The Netherlands Institute for Sound and Vision holds the largest audiovisual archive in the Netherlands with 700,000 hours of content from broadcasters, institutions, and individuals. It conserves and digitizes this heritage to make it available for education, the general public, and the creative industry. The Images for the Future consortium, including 6 partners, aims to digitize over 2 million items to optimize access to the country's audiovisual heritage.
10. (import) metadata (import) content metadata (conversions) content (encoding) Digital Archive Digital Born 15.000 hours of video 40.000 hours of radio Digitising Legacy Material Images for the Future >250.000 hrs of audio and video Asset management Exhibitions Public Web Acces User generated content and metadata Broadcast Professional Education
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12. Participatory Culture “ […] a culture with relatively low barriers to artistic expression and civic engagement, strong support for creating and sharing one’s creations, and some type of informal mentorship whereby what is known by the most experienced is passed along to novices. […] Participatory culture is emerging as the culture absorbs and responds to the explosion of new media technologies that make it possible for average consumers to archive , annotate , appropriate , and recirculate media content in powerful new ways .” (Henry Jenkins, 2006)
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15. Why Open Video? OVA & Intelligent TV How Creative Reuse of Audiovisual Material is (Becoming) Essential to (Internet) Culture, and Hence is NOT to be Ingnored
20. What is a Commons? A set of resources maintained in the public sphere for the use and benefit of everyone (from Imagining a Smithsonian Commons ) Michael Edson
21. What is a Commons? In the law, and in our understanding of the way the world works, we recognize that no idea stands alone, and that all innovation is built on the ideas and innovations of others… (from Imagining a Smithsonian Commons ) Michael Edson
22. What is a Commons? … When creators are allowed free and unrestricted access to the work of others, through the public domain, fair use, a commons, or other means, innovation flourishes. (from Imagining a Smithsonian Commons ) Michael Edson
36. Examples of Reuse uploads to the Wikimedia Commons, audiovisual illustrations on Wikipedia, reuse on thematic websites, a mobile application & remixes by aspiring video makers
47. F lying Monsters from the Sky Michiel Schellekens (example of creative reuse)
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Notes de l'éditeur
Allereerst beginnen we met de drie collectiehoudende instellingen. Het Nederlands Instituut voor Beeld en Geluid beheert de grootste audiovisuele collectie van Nederland. Edwin van Huis is de vertegenwoordiger in het consortium. Het Filmmuseum beheert de belangrijkste cinematografische collectie in Nederland. Rien Hagen is …. Het Nationaal Archief beheert 1000 geschiedenis van Nederland. Hiertoe behoort ook een grote en belangrijke collectie fotomateriaal. Bert de Vries is …. Naast de collectiehouders maken de volgende distributie en ontwikkelpartners deel uit van het consortium: De Vereniging van Openbare Bibliotheken vertegenwoordigt de 450 Nederlandse bibliotheken. Het bereik van de VOB is enorm. Friso Visser ….. De Centrale Discotheek Rotterdam heeft een grote collectie muziek in beheer. De CDR heeft bijzondere expertise met het digitaal uitlenen van muziek. Michiel Laan ….. Stichting Nederland Kennisland is een denktank met veel ontwikkelkracht en met kennis van aanvullende vormen van auteursrecht in het digitale domein. Hans Westerhof ….