B. Visual Arts: Investigation Workbook support presentation
I.B. Visual Arts: Investigation Workbook support presentationI.B. Visual Arts: Investigation Workbook support presentation
I.B. Visual Arts: Investigation Workbook support presentationannamartinezbiddulph
 
The changing world of the visual arts
The changing world of the visual artsThe changing world of the visual arts
The changing world of the visual artsVrushali Gajare
 
Visual arts! powerpoint presentation
Visual arts! powerpoint presentationVisual arts! powerpoint presentation
Visual arts! powerpoint presentationloganjones07
 
Andrew Atroshenko Painter
Andrew Atroshenko PainterAndrew Atroshenko Painter
Andrew Atroshenko Painternicekakim
 
International School Manila High School Art
International School Manila High School ArtInternational School Manila High School Art
International School Manila High School ArtMark Kucharski
 
International School Manila Middle School Art
 International School Manila Middle School Art International School Manila Middle School Art
International School Manila Middle School ArtMark Kucharski
 
IB ART JOURNEYS: Imagination
IB ART JOURNEYS: ImaginationIB ART JOURNEYS: Imagination
IB ART JOURNEYS: ImaginationNicky Cases
 
11VA Theory - Appropriation
11VA Theory - Appropriation11VA Theory - Appropriation
11VA Theory - Appropriationlaurajanefriend
 
The Male & Female Nude in Art, 2016
The Male & Female Nude in Art, 2016The Male & Female Nude in Art, 2016
The Male & Female Nude in Art, 2016laurajanefriend
 
Frames of Mind - Part 1 of 2
Frames of Mind - Part 1 of 2Frames of Mind - Part 1 of 2
Frames of Mind - Part 1 of 2laurajanefriend
 
Photo-manipulation Aesthetic Examples
Photo-manipulation Aesthetic ExamplesPhoto-manipulation Aesthetic Examples
Photo-manipulation Aesthetic Exampleslaurajanefriend
 
11VA Theory - Leondardo Da Vinci
11VA Theory - Leondardo Da Vinci11VA Theory - Leondardo Da Vinci
11VA Theory - Leondardo Da Vincilaurajanefriend
 
The changing world of visual arts
The changing world of visual artsThe changing world of visual arts
The changing world of visual artsTridha Rajaram
 
Elements & Principles of Art Design PowerPoint
Elements & Principles of Art Design PowerPointElements & Principles of Art Design PowerPoint
Elements & Principles of Art Design PowerPointemurfield
 

En vedette (19)

Comparative study vijayaraghavan
Comparative study vijayaraghavanComparative study vijayaraghavan
Comparative study vijayaraghavan
 
I.B. Visual Arts: Investigation Workbook support presentation
I.B. Visual Arts: Investigation Workbook support presentationI.B. Visual Arts: Investigation Workbook support presentation
I.B. Visual Arts: Investigation Workbook support presentation
 
Ib art presentation
Ib art presentationIb art presentation
Ib art presentation
 
The changing world of the visual arts
The changing world of the visual artsThe changing world of the visual arts
The changing world of the visual arts
 
Visual arts! powerpoint presentation
Visual arts! powerpoint presentationVisual arts! powerpoint presentation
Visual arts! powerpoint presentation
 
Andrew Atroshenko Painter
Andrew Atroshenko PainterAndrew Atroshenko Painter
Andrew Atroshenko Painter
 
International School Manila High School Art
International School Manila High School ArtInternational School Manila High School Art
International School Manila High School Art
 
International School Manila Middle School Art
 International School Manila Middle School Art International School Manila Middle School Art
International School Manila Middle School Art
 
IB ART JOURNEYS: Imagination
IB ART JOURNEYS: ImaginationIB ART JOURNEYS: Imagination
IB ART JOURNEYS: Imagination
 
11VA Theory - Appropriation
11VA Theory - Appropriation11VA Theory - Appropriation
11VA Theory - Appropriation
 
The Male & Female Nude in Art, 2016
The Male & Female Nude in Art, 2016The Male & Female Nude in Art, 2016
The Male & Female Nude in Art, 2016
 
Surrealismpp
SurrealismppSurrealismpp
Surrealismpp
 
Oranuch_Porfilio_Teach Art and Design
Oranuch_Porfilio_Teach Art and DesignOranuch_Porfilio_Teach Art and Design
Oranuch_Porfilio_Teach Art and Design
 
Frames of Mind - Part 1 of 2
Frames of Mind - Part 1 of 2Frames of Mind - Part 1 of 2
Frames of Mind - Part 1 of 2
 
Photo-manipulation Aesthetic Examples
Photo-manipulation Aesthetic ExamplesPhoto-manipulation Aesthetic Examples
Photo-manipulation Aesthetic Examples
 
11VA Theory - Leondardo Da Vinci
11VA Theory - Leondardo Da Vinci11VA Theory - Leondardo Da Vinci
11VA Theory - Leondardo Da Vinci
 
The changing world of visual arts
The changing world of visual artsThe changing world of visual arts
The changing world of visual arts
 
What is Art?
What is Art?What is Art?
What is Art?
 
Elements & Principles of Art Design PowerPoint
Elements & Principles of Art Design PowerPointElements & Principles of Art Design PowerPoint
Elements & Principles of Art Design PowerPoint
 

Similaire à Ib art presentation

Art Critiques A Guide (Chapters 13-16)
Art Critiques  A Guide (Chapters 13-16)Art Critiques  A Guide (Chapters 13-16)
Art Critiques A Guide (Chapters 13-16)Becky Gilbert
 
Welcome to Art Slideshow
Welcome to Art SlideshowWelcome to Art Slideshow
Welcome to Art SlideshowLauren Bishop
 
SSIS ibvahandbook
SSIS ibvahandbookSSIS ibvahandbook
SSIS ibvahandbooknadonassis
 
L2 sketchbook tips
L2 sketchbook tipsL2 sketchbook tips
L2 sketchbook tipsbibbyden
 
Who am I outside of my Resume- Allison Walters
Who am I outside of my Resume- Allison WaltersWho am I outside of my Resume- Allison Walters
Who am I outside of my Resume- Allison WaltersAllisonKay Walters
 
Recipe for a good sketchbook Fine Art 2012
Recipe for a good sketchbook Fine Art 2012Recipe for a good sketchbook Fine Art 2012
Recipe for a good sketchbook Fine Art 2012Netty Foster
 
Year 12 abstraction 1
Year 12 abstraction 1 Year 12 abstraction 1
Year 12 abstraction 1 Melanie Powell
 
How to create a photography artist statement, bio, resume and CV
How to create a photography artist statement, bio, resume and CVHow to create a photography artist statement, bio, resume and CV
How to create a photography artist statement, bio, resume and CValexandra copley
 
RSA Survey results
RSA Survey resultsRSA Survey results
RSA Survey resultsmseabarbosa
 
Some tips on how to discuss art with students
Some tips on how to discuss art with students Some tips on how to discuss art with students
Some tips on how to discuss art with students adamstepinski
 
Pencil sketch art for beginners
Pencil sketch art for beginnersPencil sketch art for beginners
Pencil sketch art for beginnerspencilsketches
 
Drawing pencil sketches academy
Drawing pencil sketches academyDrawing pencil sketches academy
Drawing pencil sketches academypencilsketches
 
Pencil sketch drawing USA
Pencil sketch drawing USAPencil sketch drawing USA
Pencil sketch drawing USApencilsketches
 
Free pencil art sketches tutorial: Drawing-pencil-sketches
Free pencil art sketches tutorial: Drawing-pencil-sketchesFree pencil art sketches tutorial: Drawing-pencil-sketches
Free pencil art sketches tutorial: Drawing-pencil-sketchespencilsketches
 
Pencil sketch art classes: Drawing-pencil-sketches
Pencil sketch art classes: Drawing-pencil-sketchesPencil sketch art classes: Drawing-pencil-sketches
Pencil sketch art classes: Drawing-pencil-sketchespencilsketches
 

Similaire à Ib art presentation (20)

Art Critiques A Guide (Chapters 13-16)
Art Critiques  A Guide (Chapters 13-16)Art Critiques  A Guide (Chapters 13-16)
Art Critiques A Guide (Chapters 13-16)
 
Welcome to Art Slideshow
Welcome to Art SlideshowWelcome to Art Slideshow
Welcome to Art Slideshow
 
SSIS ibvahandbook
SSIS ibvahandbookSSIS ibvahandbook
SSIS ibvahandbook
 
L2 sketchbook tips
L2 sketchbook tipsL2 sketchbook tips
L2 sketchbook tips
 
Artists At Work
Artists At WorkArtists At Work
Artists At Work
 
Design flip magazine 03
Design flip magazine 03Design flip magazine 03
Design flip magazine 03
 
Who am I outside of my Resume- Allison Walters
Who am I outside of my Resume- Allison WaltersWho am I outside of my Resume- Allison Walters
Who am I outside of my Resume- Allison Walters
 
Recipe for a good sketchbook Fine Art 2012
Recipe for a good sketchbook Fine Art 2012Recipe for a good sketchbook Fine Art 2012
Recipe for a good sketchbook Fine Art 2012
 
Year 12 abstraction 1
Year 12 abstraction 1 Year 12 abstraction 1
Year 12 abstraction 1
 
How to create a photography artist statement, bio, resume and CV
How to create a photography artist statement, bio, resume and CVHow to create a photography artist statement, bio, resume and CV
How to create a photography artist statement, bio, resume and CV
 
RSA Survey results
RSA Survey resultsRSA Survey results
RSA Survey results
 
Some tips on how to discuss art with students
Some tips on how to discuss art with students Some tips on how to discuss art with students
Some tips on how to discuss art with students
 
Pencil sketch art for beginners
Pencil sketch art for beginnersPencil sketch art for beginners
Pencil sketch art for beginners
 
Drawing pencil sketches academy
Drawing pencil sketches academyDrawing pencil sketches academy
Drawing pencil sketches academy
 
Drawing classes USA
Drawing classes USADrawing classes USA
Drawing classes USA
 
Pencil sketch drawing USA
Pencil sketch drawing USAPencil sketch drawing USA
Pencil sketch drawing USA
 
Free pencil art sketches tutorial: Drawing-pencil-sketches
Free pencil art sketches tutorial: Drawing-pencil-sketchesFree pencil art sketches tutorial: Drawing-pencil-sketches
Free pencil art sketches tutorial: Drawing-pencil-sketches
 
Pencil sketch art classes: Drawing-pencil-sketches
Pencil sketch art classes: Drawing-pencil-sketchesPencil sketch art classes: Drawing-pencil-sketches
Pencil sketch art classes: Drawing-pencil-sketches
 
Creative Process
Creative ProcessCreative Process
Creative Process
 
Year 12 abstraction 2
Year 12 abstraction 2Year 12 abstraction 2
Year 12 abstraction 2
 

Ib art presentation

  • 1. Humble High School International Baccalaureate How to achieve the highest score on your IB Visual Arts examination By Raymundo Delgadillo. HHS IB Class of 2010
  • 2. Art is easy.... right? INCORRECT. Actually, according to statistics, it is one of the IB subjects with the lowest scores...but why? I mean, art is supposed to be easy isn't it? Welllllll.... in short, no. A lot more work goes into good art than you might think. More than the skills that go into a piece, it is the research and vision behind it that make art fantastic in the eyes of a critic.
  • 3. And by critics I don't mean your classmates... We mean educated adults who are knowledgeable in the field of fine arts. Yes, your classmates might be a great source of ideas, but remember, you're in IB art, you need more than simply ideas...you need concepts, visions, series, themes. You need to be able to develop and transform ideas into something much deeper, you need to be able to transform thoughts into visuals, emotions into colors, and actions into shapes.
  • 4. That is all of course, if you want a high grade on your exam.... If you don't....then you can just stay with ideas.
  • 5. And how do I develop concepts? Well....that is the not-so-easy part. First you have to figure out what the focus of your art will be. You need to come up with a theme that ALL of your work will somehow incorporate. Yes, I just said ALL of your work. “Omg, how am I gonna do that?” is what you're probably thinking, but it is actually easier than you think. Figuring out the theme of your art is what will take you some time.
  • 6. And...what is a theme? Well a theme is a broad idea or a message that all of your art will convey. Notice I said “broad”. Your theme should allow flexibility, it should not be something restricting but simply an idea to focus your work. The IB examiner doesn't want to see a circus, she wants to see a Paris fashion show. She wants something deep, something focused, something visually appealing.
  • 7. I still don't get it. Well you must be special. Just kidding, it is actually not an easy concept to grasp. So let me give you some examples of themes: • Dreaming The human body Plants Confusion Love • Intimacy Animal cruelty Food • Mythical figures Russian culture Pleasure • Happiness Pain Textures
  • 8. And how do I develop a theme? Well, let's take one of the themes and I'll show some concepts or art piece ideas you can ramify from simply a word. To make it kind of fun, I chose pleasure ;)
  • 9. Money The female figure Judgment of others Sex PLEASURE Music Masochism Materialism Chocolate Accomplishment, Beauty Victory
  • 10. Well...that was random I wasn't kidding when I said themes could be broad...if you go back a slide you will notice that all the words derived from “pleasure” are extremely different from each other yet all of them are united because in one way or another they create pleasure...that is exactly what a theme should be. It should allow you to freely explore ideas yet unite all of your work in a way.
  • 11. What does the exam consist of? The infamous IWB...Investigation Workbook, from which a number of pages (varies depending on type of test) will be photocopied at the end of the year and internally as well as externally graded. And Your Studio Work...which should reflect the number of hours spent on classroom, no matter what medium. Art will be assessed at the end of the year by an IB examiner.
  • 12. Investigation Workbook Chances are, you have probably heard your classmates talk about how horrible writing in their IWBs is...well from experience I will tell you it isn't fun, but it is not as bad as students make it sound. How interesting and fun it is depends on you. Ultimately, YOU and only you decide what goes in it, whether research or sketches, you have the ultimate freedom to investigate any topic. So if doing pages on your IWB is boring, blame yourself.
  • 13. What is an IWB for? Before you create a studio piece you must do a little research. That is just the way IB and the real art world works. Most good artist don't just pick up a paper or canvas and start drawing...for art to have a value it has to have a purpose, and the way you find that purpose is by doing research and focusing your ideas on paper before starting the piece. That is what your IWB is for.
  • 14. I don't need an IWB to focus my art or show research... In IB you do; and that's not up for discussion. IB needs to see that you've put work into your art and that you've gained knowledge in the arts, and since there isn't an actual test in IB Visual Arts asides from your interview with the examiner, they need to see proof of your exploration...all 240 hrs of it. (HL)
  • 15. How do I start my IWB? In the first few pages you should talk about yourself and what in the field of arts interests you. Don't go on saying “I have brown hair & I love cookies” because IB couldn't care less. Unless it relates arts or what you mention somehow turns into an art piece later, it won't get you anywhere. For example it would be fine to have a few pages talking about your brown hair, and how it makes you who you are IF you plan to do a piece about hair, otherwise, no.
  • 16. Once you get started with your art... You should keep your IWB updated. Make sure you throughly record at least half of your studio pieces from start to finish. And by that I mean:  Background research  Piece design (sketch or diagram)  Continuous updates  A picture of the finished piece  AND MOST IMPORTANTLY: Reflection
  • 17. How should I write in my IWB? A lot of people fall under the impression that their IWB is like a diary..and it's not. You are not supposed to simply talk about how your artwork is in progress, but also continuously research things (artists, techniques, etc.) that are directly related to your current and future artwork. You should also practice techniques in it, but be sure that when you do it doesn't take the whole page and on the side you describe what you did and how it relates to yourself and your work .
  • 18. What is considered good research? Well....in simple words, if your IWB looks like the pages of the bible, or like a photo album... you're not researching right. You have to find a balance of both visuals and writing. Do not allow either to overpower your book, there should be equal amounts of each. If you do a whole page of writing, make sure you balance it by doing a whole page of visuals that DIRECTLY relates to the writing. But preferably it should be half and half.
  • 19. Let me show you... Unaccceptable What IB is looking for I like apples. Apples are one of the most widely cultivated tree fruits. They are Decent sweet and crunchy and come in different colors.Since I was Apples are sweet, young, I've always had a red fruits I have fascination for the fruit because always liked. my dad owned an apple plantation. I would Good Like to do a painting Since I was young I have showing the natural always liked apples, beauty of apples, which are sweet, red fruits emphasizing on the generally grown in color and shine of their skin,
  • 20. Enough about the IWB... Now let's move on to....YOUR ART!!! I will not go into much detail on this section because it is pretty self-explanatory. There are only a few things IB specifically looks for. Also, let me remind you that to be successful in IB you DONT have to be a great artist technique- wise, it is all about deep ideas and executing them successfully
  • 21. IB likes to see progress. IB loves to see progress. It does not matter if you start out as the worst painter in your class, you can still do well on your exam because what matters to IB is how much you develop your skills and progress as an artist. And the way you show progress is through your IWB and the INCREASING QUALITY in your art work. As you practice more the quality of your artwork will chronologically increase and IB loves that, so do not expect your first pieces to be Michaelangelo quality.
  • 22. Your artwork should be personal One of the IB markbands is “Artwork is directly personal to the student” if you don't meet that markband, you will never obtain a high score. Personal? You might ask...Yes. Yes. Yes. Through your IWB and interview show IB that your artwork has a direct connection to you. Whether your grandma died (which I sincerely hope didn't) or you have always been interested in painting, make sure you record the passion behind every piece.
  • 23. Artwork should chronologically increase in depth. And by depth I do not mean the thickness of your canvas. Your studio pieces should ideally be more challenging and conceptual as time passes by. Don't expect to get away with the same level of challenge all year(s). That will not get you a high score. If you want to score high, your later pieces should not only be of deeper meaning, but should involve more craftsmanship. This shows your progress.
  • 24. TIPS: • When you start researching something new, ALWAYS make titles. Also, use your headings to bring interest to your pages...try some cool fonts, color letters, play with size...your goal is to entertain the examiner...make her go “whoa” when she goes through your book. A simple change of color and font on your titles will add that “whoa” and create interest. • Challenge yourself!
  • 25. TIPS: • Instead of printing images from the web, go buy yourself an art book/magazine from half- price-books and cut out your visuals from there...everything is already cited for you, so all you do is cut out the picture with the bottom citation and you're done! • When making a new piece, take gradual pictures of your work on it...it's all about progress.
  • 26. TIPS: • Criticize yourself!!! As horrible as it sounds, it is great to write down “I need to improve on my painting skills, they are definitely not the best”....it shows the examiner that you are aware of your weaknesses and are willing to work on them. • Go to art museums/galleries and record your visits on your IWB...IB loves to see you exploring the world of arts. I recommend the Menil Collection...