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THE AGE OF CLASSICISM
What then is a Classic? 
A Classic is a work of high authority. It could mean 
a literary work belonging to ancient Greece or 
Rome or a writer or his/her work that is of such 
high quality/merit — that, it is acknowledged as 
excellent. 
The influence of classicism was strong in France in 
the 17th and the 18th centuries, but its influence 
was also felt very strongly in England at that time.
The Classic Age 
CLASSICISM 
 is a body of doctrine thought to be derived from or 
to reflect the qualities of ancient Greek and Roman 
culture,. 
 the term refers to the admiration and imitation of 
Greek and Roman literature, art, and architecture. 
 refers to the styles, rules, conventions and modes of 
the classical authors, and their influence on the 
works of later authors
The Renaissance 
The first major revival of classicism 
”Cosimo de' Medici” gathered a circle of 
humanists who collected, studied, 
expounded, and imitated the classics. 
The Greek and Roman orders of 
architecture were also revived during the 
Renaissance and applied to ecclesiastical 
designs.
• The classicism of the Renaissance led 
formation of schools of art and music. 
• The Renaissance also explicitly returned 
to architectural models and techniques 
associated with Greek and Roman 
antiquity, including the golden rectangle as 
a key proportion for buildings, the classical 
orders of columns, as well as a host of 
ornament and detail associated with Greek 
and Roman architecture.
• Italy writers affected by the revival of 
classical conventions included Francis 
Bacon and Ben Jonson in England and 
Pierre Corneille and Jean Racine in 
France. 
• Renaissance painters and sculptors 
whose works reflect the classical influence 
include Andrea Mantegna, Raphael, and 
Michelangelo.
PLAYWRITES 
• Major English 
Renaissance authors 
• William Shakespeare an 
English poet and 
playwright, widely 
regarded as the greatest 
writer in the English 
language and the world's 
pre-eminent dramatist.[1] 
He is often called 
England's national poet 
and the "Bard of Avon"
• BEN JONSON 
contemporary of William 
Shakespeare, he is best 
known for his satirical 
plays, particularly Volpone, 
The Alchemist, and 
Bartholomew Fair, which 
are considered his 
best,and his lyric poem
• Christopher Marlowe) was 
an English dramatist, poet 
and translator of the 
Elizabethan era. Marlowe 
was the foremost 
Elizabethan tragedian of 
his day
• William Wycherley an 
English dramatist of the 
Restoration period, best 
known for the plays The 
Country Wife and The 
Plain Dealer.
Edmund Spenser poet best 
known for The Faerie Queene, an 
epic poem and fantastical allegory 
celebrating the Tudor dynasty and 
Elizabeth I. He is recognised as 
one of the premier craftsmen of 
Modern English verse in its 
infancy, and is considered one of 
the greatest poets in the English 
language.
In the theatre 
• Classicism in the theatre was developed 
by 17th century French playwrights from 
what they judged to be the rules of Greek 
classical theatre, including the "Classical 
unities" of time, place and action, found in 
the Poetics of Aristotle.
monalisa Last supper
david pieta
They believe that nature in 
universe was imitation or 
mimesis. 
Art is dangerous because when 
human being see or hear art , 
they want to imitate it.
• Shakespeare's King Lear is considered a 
classic of English literature and The 
Scarlet Letter in American literature.
• The influence of these French rules on playwrights 
in other nations is debatable. In the English 
theatre, 
• Restoration playwrights such as William Wycherly 
and William Congreve would have been familiar 
with them. 
• William Shakespeare and his contemporaries did 
not follow this Classicist philosophy, in particular 
since they were not French and also because they 
wrote several decades prior to their establishment. 
• Those of Shakespeare's plays that seem to 
display the unities, such as The Tempest, 
probably indicate a familiarity with actual models 
from classical antiquity.
In architecture 
• Classicism in architecture developed during 
the Italian Renaissance, notably in the 
writings and designs of Leon Battista Alberti 
and the work of Filippo Brunelleschi. 
• Church architecture essentially continued in a 
late Gothic style until the Reformation, and 
then stopped almost completely, although 
church monuments, screens and other fittings 
often had classical styles from about the mid-century. 
The few new church buildings were 
usually still Gothic in style
England’s most significant 
contribution the arts in the 17th 
and .
BUCKINGHAM PALACE
• The 20th Century 
• In early 20th-century Europe and the United 
States there was a renewed interest in Greek 
literature, and classical models were 
somewhat revived, as in the work of Ezra 
Pound and T. S. Eliot. 
• Abstracted classical elements can be found 
in the paintings of Paul C¨¦zanne and Pablo 
Picasso, and in the architecture of Ludwig 
Mies van der Rohe. A more overt classicism 
has found renewed acceptance among many 
postmodern architects in recent years. 
Spearheading the 20th-century neoclassical 
revival in music
• Prepared by: 
• MANILYN 
CABAYAO 
•ANGEL 
PALABRICA

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Classicism

  • 1. THE AGE OF CLASSICISM
  • 2. What then is a Classic? A Classic is a work of high authority. It could mean a literary work belonging to ancient Greece or Rome or a writer or his/her work that is of such high quality/merit — that, it is acknowledged as excellent. The influence of classicism was strong in France in the 17th and the 18th centuries, but its influence was also felt very strongly in England at that time.
  • 3. The Classic Age CLASSICISM  is a body of doctrine thought to be derived from or to reflect the qualities of ancient Greek and Roman culture,.  the term refers to the admiration and imitation of Greek and Roman literature, art, and architecture.  refers to the styles, rules, conventions and modes of the classical authors, and their influence on the works of later authors
  • 4. The Renaissance The first major revival of classicism ”Cosimo de' Medici” gathered a circle of humanists who collected, studied, expounded, and imitated the classics. The Greek and Roman orders of architecture were also revived during the Renaissance and applied to ecclesiastical designs.
  • 5. • The classicism of the Renaissance led formation of schools of art and music. • The Renaissance also explicitly returned to architectural models and techniques associated with Greek and Roman antiquity, including the golden rectangle as a key proportion for buildings, the classical orders of columns, as well as a host of ornament and detail associated with Greek and Roman architecture.
  • 6. • Italy writers affected by the revival of classical conventions included Francis Bacon and Ben Jonson in England and Pierre Corneille and Jean Racine in France. • Renaissance painters and sculptors whose works reflect the classical influence include Andrea Mantegna, Raphael, and Michelangelo.
  • 7. PLAYWRITES • Major English Renaissance authors • William Shakespeare an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.[1] He is often called England's national poet and the "Bard of Avon"
  • 8. • BEN JONSON contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best,and his lyric poem
  • 9. • Christopher Marlowe) was an English dramatist, poet and translator of the Elizabethan era. Marlowe was the foremost Elizabethan tragedian of his day
  • 10. • William Wycherley an English dramatist of the Restoration period, best known for the plays The Country Wife and The Plain Dealer.
  • 11. Edmund Spenser poet best known for The Faerie Queene, an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognised as one of the premier craftsmen of Modern English verse in its infancy, and is considered one of the greatest poets in the English language.
  • 12. In the theatre • Classicism in the theatre was developed by 17th century French playwrights from what they judged to be the rules of Greek classical theatre, including the "Classical unities" of time, place and action, found in the Poetics of Aristotle.
  • 15. They believe that nature in universe was imitation or mimesis. Art is dangerous because when human being see or hear art , they want to imitate it.
  • 16. • Shakespeare's King Lear is considered a classic of English literature and The Scarlet Letter in American literature.
  • 17. • The influence of these French rules on playwrights in other nations is debatable. In the English theatre, • Restoration playwrights such as William Wycherly and William Congreve would have been familiar with them. • William Shakespeare and his contemporaries did not follow this Classicist philosophy, in particular since they were not French and also because they wrote several decades prior to their establishment. • Those of Shakespeare's plays that seem to display the unities, such as The Tempest, probably indicate a familiarity with actual models from classical antiquity.
  • 18. In architecture • Classicism in architecture developed during the Italian Renaissance, notably in the writings and designs of Leon Battista Alberti and the work of Filippo Brunelleschi. • Church architecture essentially continued in a late Gothic style until the Reformation, and then stopped almost completely, although church monuments, screens and other fittings often had classical styles from about the mid-century. The few new church buildings were usually still Gothic in style
  • 19. England’s most significant contribution the arts in the 17th and .
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  • 24. • The 20th Century • In early 20th-century Europe and the United States there was a renewed interest in Greek literature, and classical models were somewhat revived, as in the work of Ezra Pound and T. S. Eliot. • Abstracted classical elements can be found in the paintings of Paul C¨¦zanne and Pablo Picasso, and in the architecture of Ludwig Mies van der Rohe. A more overt classicism has found renewed acceptance among many postmodern architects in recent years. Spearheading the 20th-century neoclassical revival in music
  • 25. • Prepared by: • MANILYN CABAYAO •ANGEL PALABRICA