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Text in art
"It _is_ a long tail, certainly," said Alice, looking
                               down with wonder at the Mouse's tail; "but why do you
                               call it sad?" And she kept on puzzling about it while the
                               Mouse was speaking, so that her idea of the tale was
                               something like this:----"Fury said to
                                      a mouse, That
                                            he met in the
                                                 house, `Let
                                                    us both go
                                                       to law: _I_
                                                        will prose-
                                                        cute _you_.--
                                                        Come, I'll
                                                       take no de-
                                                    nial: We
                                                  must have
                                               the trial;
                                            For really
                                          this morn-
                                        ing I've
                                       nothing
                                      to do.'
                                       Said the
                                        mouse to
                                          the cur,
                                             `Such a
                                                trial, dear
                                                   sir. With
                                                     no jury
                                                      or judge,
                                                        would
                                                       be wast-
                                                     ing our
                                                   breath.'
                                                 `I'll be
                                              judge,
                                           I'll be
                                         jury,'
                                       said
                                      cun-
                                      ning
                                       old
                                         Fury:
                                          `I'll
                                             try
                                               the
                                                whole
                                                 cause,
Lewis Carroll, Alice in                           and
Wonderland, Chapter 3, “A                        con-
                                               demn
Caucus Race and a Long Tale”               you to
                                      death'."
Rene Magritte, The Treachery of Images, oil on canvas, 63.5 cm x 93.98cm, 1928-29
Carl
Andre, Untitled, 1960, t
ypewriting on paper, 11
x 8 ½ inches (27.9 x
21.6 cm). The Museum
of Modern Art, New
York. Gift of Sally and
Wynn Kramarsky
Mel Bochner, “2 (12″ x 12″),” 1997, wood engraving with embossment on handmade paper, eight sheets, 16 x 36 inches
Sol LeWitt, “W,” 1995, relief print on hand dyed, handmade Twinrocker paper, 9 x 12 1/2 inches. Published by Two Palms, New
York.
John Baldessari, I Will Not Make Any More Boring Art, Lithograph, 22 3/8” x 29 9/16”, 1971
Ed Ruscha, Hollywood is a Verb, Dry pigmnet on paper, 29” x 23”, 1983
Barbara Kruger, L&M Arts Los Angeles, installation shot, 2011
Jenny Holzer,
Truisms
Steve Lambert, Everything You Want, Right Now!, 2009
Jasper Johns, 0 through 9, 1960, charcoal on paper, collection of the artist
Tauba Auerbach. The Whole Alphabet, From the Center Out, Digital, V. 2006. Gouache on paper on panel 30 x 22″ (76.2
x 55.9 cm). Private Collection © 2011 Tauba Auerbach.
Richard Prince,
I Know a Guy,
Acrylic on Canvas
548 3/5 × 396
1/5 in

2000
Andy Warhol, Dollar Signs, silkscreen on canvas, 1981
Roy Lichtenstein, Reflections: Art, 1988.
Banksy, Los Angeles, CA, 2010
Wayne White, Good Looking People Having Fun Without You, acrylic on thrift-store painting
Wendy White, 7 Monroe, Acrylic on canvas, PVC, 26 x 28 x 1 in, 2012
Mel Bochner, “Fucked-Up,” 2009. Oil on canvas, 60 x 45 inches. Courtesy Marc Selwyn Gallery.
Al Held, Siegfreid 1966, Acrylic on canvas, 114 x 192 inches
Cy Twombly, Untitled, oil-based house paint and crayon on canvas, 13’ 3 3/8” x 21’ 1/8”, 1970
Christopher Wool (installation shot)
Josh Smith, Untitled, oil on canvas, 152.4 x 121.9cm, 2006
You Go Girl
Blades Bojorquez, "Chaz Bojorquez, Señor Suerte tage with 'veterano/veterana' roll calls, Arroyo Seco River, Los Angeles"
(1975) (image via MOCA LA)
Text in art

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Text in art

  • 2. "It _is_ a long tail, certainly," said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:----"Fury said to a mouse, That he met in the house, `Let us both go to law: _I_ will prose- cute _you_.-- Come, I'll take no de- nial: We must have the trial; For really this morn- ing I've nothing to do.' Said the mouse to the cur, `Such a trial, dear sir. With no jury or judge, would be wast- ing our breath.' `I'll be judge, I'll be jury,' said cun- ning old Fury: `I'll try the whole cause, Lewis Carroll, Alice in and Wonderland, Chapter 3, “A con- demn Caucus Race and a Long Tale” you to death'."
  • 3. Rene Magritte, The Treachery of Images, oil on canvas, 63.5 cm x 93.98cm, 1928-29
  • 4. Carl Andre, Untitled, 1960, t ypewriting on paper, 11 x 8 ½ inches (27.9 x 21.6 cm). The Museum of Modern Art, New York. Gift of Sally and Wynn Kramarsky
  • 5. Mel Bochner, “2 (12″ x 12″),” 1997, wood engraving with embossment on handmade paper, eight sheets, 16 x 36 inches
  • 6. Sol LeWitt, “W,” 1995, relief print on hand dyed, handmade Twinrocker paper, 9 x 12 1/2 inches. Published by Two Palms, New York.
  • 7. John Baldessari, I Will Not Make Any More Boring Art, Lithograph, 22 3/8” x 29 9/16”, 1971
  • 8. Ed Ruscha, Hollywood is a Verb, Dry pigmnet on paper, 29” x 23”, 1983
  • 9. Barbara Kruger, L&M Arts Los Angeles, installation shot, 2011
  • 11.
  • 12. Steve Lambert, Everything You Want, Right Now!, 2009
  • 13. Jasper Johns, 0 through 9, 1960, charcoal on paper, collection of the artist
  • 14. Tauba Auerbach. The Whole Alphabet, From the Center Out, Digital, V. 2006. Gouache on paper on panel 30 x 22″ (76.2 x 55.9 cm). Private Collection © 2011 Tauba Auerbach.
  • 15. Richard Prince, I Know a Guy, Acrylic on Canvas
548 3/5 × 396 1/5 in 2000
  • 16. Andy Warhol, Dollar Signs, silkscreen on canvas, 1981
  • 19. Wayne White, Good Looking People Having Fun Without You, acrylic on thrift-store painting
  • 20. Wendy White, 7 Monroe, Acrylic on canvas, PVC, 26 x 28 x 1 in, 2012
  • 21. Mel Bochner, “Fucked-Up,” 2009. Oil on canvas, 60 x 45 inches. Courtesy Marc Selwyn Gallery.
  • 22. Al Held, Siegfreid 1966, Acrylic on canvas, 114 x 192 inches
  • 23. Cy Twombly, Untitled, oil-based house paint and crayon on canvas, 13’ 3 3/8” x 21’ 1/8”, 1970
  • 25. Josh Smith, Untitled, oil on canvas, 152.4 x 121.9cm, 2006
  • 27. Blades Bojorquez, "Chaz Bojorquez, Señor Suerte tage with 'veterano/veterana' roll calls, Arroyo Seco River, Los Angeles" (1975) (image via MOCA LA)