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 YOUNG WAVE and ORIGINS
    Pop Music In Brazil
JOVEM GUARDA
Rock n’ Roll
 Emerge as a new
market in US in 50’s

 Roots in “black music”
from guettos: Rhythm n’
blues (R&B), gospel,
ballad broadcasted by
small recorders

 Big Recorders
Monopoly

  Spread of radio
stations

 Growth of Television
system
Standartized Music:
generates disgruntled
demand

  Young people
interested in rhythm
n’ blues

 Big Recorders:
adaptation of this
music for the target
public


Influence of “white
music” - Country
Emergency of a youth
culture in part upon
the rejection of older
styles of popular
culture
Rock appears as a hybrid tendency

Industry homogenize the musical
genre to reduce cultural differences
between influences

“Easy Listening” Music:
Songs and Lyrics

Public: Middle Class

First successed song:
Rock Around The Clock – Bill Haley

Capture young people: industry see
them as a new market to explore
Rock and Roll was for and
about adolescents

Lyrics related to teenage
problems

School, cars, summer
vacation, parents, and most
important, young love

All aspects of music indicate
a teenage defiance of adult
values and authorithy
Phonografic
Industry
Disseminates and produces
behaviours, patterns and
values

Absolute Values: “way of life”:
clothes, music, cars, etc

This scenario doesn’t aim to
change social, economic and
cultural difference.

Rock, at least this time, is not
a social movement
Ahora, vamos
practicar
nuestro
Español...
MOVIE
In Brazil...
Brazil
Rock cames to Brazil in 50’s

We could buy Bill Haley’s LPs in 1955

Nora Ney rends Rock Around the
Clock in English

Young Middle Class: they discovered
new dance and songs (success)
TV-Record releases the genre in Brazil

They bring international musicians as Neil
Sedaka, Brenda Lee, Bill Haley and Johnny
Ray

Recorders produce rock music also
publicize the genre

1957: first brazilian composition:
Miguel Gustavo – Rock and Roll em
Copacabana

As strategic solution, covers were
recordered
TV Programs specific for teenagers:
Carlos Imperial presents “Clube do Rock”

Producers shape the musician/artist to fit
in a esthetical conception compatible with
the market

Showmans look for artist and define
profile, style, genre, fund, etc

Development of phonografic industry:
directors responsible by strategies
implementation – tasks division
New Singers Generation

In 59, Celly Campello launch by Odeon a
LP with “Stupid Cupid” song translated to
Portuguese.

Celly became knowed as “Brazil’s
girlfriend”

Featured artists: Demétrius, Sérgio Murilo,
Tony Campelo, Roberto Carlos and Ronnie
Cord

“Well-bred” young guys
MOVIE
Young Wave :
TV Show
TV-Record creates a TV Show to young
people called “Jovem Guarda” – Young
Wave

Presented on Sundays by Roberto Carlos,
Celly Campelo and Erasmo Carlos

High audience

a get-together - young singers

“Well-bred” young guys
The expression “Jovem Guarda” becomes
to reffers to the musical style.

American and English Pop Music:
Versions/adaptation

Influence: Beatles, Rolling Stones, Gerry
and Pacemaker, Gary Lewis, The Playboys

Melodic and harmonic aspects: basic
No background from public required

Lyrics about happiness in love, pain
in break up, adventures, humor, etc.

Situations from urban scenario:
automobiles (status), drive in high
speed and in wrong way

Young wave was a lifestyle :
connection between young people’s
image and modern condition
Plagiarism/ Translations/Versions
  VEM (HELP) - THE YOUNGSTERS
  ANNA(ANNA) - OS CARBONOS
  ESCREVA LOGO (PLEASE MR. POSTMAN) - RENATO E SEUS BLUE CAPS
  SOU FELIZ DANÇANDO COM VOCE (HAPPY JUST TO DANCE WITH YOU) –
RENATO E SEUS BLUE CAPS
  EU ME APAIXONEI (I FEEL FINE) - PAULO CÉSAR BARROS
  HEY JUDE (HEY JUDE) - THE FEVERS
  GAROTA MALVADA (I CALL YOUR NAME) - RENATO E SEUS BLUE CAPS
  NÃO VOLTO MAIS (PAPERBACK WRITER) - RENATO E SEUS BLUE CAPS
  EU TE AMO (AND I LOVE HER) - PAULO CÉSAR BARROS
  SUBMARINO AMARELO (YELLOW SUBMARINE) - OS LORDES
  NÃO CONSIGO TE ESQUECER (THE NIGHT BEFORE) - PAULO CÉSAR BARROS
  GENTE DEMAIS (TICKET TO RIDE) - THE YOUNGSTERS
Plagiarism/ Translations/Versions
 TE ADORO (I NEED YOU) - GOLDEN BOY
 MEU BEM (GIRL) - RONNIE VONN
 SOU TÃO FELIZ (LOVE ME DO) - RENATO E SEUS BLUE CAPS
  MICHELLE (MICHELLE) - GOLDEN BOYS
 OBRIGADO GAROTA (THANK YOU GIRL) - OS VIPS
 ONTEM (YESTERDAY) - GOLDEN BOYS
 O HOMEM SÓ (NOWHERE MAN) - THE BRAZILIAN BITLES
 COISAS QUE ACONTECEM (THINGS WE SAID TODAY) - OS VIPS
 EU SEI (I'LL BE BACK) - RENATO E SEUS BLUE CAPS
 POBRE DE AMOR (NORWEGIAN WOOD) - RONNIE VONN
 VOCE VAI SER FELIZ (FROM ME TO YOU) - PAULO CÉSAR BARROS
 FECHE OS OLHOS (ALL MY LOVING) - RENATO E SEUS BLUE CAPS
 LADY MADONNA (LADY MADONNA) - THE FEVERS
MOVIE
Publicity of the enterprise
Roberto Carlos chosen to present the TV show: good
looking guy and succeeded as a singer

TV Show name defined by an agency:
quot;The future belongs to the youth, for the old school is
obsolete” - Lenin

Advanced communication techniques to get public. 30
persons envolved: seamstresses, journalists, marketers,
producers, entrepreneur
Publicity of the enterprise
Creation of a image using the new communication
system: The television!

Two administration companies opened to support the TV
Show

Line of products related to the performer: sustain image
and interprise
Young Wave was the
   first marketing
enterprise related to
   music in Brazil
The King
Failed in another styles: bossa nova and
bolero. Affirmed as a rock singer

Created Image: romantic, gracious,
charitable, trusty, hard working, self
made man and faithfull with the fans

Sometimes rebel
“É proibido fumar”, “Lobo mau”, “Quero
que tudo vá para o inferno”

His music reached adults and kids too
Considered an idol

Roberto keeped some distance from
public
Roberto had his own way that made him a
successful singer

He knew how to transit between his limits,
artistic production and the market

This posture created an aura of mysticism and
inaccessibility to preseve his singularity

Young and soft voice
Roberto Carlos
represents the first
musical product in
      Brazil
This phenomenon
 happened in parallel
 with communication
system development
     (television):
cultural expansion in
         Brazil
Successor: Ronnie Von
 His name: Ronaldo Nogueira

 Graduated in Economics

 He had a social origin wich were different
 from another “iê iê iê” singers

 Expert in literature

 He did not compose political music


 Presented new tendencies in songs
Ronnie had a distinct
strategy: mention to
   classical music,
    literature and
   intellectualized
       behaviour
The decline
Thanks!
Bibliografy
 José Roberto Zan, Do fundo do quintal à vanguarda: contribuição
para uma História Social da Música Popular Brasileira, Doctoral
Thesis – Arths Institute – State University of Campinas – UNICAMP

 Great balls of fire! (1989) – directed by Jim McBride and features
Dennis Quaid as Jerry Lee Lewis – American biographical film
Young Wave

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Young Wave

  • 1. Thanks God, It’s Friday! YOUNG WAVE and ORIGINS Pop Music In Brazil
  • 2.
  • 4. Rock n’ Roll Emerge as a new market in US in 50’s Roots in “black music” from guettos: Rhythm n’ blues (R&B), gospel, ballad broadcasted by small recorders Big Recorders Monopoly Spread of radio stations Growth of Television system
  • 5. Standartized Music: generates disgruntled demand Young people interested in rhythm n’ blues Big Recorders: adaptation of this music for the target public Influence of “white music” - Country
  • 6. Emergency of a youth culture in part upon the rejection of older styles of popular culture
  • 7. Rock appears as a hybrid tendency Industry homogenize the musical genre to reduce cultural differences between influences “Easy Listening” Music: Songs and Lyrics Public: Middle Class First successed song: Rock Around The Clock – Bill Haley Capture young people: industry see them as a new market to explore
  • 8. Rock and Roll was for and about adolescents Lyrics related to teenage problems School, cars, summer vacation, parents, and most important, young love All aspects of music indicate a teenage defiance of adult values and authorithy
  • 9. Phonografic Industry Disseminates and produces behaviours, patterns and values Absolute Values: “way of life”: clothes, music, cars, etc This scenario doesn’t aim to change social, economic and cultural difference. Rock, at least this time, is not a social movement
  • 11. MOVIE
  • 13. Brazil Rock cames to Brazil in 50’s We could buy Bill Haley’s LPs in 1955 Nora Ney rends Rock Around the Clock in English Young Middle Class: they discovered new dance and songs (success)
  • 14. TV-Record releases the genre in Brazil They bring international musicians as Neil Sedaka, Brenda Lee, Bill Haley and Johnny Ray Recorders produce rock music also publicize the genre 1957: first brazilian composition: Miguel Gustavo – Rock and Roll em Copacabana As strategic solution, covers were recordered
  • 15. TV Programs specific for teenagers: Carlos Imperial presents “Clube do Rock” Producers shape the musician/artist to fit in a esthetical conception compatible with the market Showmans look for artist and define profile, style, genre, fund, etc Development of phonografic industry: directors responsible by strategies implementation – tasks division
  • 16. New Singers Generation In 59, Celly Campello launch by Odeon a LP with “Stupid Cupid” song translated to Portuguese. Celly became knowed as “Brazil’s girlfriend” Featured artists: Demétrius, Sérgio Murilo, Tony Campelo, Roberto Carlos and Ronnie Cord “Well-bred” young guys
  • 17. MOVIE
  • 18. Young Wave : TV Show TV-Record creates a TV Show to young people called “Jovem Guarda” – Young Wave Presented on Sundays by Roberto Carlos, Celly Campelo and Erasmo Carlos High audience a get-together - young singers “Well-bred” young guys
  • 19. The expression “Jovem Guarda” becomes to reffers to the musical style. American and English Pop Music: Versions/adaptation Influence: Beatles, Rolling Stones, Gerry and Pacemaker, Gary Lewis, The Playboys Melodic and harmonic aspects: basic
  • 20. No background from public required Lyrics about happiness in love, pain in break up, adventures, humor, etc. Situations from urban scenario: automobiles (status), drive in high speed and in wrong way Young wave was a lifestyle : connection between young people’s image and modern condition
  • 21. Plagiarism/ Translations/Versions VEM (HELP) - THE YOUNGSTERS ANNA(ANNA) - OS CARBONOS ESCREVA LOGO (PLEASE MR. POSTMAN) - RENATO E SEUS BLUE CAPS SOU FELIZ DANÇANDO COM VOCE (HAPPY JUST TO DANCE WITH YOU) – RENATO E SEUS BLUE CAPS EU ME APAIXONEI (I FEEL FINE) - PAULO CÉSAR BARROS HEY JUDE (HEY JUDE) - THE FEVERS GAROTA MALVADA (I CALL YOUR NAME) - RENATO E SEUS BLUE CAPS NÃO VOLTO MAIS (PAPERBACK WRITER) - RENATO E SEUS BLUE CAPS EU TE AMO (AND I LOVE HER) - PAULO CÉSAR BARROS SUBMARINO AMARELO (YELLOW SUBMARINE) - OS LORDES NÃO CONSIGO TE ESQUECER (THE NIGHT BEFORE) - PAULO CÉSAR BARROS GENTE DEMAIS (TICKET TO RIDE) - THE YOUNGSTERS
  • 22. Plagiarism/ Translations/Versions TE ADORO (I NEED YOU) - GOLDEN BOY MEU BEM (GIRL) - RONNIE VONN SOU TÃO FELIZ (LOVE ME DO) - RENATO E SEUS BLUE CAPS MICHELLE (MICHELLE) - GOLDEN BOYS OBRIGADO GAROTA (THANK YOU GIRL) - OS VIPS ONTEM (YESTERDAY) - GOLDEN BOYS O HOMEM SÓ (NOWHERE MAN) - THE BRAZILIAN BITLES COISAS QUE ACONTECEM (THINGS WE SAID TODAY) - OS VIPS EU SEI (I'LL BE BACK) - RENATO E SEUS BLUE CAPS POBRE DE AMOR (NORWEGIAN WOOD) - RONNIE VONN VOCE VAI SER FELIZ (FROM ME TO YOU) - PAULO CÉSAR BARROS FECHE OS OLHOS (ALL MY LOVING) - RENATO E SEUS BLUE CAPS LADY MADONNA (LADY MADONNA) - THE FEVERS
  • 23.
  • 24. MOVIE
  • 25.
  • 26. Publicity of the enterprise Roberto Carlos chosen to present the TV show: good looking guy and succeeded as a singer TV Show name defined by an agency: quot;The future belongs to the youth, for the old school is obsolete” - Lenin Advanced communication techniques to get public. 30 persons envolved: seamstresses, journalists, marketers, producers, entrepreneur
  • 27. Publicity of the enterprise Creation of a image using the new communication system: The television! Two administration companies opened to support the TV Show Line of products related to the performer: sustain image and interprise
  • 28. Young Wave was the first marketing enterprise related to music in Brazil
  • 30. Failed in another styles: bossa nova and bolero. Affirmed as a rock singer Created Image: romantic, gracious, charitable, trusty, hard working, self made man and faithfull with the fans Sometimes rebel “É proibido fumar”, “Lobo mau”, “Quero que tudo vá para o inferno” His music reached adults and kids too
  • 31. Considered an idol Roberto keeped some distance from public
  • 32. Roberto had his own way that made him a successful singer He knew how to transit between his limits, artistic production and the market This posture created an aura of mysticism and inaccessibility to preseve his singularity Young and soft voice
  • 33. Roberto Carlos represents the first musical product in Brazil
  • 34. This phenomenon happened in parallel with communication system development (television): cultural expansion in Brazil
  • 35. Successor: Ronnie Von His name: Ronaldo Nogueira Graduated in Economics He had a social origin wich were different from another “iê iê iê” singers Expert in literature He did not compose political music Presented new tendencies in songs
  • 36. Ronnie had a distinct strategy: mention to classical music, literature and intellectualized behaviour
  • 38.
  • 39.
  • 41. Bibliografy José Roberto Zan, Do fundo do quintal à vanguarda: contribuição para uma História Social da Música Popular Brasileira, Doctoral Thesis – Arths Institute – State University of Campinas – UNICAMP Great balls of fire! (1989) – directed by Jim McBride and features Dennis Quaid as Jerry Lee Lewis – American biographical film