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This week’s presentation
 What will follow is a brief discussion about “shapes” in
fiction.
 You also will find articles that discuss this more on
Canvas.
 Please read through and then do the writing exercise
provided. This not a timed exercise.
 Please complete writing exercise and reading
assignments by April 2. Your new assignments for next
week will post then.
Stories and Shapes
 We’ve talked about the individual craft elements in
fiction.
 Another fun aspect is considering the overall “shape” of
a story.
 Many writers have talked about the way in which they
chose a shape or form for their stories. For example,
we talked about the “iceberg” in Hemingway’s “Hills
Like White Elephants.”
 I’ve included links to some other articles about shapes
in fiction for you to review.
Other types of structure
 Not all fiction needs to follow a linear/chronological
structure in order to have a crisis action and conflict
 Other types of structures to consider:
 Maze
 Iceberg
 Parallel lines
 Infinity
Maze
 In which a character either physically, emotionally (or
both!) is trapped and has trouble getting out of his or
her maze
Iceberg
 In which part of the story is submerged and unseen, but
felt (think of “Hills Like White Elephants”
Parallel Lines
 In which two stories run, literally, parallel to one another
(perhaps characters facing similar challenges) but the
stories do not meet.
The Circle
 The story begins and ends in the same place
Infinity or The Loop
 The story keeps meeting up with itself in the same spot
and then continuing on; events repeat themselves and
breaking free of this loop is one of the challenges.
Writing Assignment
 Write a very short (flash) story (aim for 1,000 words) and
make a conscious choice about using one of these shapes.
Don’t tell what it is. You can use a piece of your current story
in progress for this assignment if you like.
 Maze: A character is literally in a situation he/she can’t get
out of, but this should also be reflected internally.
 Iceberg: Where much is unknown, the actual story is
underwater, what’s left and how do we end up feeling?
 Parallel lines: Two parallel stories that match but don’t meet
 A circle: A story that begins and ends in the same place.
Reading Assignment
 What will follow from here is a short review on Plot. You
can also review in Chapter Six in Writing Fiction (p.
124).
 After you review, please read “What You Pawn I Will
Redeem” by Sherman Alexie (download on Canvas).
 Then answer the questions in the Discussion portal.
Plot & Structure
 We recently discussed plot and conflict.
 Plot is the “why” that provides meaning to the story
 Conflict and resolution of conflict is the backbone of
plot.
 Types of conflict:
 Man versus man/ man vs. self/ man vs. nature/ man vs.
society
Traditional Plot
Plot is the literary element that describes the structure of a story. It shows
arrangement of events and actions within a story.
A quicker plot chart
Analyze Plot
 Read “What You Pawn I Will Redeem” by Sherman
Alexie. Take a stab at these questions:
 What types of conflict exist in the story?
 Where is the crisis action in the plot?

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Shapes in Fiction

  • 1. This week’s presentation  What will follow is a brief discussion about “shapes” in fiction.  You also will find articles that discuss this more on Canvas.  Please read through and then do the writing exercise provided. This not a timed exercise.  Please complete writing exercise and reading assignments by April 2. Your new assignments for next week will post then.
  • 2. Stories and Shapes  We’ve talked about the individual craft elements in fiction.  Another fun aspect is considering the overall “shape” of a story.  Many writers have talked about the way in which they chose a shape or form for their stories. For example, we talked about the “iceberg” in Hemingway’s “Hills Like White Elephants.”  I’ve included links to some other articles about shapes in fiction for you to review.
  • 3. Other types of structure  Not all fiction needs to follow a linear/chronological structure in order to have a crisis action and conflict  Other types of structures to consider:  Maze  Iceberg  Parallel lines  Infinity
  • 4. Maze  In which a character either physically, emotionally (or both!) is trapped and has trouble getting out of his or her maze
  • 5. Iceberg  In which part of the story is submerged and unseen, but felt (think of “Hills Like White Elephants”
  • 6. Parallel Lines  In which two stories run, literally, parallel to one another (perhaps characters facing similar challenges) but the stories do not meet.
  • 7. The Circle  The story begins and ends in the same place
  • 8. Infinity or The Loop  The story keeps meeting up with itself in the same spot and then continuing on; events repeat themselves and breaking free of this loop is one of the challenges.
  • 9. Writing Assignment  Write a very short (flash) story (aim for 1,000 words) and make a conscious choice about using one of these shapes. Don’t tell what it is. You can use a piece of your current story in progress for this assignment if you like.  Maze: A character is literally in a situation he/she can’t get out of, but this should also be reflected internally.  Iceberg: Where much is unknown, the actual story is underwater, what’s left and how do we end up feeling?  Parallel lines: Two parallel stories that match but don’t meet  A circle: A story that begins and ends in the same place.
  • 10. Reading Assignment  What will follow from here is a short review on Plot. You can also review in Chapter Six in Writing Fiction (p. 124).  After you review, please read “What You Pawn I Will Redeem” by Sherman Alexie (download on Canvas).  Then answer the questions in the Discussion portal.
  • 11. Plot & Structure  We recently discussed plot and conflict.  Plot is the “why” that provides meaning to the story  Conflict and resolution of conflict is the backbone of plot.  Types of conflict:  Man versus man/ man vs. self/ man vs. nature/ man vs. society
  • 12. Traditional Plot Plot is the literary element that describes the structure of a story. It shows arrangement of events and actions within a story.
  • 13. A quicker plot chart
  • 14. Analyze Plot  Read “What You Pawn I Will Redeem” by Sherman Alexie. Take a stab at these questions:  What types of conflict exist in the story?  Where is the crisis action in the plot?

Notes de l'éditeur

  1. A lot of writers have spoken of envisioning their stories as shapes. Henry James said the imaginary shape of th Ambassadors was that of an hourglass.
  2. You can use a piece of your current story. You can use your flash from last week.
  3. Aristotle: beginning, middle and end, Freitag chart added the climax, and then we have