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Helvetica

Helvetica is a widely used sans-serif typeface developed in 1957 by Swiss
typeface designer Max Miedinger with Eduard Hoffmann.

Helvetica was developed in 1957 by Max Miedinger with Eduard Hoffmann at
the Haas’sche Schriftgiesserei (Haas type foundry) of Münchenstein, Swit-
zerland. Haas set out to design a new sans-serif typeface that could compete
with the successful Akzidenz-Grotesk in the Swiss market. Originally called
Neue Haas Grotesk, its design was based on Schelter-Grotesk and Haas’
Normal Grotesk. The aim of the new design was to create a neutral typeface
that had great clarity, no intrinsic meaning in its form, and could be used on a
wide variety of signage.

When Linotype adopted Neue Haas Grotesk (which was never planned to be
a full range of mechanical and hot-metal typefaces) its design was reworked.
After the success of Univers, Arthur Ritzel of Stempel redesigned Neue Haas
Grotesk into a larger family.

In 1960, the typeface’s name was changed by Haas’ German parent company
Stempel to Helvetica in order to make it more marketable internationally. It
was initially suggested that the type be called ‘Helvetia’ which is the original
Latin name for Switzerland. This was ignored by Eduard Hoffmann as he de-
cided it wouldn’t be appropriate to name a type after a country. He then de-
cided on ‘Helvetica’ as this meant ‘Swiss’ as opposed to ‘Switzerland’.

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Helvetica

  • 1. Helvetica Helvetica is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger with Eduard Hoffmann. Helvetica was developed in 1957 by Max Miedinger with Eduard Hoffmann at the Haas’sche Schriftgiesserei (Haas type foundry) of Münchenstein, Swit- zerland. Haas set out to design a new sans-serif typeface that could compete with the successful Akzidenz-Grotesk in the Swiss market. Originally called Neue Haas Grotesk, its design was based on Schelter-Grotesk and Haas’ Normal Grotesk. The aim of the new design was to create a neutral typeface that had great clarity, no intrinsic meaning in its form, and could be used on a wide variety of signage. When Linotype adopted Neue Haas Grotesk (which was never planned to be a full range of mechanical and hot-metal typefaces) its design was reworked. After the success of Univers, Arthur Ritzel of Stempel redesigned Neue Haas Grotesk into a larger family. In 1960, the typeface’s name was changed by Haas’ German parent company Stempel to Helvetica in order to make it more marketable internationally. It was initially suggested that the type be called ‘Helvetia’ which is the original Latin name for Switzerland. This was ignored by Eduard Hoffmann as he de- cided it wouldn’t be appropriate to name a type after a country. He then de- cided on ‘Helvetica’ as this meant ‘Swiss’ as opposed to ‘Switzerland’.