SlideShare une entreprise Scribd logo
1  sur  75
[object Object],[object Object],[object Object],[object Object],From Seven Hill to Three Continents:  The Art of Ancient Rome
Roman Art: The earliest Roman art is generally associated with the overthrow of the Etruscan kings and the establishment of the Republic in 509 BC.  Copycats: While the traditional view of Roman artists is that they often borrowed from, and copied Greek precedents (much of the Greek sculpture known today is in the form of Roman marble copies), more recent analysis has indicated that Roman art is a highly creative pastiche relying heavily on Greek models but also encompassing Etruscan, native Italic, and even Egyptian visual culture. Stylistic eclecticism and practical application are the hallmarks of much Roman art.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Republican Roman Art
Temple of “Fortuna Virilis” from Rome, Italy ca. 75 B.C.E.
Head of a Roman patrician ca. 75-50 B.C.E. marble approximately 1 ft. 2 in. high The surviving portraits of prominent Roman Republican figures appear to be literal reproductions of individual faces. Although their style derives to some degree form Hellenistic and Etruscan, and perhaps even Ptolemaic Egyptian, portraits, Republican portraits are one way the patrician class celebrated its elevated position in society. These patricians did not ask sculptors to make them appear nobler than they were. Instead, they requested brutally realistic images of distinctive features.
Portrait of a Roman General Tivoli, Italy ca. 75 - 50 B.C.E. marble 6 ft. 2 in. high It was also the practice in sculpture during the Republican period to place portrait heads on youthful, heroic bodies.
Dinarius  with Portrait of Julius Caesar 44 B.C.E. silver 3/4 in.   dictator perpetuus
 
Amphitheater Pompeii, Italy  |  ca. 80 B.C.E.
First Style wall painting fauces of the Samnite House, Herculaneum, Italy late 2nd century B.C.E. fresco
Dionysiac mystery frieze Room 5, Pompeii, Italy |  ca. 60-50 B.C.E.  |  fresco  |  frieze approximately 64 in. high
 
Cubiculum (bedroom) from the villa of P. Fannius Synistor Boscoreale, Italy ca. 40-30 B.C.E. fresco
Gardenscape from the Villa of Livia, Primaporta, Italy ca. 30-20 B.C.E.  |  fresco  |  approximately 79 in. high
Gardenscape from the Villa of Livia, Primaporta, Italy ca. 30-20 B.C.E. fresco  approximately 79 in. high
still life with peaches Detail of 4th style  wall painting Herculaneum, Italy ca. 62-79 C.E. fresco  1 ft. 2 in. x 1 ft. 1 1/2 in.
Imperial Roman Art
Portrait of Augustus as general from Primaporta, Italy ca. 20 B.C.E. marble 80 in. high
Head of Caesar Augustus ca. 100 C.E. marble with traces of polychrome
Ara Pacis Augustae Rome, Italy ca. 13-9 B.C.E.  |  marble  |  63 in. high
 
Ara Pacis Augustae Rome, Italy ca. 13-9 B.C.E. marble 63 in. high
 
 
Maison Carée Nimes, France  |  ca. 1-10 C.E.
Maison Carée Nimes, France  |  ca. 1-10 C.E.
Pont-du-Gard Nimes, France ca. 16 B.C.E.
Pont-du-Gard Nimes, France ca. 16 B.C.E.
 
Colosseum Rome, Italy  |  ca. 70-80 C.E.
Colosseum Rome, Italy  |  ca. 70-80 C.E.
Colosseum Rome, Italy  |  ca. 70-80 C.E.
Arch of Titus Rome, Italy 81 C.E.
Arch of Titus Rome, Italy 81 C.E.
Portrait bust of a Flavian woman from Rome, Italy ca. 90 C.E. marble 25 in. high
Portrait of Carcalla ca. 211-217 C.E. marble 14 in. high
Pantheon  |  Rome, Italy  |  ca. 118-125 C.E.
 
Pantheon  |  Rome, Italy  |  ca. 118-125 C.E.
 
 
Al-Khazneh Petra, Jordan 2nd century C.E. http://www.tuesdaynightclub.co.uk/Tour_09/Nautica/09Nautica_12.html
Al-Khazneh Petra, Jordan 2nd century C.E. http://www.tuesdaynightclub.co.uk/Tour_09/Nautica/09Nautica_12.html
Al-Khazneh Petra, Jordan 2nd century C.E. http://www.tuesdaynightclub.co.uk/Tour_09/Nautica/09Nautica_12.html
Al-Khazneh Petra, Jordan 2nd century C.E. http://www.tuesdaynightclub.co.uk/Tour_09/Nautica/09Nautica_12.html
Al-Khazneh Petra, Jordan 2nd century C.E. http://www.tuesdaynightclub.co.uk/Tour_09/Nautica/09Nautica_12.html Al-Khazneh Petra, Jordan 2nd century C.E.
Al-Khazneh Petra, Jordan 2nd century C.E. http://img.geocaching.com/cache/a1211248-7d21-424a-8e9f-bb0e1aae90d2.jpg
Model of an Insula Ostia, Italy |  2nd century C.E.
Equestrian statue  of Marcus Aurelius from Rome, Italy ca. 175 C.E. bronze  |  11 ft. 6 in. high
Equestrian statue  of Marcus Aurelius from Rome, Italy ca. 175 C.E. bronze  |  11 ft. 6 in. high
 
Mummy portrait from Faiyum, Egypt ca. 160-170 C.E. encaustic on wood
Portrait Bust of Trajan Decius Capitolino, Rome 249-251 C.E. marble 2 ft. 7 in. high
Asiatic Sarcophagus with kline portrait of a woman 165-170 C.E.  |  marble  | 5 ft. 7 in. high
Sarcophagus of a Philosopher 270-280 C.E.  |  marble  |  4 ft. 11 in. high
 
Portraits of the four tetrarchs St. Mark’s, Venice ca. 305 C.E.  |  porphyry  |  51 in. high
Portraits of the four tetrarchs St. Mark’s, Venice ca. 305 C.E.  |  porphyry  |  51 in. high
 
Arch of Constantine Rome, Italy  |  ca. 312-315 C.E.
Arch of Constantine Rome, Italy ca. 312-315 C.E.
Remnants from the Colossal Statue of Constantine from the Basilica Nova, Rome, Italy ca. 315-330 C.E. marble head approximately 8 ft. 6 in. high The great head is carved in a typical, abstract, Constantinian of late Roman portrait statues, whereas the other body parts are naturalistic, even down to callused toes and bulging forearm veins.
 
Basilica Nova Rome, Italy |  306-312 C.E.
 
 
 
Aula Palatina (Basilica) Trier, Germany  |  early 4th century C.E.
Aula Palatina (Basilica) Trier, Germany  early 4th century C.E.
Palace of Diocletian Split, Croatia ca. 300 - 305 C.E.
Arch of Constantine Rome, Italy |  ca. 312-315 C.E.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Some of the greatest  Ancient Roman contribution(s) to the modern world
Sources ,[object Object],[object Object],[object Object],[object Object]

Contenu connexe

Tendances (20)

Ancient Roman Art
Ancient Roman ArtAncient Roman Art
Ancient Roman Art
 
Roman Art
Roman ArtRoman Art
Roman Art
 
Roman art
Roman artRoman art
Roman art
 
Roman Art
Roman ArtRoman Art
Roman Art
 
Ancient Roman Art 1.1
Ancient Roman Art 1.1Ancient Roman Art 1.1
Ancient Roman Art 1.1
 
AP Art History, Ancient Roman mural paintings
AP Art History, Ancient Roman mural paintingsAP Art History, Ancient Roman mural paintings
AP Art History, Ancient Roman mural paintings
 
AH 1 Ancient Rome part 2
AH 1 Ancient Rome part 2AH 1 Ancient Rome part 2
AH 1 Ancient Rome part 2
 
Roman Sculpture
Roman SculptureRoman Sculpture
Roman Sculpture
 
Roman Portraiture
Roman PortraitureRoman Portraiture
Roman Portraiture
 
The roman art
The roman artThe roman art
The roman art
 
Ancient Roman sculptures
Ancient Roman sculpturesAncient Roman sculptures
Ancient Roman sculptures
 
Review for Final Exam
Review for Final ExamReview for Final Exam
Review for Final Exam
 
Ancient rome
Ancient romeAncient rome
Ancient rome
 
ROME
ROMEROME
ROME
 
Roman art and architecture
Roman art and architectureRoman art and architecture
Roman art and architecture
 
Roman Art History, Part 1 - Stokstad, 3rd ed
Roman Art History, Part 1 - Stokstad, 3rd edRoman Art History, Part 1 - Stokstad, 3rd ed
Roman Art History, Part 1 - Stokstad, 3rd ed
 
Roman Art & Architecture
Roman Art & ArchitectureRoman Art & Architecture
Roman Art & Architecture
 
The Roman House
The Roman HouseThe Roman House
The Roman House
 
Ancient Rome Part 1
Ancient Rome Part 1Ancient Rome Part 1
Ancient Rome Part 1
 
Unit 3: Aegean
Unit 3:  AegeanUnit 3:  Aegean
Unit 3: Aegean
 

Similaire à ARTID111 Ancient Roman Art

Section6(Intro-Republic).ppt
Section6(Intro-Republic).pptSection6(Intro-Republic).ppt
Section6(Intro-Republic).pptSeema Srivastava
 
Art1100 LVA 14 Rome Online
Art1100 LVA 14 Rome OnlineArt1100 LVA 14 Rome Online
Art1100 LVA 14 Rome OnlineDan Gunn
 
2011 survey rome_-_pompeii
2011 survey rome_-_pompeii2011 survey rome_-_pompeii
2011 survey rome_-_pompeiiKDaigr
 
CLASSICAL CIVILASATION OF GREECE AND ROME.pptx
CLASSICAL CIVILASATION OF GREECE AND ROME.pptxCLASSICAL CIVILASATION OF GREECE AND ROME.pptx
CLASSICAL CIVILASATION OF GREECE AND ROME.pptxBrishmrita Boruah
 
Roman and medieval art (1)
Roman and medieval art (1)Roman and medieval art (1)
Roman and medieval art (1)IANBRUCELIGARAY
 
Ancient Roman Art powerpoint presentation
Ancient Roman Art powerpoint presentationAncient Roman Art powerpoint presentation
Ancient Roman Art powerpoint presentationDanielTamiru4
 
Slide concept by Anthony DAscoli FOR EDUCA.docx
Slide concept by Anthony DAscoli FOR EDUCA.docxSlide concept by Anthony DAscoli FOR EDUCA.docx
Slide concept by Anthony DAscoli FOR EDUCA.docxjennifer822
 
Lecture, Ancient Rome
Lecture, Ancient RomeLecture, Ancient Rome
Lecture, Ancient RomeLaura Smith
 
Week6 roman middleages_part2
Week6 roman middleages_part2Week6 roman middleages_part2
Week6 roman middleages_part2nateabels
 
Chapter 10: The Art of Ancient Rome
Chapter 10: The Art of Ancient RomeChapter 10: The Art of Ancient Rome
Chapter 10: The Art of Ancient Romerenee7806
 
Artreview Part1b
Artreview Part1bArtreview Part1b
Artreview Part1bbernsteinam
 
Greek, Etruscan, Roman Lecture
Greek, Etruscan, Roman LectureGreek, Etruscan, Roman Lecture
Greek, Etruscan, Roman Lecturejacob-grant-icc
 
Ap art history test 4
Ap art history test 4Ap art history test 4
Ap art history test 4mary294254374
 

Similaire à ARTID111 Ancient Roman Art (20)

Art History-Ancient Roman art.pdf
Art History-Ancient Roman art.pdfArt History-Ancient Roman art.pdf
Art History-Ancient Roman art.pdf
 
Chapter 7
Chapter 7Chapter 7
Chapter 7
 
Section6(Intro-Republic).ppt
Section6(Intro-Republic).pptSection6(Intro-Republic).ppt
Section6(Intro-Republic).ppt
 
Art1100 LVA 14 Rome Online
Art1100 LVA 14 Rome OnlineArt1100 LVA 14 Rome Online
Art1100 LVA 14 Rome Online
 
2011 survey rome_-_pompeii
2011 survey rome_-_pompeii2011 survey rome_-_pompeii
2011 survey rome_-_pompeii
 
Romanartpart i
Romanartpart iRomanartpart i
Romanartpart i
 
CLASSICAL CIVILASATION OF GREECE AND ROME.pptx
CLASSICAL CIVILASATION OF GREECE AND ROME.pptxCLASSICAL CIVILASATION OF GREECE AND ROME.pptx
CLASSICAL CIVILASATION OF GREECE AND ROME.pptx
 
Roman and medieval art (1)
Roman and medieval art (1)Roman and medieval art (1)
Roman and medieval art (1)
 
Ancient Roman Art powerpoint presentation
Ancient Roman Art powerpoint presentationAncient Roman Art powerpoint presentation
Ancient Roman Art powerpoint presentation
 
Roman Art Part II
Roman Art Part IIRoman Art Part II
Roman Art Part II
 
Slide concept by Anthony DAscoli FOR EDUCA.docx
Slide concept by Anthony DAscoli FOR EDUCA.docxSlide concept by Anthony DAscoli FOR EDUCA.docx
Slide concept by Anthony DAscoli FOR EDUCA.docx
 
Lecture, Ancient Rome
Lecture, Ancient RomeLecture, Ancient Rome
Lecture, Ancient Rome
 
Week6 roman middleages_part2
Week6 roman middleages_part2Week6 roman middleages_part2
Week6 roman middleages_part2
 
Rome 2019
Rome 2019Rome 2019
Rome 2019
 
Chapter 10: The Art of Ancient Rome
Chapter 10: The Art of Ancient RomeChapter 10: The Art of Ancient Rome
Chapter 10: The Art of Ancient Rome
 
Artreview Part1b
Artreview Part1bArtreview Part1b
Artreview Part1b
 
Greek, Etruscan, Roman Lecture
Greek, Etruscan, Roman LectureGreek, Etruscan, Roman Lecture
Greek, Etruscan, Roman Lecture
 
Roman Portraiture
Roman PortraitureRoman Portraiture
Roman Portraiture
 
Ap art history test 4
Ap art history test 4Ap art history test 4
Ap art history test 4
 
Chapter 7 - The Roman Empire
Chapter 7 - The Roman EmpireChapter 7 - The Roman Empire
Chapter 7 - The Roman Empire
 

Plus de Edeliza Macalandag

I.Am.Woman - A Women's Month Art Exhibit - Concept Note
I.Am.Woman - A Women's Month Art Exhibit - Concept NoteI.Am.Woman - A Women's Month Art Exhibit - Concept Note
I.Am.Woman - A Women's Month Art Exhibit - Concept NoteEdeliza Macalandag
 
ARTID111 Ancient Greek Art - Part 2
ARTID111 Ancient Greek Art - Part 2ARTID111 Ancient Greek Art - Part 2
ARTID111 Ancient Greek Art - Part 2Edeliza Macalandag
 
ARTID111 Ancient Greek Art - Part 1
ARTID111 Ancient Greek Art - Part 1ARTID111 Ancient Greek Art - Part 1
ARTID111 Ancient Greek Art - Part 1Edeliza Macalandag
 
ARTID111 Prehistoric Aegean Art
ARTID111 Prehistoric Aegean ArtARTID111 Prehistoric Aegean Art
ARTID111 Prehistoric Aegean ArtEdeliza Macalandag
 
Arch413 Term Project Requirements
Arch413 Term Project RequirementsArch413 Term Project Requirements
Arch413 Term Project RequirementsEdeliza Macalandag
 
ARTID111 Ancient Near East Art - Part 2
ARTID111 Ancient Near East Art - Part 2ARTID111 Ancient Near East Art - Part 2
ARTID111 Ancient Near East Art - Part 2Edeliza Macalandag
 
ARTID111 Ancient Egyptian Art - Part 2
ARTID111 Ancient Egyptian Art - Part 2ARTID111 Ancient Egyptian Art - Part 2
ARTID111 Ancient Egyptian Art - Part 2Edeliza Macalandag
 
ARTID111 Ancient Egyptian Art - Part 1
ARTID111 Ancient Egyptian Art - Part 1ARTID111 Ancient Egyptian Art - Part 1
ARTID111 Ancient Egyptian Art - Part 1Edeliza Macalandag
 

Plus de Edeliza Macalandag (14)

I.Am.Woman - A Women's Month Art Exhibit - Concept Note
I.Am.Woman - A Women's Month Art Exhibit - Concept NoteI.Am.Woman - A Women's Month Art Exhibit - Concept Note
I.Am.Woman - A Women's Month Art Exhibit - Concept Note
 
Arch 413 Manipulation of Form
Arch 413   Manipulation of FormArch 413   Manipulation of Form
Arch 413 Manipulation of Form
 
ARTID121 Early Medieval Art
ARTID121 Early Medieval ArtARTID121 Early Medieval Art
ARTID121 Early Medieval Art
 
ARTID121 Byzantine Art
ARTID121 Byzantine ArtARTID121 Byzantine Art
ARTID121 Byzantine Art
 
ARTID111 Ancient Greek Art - Part 2
ARTID111 Ancient Greek Art - Part 2ARTID111 Ancient Greek Art - Part 2
ARTID111 Ancient Greek Art - Part 2
 
ARTID111 Ancient Greek Art - Part 1
ARTID111 Ancient Greek Art - Part 1ARTID111 Ancient Greek Art - Part 1
ARTID111 Ancient Greek Art - Part 1
 
ARTID111 Etruscan Art
ARTID111 Etruscan ArtARTID111 Etruscan Art
ARTID111 Etruscan Art
 
ARTID111 Prehistoric Aegean Art
ARTID111 Prehistoric Aegean ArtARTID111 Prehistoric Aegean Art
ARTID111 Prehistoric Aegean Art
 
ARTID111 Early Christian Art
ARTID111 Early Christian ArtARTID111 Early Christian Art
ARTID111 Early Christian Art
 
Arch413 Term Project Requirements
Arch413 Term Project RequirementsArch413 Term Project Requirements
Arch413 Term Project Requirements
 
ARTID111 Ancient Near East Art - Part 2
ARTID111 Ancient Near East Art - Part 2ARTID111 Ancient Near East Art - Part 2
ARTID111 Ancient Near East Art - Part 2
 
ARTID111 Ancient Egyptian Art - Part 2
ARTID111 Ancient Egyptian Art - Part 2ARTID111 Ancient Egyptian Art - Part 2
ARTID111 Ancient Egyptian Art - Part 2
 
ARTID111 Ancient Egyptian Art - Part 1
ARTID111 Ancient Egyptian Art - Part 1ARTID111 Ancient Egyptian Art - Part 1
ARTID111 Ancient Egyptian Art - Part 1
 
ARTID111 Prehistoric Art
ARTID111 Prehistoric ArtARTID111 Prehistoric Art
ARTID111 Prehistoric Art
 

Dernier

Student login on Anyboli platform.helpin
Student login on Anyboli platform.helpinStudent login on Anyboli platform.helpin
Student login on Anyboli platform.helpinRaunakKeshri1
 
Disha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdfDisha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdfchloefrazer622
 
mini mental status format.docx
mini    mental       status     format.docxmini    mental       status     format.docx
mini mental status format.docxPoojaSen20
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxSayali Powar
 
JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...
JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...
JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...anjaliyadav012327
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfsanyamsingh5019
 
Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityGeoBlogs
 
Web & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdfWeb & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdfJayanti Pande
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)eniolaolutunde
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...EduSkills OECD
 
Russian Call Girls in Andheri Airport Mumbai WhatsApp 9167673311 💞 Full Nigh...
Russian Call Girls in Andheri Airport Mumbai WhatsApp  9167673311 💞 Full Nigh...Russian Call Girls in Andheri Airport Mumbai WhatsApp  9167673311 💞 Full Nigh...
Russian Call Girls in Andheri Airport Mumbai WhatsApp 9167673311 💞 Full Nigh...Pooja Nehwal
 
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...Sapna Thakur
 
Measures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDMeasures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDThiyagu K
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingTechSoup
 
Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104misteraugie
 
Separation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesSeparation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesFatimaKhan178732
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionSafetyChain Software
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdfSoniaTolstoy
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdfQucHHunhnh
 

Dernier (20)

Student login on Anyboli platform.helpin
Student login on Anyboli platform.helpinStudent login on Anyboli platform.helpin
Student login on Anyboli platform.helpin
 
Disha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdfDisha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdf
 
mini mental status format.docx
mini    mental       status     format.docxmini    mental       status     format.docx
mini mental status format.docx
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
 
JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...
JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...
JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdf
 
Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activity
 
Web & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdfWeb & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdf
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
 
Russian Call Girls in Andheri Airport Mumbai WhatsApp 9167673311 💞 Full Nigh...
Russian Call Girls in Andheri Airport Mumbai WhatsApp  9167673311 💞 Full Nigh...Russian Call Girls in Andheri Airport Mumbai WhatsApp  9167673311 💞 Full Nigh...
Russian Call Girls in Andheri Airport Mumbai WhatsApp 9167673311 💞 Full Nigh...
 
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
 
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
 
Measures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDMeasures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SD
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104
 
Separation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesSeparation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and Actinides
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory Inspection
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdf
 

ARTID111 Ancient Roman Art

  • 1.
  • 2. Roman Art: The earliest Roman art is generally associated with the overthrow of the Etruscan kings and the establishment of the Republic in 509 BC. Copycats: While the traditional view of Roman artists is that they often borrowed from, and copied Greek precedents (much of the Greek sculpture known today is in the form of Roman marble copies), more recent analysis has indicated that Roman art is a highly creative pastiche relying heavily on Greek models but also encompassing Etruscan, native Italic, and even Egyptian visual culture. Stylistic eclecticism and practical application are the hallmarks of much Roman art.
  • 3.
  • 4.  
  • 6. Temple of “Fortuna Virilis” from Rome, Italy ca. 75 B.C.E.
  • 7. Head of a Roman patrician ca. 75-50 B.C.E. marble approximately 1 ft. 2 in. high The surviving portraits of prominent Roman Republican figures appear to be literal reproductions of individual faces. Although their style derives to some degree form Hellenistic and Etruscan, and perhaps even Ptolemaic Egyptian, portraits, Republican portraits are one way the patrician class celebrated its elevated position in society. These patricians did not ask sculptors to make them appear nobler than they were. Instead, they requested brutally realistic images of distinctive features.
  • 8. Portrait of a Roman General Tivoli, Italy ca. 75 - 50 B.C.E. marble 6 ft. 2 in. high It was also the practice in sculpture during the Republican period to place portrait heads on youthful, heroic bodies.
  • 9. Dinarius with Portrait of Julius Caesar 44 B.C.E. silver 3/4 in.   dictator perpetuus
  • 10.  
  • 11. Amphitheater Pompeii, Italy | ca. 80 B.C.E.
  • 12. First Style wall painting fauces of the Samnite House, Herculaneum, Italy late 2nd century B.C.E. fresco
  • 13. Dionysiac mystery frieze Room 5, Pompeii, Italy | ca. 60-50 B.C.E. | fresco | frieze approximately 64 in. high
  • 14.  
  • 15. Cubiculum (bedroom) from the villa of P. Fannius Synistor Boscoreale, Italy ca. 40-30 B.C.E. fresco
  • 16. Gardenscape from the Villa of Livia, Primaporta, Italy ca. 30-20 B.C.E. | fresco | approximately 79 in. high
  • 17. Gardenscape from the Villa of Livia, Primaporta, Italy ca. 30-20 B.C.E. fresco approximately 79 in. high
  • 18. still life with peaches Detail of 4th style wall painting Herculaneum, Italy ca. 62-79 C.E. fresco 1 ft. 2 in. x 1 ft. 1 1/2 in.
  • 20. Portrait of Augustus as general from Primaporta, Italy ca. 20 B.C.E. marble 80 in. high
  • 21. Head of Caesar Augustus ca. 100 C.E. marble with traces of polychrome
  • 22. Ara Pacis Augustae Rome, Italy ca. 13-9 B.C.E. | marble | 63 in. high
  • 23.  
  • 24. Ara Pacis Augustae Rome, Italy ca. 13-9 B.C.E. marble 63 in. high
  • 25.  
  • 26.  
  • 27. Maison Carée Nimes, France | ca. 1-10 C.E.
  • 28. Maison Carée Nimes, France | ca. 1-10 C.E.
  • 29. Pont-du-Gard Nimes, France ca. 16 B.C.E.
  • 30. Pont-du-Gard Nimes, France ca. 16 B.C.E.
  • 31.  
  • 32. Colosseum Rome, Italy | ca. 70-80 C.E.
  • 33. Colosseum Rome, Italy | ca. 70-80 C.E.
  • 34. Colosseum Rome, Italy | ca. 70-80 C.E.
  • 35. Arch of Titus Rome, Italy 81 C.E.
  • 36. Arch of Titus Rome, Italy 81 C.E.
  • 37. Portrait bust of a Flavian woman from Rome, Italy ca. 90 C.E. marble 25 in. high
  • 38. Portrait of Carcalla ca. 211-217 C.E. marble 14 in. high
  • 39. Pantheon | Rome, Italy | ca. 118-125 C.E.
  • 40.  
  • 41. Pantheon | Rome, Italy | ca. 118-125 C.E.
  • 42.  
  • 43.  
  • 44. Al-Khazneh Petra, Jordan 2nd century C.E. http://www.tuesdaynightclub.co.uk/Tour_09/Nautica/09Nautica_12.html
  • 45. Al-Khazneh Petra, Jordan 2nd century C.E. http://www.tuesdaynightclub.co.uk/Tour_09/Nautica/09Nautica_12.html
  • 46. Al-Khazneh Petra, Jordan 2nd century C.E. http://www.tuesdaynightclub.co.uk/Tour_09/Nautica/09Nautica_12.html
  • 47. Al-Khazneh Petra, Jordan 2nd century C.E. http://www.tuesdaynightclub.co.uk/Tour_09/Nautica/09Nautica_12.html
  • 48. Al-Khazneh Petra, Jordan 2nd century C.E. http://www.tuesdaynightclub.co.uk/Tour_09/Nautica/09Nautica_12.html Al-Khazneh Petra, Jordan 2nd century C.E.
  • 49. Al-Khazneh Petra, Jordan 2nd century C.E. http://img.geocaching.com/cache/a1211248-7d21-424a-8e9f-bb0e1aae90d2.jpg
  • 50. Model of an Insula Ostia, Italy | 2nd century C.E.
  • 51. Equestrian statue of Marcus Aurelius from Rome, Italy ca. 175 C.E. bronze | 11 ft. 6 in. high
  • 52. Equestrian statue of Marcus Aurelius from Rome, Italy ca. 175 C.E. bronze | 11 ft. 6 in. high
  • 53.  
  • 54. Mummy portrait from Faiyum, Egypt ca. 160-170 C.E. encaustic on wood
  • 55. Portrait Bust of Trajan Decius Capitolino, Rome 249-251 C.E. marble 2 ft. 7 in. high
  • 56. Asiatic Sarcophagus with kline portrait of a woman 165-170 C.E. | marble | 5 ft. 7 in. high
  • 57. Sarcophagus of a Philosopher 270-280 C.E. | marble | 4 ft. 11 in. high
  • 58.  
  • 59. Portraits of the four tetrarchs St. Mark’s, Venice ca. 305 C.E. | porphyry | 51 in. high
  • 60. Portraits of the four tetrarchs St. Mark’s, Venice ca. 305 C.E. | porphyry | 51 in. high
  • 61.  
  • 62. Arch of Constantine Rome, Italy | ca. 312-315 C.E.
  • 63. Arch of Constantine Rome, Italy ca. 312-315 C.E.
  • 64. Remnants from the Colossal Statue of Constantine from the Basilica Nova, Rome, Italy ca. 315-330 C.E. marble head approximately 8 ft. 6 in. high The great head is carved in a typical, abstract, Constantinian of late Roman portrait statues, whereas the other body parts are naturalistic, even down to callused toes and bulging forearm veins.
  • 65.  
  • 66. Basilica Nova Rome, Italy | 306-312 C.E.
  • 67.  
  • 68.  
  • 69.  
  • 70. Aula Palatina (Basilica) Trier, Germany | early 4th century C.E.
  • 71. Aula Palatina (Basilica) Trier, Germany early 4th century C.E.
  • 72. Palace of Diocletian Split, Croatia ca. 300 - 305 C.E.
  • 73. Arch of Constantine Rome, Italy | ca. 312-315 C.E.
  • 74.
  • 75.

Notes de l'éditeur

  1. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  2. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  3. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  4. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  5. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  6. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  7. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  8. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  9. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  10. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  11. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  12. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  13. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  14. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  15. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  16. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  17. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  18. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  19. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  20. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  21. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  22. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  23. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  24. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  25. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  26. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  27. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  28. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  29. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  30. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  31. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  32. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  33. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  34. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  35. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  36. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  37. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  38. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  39. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  40. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  41. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  42. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  43. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  44. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  45. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  46. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  47. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  48. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  49. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  50. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  51. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  52. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  53. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  54. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  55. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  56. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  57. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  58. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  59. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  60. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  61. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  62. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  63. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  64. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  65. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  66. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  67. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  68. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  69. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  70. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  71. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  72. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  73. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  74. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  75. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.