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Revisiting the AVMSD after Netflix
or Amazon Prime Video
Prof. Loreto Corredoira
Complutense Univ.
Madrid
OUTLINE
1. Why the need for change
2. Change …in what direction?
Harmonizing Regulation Linear-Non linear
Copyright rules
3. Change to a borderless tv market
4. Conclusions
Content regulation
1. Why the need for change
Digital content
single market
Copyright reform/
Geoblocking
Cultural quotas
Competitiveness
Movies platforms
Because there is a big misalignment
gap
Copyright
policy
Cross-border
portability
Multiterritorial
licenses
Movie
industry rules
- windows
- exclusive
rights
Role of Collective
Management
Organizations
(CMOs)
Audiovisual
Regulation
Content
regulation
(commercials,
prohibited
content, minors)
Company rules
Editorial
responsible
Transparency
Quotas Viewer´s rights
Because regulation is profoundly mismatched
1. Why the need for change
Non linear
Linear
1. Why the need for change
Because we require clear definitions
Directive 2010/13 definition (art. 1) “audiovisual media service is
either a television broadcast … or an on-demand audiovisual media
service..”
Non linear
Linear
1. Why the need for change
Because we require clear definitions
“on-demand audiovisual media service” (i.e. a non-
linear audiovisual media service) means…..
the viewing of programmes at the moment chosen by
the user and at his individual request on the basis of a
catalogue of programmes selected by the media service
provider”
2. Changes in what direction?
New NON-LINEAR SERVICE added (aa)
'video-sharing platform service‘, a service available by
electronic communications networks which can consist in
- the storage of a large amount of programmes or
user-generated videos
- the organisation of the stored content is determined
by the provider
- programmes and user-generated videos to the
general public, in order to inform, entertain or
educate”
AVMSD moves towards new market reality
Fig. 1
2. Changes in what direction?
Toward harmonized Audiovisual and Copyright policy
Toward harmonized Audiovisual and Copyright policy
3. Change towards a borderless tv
market
4. Conclusions
• Freedom of communication and movements as basis to be applied to “any kind of
media”
• Harmonization of linear and non linear: there is only a way to reach audience
– To clarify what is not applied to non linear (newspapers? Cloud storage?)
– “responsible editor”
• Convergence between future AVMSD and the cross-border content portability
– Need of having a multiterritorial licence system to allow video-TV portability
– Naming the cross-portability regulation explicitly (as it already does for eCommerce...)
– To think of the “cross-border” users
• Do not extend current cultural quotas and financial support rules to non-linear
services
– 20% quota would be feasible for Netflix …
– Explore other measures for cultural protection
– The US providers (Netflix, Amazon..) can be an opportunity for join inversions with filmakers,
movie industries
– Not cultural invasion but mutual enrichment
• To be generous and foreseeing trends
Thank you!
Loreto Corredoira
School of Communication
Complutense University, Madrid
loretoc @ ucm.es
Twitter @loretoc
Blog: cyberlaw.ucm.es

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Revisiting Audiovisual Media Services Directive AVMSD after Netflix or Amazon Prime Video

  • 1. Revisiting the AVMSD after Netflix or Amazon Prime Video Prof. Loreto Corredoira Complutense Univ. Madrid OUTLINE 1. Why the need for change 2. Change …in what direction? Harmonizing Regulation Linear-Non linear Copyright rules 3. Change to a borderless tv market 4. Conclusions
  • 2. Content regulation 1. Why the need for change Digital content single market Copyright reform/ Geoblocking Cultural quotas Competitiveness Movies platforms Because there is a big misalignment gap
  • 3. Copyright policy Cross-border portability Multiterritorial licenses Movie industry rules - windows - exclusive rights Role of Collective Management Organizations (CMOs) Audiovisual Regulation Content regulation (commercials, prohibited content, minors) Company rules Editorial responsible Transparency Quotas Viewer´s rights Because regulation is profoundly mismatched 1. Why the need for change
  • 4. Non linear Linear 1. Why the need for change Because we require clear definitions Directive 2010/13 definition (art. 1) “audiovisual media service is either a television broadcast … or an on-demand audiovisual media service..”
  • 5. Non linear Linear 1. Why the need for change Because we require clear definitions “on-demand audiovisual media service” (i.e. a non- linear audiovisual media service) means….. the viewing of programmes at the moment chosen by the user and at his individual request on the basis of a catalogue of programmes selected by the media service provider”
  • 6. 2. Changes in what direction? New NON-LINEAR SERVICE added (aa) 'video-sharing platform service‘, a service available by electronic communications networks which can consist in - the storage of a large amount of programmes or user-generated videos - the organisation of the stored content is determined by the provider - programmes and user-generated videos to the general public, in order to inform, entertain or educate” AVMSD moves towards new market reality
  • 7. Fig. 1 2. Changes in what direction? Toward harmonized Audiovisual and Copyright policy
  • 8. Toward harmonized Audiovisual and Copyright policy
  • 9. 3. Change towards a borderless tv market
  • 10.
  • 11. 4. Conclusions • Freedom of communication and movements as basis to be applied to “any kind of media” • Harmonization of linear and non linear: there is only a way to reach audience – To clarify what is not applied to non linear (newspapers? Cloud storage?) – “responsible editor” • Convergence between future AVMSD and the cross-border content portability – Need of having a multiterritorial licence system to allow video-TV portability – Naming the cross-portability regulation explicitly (as it already does for eCommerce...) – To think of the “cross-border” users • Do not extend current cultural quotas and financial support rules to non-linear services – 20% quota would be feasible for Netflix … – Explore other measures for cultural protection – The US providers (Netflix, Amazon..) can be an opportunity for join inversions with filmakers, movie industries – Not cultural invasion but mutual enrichment • To be generous and foreseeing trends
  • 12. Thank you! Loreto Corredoira School of Communication Complutense University, Madrid loretoc @ ucm.es Twitter @loretoc Blog: cyberlaw.ucm.es